Thursday, September 04, 2008

The Space of Memory

Speed of Life
Gregg Chadwick
Speed of Life
65"x49" oil on linen
private collection San Francisco

Just months before his death, I saw the painter RB Kitaj after a UCLA sponsored presentation he gave at the Hammer Museum in Los Angeles. Kitaj saw a card gripped in my hand of my painting, A Walk with Ganesh, and he started our brief conversation saying, “Is that for me? I would like to have that.” I handed him the card and watched him examine the image of the painting in his hands, and then my face as we talked. Moved by our discussion, I went home and painted Kitaj as he appeared that evening; white beard, roaring voice, stern focus, like a prophet calling figurative artists, in particular, to “paint their worlds.”

My world today is a fusion of the present moment, tempered by the memory of the past, and thrust into the future by the motion of time. Travels since childhood have taken me from the U.S. to Asia to Australia to Europe and back, again and again. These wanderings provide a series of spaces that appear within my paintings.

My painting process is grounded in traditional materials. I start with primed linen canvas made in Belgium, as it has been done for centuries. For each painting I grind some of my pigments into linseed oil to make oil colors. As I use these methods, I am physically engaged in the now, pulling moments from our flux of time and space. The figures in my paintings express what it means to be alive in the mixing and crossing of the 21st century, here in the U.S. and across the globe.

After I finished my Master’s Degree in Fine Art at NYU, I moved for a time to London to seek out the spaces of RB Kitaj’s paintings and the light of JMW Turner. In a small studio at the Royal College of Art I painted in a space in which Kitaj also had painted. The window beside my easel opened to a vast Turnerian sky. Past, present and future fused into the now. Inspiration was made current by the very space in which I stood in that moment, with such awareness and clarity. Today in my studio in Santa Monica, as I press into the future, that moment echoes and beckons and urges me on.

Gregg Chadwick
September 2008

Dream of the East

Dream of the East
Gregg Chadwick
48"x38" oil on linen
private collection San Francisco

Wednesday, September 03, 2008

Palin's Failure

"it is important for the public to know that Palin raised taxes as governor, supported the Bridge to Nowhere before she opposed it, pursued pork-barrel projects as mayor, tried to ban books at the local library and thinks the war in Iraq is "a task from God." The attempts by the McCain campaign to bully us into not reporting such things are not only stupidly aggressive, but unprofessional in the extreme."
-Joe Klein, Time

"Wall Street Journal columnist and former Reagan speechwriter Peggy Noonan and former John McCain adviser, Time columnist, and MSNBC contributor Mike Murphy were caught on tape disparaging John McCain's selection of Alaska Governor Sarah Palin as his Vice Presidential running mate:

"It's over," Noonan said.

When Chuck Todd asked her if this was the most qualified woman the Republicans could nominate, Noonan responded, "The most qualified? No. I think they went for this, excuse me, political bullshit about narratives. Every time the Republicans do that, because that's not where they live and that's not what they're good at, they blow it."

Murphy characterized the choices as "cynical" and "gimmicky."

More at:
Peggy Noonan and Mike Murphy
FAIR USE NOTICE:: This site contains images and excerpts made available for the purpose of analysis and critique, as well as to advance the understanding of artistic, political, media and cultural issues. The 'fair use' of such material is provided for under U.S. Copyright Law. In accordance with U.S. Code Title 17, Section 107, material on this site (along with credit links and attributions to original sources) is viewable for educational and intellectual purposes. If you are interested in using any copyrighted material from this site for any reason that goes beyond 'fair use,' you must first obtain permission from the copyright owner.