Speed of Life

Peter Clothier's Inspiring New Book: Mind Work

2012-01-30T14:52:00.000-08:00

by Gregg Chadwick

Peter Clothier's Mind Work explores the history and spiritual dimensions of his inspiring life. Clothier is known for insightful writing on the arts and artists which adds luminosity to the events depicted in Mind Work. The volume delves deeply into a life well lived and inspires us to consider our own lives in a spirit of humility and acceptance.

The book is structured into a series of essays that reflect an admiration for Montaigne's writings. In this spirit, each chapter of Mind Work dwells upon a singular idea and illuminates this idea with episodes drawn from Clothier's experiences.

Mind Work deftly weaves Peter's family history into essays rich with metaphysical questioning. Looming behind much of Clothier's life is the recurring struggle to both live up to his father's dreams for him and to overcome them. In one pivotal chapter, Clothier and his wife Ellie encounter, for the first time, Michelangelo's sculpture of Moses in the Church of St. Peter in Chains in Rome. Clues to Peter's past, present and future are found in that moment. As I read that passage, I pictured all the Peter Clothiers depicted in the book - from the just named infant, to the wounded boy, to the young man on the train to Spain, to the adolescent bloodied in a German car crash, to the young father unsure of life and family, to the art writer, to the academic, to the inspirational man that Peter is today.

The Buddhist practice of meditation plays a vital role in Peter's life. Discussions of Buddhism provide an interconnecting thread throughout Mind Work. In essence, life for Peter can be seen as a series of actions and then the result of these actions. Peter's mantra, "This is not me. This is not mine. This is not who I am.", guides us through Mind Work and reminds us of the inspired discipline found in his spiritual struggles and triumphs.

Peter Clothier's Mind Work honestly grapples with one man's life and expands the viewpoint to help us consider the human condition. The writing in Mind Work is cinematic and brings us face to face with the rich life and the fertile mind of Peter Clothier.

Highly recommended.

Peter Clothier Reads by Torchlight at the Standard Hotel, Hollywood
photo by Gregg Chadwick

More at:
Parami Press: Mind Work by Peter Clothier
Peter Clothier's Always Engaging Blog: The Buddha Diaries

I Just Got the Urge to Take the Day Off Thanks to Matthew Broderick and His Honda CR-V

2012-01-30T10:14:00.000-08:00

For Super Bowl XLVI, Honda has released an homage to Ferris Bueller's Day Off starring Matthew Broderick in a reprise of his iconic role. Only, this time Ferris is a grown up film star who calls in sick.
The truant hops in his bright red 2012 Honda CR-V and relishes a day in L.A.

According to Honda, over two dozen movie references are hidden throughout the ad directed
by Todd Phillips. For the Twitter inclined - Use the hashtag #dayoff and find them all

My favorite scene is with the walrus...

The Automaton's Secret

2012-01-29T13:42:00.000-08:00

by Gregg Chadwick

Henri Maillardet's Automaton at The Franklin Institute

In November 1928, the fire scarred remains of a mechanical boy were dropped off at The Franklin Institute in Philadelphia, Pennsylvania. Left in pieces, it took months of painstaking work to reassemble the automaton. Little was known about the history of this extraordinary object. Like the automaton in Brian Selznick's magical, graphic novel The Invention of Hugo Cabret and Martin Scorsese's wonderful film adaptation of the book now simply entitled Hugo, the machine itself provided the clue to its origins.

When the complicated cogs and mechanisms were repaired and the machine was rewound for the first time in decades, the automaton's hand began to draw. Remarkably the machine's mechanical memory, held four drawings and three poems (illustrated below). One of the poems finished with a signature in French, "Ecrit par l'Automate de Maillardet." The mechanical boy signed the name of his creator - Maillardet.

Further research led to the Swiss watch-maker and automaton creator Henri Maillardet. Working primarily in London, Maillardet seems to have created The Franklin Institute's Automaton before 1800 while working in the mechanical shop of Pierre Jaquet-Droz. The Franklin Institute believes that Maillardet created only one other automaton that could write. This missing masterpiece wrote in Chinese and was created for the Emperor of China and given as a gift by King George III of England.

Mysteries still remain. How did the automaton get to the United States? Why did it end up in Philadelphia? A clue might be found in the fire damaged state of the automaton upon its delivery at the Franklin Institute.

It is known that the circus impresario and showman P.T. Barnum collected curios, including automata, and housed them in his museums in New York that were destroyed by fire. Perhaps the Franklin Institute's mechanical boy was saved from P.T. Barnum's smoldering collection - waiting for someone to turn his key once more.

Brian Selznick's The Invention of Hugo Cabret was inspired by the Franklin Institute's Automaton.
In this video shot at the museum, Selznick discusses Maillardet's Automaton and its influence on his book.

Above:

Four Drawings and Three Poem's Written by Maillardet's Restored Automaton at the Franklin Institute

Charles Penniman adjusts Maillardet's Automaton at the Franklin Institute.

A Still From Martin Scorsese's "Hugo" Illustrating His Adaptation of Maillardet's Automaton

Henri Maillardet's Automaton at The Franklin Institute and More From CBS Sunday Morning

Henri Maillardet's Automaton at The Franklin Institute

Much More at:
Maillardet's Automaton at the Franklin Institute
Brian Selznick and The Invention of Hugo Cabret
Martin Scorsese's Hugo

President Barack Obama Sings "Let's Stay Together" at the Apollo and the Country Responds

2012-01-27T08:24:00.000-08:00

by Gregg Chadwick

President Barack Obama sang the first line of Al Green's hit "Let's Stay Together" at a January 19, 2012 fundraiser at New York's historic Apollo Theater and, according to Billboard, sales have increased almost 500% this past week after the video of the moment went viral. Al Green was at the event and evidently inspired our President to surprise the crowd and his staff with a confident a cappella rendition.

Al Green's "Let's Stay Together" sold 16,000 downloads in the week ending January 22, 2012 according to Nielsen SoundScan. This is the best sales week for Green's classic song since SoundScan began tracking downloads in 2003.

President Barack Obama and Al Green

Photo Courtesy Billboard

President Barack Obama's State of the Union Speech - January 2012 (Full Text)

2012-01-25T10:19:00.000-08:00

State of the Union 2012

President Barack Obama - January 2012 (Full Text)

Mr. Speaker, Mr. Vice President, members of Congress, distinguished guests, and fellow Americans:

Last month, I went to Andrews Air Force Base and welcomed home some of our last troops to serve in Iraq. Together, we offered a final, proud salute to the colors under which more than a million of our fellow citizens fought – and several thousand gave their lives.

We gather tonight knowing that this generation of heroes has made the United States safer and more respected around the world. For the first time in nine years, there are no Americans fighting in Iraq. For the first time in two decades, Osama bin Laden is not a threat to this country. Most of al Qaeda’s top lieutenants have been defeated. The Taliban’s momentum has been broken, and some troops in Afghanistan have begun to come home.

These achievements are a testament to the courage, selflessness, and teamwork of America’s Armed Forces.

At a time when too many of our institutions have let us down, they exceed all expectations. They’re not consumed with personal ambition. They don’t obsess over their differences. They focus on the mission at hand. They work together.

Imagine what we could accomplish if we followed their example. Think about the America within our reach: A country that leads the world in educating its people. An America that attracts a new generation of high-tech manufacturing and high-paying jobs. A future where we’re in control of our own energy, and our security and prosperity aren’t so tied to unstable parts of the world. An economy built to last, where hard work pays off, and responsibility is rewarded.

We can do this. I know we can, because we’ve done it before. At the end of World War II, when another generation of heroes returned home from combat, they built the strongest economy and middle class the world has ever known.

My grandfather, a veteran of Patton’s Army, got the chance to go to college on the GI Bill. My grandmother, who worked on a bomber assembly line, was part of a workforce that turned out the best products on Earth.

The two of them shared the optimism of a Nation that had triumphed over a depression and fascism. They understood they were part of something larger; that they were contributing to a story of success that every American had a chance to share – the basic American promise that if you worked hard, you could do well enough to raise a family, own a home, send your kids to college, and put a little away for retirement.

The defining issue of our time is how to keep that promise alive. No challenge is more urgent. No debate is more important. We can either settle for a country where a shrinking number of people do really well, while a growing number of Americans barely get by. Or we can restore an economy where everyone gets a fair shot, everyone does their fair share, and everyone plays by the same set of rules. What’s at stake are not Democratic values or Republican values, but American values. We have to reclaim them.

Let’s remember how we got here. Long before the recession, jobs and manufacturing began leaving our shores. Technology made businesses more efficient, but also made some jobs obsolete. Folks at the top saw their incomes rise like never before, but most hardworking Americans struggled with costs that were growing, paychecks that weren’t, and personal debt that kept piling up.

In 2008, the house of cards collapsed. We learned that mortgages had been sold to people who couldn’t afford or understand them. Banks had made huge bets and bonuses with other people’s money. Regulators had looked the other way, or didn’t have the authority to stop the bad behavior.

It was wrong. It was irresponsible. And it plunged our economy into a crisis that put millions out of work, saddled us with more debt, and left innocent, hard-working Americans holding the bag. In the six months before I took office, we lost nearly four million jobs. And we lost another four million before our policies were in full effect.

Those are the facts. But so are these. In the last 22 months, businesses have created more than three million jobs. Last year, they created the most jobs since 2005. American manufacturers are hiring again, creating jobs for the first time since the late 1990s. Together, we’ve agreed to cut the deficit by more than $2 trillion. And we’ve put in place new rules to hold Wall Street accountable, so a crisis like that never happens again.

The state of our Union is getting stronger. And we’ve come too far to turn back now. As long as I’m President, I will work with anyone in this chamber to build on this momentum. But I intend to fight obstruction with action, and I will oppose any effort to return to the very same policies that brought on this economic crisis in the first place.

No, we will not go back to an economy weakened by outsourcing, bad debt, and phony financial profits. Tonight, I want to speak about how we move forward, and lay out a blueprint for an economy that’s built to last – an economy built on American manufacturing, American energy, skills for American workers, and a renewal of American values.

This blueprint begins with American manufacturing.

On the day I took office, our auto industry was on the verge of collapse. Some even said we should let it die. With a million jobs at stake, I refused to let that happen. In exchange for help, we demanded responsibility. We got workers and automakers to settle their differences. We got the industry to retool and restructure. Today, General Motors is back on top as the world’s number one automaker. Chrysler has grown faster in the U.S. than any major car company. Ford is investing billions in U.S. plants and factories. And together, the entire industry added nearly 160,000 jobs.

We bet on American workers. We bet on American ingenuity. And tonight, the American auto industry is back.

What’s happening in Detroit can happen in other industries. It can happen in Cleveland and Pittsburgh and Raleigh. We can’t bring back every job that’s left our shores. But right now, it’s getting more expensive to do business in places like China. Meanwhile, America is more productive. A few weeks ago, the CEO of Master Lock told me that it now makes business sense for him to bring jobs back home. Today, for the first time in fifteen years, Master Lock’s unionized plant in Milwaukee is running at full capacity.

So we have a huge opportunity, at this moment, to bring manufacturing back. But we have to seize it. Tonight, my message to business leaders is simple: Ask yourselves what you can do to bring jobs back to your country, and your country will do everything we can to help you succeed.

We should start with our tax code. Right now, companies get tax breaks for moving jobs and profits overseas. Meanwhile, companies that choose to stay in America get hit with one of the highest tax rates in the world. It makes no sense, and everyone knows it.
So let’s change it. First, if you’re a business that wants to outsource jobs, you shouldn’t get a tax deduction for doing it. That money should be used to cover moving expenses for companies like Master Lock that decide to bring jobs home.

Second, no American company should be able to avoid paying its fair share of taxes by moving jobs and profits overseas. From now on, every multinational company should have to pay a basic minimum tax. And every penny should go towards lowering taxes for companies that choose to stay here and hire here.

Third, if you’re an American manufacturer, you should get a bigger tax cut. If you’re a high-tech manufacturer, we should double the tax deduction you get for making products here. And if you want to relocate in a community that was hit hard when a factory left town, you should get help financing a new plant, equipment, or training for new workers.

My message is simple. It’s time to stop rewarding businesses that ship jobs overseas, and start rewarding companies that create jobs right here in America. Send me these tax reforms, and I’ll sign them right away.

We’re also making it easier for American businesses to sell products all over the world. Two years ago, I set a goal of doubling U.S. exports over five years. With the bipartisan trade agreements I signed into law, we are on track to meet that goal – ahead of schedule. Soon, there will be millions of new customers for American goods in Panama, Colombia, and South Korea. Soon, there will be new cars on the streets of Seoul imported from Detroit, and Toledo, and Chicago.

I will go anywhere in the world to open new markets for American products. And I will not stand by when our competitors don’t play by the rules. We’ve brought trade cases against China at nearly twice the rate as the last administration – and it’s made a difference. Over a thousand Americans are working today because we stopped a surge in Chinese tires. But we need to do more. It’s not right when another country lets our movies, music, and software be pirated. It’s not fair when foreign manufacturers have a leg up on ours only because they’re heavily subsidized.

Tonight, I’m announcing the creation of a Trade Enforcement Unit that will be charged with investigating unfair trade practices in countries like China.

There will be more inspections to prevent counterfeit or unsafe goods from crossing our borders. And this Congress should make sure that no foreign company has an advantage over American manufacturing when it comes to accessing finance or new markets like Russia. Our workers are the most productive on Earth, and if the playing field is level, I promise you – America will always win.

I also hear from many business leaders who want to hire in the United States but can’t find workers with the right skills. Growing industries in science and technology have twice as many openings as we have workers who can do the job. Think about that – openings at a time when millions of Americans are looking for work.

That’s inexcusable. And we know how to fix it.

Jackie Bray is a single mom from North Carolina who was laid off from her job as a mechanic. Then Siemens opened a gas turbine factory in Charlotte, and formed a partnership with Central Piedmont Community College. The company helped the college design courses in laser and robotics training. It paid Jackie’s tuition, then hired her to help operate their plant.
I want every American looking for work to have the same opportunity as Jackie did. Join me in a national commitment to train two million Americans with skills that will lead directly to a job. My Administration has already lined up more companies that want to help. Model partnerships between businesses like Siemens and community colleges in places like Charlotte, Orlando, and Louisville are up and running. Now you need to give more community colleges the resources they need to become community career centers – places that teach people skills that local businesses are looking for right now, from data management to high-tech manufacturing.

And I want to cut through the maze of confusing training programs, so that from now on, people like Jackie have one program, one website, and one place to go for all the information and help they need. It’s time to turn our unemployment system into a reemployment system that puts people to work.

These reforms will help people get jobs that are open today. But to prepare for the jobs of tomorrow, our commitment to skills and education has to start earlier.

For less than one percent of what our Nation spends on education each year, we’ve convinced nearly every State in the country to raise their standards for teaching and learning – the first time that’s happened in a generation.

But challenges remain. And we know how to solve them.

At a time when other countries are doubling down on education, tight budgets have forced States to lay off thousands of teachers. We know a good teacher can increase the lifetime income of a classroom by over $250,000.

A great teacher can offer an escape from poverty to the child who dreams beyond his circumstance. Every person in this chamber can point to a teacher who changed the trajectory of their lives.

Most teachers work tirelessly, with modest pay, sometimes digging into their own pocket for school supplies – just to make a difference.

Teachers matter. So instead of bashing them, or defending the status quo, let’s offer schools a deal. Give them the resources to keep good teachers on the job, and reward the best ones. In return, grant schools flexibility: To teach with creativity and passion; to stop teaching to the test; and to replace teachers who just aren’t helping kids learn.

We also know that when students aren’t allowed to walk away from their education, more of them walk the stage to get their diploma. So tonight, I call on every State to require that all students stay in high school until they graduate or turn eighteen.

When kids do graduate, the most daunting challenge can be the cost of college. At a time when Americans owe more in tuition debt than credit card debt, this Congress needs to stop the interest rates on student loans from doubling in July. Extend the tuition tax credit we started that saves middle-class families thousands of dollars. And give more young people the chance to earn their way through college by doubling the number of work-study jobs in the next five years.

Of course, it’s not enough for us to increase student aid. We can’t just keep subsidizing skyrocketing tuition; we’ll run out of money. States also need to do their part, by making higher education a higher priority in their budgets. And colleges and universities have to do their part by working to keep costs down. Recently, I spoke with a group of college presidents who’ve done just that. Some schools re-design courses to help students finish more quickly. Some use better technology. The point is, it’s possible. So let me put colleges and universities on notice: If you can’t stop tuition from going up, the funding you get from taxpayers will go down. Higher education can’t be a luxury – it’s an economic imperative that every family in America should be able to afford.

Let’s also remember that hundreds of thousands of talented, hardworking students in this country face another challenge: The fact that they aren’t yet American citizens. Many were brought here as small children, are American through and through, yet they live every day with the threat of deportation. Others came more recently, to study business and science and engineering, but as soon as they get their degree, we send them home to invent new products and create new jobs somewhere else.

That doesn’t make sense.

I believe as strongly as ever that we should take on illegal immigration. That’s why my Administration has put more boots on the border than ever before. That’s why there are fewer illegal crossings than when I took office.

The opponents of action are out of excuses. We should be working on comprehensive immigration reform right now. But if election-year politics keeps Congress from acting on a comprehensive plan, let’s at least agree to stop expelling responsible young people who want to staff our labs, start new businesses, and defend this country. Send me a law that gives them the chance to earn their citizenship. I will sign it right away.

You see, an economy built to last is one where we encourage the talent and ingenuity of every person in this country. That means women should earn equal pay for equal work. It means we should support everyone who’s willing to work; and every risk-taker and entrepreneur who aspires to become the next Steve Jobs.

After all, innovation is what America has always been about. Most new jobs are created in start-ups and small businesses. So let’s pass an agenda that helps them succeed. Tear down regulations that prevent aspiring entrepreneurs from getting the financing to grow. Expand tax relief to small businesses that are raising wages and creating good jobs. Both parties agree on these ideas. So put them in a bill, and get it on my desk this year.

Innovation also demands basic research. Today, the discoveries taking place in our federally-financed labs and universities could lead to new treatments that kill cancer cells but leave healthy ones untouched. New lightweight vests for cops and soldiers that can stop any bullet. Don’t gut these investments in our budget. Don’t let other countries win the race for the future. Support the same kind of research and innovation that led to the computer chip and the Internet; to new American jobs and new American industries.

Nowhere is the promise of innovation greater than in American-made energy. Over the last three years, we’ve opened millions of new acres for oil and gas exploration, and tonight, I’m directing my Administration to open more than 75 percent of our potential offshore oil and gas resources. Right now, American oil production is the highest that it’s been in eight years. That’s right – eight years. Not only that – last year, we relied less on foreign oil than in any of the past sixteen years.

But with only 2 percent of the world’s oil reserves, oil isn’t enough. This country needs an all-out, all-of-the-above strategy that develops every available source of American energy – a strategy that’s cleaner, cheaper, and full of new jobs.

We have a supply of natural gas that can last America nearly one hundred years, and my Administration will take every possible action to safely develop this energy. Experts believe this will support more than 600,000 jobs by the end of the decade. And I’m requiring all companies that drill for gas on public lands to disclose the chemicals they use. America will develop this resource without putting the health and safety of our citizens at risk.

The development of natural gas will create jobs and power trucks and factories that are cleaner and cheaper, proving that we don’t have to choose between our environment and our economy. And by the way, it was public research dollars, over the course of thirty years, that helped develop the technologies to extract all this natural gas out of shale rock – reminding us that Government support is critical in helping businesses get new energy ideas off the ground.
What’s true for natural gas is true for clean energy. In three years, our partnership with the private sector has already positioned America to be the world’s leading manufacturer of high-tech batteries. Because of federal investments, renewable energy use has nearly doubled. And thousands of Americans have jobs because of it.

When Bryan Ritterby was laid off from his job making furniture, he said he worried that at 55, no one would give him a second chance. But he found work at Energetx, a wind turbine manufacturer in Michigan. Before the recession, the factory only made luxury yachts. Today, it’s hiring workers like Bryan, who said, “I’m proud to be working in the industry of the future.”

Our experience with shale gas shows us that the payoffs on these public investments don’t always come right away. Some technologies don’t pan out; some companies fail. But I will not walk away from the promise of clean energy. I will not walk away from workers like Bryan. I will not cede the wind or solar or battery industry to China or Germany because we refuse to make the same commitment here. We have subsidized oil companies for a century. That’s long enough. It’s time to end the taxpayer giveaways to an industry that’s rarely been more profitable, and double-down on a clean energy industry that’s never been more promising. Pass clean energy tax credits and create these jobs.

We can also spur energy innovation with new incentives. The differences in this chamber may be too deep right now to pass a comprehensive plan to fight climate change. But there’s no reason why Congress shouldn’t at least set a clean energy standard that creates a market for innovation. So far, you haven’t acted. Well tonight, I will. I’m directing my Administration to allow the development of clean energy on enough public land to power three million homes. And I’m proud to announce that the Department of Defense, the world’s largest consumer of energy, will make one of the largest commitments to clean energy in history – with the Navy purchasing enough capacity to power a quarter of a million homes a year.

Of course, the easiest way to save money is to waste less energy. So here’s another proposal: Help manufacturers eliminate energy waste in their factories and give businesses incentives to upgrade their buildings. Their energy bills will be $100 billion lower over the next decade, and America will have less pollution, more manufacturing, and more jobs for construction workers who need them. Send me a bill that creates these jobs.

Building this new energy future should be just one part of a broader agenda to repair America’s infrastructure. So much of America needs to be rebuilt. We’ve got crumbling roads and bridges. A power grid that wastes too much energy. An incomplete high-speed broadband network that prevents a small business owner in rural America from selling her products all over the world.

During the Great Depression, America built the Hoover Dam and the Golden Gate Bridge. After World War II, we connected our States with a system of highways. Democratic and Republican administrations invested in great projects that benefited everybody, from the workers who built them to the businesses that still use them today.

In the next few weeks, I will sign an Executive Order clearing away the red tape that slows down too many construction projects. But you need to fund these projects.

Take the money we’re no longer spending at war, use half of it to pay down our debt, and use the rest to do some nation-building right here at home.

There’s never been a better time to build, especially since the construction industry was one of the hardest-hit when the housing bubble burst. Of course, construction workers weren’t the only ones hurt. So were millions of innocent Americans who’ve seen their home values decline. And while Government can’t fix the problem on its own, responsible homeowners shouldn’t have to sit and wait for the housing market to hit bottom to get some relief.

That’s why I’m sending this Congress a plan that gives every responsible homeowner the chance to save about $3,000 a year on their mortgage, by refinancing at historically low interest rates. No more red tape. No more runaround from the banks. A small fee on the largest financial institutions will ensure that it won’t add to the deficit, and will give banks that were rescued by taxpayers a chance to repay a deficit of trust.

Let’s never forget: Millions of Americans who work hard and play by the rules every day deserve a Government and a financial system that do the same. It’s time to apply the same rules from top to bottom: No bailouts, no handouts, and no copouts. An America built to last insists on responsibility from everybody.

We’ve all paid the price for lenders who sold mortgages to people who couldn’t afford them, and buyers who knew they couldn’t afford them. That’s why we need smart regulations to prevent irresponsible behavior. Rules to prevent financial fraud, or toxic dumping, or faulty medical devices, don’t destroy the free market. They make the free market work better.
There is no question that some regulations are outdated, unnecessary, or too costly. In fact, I’ve approved fewer regulations in the first three years of my presidency than my Republican predecessor did in his. I’ve ordered every federal agency to eliminate rules that don’t make sense. We’ve already announced over 500 reforms, and just a fraction of them will save business and citizens more than $10 billion over the next five years. We got rid of one rule from 40 years ago that could have forced some dairy farmers to spend $10,000 a year proving that they could contain a spill – because milk was somehow classified as an oil. With a rule like that, I guess it was worth crying over spilled milk.

I’m confident a farmer can contain a milk spill without a federal agency looking over his shoulder. But I will not back down from making sure an oil company can contain the kind of oil spill we saw in the Gulf two years ago. I will not back down from protecting our kids from mercury pollution, or making sure that our food is safe and our water is clean. I will not go back to the days when health insurance companies had unchecked power to cancel your policy, deny you coverage, or charge women differently from men.

And I will not go back to the days when Wall Street was allowed to play by its own set of rules. The new rules we passed restore what should be any financial system’s core purpose: Getting funding to entrepreneurs with the best ideas, and getting loans to responsible families who want to buy a home, start a business, or send a kid to college.

So if you’re a big bank or financial institution, you are no longer allowed to make risky bets with your customers’ deposits. You’re required to write out a “living will” that details exactly how you’ll pay the bills if you fail – because the rest of us aren’t bailing you out ever again. And if you’re a mortgage lender or a payday lender or a credit card company, the days of signing people up for products they can’t afford with confusing forms and deceptive practices are over. Today, American consumers finally have a watchdog in Richard Cordray with one job: To look out for them.

We will also establish a Financial Crimes Unit of highly trained investigators to crack down on large-scale fraud and protect people’s investments.

Some financial firms violate major anti-fraud laws because there’s no real penalty for being a repeat offender. That’s bad for consumers, and it’s bad for the vast majority of bankers and financial service professionals who do the right thing. So pass legislation that makes the penalties for fraud count.

And tonight, I am asking my Attorney General to create a special unit of federal prosecutors and leading state attorneys general to expand our investigations into the abusive lending and packaging of risky mortgages that led to the housing crisis. This new unit will hold accountable those who broke the law, speed assistance to homeowners, and help turn the page on an era of recklessness that hurt so many Americans.

A return to the American values of fair play and shared responsibility will help us protect our people and our economy. But it should also guide us as we look to pay down our debt and invest in our future.

Right now, our most immediate priority is stopping a tax hike on 160 million working Americans while the recovery is still fragile. People cannot afford losing $40 out of each paycheck this year. There are plenty of ways to get this done. So let’s agree right here, right now: No side issues. No drama. Pass the payroll tax cut without delay.

When it comes to the deficit, we’ve already agreed to more than $2 trillion in cuts and savings. But we need to do more, and that means making choices. Right now, we’re poised to spend nearly $1 trillion more on what was supposed to be a temporary tax break for the wealthiest 2 percent of Americans. Right now, because of loopholes and shelters in the tax code, a quarter of all millionaires pay lower tax rates than millions of middle-class households. Right now, Warren Buffett pays a lower tax rate than his secretary.

Do we want to keep these tax cuts for the wealthiest Americans? Or do we want to keep our investments in everything else – like education and medical research; a strong military and care for our veterans? Because if we’re serious about paying down our debt, we can’t do both.

The American people know what the right choice is. So do I. As I told the Speaker this summer, I’m prepared to make more reforms that rein in the long term costs of Medicare and Medicaid, and strengthen Social Security, so long as those programs remain a guarantee of security for seniors.

But in return, we need to change our tax code so that people like me, and an awful lot of Members of Congress, pay our fair share of taxes. Tax reform should follow the Buffett rule: If you make more than $1 million a year, you should not pay less than 30 percent in taxes. And my Republican friend Tom Coburn is right: Washington should stop subsidizing millionaires. In fact, if you’re earning a million dollars a year, you shouldn’t get special tax subsidies or deductions. On the other hand, if you make under $250,000 a year, like 98 percent of American families, your taxes shouldn’t go up. You’re the ones struggling with rising costs and stagnant wages. You’re the ones who need relief.

Now, you can call this class warfare all you want. But asking a billionaire to pay at least as much as his secretary in taxes? Most Americans would call that common sense.
We don’t begrudge financial success in this country. We admire it. When Americans talk about folks like me paying my fair share of taxes, it’s not because they envy the rich. It’s because they understand that when I get tax breaks I don’t need and the country can’t afford, it either adds to the deficit, or somebody else has to make up the difference – like a senior on a fixed income; or a student trying to get through school; or a family trying to make ends meet. That’s not right. Americans know it’s not right. They know that this generation’s success is only possible because past generations felt a responsibility to each other, and to their country’s future, and they know our way of life will only endure if we feel that same sense of shared responsibility. That’s how we’ll reduce our deficit. That’s an America built to last.
I recognize that people watching tonight have differing views about taxes and debt; energy and health care. But no matter what party they belong to, I bet most Americans are thinking the same thing right now: Nothing will get done this year, or next year, or maybe even the year after that, because Washington is broken.

Can you blame them for feeling a little cynical?

The greatest blow to confidence in our economy last year didn’t come from events beyond our control. It came from a debate in Washington over whether the United States would pay its bills or not. Who benefited from that fiasco?

I’ve talked tonight about the deficit of trust between Main Street and Wall Street. But the divide between this city and the rest of the country is at least as bad – and it seems to get worse every year.

Some of this has to do with the corrosive influence of money in politics. So together, let’s take some steps to fix that. Send me a bill that bans insider trading by Members of Congress, and I will sign it tomorrow. Let’s limit any elected official from owning stocks in industries they impact. Let’s make sure people who bundle campaign contributions for Congress can’t lobby Congress, and vice versa – an idea that has bipartisan support, at least outside of Washington.
Some of what’s broken has to do with the way Congress does its business these days. A simple majority is no longer enough to get anything – even routine business – passed through the Senate. Neither party has been blameless in these tactics. Now both parties should put an end to it. For starters, I ask the Senate to pass a rule that all judicial and public service nominations receive a simple up or down vote within 90 days.

The executive branch also needs to change. Too often, it’s inefficient, outdated and remote. That’s why I’ve asked this Congress to grant me the authority to consolidate the federal bureaucracy so that our Government is leaner, quicker, and more responsive to the needs of the American people.

Finally, none of these reforms can happen unless we also lower the temperature in this town. We need to end the notion that the two parties must be locked in a perpetual campaign of mutual destruction; that politics is about clinging to rigid ideologies instead of building consensus around common sense ideas.

I’m a Democrat. But I believe what Republican Abraham Lincoln believed: That Government should do for people only what they cannot do better by themselves, and no more.

That’s why my education reform offers more competition, and more control for schools and States. That’s why we’re getting rid of regulations that don’t work. That’s why our health care law relies on a reformed private market, not a Government program.

On the other hand, even my Republican friends who complain the most about Government spending have supported federally-financed roads, and clean energy projects, and federal offices for the folks back home.

The point is, we should all want a smarter, more effective Government. And while we may not be able to bridge our biggest philosophical differences this year, we can make real progress. With or without this Congress, I will keep taking actions that help the economy grow. But I can do a whole lot more with your help. Because when we act together, there is nothing the United States of America can’t achieve.

That is the lesson we’ve learned from our actions abroad over the last few years.
Ending the Iraq war has allowed us to strike decisive blows against our enemies. From Pakistan to Yemen, the al Qaeda operatives who remain are scrambling, knowing that they can’t escape the reach of the United States of America.

From this position of strength, we’ve begun to wind down the war in Afghanistan. Ten thousand of our troops have come home. Twenty-three thousand more will leave by the end of this summer. This transition to Afghan lead will continue, and we will build an enduring partnership with Afghanistan, so that it is never again a source of attacks against America.

As the tide of war recedes, a wave of change has washed across the Middle East and North Africa, from Tunis to Cairo; from Sana’a to Tripoli. A year ago, Qadhafi was one of the world’s longest-serving dictators – a murderer with American blood on his hands. Today, he is gone. And in Syria, I have no doubt that the Assad regime will soon discover that the forces of change can’t be reversed, and that human dignity can’t be denied.

How this incredible transformation will end remains uncertain. But we have a huge stake in the outcome. And while it is ultimately up to the people of the region to decide their fate, we will advocate for those values that have served our own country so well. We will stand against violence and intimidation. We will stand for the rights and dignity of all human beings – men and women; Christians, Muslims, and Jews. We will support policies that lead to strong and stable democracies and open markets, because tyranny is no match for liberty.

And we will safeguard America’s own security against those who threaten our citizens, our friends, and our interests. Look at Iran. Through the power of our diplomacy, a world that was once divided about how to deal with Iran’s nuclear program now stands as one. The regime is more isolated than ever before; its leaders are faced with crippling sanctions, and as long as they shirk their responsibilities, this pressure will not relent. Let there be no doubt: America is determined to prevent Iran from getting a nuclear weapon, and I will take no options off the table to achieve that goal. But a peaceful resolution of this issue is still possible, and far better, and if Iran changes course and meets its obligations, it can rejoin the community of nations.
The renewal of American leadership can be felt across the globe.

Our oldest alliances in Europe and Asia are stronger than ever. Our ties to the Americas are deeper. Our iron-clad commitment to Israel’s security has meant the closest military cooperation between our two countries in history.

We’ve made it clear that America is a Pacific power, and a new beginning in Burma has lit a new hope.

Gregg Chadwick
Road to Mandalay
40"x30" oil on linen 2007-2012

From the coalitions we’ve built to secure nuclear materials, to the missions we’ve led against hunger and disease; from the blows we’ve dealt to our enemies; to the enduring power of our moral example, America is back.

Anyone who tells you otherwise, anyone who tells you that America is in decline or that our influence has waned, doesn’t know what they’re talking about.

That’s not the message we get from leaders around the world, all of whom are eager to work with us. That’s not how people feel from Tokyo to Berlin; from Cape Town to Rio; where opinions of America are higher than they’ve been in years.

Yes, the world is changing; no, we can’t control every event. But America remains the one indispensable nation in world affairs – and as long as I’m President, I intend to keep it that way.

That’s why, working with our military leaders, I have proposed a new defense strategy that ensures we maintain the finest military in the world, while saving nearly half a trillion dollars in our budget. To stay one step ahead of our adversaries, I have already sent this Congress legislation that will secure our country from the growing danger of cyber-threats.
Above all, our freedom endures because of the men and women in uniform who defend it. As they come home, we must serve them as well as they served us. That includes giving them the care and benefits they have earned – which is why we’ve increased annual VA spending every year I’ve been President. And it means enlisting our veterans in the work of rebuilding our Nation.

With the bipartisan support of this Congress, we are providing new tax credits to companies that hire vets. Michelle and Jill Biden have worked with American businesses to secure a pledge of 135,000 jobs for veterans and their families. And tonight, I’m proposing a Veterans Job Corps that will help our communities hire veterans as cops and firefighters, so that America is as strong as those who defend her.

Which brings me back to where I began. Those of us who’ve been sent here to serve can learn from the service of our troops. When you put on that uniform, it doesn’t matter if you’re black or white; Asian or Latino; conservative or liberal; rich or poor; gay or straight. When you’re marching into battle, you look out for the person next to you, or the mission fails. When you’re in the thick of the fight, you rise or fall as one unit, serving one Nation, leaving no one behind.

One of my proudest possessions is the flag that the SEAL Team took with them on the mission to get bin Laden. On it are each of their names. Some may be Democrats. Some may be Republicans. But that doesn’t matter. Just like it didn’t matter that day in the Situation Room, when I sat next to Bob Gates – a man who was George Bush’s defense secretary; and Hillary Clinton, a woman who ran against me for president.

All that mattered that day was the mission. No one thought about politics. No one thought about themselves. One of the young men involved in the raid later told me that he didn’t deserve credit for the mission. It only succeeded, he said, because every single member of that unit did their job – the pilot who landed the helicopter that spun out of control; the translator who kept others from entering the compound; the troops who separated the women and children from the fight; the SEALs who charged up the stairs. More than that, the mission only succeeded because every member of that unit trusted each other – because you can’t charge up those stairs, into darkness and danger, unless you know that there’s someone behind you, watching your back.

So it is with America. Each time I look at that flag, I’m reminded that our destiny is stitched together like those fifty stars and those thirteen stripes.

No one built this country on their own. This Nation is great because we built it together. This Nation is great because we worked as a team. This Nation is great because we get each other’s backs. And if we hold fast to that truth, in this moment of trial, there is no challenge too great; no mission too hard. As long as we’re joined in common purpose, as long as we maintain our common resolve, our journey moves forward, our future is hopeful, and the state of our Union will always be strong.

Thank you, God bless you, and may God bless the United States of America.

Watch the full video of President Barack Obama's 2012 State of the Union Address Below:

On the brink by Somyaa

2012-01-22T22:34:00.000-08:00

On the brink...

... she searched as if she had been thirsty whole night

for a poem she could drink

she found out

soon enough

she is not a poet

nor was meant to be,

a witch ;

she was not a martyr

nor a virgin,

again on a forgotten way

again on the brink...

she searched as if she had been thirsty whole night

for a poem she could drink...

- by Somyaa

Gregg Chadwick

Acadia

48"x36" oil on linen 2004

Somyaa has paired my painting Acadia with her remarkable poem.

Bruce Springsteen's New Single Bleeds Compassion

2012-01-18T20:00:00.000-08:00

by Gregg Chadwick

Bruce Springsteen's first single "We Take Care of Our Own", off his forthcoming album "Wrecking Ball", opens with pounding drums and a guitar screaming like a siren. The song is a call to action and a populist anthem that follows up where "Born in the USA" left off. With a nod to the Clash, the cover of the single is a blurry, black and white photo of a black leather and guitar clad Springsteen overlaid with crudely scrawled white type that evokes the windows of closed up storefronts and used car lots.

"Where are the eyes with the will to see?" Springsteen wails. From his vantage point, good hearts have been turned to stone. We are our brother's keeper. But what happened? "From Chicago to New Orleans, from the muscle to the bone, From the shotgun shack to the Superdome", Springsteen growls. "Where's the promise from sea to shining sea?"

photo by Gregg Chadwick

The album was recorded before the current occupy Wall Street protests, but as a devoted follower of John Steinbeck and Woody Guthrie, Springsteen had his finger on the pulse of a country that has succumbed to greed and apathy. For most of Springsteen's career, the American Dream was a false promise. Now Springsteen realizes that we are a nation of citizens that need to take care of each other, that the promise can be realized if we take care of our own.

Much more to follow...

Listen to Bruce Springsteen's New Single "We Take Care of Our Own": at New Bruce

Available Now from iTunes in the UK at

Available tomorrow -Thursday, January 19, 2012 - at Amazon in the US

Further Discussions on Springsteen's "We Take Care of Our Own":

LA Times First Take on Pop and Hiss

Ann Powers writes for NPR on Springsteen's New Wave of Social Protest

Salon: The Boss Embraces Occupy

Gregg Chadwick
Belle Ville
11"x11" oil on linen 2005
Private Collection Los Angeles

"From Chicago to New Orleans, From the Muscle to the Bone, From the Shotgun Shack to the Superdome"

Lyrics to "We Take Care of Our Own" by Bruce Springsteen

(No mondegreens I hope):

I've been knockin' on the door that holds the throne
I've been lookin' for the map that leads me home
I've been stumblin' on good hearts turned to stone
The road of good intentions has gone dry as a bone
We take care of our own
We take care of our own
Wherever this flag 's flown
We take care of our own

From Chicago to New Orleans
From the muscle to the bone
From the shotgun shack to the Superdome

There ain't no help, the cavalry stayed home,
There ain't no one hearing the bugle blown
We take care of our own
We take care of our own
Wherever this flag 's flown
We take care of our own

Where are the eyes, the eyes with the will to see?
Where are the hearts, that run over with mercy?
Where's the love that has not forsaken me?
Where's the work that'll set my hands, my soul free?
Where's the spirit that'll reign, reign over me?
Where's the promise, from sea to shining sea?
Where's the promise, from sea to shining sea?

Wherever this flag is flown
Wherever this flag is flown
Wherever this flag is flown

We take care of our own
We take care of our own
Wherever this flag 's flown
We take care of our own
We take care of our own
We take care of our own
Wherever this flag 's flown
We take care of our own

Live Q&A With Angelina Jolie - Writer and Director of the New Film - In the Land of Blood and Honey

2012-01-12T16:50:00.000-08:00

Watch live streaming video from partnershub at livestream.com

RSVP and tune in to ask questions LIVE! Live Q&A w/ Angelina Jolie - Writer and Director of the new film:

In the Land of Blood and Honey

Written and directed by Angelina Jolie. Starring Zana Marjanović and Goran Kostić. Set against the backdrop of the Bosnian War that tore the Balkan region apart in the 1990s, In the Land of Blood and Honey tells the story of Danijel (Goran Kostić) and Ajla (pronounced Ayla) (Zana Marjanović), two Bosnians from different sides of a brutal ethnic conflict. Danijel, a Bosnian Serb police officer, and Ajla, a Bosnian Muslim artist, are together before the war, but their relationship is changed as violence engulfs the country. Months later, Danijel is serving under his father, General Nebojsa Vukojevich (Rade Šerbedžija), as an officer in the Bosnian Serb Army. He and Ajla come face to face again when she is taken from the apartment she shares with her sister, Lejla (Vanesa Glodjo), and Lejla's infant child by troops under Danijel's command. As the conflict takes hold of their lives, their relationship changes, their motives and connection to one another become ambiguous and their allegiances grow uncertain. In the Land of Blood and Honey portrays the incredible emotional, moral and physical toll that the war takes on individuals as well as the consequences that stem from the lack of political will to intervene in a society stricken with conflict.

In the Land of Blood and Honey Offical Site

Under the El

2012-01-12T13:02:00.000-08:00

by Gregg Chadwick

Gregg Chadwick

Under the El

30"x20" oil on linen 2012

Chicago is a city of pulse and rhythm. The city itself is a song. It clangs and roars by day and whispers laments at night.

Standing under the El on a hot August day, listening to the hum of traffic echoing off of steel, concrete and flesh inspired my first painting of 2012. Chicago seemed to soak up the light last summer, lending the streets a shimmering presence much like the wet Parisian boulevards in Gustave Caillebotte's Paris Street, Rainy Day. Caillebotte's masterpiece hangs in the Art Institute of Chicago, just blocks from the El. Standing in front of the painting last summer, after coming in from the heat, I felt my heart beating -providing an audible rhythm to Caillebotte's figures stilled in the silent air.

Gustave Caillebotte
Paris Street, Rainy Day (Detail)
83.5"x108.75" oil on canvas 1876-77
The Art Institute of Chicago
photo by Gregg Chadwick

Gustave Caillebotte
Paris Street, Rainy Day
83.5"x108.75" oil on canvas 1876-77

The Art Institute of Chicago

photo by Gregg Chadwick

Watch Portlandia's 2012 Season Premiere

2012-01-05T18:27:00.000-08:00

The hilarious television sketch comedy Portlandia debuts its second season tomorrow night on IFC.
But you can watch the episode now on Speed of Life. Enjoy!

Happy New Year!

2011-12-30T12:09:00.000-08:00

What Are You Doing New Years Eve? by Zooey Deschanel and Joseph Gordon-Levitt

Helen Frankenthaler 1928-2011

2011-12-28T12:50:00.000-08:00

by Gregg Chadwick

Helen Frankenthaler

Mountains and Sea

7' 2 5/8" x 9' 9 1/4" oil on canvas 1952

National Gallery of Art, Washington DC

"Fashion and money, fame and power politics have played a part in all art worlds. You've just got to plug away.... I see a revival of the meaning of the word "quality"---a search for truth and beauty in lieu of stock certificates. People are most interested in what's real, what endures."

- Helen Frankenthaler (From a Conversation With Lee Rosenbaum)

Helen Frankenthaler's painting Mountains and Sea opened a painterly universe. She poured, dripped, and floated thinned oil paint directly onto an unprimed canvas, creating a stained surface in which the pigment spread into and throughout the canvas fibers. The painting is mesmerizing, like the open sea is mesmerizing. Color beckons almost like song. As viewers we take the role of Odysseus, some will remain tied to a mast - fighting the beauty and lyricism. Others, myself included, let Helen Frankenthaler's hand lead us into the unknown.

She will be sorely missed.

Helen Frankenthaler Painting

From a Series of Photographs by Ernst Haas Taken in 1969

Helen Frankenthaler Amidst Her Art in 1956

Photographer: Gordon Parks for LIFE Magazine

More at:
A Search for Truth and Beauty by Lee Rosenbaum

Helen Frankenthaler dies at 83; abstract painter

For the Holidays: The Hobbit - An Unexpected Journey - Trailer #1

2011-12-21T01:01:00.000-08:00

The Hobbit: An Unexpected Journey Trailer #1

One Year Left to Read the Book First For Those Who Haven't Had the Chance. Wonderful Adventure.

Happy Holidays!

Casing the Colors: The End of the War in Iraq

2011-12-15T17:57:00.000-08:00

by Gregg Chadwick

Colors

40"x30" oil on linen
March 2003-December 2011

painting by Gregg Chadwick

Today, with the casing of the colors in Baghdad, another war has ended. My thoughts are with the families who have lost loved ones and with the troops who are returning home. A few weeks ago I was on a flight from LAX to Monterey seated near a young soldier who had just returned from Iraq. He was eager to talk and chatted about his specialization in the Army and his plans for the immediate future. A tech job in Silicon Valley beckoned. The men and women coming home from Iraq have given much for our country and have much more to offer our society in the future.

I remember when my father came home from Vietnam. Having fought in Korea as well, this was the end of his second war. Our family reunited overseas delaying my father's reentry into life in the US. There were no parades and because my father stayed in the Corps as an active duty Marine, little seemed to change when we finally flew back to the States and moved into what would be the first in a succession of new billets, new homes, and new schools. Even for warriors, life goes on.

War stories weren't often told in my family. I learned more about my father's tour in Vietnam from Philip Caputo's A Rumor of War than I did from conversations around the dinner table. (My father is an important, though unnamed character in Caputo's book.) As a boy, I knew there were things I wouldn't ever truly understand and gave returning soldiers their private psychological space. As an adult, I understand that we all need to have our stories heard patiently and sympathetically. I have also learned that the fathers, mothers, sisters and brothers of those killed in action care deeply that their sons and daughters are not forgotten.

Arlington

48"x36" oil on linen 2004

painted by Gregg Chadwick

Collection National Museum of the Marine Corps

During the eight year span of the Iraq War, I have had the honor to connect with the families of two young men who gave their all. United States Marine Corporal Kemaphoom "Ahn" Chanawongse of Waterford, Connecticut was killed in action during operations on the outskirts of An Nasiriyah, Iraq on March 23, 2003. Chanawongse was assigned to 2nd Assault Amphibian Battalion, 2nd Marine Division, Camp Lejeune, North Carolina. My painting Arlington, which is now part of the collection of the National Museum of the Marine Corps, was inspired by Ahn's funeral. Chanawongse was a Thai-American Buddhist, so his funeral at Arlington National Cemetery included saffron robed Buddhist monks as well as US Marines in their dress blues.

The painting began as an image of a US Marine in Iraq silhouetted against a gunpowdered sky at dusk. That painting was subsequently worked into and eventually over-painted with the present image when the reports and images in the New York Times of Ahn’s funeral brought back childhood memories of watching “taps” played at dusk during the Evening Parade at the Marine Corps Barracks in Washington DC. I met Ahn's courageous and inspiring parents in Washington DC when Arlington was exhibited at the Arts Club of Washington during The One Word Project exhibition which was curated by J.T. Kirkland and ran from August 28th through September 29th, 2007.

Mark Daily

"We Carry A New World In Our Hearts"

5"x5" oil on panel 2011

Painting by Gregg Chadwick

Earlier this year, I was asked by curator Sherry Moore to contribute a painting of United States Army 2nd Lieutenant Mark Daily to the Portraits of the Fallen Memorial. This memorial when completed will include portraits of all the service members from California killed during the wars in Afghanistan and Iraq. At the start of the project I had the honor to meet Mark's widow, Snejana "Janet" Hristova, at my studio and was inspired by her courage and resilience. She spoke tenderly of Mark and the media attention after his death.

Christopher Hitchens in his moving article on Mark for Vanity Fair described the young Lieutenant's bravery:

"Lieutenant Daily crossed from Kuwait to Iraq in November 2006, where he would be deployed with the "C," or "Comanche," Company of the Second Battalion of the Seventh Cavalry Regiment—General Custer's old outfit—in Mosul. On the 15th of January last, he was on patrol and noticed that the Humvee in front of him was not properly "up-armored" against I.E.D.'s. He insisted on changing places and taking a lead position in his own Humvee, and was shortly afterward hit by an enormous buried mine that packed a charge of some 1,500 pounds of high explosive."

Christopher Hitchens goes on to share a telling portion of a letter that Mark Daily sent home from Iraq to his wife Janet:

"One thing I have learned about myself since I've been out here is that everything I professed to you about what I want for the world and what I am willing to do to achieve it was true. …
My desire to "save the world" is really just an extension of trying to make a world fit for you."

Like Mark I graduated from UCLA. My wife, MarySue Heilemann, is a tenured professor in Nursing at UCLA and teaches on ethics and the philosophy of science. To stir up the latent creativity in her graduate students, MarySue brought in the musician Peter Himmelman to lead a creativity session. As a friend of Peter's and at my wife's request, I attended the session and I ended up writing a song on my experiences painting Mark's portrait. Peter Himmelman added music to the lyrics and the song, Spit and Polish Blue, was finished for Veterans Day.

Written on the back of this photograph Mark Daily sent home from Mosul, Iraq is the phrase, "We carry a new world in our hearts." I included the phrase as a coda at the end of the song Spit and Polish Blue:

Spit and Polish Blue

Lyrics by Gregg Chadwick

Music by Peter Himmelman

How do I paint a picture of a man I never met?

Your wife brought me images she never wants to forget.

If I had met you, there would be a clue

-as I looked into your eyes of spit and polish blue.

I’m sitting in a classroom, the place where you first signed on

The chalk dust still hovers here , everything else is gone.

L.A. was just a start for something new

as you first dressed in green and spit and polish blue.

How do I paint a picture of a man who gave it all?

And what colors give justice to the way you answered your call?

Mother Mary, can I borrow your hue?

Only lapis could color your eyes of spit and polish blue.

And the sands outside of Mosul blind your buddy’s eyes.

And the Desert wind carries its own peculiar sighs.

You went first –took the point.

Like words written on a photograph,

The wind it whispers its sacred epitaph

The wind whispers as breath departs,

“We carry a new world in our hearts.”

More at:

Matt Gallagher in the New York Times on Mark Daily

Portraits of the Fallen Project

Info on Peter Himmelman

The author Christopher Hitchens' piece on Mark Daily in Vanity Fair in 2007.

The One Word Project

Take a minute to look back at the moments that brought us to this point, then share a personal message of gratitude with those who have served.

Part of ending a war responsibly is standing by those who have fought it. It's not enough to honor our heroes with words; we must do so with deeds.

That's why we've worked to send 600,000 veterans and family members back to school on the Post-9/11 GI Bill. That's why one of Michelle's top priorities as First Lady has been to support military families and why she's worked with the private sector to get commitments to create 100,000 jobs for those who've served and their spouses. That's why we worked with Congress to pass a tax credit so that companies have an incentive to hire vets and have taken steps to help veterans translate military experience to the private sector job market.

In America, our commitment to those who fight for our freedom and our ideals doesn't end when our troops take off the uniform.

You can be a part of this effort to honor our heroes.

Help mark this moment. Write a quick note that troops and veterans all over the world will be able to see:
http://www.whitehouse.gov/iraq
Thank you,

President Barack Obama

Berlin in Rauch Licht (Berlin in Smoke Light)

2011-12-14T15:50:00.000-08:00

by Gregg Chadwick

Gregg Chadwick
Berlin in Rauch Licht (Berlin in Smoke Light)
24"x18" oil on linen 2011
Private Collection Los Angeles

Berlin embodies the future and at the same time carries the scars of the past. While recently in Berlin my painting Rauch Licht (Berlin in Smoke Light) was inspired by the palpable sense of beauty and the smoke of time seemingly hovering in the air. A soundtrack of Bowie, Lou Reed and U2 almost audibly haunts this mysterious vision. Will light let us break free from this Berlin Noir?

Darlene Love with the E Street Band and the Miami Horns - All Alone On Christmas

2011-12-14T13:31:00.000-08:00

Merry Christmas and Happy Holidays to All!
Darlene Love lead vocals

--- The E Street Band ---
Clarence Clemons tenor sax solo
Danny Federici keyboards
Garry Tallent bass
Steven Van Zandt guitars
Patti Scialfa - backing vocals
Max Weinberg drums

--- The Miami Horns ---
Mark Pender trumpet
Rick Gazda trumpet
Stan Harrison tenor sax
Richie "La Bamba" Rosenberg trombone
Eddie Manion baritone sax
Arno Hecht saxophone

Pat Thrall guitars
Mark Alexander piano
Ula Hedwig backing vocals
Edna Wright backing vocals
Zoë Yanakis percussion
Benjamin Newberry chimes

The Ghost in the Human Machine: Tony Bennett's Nude Drawing of Lady Gaga

2011-12-13T12:18:00.000-08:00

by Gregg Chadwick

Lady Gaga Poses For Tony Bennett in His Atelier

photo and concept by Annie Leibovitz for Vanity Fair

During Lady Gaga's entertaining Thanksgiving special she joked about her brief gig as a life model for singer and visual artist Tony Bennett. Gaga recounted:

"I walked in and said, 'Well, Tony, here we are,' and I dropped my robe and I got into position. I felt shy and thought, 'It's Tony Bennett. Why am I naked?"

Lady Gaga had come face to face with what Kathleen Rooney describes as the “spine-tingling combination of power and vulnerability, submission and dominance” of nude modeling in her
marvelous book Live Nude Girl : My Life As An Object. Rooney's book provides an introspective look at the history and challenges of art modeling from the model's point of view. Rooney's meditative prose leads us to a point of connection between muse and artist.
Why after centuries of images in charcoal, paint, stone and silver print do artists still feel the need to depict the human figure? For me it is our shared connection as sentient, sexual, and spiritual beings. By taking the time to deeply look at and into another person we move closer to finding the ghost in the human machine. At our core we are all naked.

Tony Bennett

Figure Study of Lady Gaga

18"x24" charcoal on paper 2011

Tony Bennett's nude charcoal drawing of Lady Gaga is up for auction at eBay Celebrity, with proceeds to benefit the two singers' foundations – Tony Bennett's Exploring the Arts and Lady Gaga's Born This Way.

Gregg Chadwick
The Rose of Time
30"x20" oil on linen 201o
Manifesta Maastricht Gallery, The Netherlands

More at:

Rolling Stone on Lady Gaga's Art Model Gig With Tony Bennett
Live Nude Girl : My Life As An Object

A Painter of Spanish Life: Manet's Portrait of Madame Brunet

2011-12-02T16:08:00.000-08:00

by Gregg Chadwick

Édouard Manet

Portrait of Madame Brunet

52 1/8" x 39 3/8" oil on canvas 1860-1863 (Reworked in 1867)

Recently Purchased by the Getty Museum, Los Angeles

Courtesy Getty Museum

In 1862 in Le Boulevard, a Parisian news sheet which was a sort of precursor to the L.A. Weekly or the Village Voice, the poet Baudelaire wrote a small article entitled Painters and Engravers. This was one of the few times that Baudelaire, who in his essay The Painter of Modern Life called for artists to search for subjects in the rancor and din of the urban street, wrote expressly about the art of his friend Édouard Manet. Baudelaire wrote,"M. Manet is the author of The Spanish Singer, which caused a great sensation in the last Salon. We will see in the next one a number of paintings by him imbued with the flavor of Spain, which leads one to believe that the genius of Spain has fled to France."

With the news that the Getty Museum has purchased Édouard Manet's Portrait of Madame Brunet, art viewers in Los Angeles will be able to answer for themselves: How did Spanish art influence Manet?

Francisco Goya after Diego Velázquez

Portrait of Ferdinand, Cardinal Infante of Spain and Archduke of Austria

etching and drypoint on paper 1778

Courtesy British Museum, London

The composition of Manet's Portrait of Madame Brunet seems to be modeled after Goya's etched version of Vélazquez's Portrait of Ferdinand, Cardinal Infante of Spain and Archduke of Austria. Madame Brunet holds her hands in a position similar to Ferdinand and her dark dress stands out against a light filled landscape in a manner that echoes Vélazquez. Further emphasizing the Spanish influence, the background of Manet's Portrait of Madame Brunet bears a striking resemblance to another Velazquez related work - Philip IV as a Hunter which had been acquired by the Louvre in 1862. At roughly the same time that Manet was painting Madame Brunet he was busy at work on an etching based on this very painting.

Édouard Manet

Portrait of Philip IV after the Workshop of Vélazquez

etching, aquatint, and drypoint on paper circa 1862

Even more striking than his compositional borrowings was Manet's use of oil paint. Manet applied the pigment thickly with spontaneous brushstrokes and flowing form that was inspired by the richness found in the paint-work of Vélazquez. In 1865, Manet visited Spain and reveled in the works of the Spanish masters at the Prado Museum (then known as the Real Museo de Pintura y Escultura).

From Madrid, Manet wrote to Baudelaire, "I've really come to know Vélazquez, and I tell you he is the greatest artist that has ever been." Open brushstrokes full of suggestion allow the viewer to enter imaginatively into Vélazquez's paintings and in a sense finish them. Manet applied this idea to subjects of modern life and created a new way of painting.

Édouard Manet

Portrait of Madame Brunet (Detail)

Courtesy Getty Museum

Édouard Manet

Victorine Meurent

16 7/8" x 17 1/4" oil on canvas circa 1862

Courtesy Boston Museum of Fine Arts

Scott Allan writes in the Getty Museum's blog The Iris, a rich description of Manet's technique in the Portrait of Madame Brunet:
"The signature elements of his original style are blazingly evident: in the brilliant summary execution of the mesmerizing gloves, the subtle wielding of a nuanced range of blacks in the dress, the sharp silhouetting of contours, and in the radical suppression of half-tones and shadows on the pale oval expanse of Mme. Brunet’s strongly lit face."

Perhaps because of the strength of the painting and the lack of nuanced delicacy, the art critic Théodore Duret recounted that, when Madame Brunet first viewed Manet's painting of her she "began crying and left the studio with her husband, never wanting to see the portrait again."

The soft atmosphere found in the painting of Vélazquez is missing. This suppression of delicate halftones coupled with sharp contours took a number of viewers of Manet's work in the 1860's aback. To many the paintings seemed flat, almost like playing-cards. What was Manet up to they wondered?

The immediacy of Manet's subject matter seemed to call for an immediacy of paint handling. Like a Zen clap, Manet's simplified tonal gradations from light to dark emphasized the force of light.

Other influential examples of flattened spacial compositions made their way to Paris. As Manet was reworking his rejected portrait, the 1867 Universal Exposition opened and the artworks, performers and cultural objects in the Japanese pavilion would inspire new directions in the arts.

Édouard Manet

Portrait of Émile Zola

57"x45" oil on canvas 1868

Manet painted a view of the exposition grounds and included a Japanese screen and a woodcut of a Sumo wrestler by the Japanese artist Kuniaki in the background of his Portrait of Emile Zola. Hanging next to the Kuniaki print in Manet's witty portrait is an engraving after Vélazquez's painting of Bacchus as well as a reproduction of his own Olympia. In another cross-cultural engagement, less than one hundred and fifty years later Japanese artist Takashi Murakami would bring his own superflat paintings to Versailles.

Kawaii- Vacances, Summer Vacation in the Kingdom of the Golden and Untitled Carpet in the Salle des Gardes du Roi at the Chateau de Versailles by Takashi Murakami, via Artinfo

Édouard Manet's painting Portrait of Madame Brunet will go on view at the Getty Museum on December 13, 2011. After writing this piece, it dawned on me that my painting Tokyo Lolita could be a 21st century Ms. Brunet ...

Gregg Chadwick

Tokyo Lolita

24"x18" oil on linen 2010

Manifesta Maastricht Gallery, Maastricht, The Netherlands

More at:
A French Mona Lisa Comes to L.A.
Getty Acquires Moody Manet

A Day of Remembrance and Hope: World AIDS Day

2011-12-01T12:41:00.000-08:00

"So often we think that when we're talking about the AIDS epidemic … we should be focusing mainly on the contributions that people in medicine can make—and we need those contributions…. But what I want to suggest is that we also need artists to enter the conversation, to enter the mix."
- David Gere, project director for the Art/Global Health Center and an associate professor and World Art and Cultures co-chair.

Today we join as a global community and pay tribute to the millions of lives lost and families affected by HIV/AIDS on World AIDS Day. We also pay tribute to the nurses, care givers and doctors who have cared for those afflicted and all those working for a cure.

People light candles in the shape of a red ribbon, the symbol of the AIDS awareness campaign, during a rally to mark World AIDS Day in Jakarta, Indonesia, Tuesday, Dec. 1, 2009.
AP PHOTO/ACHMAD IBRAHIM

This morning the Washington Post sponsored an online chat with UCLA's Dr. Michael Gottlieb who in 1981 was the first physician to describe the new disease that would become known as acquired immune deficiency syndrome (AIDS). That year Dr. Gottlieb and his UCLA colleagues described the CD-4 cell deficiency associated with HIV.

The chat was incredibly informative about the history of the disease, current research, and future treatments. Dr. Gottlieb took great care in clearing up misunderstandings. It is well worth the time to scroll through the chat. Please visit the Washington Post for the complete feature
I am posting highlights below for quick reference.:

Dr. Michael Gottlieb

MICHAEL GOTTLIEB :
Good morning. This is Michael Gottlieb in Los Angeles on this World AIDS Day. I appreciate your interest in HIV/AIDS and am looking forward to your questions.

Q.
AIDS
Who was patient "ZERO?"

A.
MICHAEL GOTTLIEB :
Good question. Patient "Zero" was a patient in Randy Shilts book. Not really the first patient. He was an early case who may have spread HIV to a number of others. Part of the LA-Orange County cluster investigated and reported by CDC in the early days.

Q.
HIV
Is the transmission of the virus from female to males rare?

A.
MICHAEL GOTTLIEB :
Not rare. Less common than male to female in developed countries. Very common in Africa and resource poor countrues.

Q.
PERSONAL FEAR OF CONTRACTING DISEASE BY CASUAL CONTACT WITH PATIENTS
How much confidence did you have during the first few months of seeing the initial patients that the illness was not being passed through casual contact or proximity? THANKS, Paul

A.
MICHAEL GOTTLIEB :
There was some worry in the first days, weeks and months and we did take some chances. But it quickly became clear that the transmission pattern was the same as type B hepatitis which is spread in well defined, non-casual ways. One good thing to happen from the HIV epidemic is universal precautions followed by all health workers.

Q.
PUBLIC ATTITUDES
How have public attitudes and opinions toward the disease affected your work over the decades, and how has that changed? Have there any setbacks or difficulties in research regarding treatment of the disease? Likewise, what improvements have there been as the stigma over the disease shifts?

Photo: Rock Hudson in 1961. Credit: Leo Fuchs, courtesy of the John Kobal Foundation

A.
MICHAEL GOTTLIEB :
Things were very difficult in the first few years. The public and press ignored the first several thousand cases and woke up after Rock Hudson. Then there was fear and rejection. Our President and world leaders did not speak about AIDS. Things have improved slowly but there is still stigma. I dont know too many patients who feel comfortable disclosing their status to family and employers for fear of repercussions.

Q.
ORIGIN OF AIDS
It was rumored that AIDS had its origins in monkeys. Truth or Rumor? What is the story?

A.
MICHAEL GOTTLIEB :
It's not just rumor but a fact that HIV originated in chimpanzees in Africa. There is elegant science from Prof. Beatrice Hahn at the University of Alabama that documents this. The virus SIC cpoz is the ancestor of HIV and proabably crossed over when hunters butchered chimps for food and were exposed to blood.

Q.
HIV/AIDS ERADICATION
What do you believe will be the method by which HIV is cured and what is required to achieve it? Thanks.

A.
MICHAEL GOTTLIEB :
There are two strategies for cure. One is eradication, which is difficult because the virus enters a state of latency in very long-lived cells where it is integrated into the chromosome of the host. The drugs we have today don't touch that reservoir. The other strategy is "functional" cure where the persons own immune system is improved to better keep the virus under wraps. Kind of link what happens with some cancer cures where the tumor is in remission under the influence of the immune system.

Q.
HIV GENE THERAPY
How close is gene therapy for this disease?

A.
MICHAEL GOTTLIEB :
There are studies in progress which can be found at the website clinicaltrials.gov. I don't think that widespread cost effective application of this in the epidemic is just around the corner. People should be encouraged to participate in trials though.

Q.
THE FUTURE OF AIDS
Hi there Dr. Gottleib. I recognized you and your work from the Frontline Television Series about HIV and AIDS. Currently, I am in the process of applying to medical schools and your experiences with HIV/AIDS have inspired me pursue a career in infectious diseases. My questions: 1. What emotions and thoughts crossed in your head as you began to realize how big a pandemic HIV/AIDS was? 2. Do you feel that cancer research has taken precedence over HIV/AIDS research? 3. What do you think are the major obstacles to annihilating HIV from the world? Thank you for taking the time to answer these questions. Sincerely, Andrew Sou

A.
MICHAEL GOTTLIEB :
My first reaction was amazement that in medicine there was something new and dramatic. I felt very badly for the first patients who were very ill and we were not able to tell them what they had or what to do about it. I became angry later when society at large did not seem to care. At the start it never dawned on me that this was the start of a global pandemic that would kill tens of millions.

Q.
AIDS
Can you predict that the day will come when an actual "cure" will be found for AIDS??

A.
MICHAEL GOTTLIEB :
Sorry. My crystal ball is not working very well. In 2001 I predicted an HIV vaccine by 2010 and was reminded of that earlier this year by reporters. No more predictions.

Q.
FREQUENCY OF TEST
How often should one be tested for HIV?

A.
MICHAEL GOTTLIEB :
It all depends on what you are doing sexually. If you are having multiple partners, not practicing safer sex, having anonymous sex, or having sex with someone who is HIV+ you should get frequent tests, maybe twice a year. But a better idea is to reduce the number of partners and know your partners HIV status, and practice safer sex, ie condoms.

Q.
THE LANGUAGE OF HIV
HIV is stigmatizing and people with HIV discriminated against. I increasingly see language at state/federal level refer to people living with HIV/AIDS as 'HIV infected'. Does an emphasis on viral load suppression as a way of decreasing 'infectiousness' increase stigma?

A.
MICHAEL GOTTLIEB :
I don't particularly like the language HIV-infected. But getting the viral load undetectable is the new gold standard for success in treatment and I view it as a step toward people feeling better about themselves.

Q.
FIRST KNOWN CASE IN US VS FIRST ACTUAL INCIDENCE
I have heard that the US Military has blood samples from 1950's they retained from GI's that had HIV. Is there or has evidence been found that HIV/AIDS/ARC/GRIDS was in US before 1980's? I have a friend whom had active AIDS Complications (GRIDS Diagnosis due to PCP and with T-Cells below 100) in 1982. Person had been in literally World Class Athletic Shape in 1980, so seems person had to get HIV much prior to 1980 with HIV taking so long to become AIDS; especially when it was a low active HIV Infection. Blessings and Warmest Regards....

A.
MICHAEL GOTTLIEB :
HIV was in the US blood supply (rare instances) as early as 1977. It may have been in North America as early as the late '60s. So the patients like your friend and my first patients may have been infected in the late '70s and it took 3-4 years to progress to an AIDS diagnosis and be noticed.

Q.
WORLD AIDS DAY
With 22.5 million people in sub-Saharan Africa HIV+, high prevalence rates among women and especially girls, high numbers of people unable to access ARVs, millions of orphans, and more, do you think it is realistic to speak of zero's? I have a very hard time with this theme. Susanna Grannis West Townshend, VT

A.
MICHAEL GOTTLIEB :
Maybe not zero's, but we can achieve dramatic reduction in numbers. While a formidable problem, HIV in Africa should not be thought hopeless. Secretary of State Clinton spoke about an AIDS-free generation in November and that can be achieved through theknow-how that we already have. Prevention of mother to child transmission, voluntary male circumcision, and providing treatment, which reduces the risk of transmission. We just need to make it more available and this is threatened by proposed cuts to the US and other countries cuts to their committments to the Global Fund for AIDS, TB and Malaria. I hope that the Administration will reconsider.

Q.
FRENCH DISCOVERY
Did you steal the research on HIV from the French?

A.
MICHAEL GOTTLIEB :
No. All I did was report the first cases and describe the syndrome, not the isolation of the virus. Thanks for the opportunity to clear that up.

Q.
WORLD AIDS DAY - 12/1/2011
Dr. Gottlieb, How far away is the medical world to see a prevention/cure for HIV/AIDS? -Michael in San Francisco, CA

A.
MICHAEL GOTTLIEB :
The best route to prevention is a vaccine and that research has been frustrating. That deserves a very high priority for funding and many scientists are working on it full time.

There are some promising approaches in the works.

Cure is more difficult. The Berlin patient appears cured but treatment was radical, life-threatening and expensive, not feasible for the masses. Patients should not think it is right around the corner. Suppression of the viral replication with ARV's taken religiously is the best approach despite its obviuous problems of side effects, cost, etc.

Q.
ONE POSITIVE OUTCOME?
AIDS appeared about the time that the religious right was rising to prominence, and that group used the disease as proof of its hateful idea that homosexuality and gays are a threat to society. Back then I was very pessimistic about the future of gays in American society - I had expected all sorts of limits on their freedoms "for the sake of public health." Not only did that bleak future fail to materialize, gays and lesbians have actually made more gains toward full equality. Why do you think that happened? Did the religious right's rhetoric have the effect of galvanizing gay activists?

Keith Haring

Silence = Death 1989

A.
MICHAEL GOTTLIEB :
I agree that it did not materialize although it was scary for awhile in the late '80s with LaRouche and others proposing draconian measures. I think what did happen speaks to the strength of our system in protecting the rights of minorities.

It is a good thing that activists were able to move the research agenda forward working through legislators and by some civil disobedience as with ACT-UP. The community of activists played a huge role in producing the gains in treatent we have today. And Elizabeth Glaser whose own kids were affected made progress happen for children with HIVand for prevention of mother to child transmission. Her foundation EGPAF carries on that work today in Africa and other resource poor settings.

Q.
QUESTION
If one wishes to get pregnant and one partner has AIDS, was is the risk of the disease being transferred to other partner?

A.
MICHAEL GOTTLIEB :
This can be done. There are clinics who will "wash" the male's semen clean of HIV and then do in vitro fertilization.

I have several patients in my practice who did that and have healthy kids and an uninfected mom.

Q.
NYC TO SAN FRANCISCO AND POINTS BEYOND
Dr. Gottlieb, seeing you on this chat is so exciting (coming from someone who read "And The Band Played On" from cover to cover and then immediately started over). Thanks for doing it. In the book, Shilts used startling imagery to convey the idea that AIDS was brought to the US during the bicentennial celebration in NYC in 1976. Is this still an accurate hypothesis, or has it been discredited?

A.
MICHAEL GOTTLIEB :
I loved that book, but Randy did take some poetic license to make the story nmore dramatic. Maybe patient zero and the bicentennial are examples of this. I just don't think there is any data to support but did make a great story.

Q.
REAGAN ADMIN
Hello Dr. Gottlieb. Thanks you for your work. Do you feel that if the Reagan Admin had not failed to fund and address the early days of this epidemic we would be in an even better place today? Do you tink teh stigma against HIV+ people throughout the world is as big if not a bigger hampering to progress in defeating this virus?

A.
MICHAEL GOTTLIEB :
I do think that many of the 700,000 who died here and the 1.3 million in the US now living with HIV might have been spared if their had been a clear message coming from the highest levels of the federal government from the get-go. But Reagan's advisors were very conservative and not about to have anything to do with a disease that had a homosexual or drug use association. Stigma remains a major force today in every society where HIV is present. For a while we saw HIV+ characters on TV presented sypathetically but that and media coverage in general has faded here as there is a sense that the crisis is past.

Q.
VIRUS MUTATION?
Does the HIV virus mutate quickly (like a cold or influenza virus) or slowly? Is that one of the challenges in creating a vaccine against HIV/AIDS?

A.
MICHAEL GOTTLIEB :
That is one problem but there are others such as the way HIV hides some of its vital structures from the immune system until after it infects a cell.

Q.
HIV/AIDS
My boyfriend disclosed to me that he's HIV+ and he did so before we had sexual relations. How cautious should I be? We are both gay men... I don't stigmatize him, but I want our intimacy to be as normal and as safe as possible.

A.
MICHAEL GOTTLIEB :
Disclosing is the right thing to do. The next question is whether he is on medicatiion and has an undetectable viral load, takes his medicine, and does not do drugs like crystal that could affect his adherence. Sex is safer if the viral load is undetectable but no one can guarantee that it is totally safe and that is why the use of condoms is still recommended.

Q.
MAGIC JOHNSON
Magic Johnson has announced he's cured of HIV/AIDS -- wonderful news! What can immunology and virology learn from his case, and those few others where patients appear to have made a full recovery?

A.
MICHAEL GOTTLIEB :
I don't think he has announced anything of the sort. I saw him interviewed the other night on CNN where he said that he was taking medicine twice a day to suppress his HIV.

Q.
AIDS/HIV
Dr. Gottlieb, While many people blame The Reagan Administration and homosexual stimga, isn't it true that early research was impeded in part by the medical community by the National Institutes of Health, a prominent institute in Paris and the medical agendas of the doctors who wanted to be credited with isolating the disease?

A.
MICHAEL GOTTLIEB :
I don't think so. Scientists at NIH worked hard on AIDS from the get-go and the NIH under the incredible leadership of Dr. Anthony Fauci has produced many of the gains we have today in treatment and prevention.

Anthony S. Fauci, M.D.

NIAID Director

Q.
NEW T-CELLS
Some whom had AIDS have regained high T-cell numbers; are the New T-cells the same, better or worse in fighting infections....

A.
MICHAEL GOTTLIEB :
Good question. Actually doubt that they are functional and as diverse as T cells in people who are not HIV+. But today T cell number is less important than having the viral load undetectable. There are some patients with undetectable who have CD-4 counts less than 200. They do well clinically but we all would be more comfortable if their counts were higher and strategies to raise then are being studied.

Q.
MEDICAL MARIJUANA
Does medical marijuana have any use for AIDS patients?

A.
MICHAEL GOTTLIEB :
Does not affect T cell counts or viral load in my experience. Some patients are helped with their neuropathy (nerve pain) from previous toxic meds or with sleep and anxiety.

Q.
EARLIEST PATIENTS
When AIDS was identified and reserach worked backwards, did the earliest AIDS patients appear to be concentrated in Manhattan, LA, or from where?

A.
MICHAEL GOTTLIEB :
Earliest patients were in large cities. NY, LA, SF, Houston and Miami.

Q.
TREATMENT
Which do you think is more likely to be developed first: a cure for HIV infection or a vaccination to prevent it? I am a young gay man in Washington DC and despite the fact that I always use protection, I am petrified by the knowledge that HIV infection rates here are so high.

A.
MICHAEL GOTTLIEB :
There is also the emerging area of PREP, pre-exposure prophylaxis, where a young man can take an antiviral to prevent establishment of HIV if he is exposed. Best advice is careful selection of partners and if the partner is HIV+ that he be undetectable and practicing safe sex. But ask an expert about PREP or keep following that story.

Q.
ORIGINS TO BREAKTHROUGH
There are many theories ranging from cross-contamination of blood supply while searching for Polio vaccine to eating monkey. What do you believe is the origin of AIDS and do you see promising breakthroughs in CCR5 gene mutation being something that can be pilled for easy access to the poor?

A.
MICHAEL GOTTLIEB :
I don't buy the polio story. Yes, exposure to the blood of chimps probably explains the crossover to the human species.

More widepread use of needles (re-used) in Africa may have played a role in transmission.

MICHAEL GOTTLIEB :
Gotta go. Thanks for chatting.

U.S. President Barack Obama greets singer Bono after making remarks at a World AIDS Day event hosted by the ONE Campaign and (RED) at George Washington University on December 1, 2011.

UPI/Roger L. Wollenberg

More at:
Michael Gottlieb's Homepage
Art and AIDS
World AIDS Day 2011 in Washington DC

Zach Wahls Stands Up for His Family

2011-12-01T09:31:00.000-08:00

In this moving, much watch video, shot in February 2011, Zach Wahls - a 19-year-old University of Iowa student - addresses a public forum on House Joint Resolution 6 in the Iowa House of Representatives. Wahls has two mothers, and came to oppose House Joint Resolution 6 which would end civil unions in Iowa.

The fight to to keep marriage equality continues in Iowa and across the country!

Above is Talking With's interview with Mr. Wahls in which Zach speaks about what it was like growing up with two mothers, what led him to decide to go and speak before the House of Representatives, how his life has changed after this speech thrust him into the public eye, and what other young people can do to fight for equality and speak out against intolerance.

Thanks to Talking With for the comment and link!

New Film on the Life of Burmese Activist Aung San Suu Kyi Opens This Week in Los Angeles

2011-11-30T10:26:00.000-08:00

by Gregg Chadwick

The Lady, a new film by director Luc Besson inspired by the life of Burma's courageous Aung San Suu Kyi and her husband Michael Aris, opens for a limited release this week at Laemmle's Music Hall Theatre in Beverly Hills. This engagement will run from December 2 - December 8, 2011.

The film stars Malaysian actress Michelle Yeoh as Suu Kyi and David Thewlis as her husband Michael Aris.

The Los Angeles Times explains that the film is "a timely political drama" about the volatile political events in Burma as well as "a love story about the uncommon bond that existed between Suu Kyi and her late husband, Michael Aris ... an Oxford University scholar and Asian specialist, Aris took charge of raising the couple's two sons in England while his wife was held captive in her homeland, and he worked tirelessly to raise Western awareness of his wife's fight for democracy."

The Lady was shot mainly in Thailand using Burmese refugees as extras. In a further bid for artistic authenticity, director Luc Beeson used footage furtively shot in Burma and then bravely smuggled out. Some of this footage was shot by Besson himself. He explained to the French media that,"I filmed 17 hours of rushes, sometimes with a soldier three meters away." The film's actors were then integrated into the Burmese scenes with the use of Chroma Key or Green Screen technology.

Photo: Cast members Michelle Yeoh and David Thewlis at the premiere of "The Lady" at the AFI film festival. Credit: Robyn Beck / AFP/Getty Images

For The Lady, Shepard Fairy was asked to repurpose his benefit poster Freedom to Lead which portrays Aung San Suu Kyi. In the film poster actress Michelle Yeoh portrays the Burmese activist.

Shepard Fairey
Freedom to Lead
(Portrait of Aung San Suu Kyi)

”In a world in which we all too often focus on differences, Aung San Suu Kyi is a unifying figure that people of all political persuasions can work to support. Shepard’s image encapsulates that very point beautifully. The Burmese people have appealed for our help – let’s give it to them.”
- Jeremy Woodrum, director of the U.S. Campaign for Burma.

More at:
U.S. Campaign for Burma

Gregg Chadwick
Road to Mandalay
40"x30" oil on linen 2011

Miley Cyrus Releases Video in Support of the #Occupy Movement

2011-11-28T11:25:00.000-08:00

by Gregg Chadwick

In this Nov. 18 photo, UC Davis officer John Pike uses pepper spray on unarmed and non-threatening protesters.
(AP Photo/The Enterprise, Wayne Tilcock, File)

Miley Cyrus Releases Video in Support of the #Occupy Movement:

The clip pairs a remix of Cyrus' 2010 song Liberty Walk with footage from the global #Occupy protests. The video begins with an overlay indicating that the clip is "dedicated to the thousands of people who are standing up for what they believe in." Cyrus' video features powerful images of police crack downs on citizens taking a stand against economic inequity wedded to an infectious beat. Rolling Stone writes,"It's a bold move for the singer – while most of the artists who have thrown their support behind Occupy Wall Street are pretty much the usual lefty rocker suspects, Cyrus is reaching out to an audience who are likely to be either apolitical or outright hostile to her message."

As an artist, I know well the risks involved in taking political stands that might discomfort your audience. I am a fierce advocate for social justice and I believe in the sanctity of all life. I have lost sales and clients because of my activism, but life for me is much more than my bank account or social standing. With these thoughts in mind, I applaud Miley Cyrus' gutsy move and hope that more Americans will be emboldened to take a stand against the growing economic inequality in the United States.

Miley Cyrus' video also calls attention to the growing militarization of our civilian police forces. I agree with former Seattle Police Chief Norm Stamper "that the current epidemic of police brutality is a reflection of the militarization of our urban police forces, the result of years of the "war on drugs" and the "war on terror."

UC Davis professor Bob Ostertag writes,"These issues go to the core of what democracy means. We have a major economic crisis in this country that was brought on by the greedy and irresponsible behavior of big banks. No banker has been arrested, and certainly none have been pepper sprayed. Arrests and chemical assault is for those trying to defend their homes, their jobs, and their schools. These are not trivial matters. This is a moment to stand up and be counted. I am proud to teach at a university where students have done so."

More at:
Miley Cyrus Takes Her Party In The USA To Occupy Wall Street

Miley Cyrus
Supports Occupy Wall Street
Militarization Of Campus Police

Mitt v. Mitt: The Story of Two Men Trapped in One Body

2011-11-28T09:24:00.000-08:00

Learn more at MittvMitt.com

Thanksgiving Message from Thich Nhat Hanh

2011-11-24T09:37:00.000-08:00

Thich Nhat Hanh at UCLA
photo by Gregg Chadwick

“We like the idea of being thankful to the cosmos, to everything that offers itself to us as food. That is why in Plum Village we organize a Thanksgiving Day, and we address our thanks to four objects: first of all to our father and our mother, who gave us life; to our teacher who gave us spiritual life and helped us know how to live in the here and now; we thank our friends who support us, especially in difficult moments, and we thank every being in the animal, vegetable and mineral world for our support and maintenance.

So the Buddhists also celebrate Thanksgiving, with that kind of insight. And while we celebrate Thanksgiving, we relate to everyone who is there, and this is a very good practice so that we don’t cut ourselves off from reality. The feeling of gratitude can help us to remember and to cultivate the element of compassion and loving kindness in us.”

Thich Nhat Hanh, Plum Village, 27th July, 1998

Leonard Cohen's Haunting New Song: Show Me the Place

2011-11-23T21:22:00.000-08:00

Show Me The Place by leonardcohen
Leonard Cohen's Haunting New Song: Show Me the Place

The Adventures Of Baron Munchausen -- A Tribute to John Neville (1925-2011)

2011-11-22T13:50:00.000-08:00

A tribute to the great Shakespearean actor John Neville, who died this week, and the magical Terry Gilliam film, The Adventures Of Baron Munchausen, which stars John Neville, Eric Idle, Jonathan Pryce, Winston Dennis, Jack Purvis, a very young Sarah Polley, a teenage Uma Thurman, Oliver Reed, Robin Williams, Valentina Cortese, Sting, and a universe of all-star talent.

John Neville as Richard II

photo by Angus McBean, via Hurok Attractions

The Adventures Of Baron Munchausen is the fantastic fable of an 18th century German aristocrat, his talented henchmen and a little girl in their efforts to save a town from defeat by the Turks. Their thrilling adventures include a trip in the gullet of a a giant sea-monster, a voyage to the moon, a dance with Venus who arrives on a half shell and an escape from death himself .A marvelous, under-appreciated film.

Featuring music from the Michael Kamen score: The Munchausen Waltz.

Thanks to the screen siren for the poignant youtube tribute.

More at: http://www.nytimes.com/2011/11/22/theater/john-neville-shakespearean-actor-dies-at-86.html?hpw

The Airborne Toxic Event - Missy·I'm On Fire·I Fought The Law·Medley [HD] LIVE

2011-11-20T23:15:00.000-08:00

The Airborne Toxic Event - Missy·I'm On Fire·I Fought The Law·Medley [HD] LIVE
Nice medley from Los Angeles' Airborne Toxic Event

Gotye Live on Santa Monica's KCRW: Somebody That I Used to Know

2011-11-19T13:11:00.000-08:00

by Gregg Chadwick

Santa Monica College's KCRW is a national treasure. The list of emerging talent that has appeared live on the station is remarkable. I first heard Peter Himmelman on KCRW'S compilation disc Rare on Air 1 in San Francisco in the early Nineties. This month I wrote a song with him. (More on that in an upcoming post.) The latest newcomer to KCRW is Australia's Gotye performing Somebody That I Used To Know. You can hear Gotye's full set on KCRW.

Gotye will be playing a Feb 2nd show at the El Rey Theatre in Los Angeles. Tickets are on sale now at: Gotye at the El Rey Theatre

Making Making Mirrors - a short documentary from Gotye on Vimeo.

A short documentary about the recording of the Gotye record Making Mirrors.
Directed by James Bryans and Wally De Backer
Filmed and edited by James Bryans between January 2010 and July 2011, on the Mornington Peninsula, VIC, Australia

More at:
Gotye's Website
Gotye's Full Set on KCRW

The Saffron Curtain Opens: Hope and Change in Burma

2011-11-18T10:13:00.000-08:00

by Gregg Chadwick

Gregg Chadwick
Road to Mandalay
40"x30" oil on linen 2011

“For decades Americans have been deeply concerned about the denial of basic human rights for the Burmese people. The persecution of democratic reformers, the brutality shown toward ethnic minorities and the concentration of power in the hands of a few military leaders has challenged our conscience and isolated Burma from the United States and much of the world. After years of darkness, we’ve seen flickers of progress in these last several weeks as the president and Parliament in Myanmar, which is also known as Burma, have taken steps toward reform.
Of course there’s far more to be done."
-President Barack Obama, November 2011
(Statement on Burma delivered at the 2011 Pacific Rim Meeting in Bali, Indonesia)

Four years after the Saffron Revolution in Burma, enough progress towards a free Burma has been made that President Barack Obama is sending Secretary of State Hillary Clinton on a trip to the often troubled country next month. It has been more than fifty years since a secretary of state from the United States has visited Burma.

Daw Aung San Suu Kyi After Her Release From House Arrest in 2010

Also announced today was the news that Daw Aung San Suu Kyi, Myanmar’s most prominent human rights activist, would rejoin the political process and run for office in the upcoming special parliamentary election.

The New York Times writes that "the twin events underscored the remarkable and sudden pace of change in Myanmar, which has stunned observers inside and outside the country. The changes followed a transfer of power this year from a military junta to a nominally civilian government."

Four years ago, as Buddhist monks were bloodied and murdered by the brutal military junta, an outcry was spread by artists across the globe as we painted, drew, and stenciled images of Burmese monks. At that time I wrote that in solidarity we should all march, paint, write, meditate, work, pray, and hope, to create a free Burma. Today we are one step closer to that goal.

President Barack Obama has not forgotten the people of Burma. During his July 24, 2008 campaign speech in Berlin, Obama said, "Now the world will watch and remember what we do here – what we do with this moment. Will we extend our hand to the people in the forgotten corners of this world who yearn for lives marked by dignity and opportunity; by security and justice? Will we lift the child in Bangladesh from poverty, shelter the refugee in Chad, and banish the scourge of AIDS in our time? Will we stand for the human rights of the dissident in Burma, the blogger in Iran, or the voter in Zimbabwe? Will we give meaning to the words “never again” in Darfur?"

President Obama's words are a call to action for all of us. It is easy to criticize from the relative safety of a computer screen. It is much more difficult to dive into the maelstrom of events and create art that inspires. I recently presented lectures on Art and Social Justice at UCLA and Monterey Peninsula College. My painting, Road to Mandalay, provided a key element in the presentations.

President Obama was presented with a personally requested book of my paintings at a Pentagon dinner in 2009. My good friend from UCLA, Adrienne Thompson attended the event where she hand delivered the book to President Obama and witnessed Barack and first lady Michelle Obama as they pored through the paintings. Today, I am honored to say that the President's favorite painting of mine is Road to Mandalay.

Perhaps Secretary of State Hillary Clinton could take my painting Road to Mandalay with her and present it as gift to the courageous people of Burma.

From the 99%: Another World Is Possible

2011-11-17T18:42:00.000-08:00

Full Video Captured From a Helicopter of Tonight's #OWS' Gigantic Bat Signals Projected onto the Verizon Building in Lower Manhattan
(Thursday, November 17, 2011)

Los Angeles Mayor Issues Statement in Favor of Gay Marriage

2011-11-17T18:25:00.000-08:00

MAYOR VILLARAIGOSA ISSUES STATEMENT ON CALIFORNIA SUPREME COURT’S PROP. 8 RULING

LOS ANGELES – Mayor Antonio Villaraigosa issued the following statement today on the California Supreme Court’s decision to allow the sponsors of Proposition 8 to defend the ballot initiative in federal court:

"Today's California Supreme Court ruling is the latest step in guaranteeing that all gay and lesbian Americans have the fundamental right to marry the person they love. The Court's ruling that proponents of Proposition 8 may defend the initiative before the 9th U.S Circuit Court of Appeals gives the federal court the opportunity to right this injustice.
I am confident that the 9th Circuit Court will affirm marriage equality and right the damage Prop. 8 has done to our fellow Californians and their families. I look forward to the day when all Americans enjoy the freedom to marry."

More at:
Villaraigosa on Prop 8 Ruling

Bach in a Japanese Forest Played on a Gravity Marimba

2011-11-14T12:27:00.000-08:00

Deep in the tranquility of a Japanese woodland, the movement of a wooden ball plays Bach on a gravity marimba. The ball gently rolls down an elevated wooden incline striking a series of wooden bars each tuned to play a single note of the 10th movement of Bach’s Herz und Mund und Tat und Leben, BWV 147, commonly known in English as, Jesu, Joy of Man’s Desiring. A rare example of an advertisement that evokes wonder. Enjoy!

Hat tip to Makezine.

Goodbye to UPS: Hello to FedEx and Independent Art Shippers

2011-11-12T12:31:00.000-08:00

by Gregg Chadwick

I am often asked by fellow artists and gallerists about shipping art locally and internationally. As of today due to UPS' gross negligence in a guaranteed, i.e. expensive, delivery, I will no longer use their services and I recommend that others shift their services elsewhere.
I am heartbroken that my donation will most likely not be at The 9th Annual Oak Grove Golf Classic 2011 & SO-CAL Chef Open to benefit the Oak Grove Center for Education, Treatment and the Arts. When a company no longer guarantees their guarantee the little guy loses out. We need to stand together. #OccupyUPS anyone?

Please read the Open Letter to UPS CEO Scott Davis:

Dear Scott Davis,

On November 11, 2011 while you were chatting on the radio how UPS works on a day when the USPS is closed, I found that because of a shortage of UPS workers my Guaranteed package was not delivered as promised to the Oak Grove Center for Education, Treatment and the Arts.
The shipment contains an important artwork to be auctioned on Monday, November 14, 2011 at the The 9th Annual Oak Grove Golf Classic 2011 & SO-CAL Chef Open for the benefit of Oak Grove's students. Many of the children have suffered physical and/or sexual abuse. Other are victims of violent traumas. The school effectively cares for children with social, emotional or behavioral challenges.
When I was asked by Kevin Keller to donate an artwork for such an important cause, I didn't hesitate. I went through the time and expense of creating the artwork, framing the artwork and chose what I thought was a reliable service to deliver this gift of hope.
I am shocked that UPS has failed me and will not even provide delivery on Saturday, November 12, 2011 - which will make it in time for the auction.
Words can not express my disappointment. I spent most of Friday, November 11, 2011 on the phone and twitter with less than helpful UPS representatives - The first of which hung up on me instead of transferring my call to a supervisor.
I paid just under $100 to have an insured and guaranteed delivery on November 11, 2011 by 4:30 pm. UPS failed in a major way.
I have used UPS in the past for many shipments for my art business, but if this situation is not rectified before it is too late, I will take my business elsewhere.
I expect a prompt response.

With Great Disappointment,

Gregg Chadwick
www.greggchadwick.com

Gregg Chadwick

Along the Arno

22"x30" monotype on paper 2011

(Donated to the Oak Grove Center for Education, Treatment and the Arts to be auctioned at the The 9th Annual Oak Grove Golf Classic 2011 & SO-CAL Chef Open )

Current Location Unknown - On Hold in a UPS Processing Center

This holiday season please give Oak Grove a call and give to an organization that protects and nurtures the most vulnerable.

For information, please contact:
Cheryl Lievsay at 951-677-5599 ext 2238 or cheryll@oakgrovecenter.org

On Oak Grove And What They Do:

Oak Grove is a nonprofit 24-hour residential and educational treatment center that serves 76 children who live on campus and an additional 80-90 day students who attend our nonpublic school day program. Oak Grove is located in Murrieta, Southwest Riverside County. Oak Grove also operates a second campus in Perris, Oak Grove at the Ranch, serving an additional 50 students. Children and youth are admitted with a variety of psychological, social, emotional, behavioral, medical and neurological problems with concurrent behavioral difficulties, school problems, family dysfunction and alcohol or substance abuse. Many of the children have suffered physical and/or sexual abuse, other traumas or experienced many other social, emotional or behavioral challenges.

We are licensed as a level 12 group home and have the additional distinction of being accredited by the Joint Commission on Accreditation of Healthcare Organizations (JCAHO), as well as the non-public school on grounds having accreditation by the Western Association of Schools and Colleges (WASC).

Oak Grove works with children and adolescents whose needs and problems can be quite complex. One of our greatest assets lies in the sophistication and experience level of a team of clinicians comprised of psychiatrists and licensed independent practitioners (MFT, LCSW, Psy. D), as well as our nursing staff, behavior intervention specialists, teachers, milieu and activities staff that together make up the Treatment Team.

Accreditations/Memberships/Licensure:

Joint Commission of Accreditation of Healthcare Organizations (JCAHO)

California State Department of Education Non-Public School Certification

Western Association of Schools & Colleges (WASC)

California Alliance for Children & Families

Licensed by the State Department of Social Services Community Care Licensing Division

http://www.OakGroveCenter.org/index.php?p=1

Veterans Day 2011: Honoring our Nation's Veterans for their Service and Sacrifice

2011-11-11T19:01:00.000-08:00

President Barack Obama's Veterans Day Message

Happy 236th Birthday United States Marine Corps

2011-11-10T11:47:00.000-08:00

by Gregg Chadwick

Gregg Chadwick
Memory Wall: My Father at the Vietnam Veterans Memorial
24”x18” oil on linen 2011

At the Rijksmuseum in Amsterdam last October on my birthday, I was able to visit the painting I first remember: Rembrandt's iconic group portrait The Sampling Officials of the Amsterdam Drapers Guild. As a six year old, I stood before the painting and recognized it as the same image on the Dutch Masters' cigar box, my father's go-to brand. The connection was phenomenal; I was hooked.

My dad had just finished his tour in the Vietnam War, where he had been serving as a JAG officer in the United States Marine Corps, and we were traveling around Europe. To this day, I recall most everything about that European family reunion. A lifelong love of Rembrandt ensued.

Rembrandt's intellect and courage allowed him to move beyond a search for a mere likeness. Instead, Rembrandt pushed deep into the work to seek the inner selves of his sitters.

I thank my father for introducing me to Rembrandt. As an homage to that day and to many years of love and friendship, I painted my father as I remember him, both in the past and the present. In Memory Wall: My Father at the Vietnam Veterans Memorial, I gather these memories to paint a portrait of accumulation. Each mark and each layer on the painting echoes a moment or conversation shared.

Today, on the 236th anniversary of the founding of the United States Marine Corps, I am honored to post my painting of my dad in uniform.

Peter Clothier has written on this painting:

Particularly moving to this one viewer is "Memory Wall: My Father at the Vietnam Veteran's Memorial" ... a portrait of the artist's father in U.S. Marine dress uniform. The face is seen in three-quarters profile, pale and stern, lips full, eyes gazing upward, as if respectfully, toward an unseen flag or deity. The uniform, complete with medals, speaks loudly of his pride and service. The portrait speaks of duty, unwavering loyalty, discipline. The man is tough. And yet... we see him through the eyes of a son, respectful, yet aware of the vulnerabilities, the softer side of real humanity that lurks behind the outward show of strength. We are reminded, as men, of our own experience with fathers--giants for us as little children; imposing, distant, to be feared for their infinitely superior strength and wisdom. We may come to resent the discipline they impose on us, but accept it grudgingly because, like God, our father can't be wrong. As we grow, however, if we're fortunate and strong ourselves--if that father has managed to share his strength with us--we come to see the uncertainty, the self-questioning, the doubts and fears that assail even the toughest of men, and to recognize the deep bond of love between us.

USMC Billboard, Milwaukee, Wisconsin 2011
photo by Gregg Chadwick

I am proud of my father's career in the USMC and thankful for the opportunity I have had to meet Marines across the globe. Today I greet all Marines with a fervent, "Happy Marine Corps Birthday!"

More at:
Peter Clothier on Theater of Memory
236 years of Semper Fi

Free Sunday Admission at UCLA's Hammer Museum Through January 8, 2012

2011-11-04T10:24:00.000-07:00

FREE SUNDAYS
November 6, 2011 - January 8, 2012

Starting this Sunday, November 6, the Hammer will offer free museum admission for all exhibitions every Sunday until the closing of the exhibition Now Dig This! Art and Black Los Angeles 1960-1980 on Sunday, January 8, 2012.

Admission is ALWAYS FREE for Museum members, students with ID, UCLA faculty and staff, military personnel, veterans, and visitors 17 and under accompanied by an adult. Free on Thursdays for all visitors.

For hours, location, and parking information, click here.

Theater of Memory Catalog Now Available in the iTunes Bookstore

2011-11-01T16:55:00.000-07:00

I am pleased to announce that the catalog for my exhibition Theater of Memory at Monterey Peninsula College is now available in a digital format in the iTunes Bookstore.

Please click on the iBookstore Logo for more info.

The River Opens

2011-11-01T16:17:00.000-07:00

Gregg Chadwick
Los Sueños del Río
38"x76" oil on linen 2011

Into the Reason of Things: Jonathan Moreno's "The Body Politic: The Battle Over Science in America"

2011-10-31T15:45:00.000-07:00

By Gregg Chadwick

Are we making monsters in university laboratories? How much is a life worth? Where does science start and religion end? When it comes to contemporary advances in science, the general public can feel lost on the margins as new discoveries whizz past like speeding rockets on the Bonneville Salt Flats. As humans we are primed to distrust or misunderstand unfamiliar things or states of being. Is it any wonder that popular culture since the dawn of the modern era is full of out of control scientific experimentation such as that found in Mary Shelley's cautionary novel Frankenstein?

Fear of the unknown may often be polarizing. Knowledge may be liberating. Jonathan Moreno's new book, The Body Politic: The Battle Over Science in America, shines a light on the issues surrounding contemporary scientific explorations. Moreno focuses on the current place of science and politics in the United States, yet Moreno also deftly explores through a long lens, the philosophical history of scientific thought and the political debates that have ensued

Gregg Chadwick
Slipstream
30"x22" monotype on paper 2011

Moreno argues in a balanced fashion, as his book considers the debates over the ethics undergirding contemporary scientific discoveries and explorations. Should the government fund scientific projects? Is there a limit to scientific advancement? The discussion becomes especially heated in the political sphere, when advancements in current Biology are considered. At times, the rhetoric adheres to a standard Red State vs. Blue State pattern. Moreno explains that, when considering science, alternatives exist to the stagnant polarization often found in the political sphere. Moreno quotes Charles Peirce's definition that science "does not consist so much in knowledge...as it does in diligent inquiry into truth for truth's sake, without any sort of axe to grind, nor for the sake of delight of contemplating it, but from the impulse to penetrate into the reason of things...."

Moreno's The Body Politic delves deeply into the battles over science in our era and ultimately calms our irrational fears by questioning the mad scientist trope: "The notion that science is an enemy of moral and civic education is puzzling. How then to account for the coincidence of the development of science with the growth of liberal democracy and the recognition of human rights since the eighteenth century?"

Jonathan Moreno's groundbreaking book, The Body Politic: The Battle Over Science in America, should be required reading for all students in the sciences and all those interested in our place in the universe. Highly recommended.

Introduction:
Neera Tanden, Chief Operating Officer, Center for American Progress

Distinguished Panelist:
Jonathan Moreno, Senior Fellow, Center for American Progress; David and Lyn Silfen University Professor, University of Pennsylvania; and Author, The Body Politic: The Battle Over Science in America

Moderator:
Andrew Light, Senior Fellow, Center for American Progress; and Associate Director, Institute for Philosophy and Public Policy, George Mason University

Happy Halloween From Speed of Life and Google!

2011-10-31T11:33:00.000-07:00

Time-lapse video of the Google doodle team & friends carving giant pumpkins in the Halloween spirit. Shot on location at Google's Headquarters in Mountain View, CA. Music by Slavic Soul Party! Composed by Matt Moran.

Please Join Me Tonight & Tomorrow - October 15th and 16th - for the Unveiling of New Work at the 7th Anniversary of the Santa Monica Art Studios

2011-10-14T21:53:00.000-07:00

Gregg Chadwick
Los Sueños del Río
38"x38" oil on linen 2011 (Triptych: Closed)

Please Join Me Tomorrow at My Studio for the Unveiling of New Work at the 7th Anniversary of the Santa Monica Art Studios
The Triptych Los Sueños del Río Will Be Opened At 7pm!

October 15, 2011 - Saturday Night 6-9pm

&

October 16, 2011- Sunday Afternoon 1-5pm

My studio- #15 - will be open
along with the other wonderful artists at the Santa Monica Art Studios.
Please stop in and say hello.

3026 Airport Ave, Santa Monica, CA 90405
cell 415 533 1165
email: greggchadwick@earthlink.net

"Women, War, and Peace" Starts Tonight on PBS

2011-10-11T16:45:00.000-07:00

Women, War & Peace from Women, War & Peace on Vimeo.

Must Watch Television: Women, War, and Peace Starts Tonight on PBS:

Women, War & Peace is a bold new five-part PBS series challenging the conventional wisdom that war and peace are men’s domain. Spotlighting the stories of women in conflict zones from Bosnia to Afghanistan and Colombia to Liberia, it places women at the center of an urgent dialogue about conflict and security, and reframes our understanding of modern warfare.

Featuring narrators Matt Damon, Tilda Swinton, Geena Davis and Alfre Woodard, Women, War & Peace is the most comprehensive global media initiative ever mounted on the roles of women in war and peace.

Watch on your local PBS station Tuesday nights from Oct. 11 to Nov. 8. Check local listings for air times.

Art in the Station

2011-10-07T09:26:00.001-07:00

Engine Company, a photo by GreggChadwick on Flickr.

As part of my current exhibit at the Monterey Peninsula College Art Gallery, "Engine Company" is on loan to the Monterey Fire Department. The painting will be displayed for the next month in Station #1 located at 600 Pacific Street, Monterey, California. I feel it is vital to take contemporary art out of the gallery and into the streets. I am honored that my work dedicated to brave Union workers across the globe hangs in Station #1.

Theater of Memory Opens Today at Monterey Peninsula College Art Gallery

2011-10-06T07:20:00.001-07:00

Theater of Memory in Process in Studio, originally uploaded by GreggChadwick.

The Monterey County Weekly writes:

Art Exhibit: Humanitas at MPC Gallery
When: Thursday, October 6, 12:30 p.m. to 2:30 p.m.

Humanitas, an exhibit of extraordinary paintings, features luminous, poetic figures painted by Gregg Chadwick, along with more intimate works, often in earth tones, by Cynthia Grilli. Most art tells the history of the periods from which they are created. These recent works, depict the emotions reflecting the subtle complexity and unknowing directions of our times. Come see the once and future history of these thankfully fleeting days, illuminated by these two fine artists' incisive palettes. [JZ]

11am-4pm, Tue-Fri,
Receptions: 6th Oct, 12:30-2:30pm
8th Oct, 3-5pm.

Much more at Art Daily.com

Krazy Kat Caught in an Alley by Kent Chadwick: New Poem Published in Pontoon by Floating Bridge Review

2011-09-25T11:45:00.000-07:00

Krazy Kat caught in an alley

By Kent Chadwick

________

___ ___

Krazy Kat Caught in an alley

caterwauling

night in Garwood

New Jersey

moonlight on the sagging

back landings

drinking men stripped

to undershirts

ribbed with a

working day’s sweat

the viscosity of bourbon

poured into shots

patterened thump of

ball against wall

sound of speed

from the street

rubber friction

gas combustion

the swamp coolers shake

the swamp coolers drip

against the heat

“Fireflies don’t come no more.”

blue auroras stream

from each T.V.

out window screens

“Turn it down!”

one house shines

in new siding

chain links the brown

block’s backyards

right angles and shadow

no sirens tonight

a kid laughs

some woman hums

the dishes away

“Sit for a week, even this’ll look good.”

“That’s whiskey talking. Throw me a beer, Jake.

It’s all in your head.”

This poem was included in Pontoon, published by Floating Bridge Review (Seattle), Number Four, 2011

All the poems in Pontoon were chosen from manuscripts submitted to the 2011 Floating Bridge Press Poetry Chapbook Award.

Pontoon is available from Floating Bridge Press

Photo: Painter & Poet by Margaret Chadwick

Gregg Chadwick

Detail of Jimmy Buffs

72"x96" oil on linen 1982--1992

Collection: Kent Chadwick

Defending the Muse: Michael Stein and Paul Georges

2011-09-25T00:13:00.000-07:00

Paul Georges
The Studio
120”x79 1/2” oil on canvas 1965
The Whitney Museum Collection, New York
Courtesy Paul Georges Estate

Michael Stein's new novel "The Rape of the Muse" ponders the worth of art and the place of beauty in our contemporary society. Stein's re-imagining of painter Paul Georges' trial for libel in 1980 updates the events to the 21st century and fleshes out the characters with a post September 11th ennui. When Georges' trial took place in 1980, the Neo-Expressionist boom in art was just beginning. Emotional, brightly colored paintings using the figure as a theme filled galleries in New York and Europe. In that time Paul Georges’ artwork was included in exhibitions at the Whitney Museum in New York, the Rose Art Museum at Brandeis, and the Pennsylvania Academy of Fine Arts. But still, Georges was an outsider looking in on an art world that often considered narrative painting to be atavistic at best - reactionary at worst.

Paul Georges
The Mugging of the Muse
80”x103” oil on canvas 1972-1974
Courtesy Paul Georges Estate

Michael Stein adeptly weaves elements of Paul Georges' life into the story of his fictive painter - Harris Montrose. Montrose cares deeply about the gift and responsibility of art. This humble esteem for the muse that stokes his creative fire leads to a showdown with an artistic colleague over a limned image. Are we all fair game for artistic interpretation? Is anything really private anymore? Is the language of painting relevant to our time?

Stein brings in a young artist, already marked by the reigning critics as one to watch, who is psychologically blocked from the creative process. This young artist, Rand Taber, becomes Montrose's studio assistant. As if in a scene from Martin Scorsese's segment in the film "New York Stories", Taber learns life lessons from his mentor Montrose. In this sense, Michael Stein seems to hold up the elder painter as a pugnacious model of validity. Harris Montrose paints like his life depends on it. The muse needs to be honored. And if anyone gets in the way they should heed the warnings. The muse shall be avenged.

It is refreshing to read a work in which art is considered deeply as much more than a commodity or a means to privilege. Michael Stein’s “The Rape of the Muse” is gutsy – almost an aesthetic bar fight of a novel. It is heartening to feel Paul Georges’ passion seep into Stein’s writing. Art is not just style. At its best, art considers life and then makes something new. Michael Stein’s “The Rape of the Muse” digs into the life and work of the forceful painter Paul Georges and conjures up a story for our moment.

Highly recommended.

Michael Stein

More at:
Life and Art of Paul Georges
Michael Stein's Website

Theater of Memory: New Exhibit Opens October 4, 2011 at the Monterey Peninsula College Art Gallery

2011-09-16T12:33:00.000-07:00

Gregg Chadwick
Theater of Memory
48"x48" oil on canvas 2011

Theater of Memory
New Paintings by Gregg Chadwick

Curated by Melissa Pickford

Monterey Peninsula College Art Gallery

Opening on October 4, 2011
Runs until November 4, 2011

One could say we all create paintings as we distill meaning from the rush of life. Experiences, moments, thoughts, actions, memories, and dreams mix together and overlap in our minds and hearts bringing patterns and understanding in our everyday life. My paintings in the exhibit, Theater of Memory at the Monterey Peninsula College Art Gallery, echo this cognitive-emotional process. My artworks evolve through a series of painting sessions in which colors and images overlap, merge, and flow.

At times, my paintings begin close to home with remembered dreams of family members. In the title painting, Theater of Memory, my much loved late nephew Luke Chadwick appeared unbidden, but at the perfect moment. His faint smile recalled a day many years before, when I began a painting in his Seattle bedroom. As Luke watched me mix my paints on an improvised palette, he exclaimed with the intuitive vision of a child that the color I had mixed would not do. “Don’t fear color”, he said in so many words, as he pointed to a rich ultramarine glistening on my palette.

In honor of Luke and my father, Robert Chadwick, I purchased a tube of genuine lapis lazuli from the London color maker Michael Harding. This true ultramarine, ground into a crystalline powder and mixed with linseed oil on a stone mill, is the color blue found in Renaissance skies. Transparent layers of this lapis mark each of my paintings in this exhibit. Sourced in Afghanistan, lapis lazuli, reflects the historical tides of trade, conquest and conflict that ebb and flow across this region and the globe.

More at:
Gregg Chadwick's Theater of Memory

Monterey Peninsula College Art Gallery

980 Fremont Street Monterey, CA 93940-4799

Melissa Pickford, Curator
More info at: mpickford@mpcgallery.com
831 646-3060

Receptions for the artist:
Thursday, Oct. 6, 2011 from 12:30 – 2 pm
&
Saturday, Oct. 8, 2011 from 3 – 5 pm

Gallery Hours: Tues-Fri 11am - 4pm or by appointment
Admission: Free
Parking: 4 quarters

Catalog Available:

Theater of Memory: Paintings by Gregg Chadwick by Gregg Chadwick

Please Note:
Also in the gallery under the tandem title Humanitas: Paintings by Cynthia Grilli.

Memo From David Axelrod: Obama in good position for 2012 with liberal base, electorate

2011-09-16T09:00:00.000-07:00

TO: Sunday Show Producers

FR: David Axelrod, Senior Strategist

Public polling released this week makes clear that Americans strongly agree with the President’s plan to create jobs and provide economic security for the middle class and believe that leaders in both parties should move quickly to pass the American Jobs Act.

Members of the media have focused on the President’s approval ratings as if they existed in a black box. Following the intransigence of the Republicans during the debt debate, the approval rating of the GOP brand dropped to a historic low. The approval rating of Congress dropped to a near historic low. Americans are still dealing with the impact of the financial crisis and recession and the long-term economic trends that have seen wages stagnate for many, and that is manifested in their anger towards Washington. There’s no doubt that Americans are calling on leaders in Washington to take immediate action to address their economic challenges -- exactly what the President is advocating for.

According to a CNN poll released on Wednesday, a plurality of Americans approve of the President’s jobs plan. Two thirds believe we should cut taxes for the middle class and rebuild America’s roads and bridges. Three quarters believe we need to put our teachers and first responders back to work. More Americans trust the President to handle the economy than Congressional Republicans by a margin of 9 points.

Despite what you hear in elite commentary, the President’s support among base voters and in key demographic groups has stayed strong. According to the latest NBC-WSJ poll, Democrats approve of his performance by an 81%-14% margin. That’s stronger than President Clinton’s support among Democrats at this point in his term and, according to Gallup, stronger than any Democratic President dating back to Harry Truman through this point in their presidency. 92 percent of African Americans approve. And a PPP poll out this week showed the President winning 67 percent of Hispanics against Romney and 70 percent against Perry, a higher percentage than he captured against Senator McCain in 2008.

The base is mobilized behind the President. 12,000 individuals applied to join the campaign as volunteer summer fellows, more than in 2008. 1,100 students across the country are organizing their campuses in support of the campaign as fellows this fall. We had 552,462 individuals give to the campaign in the second quarter -- more than we had in all of 2007. Of our 552,462 total donors to the 2012 campaign so far, more than 260,000 of them are completely new to the Obama organization and have never given before.

The Republicans have yet to choose a nominee, and therefore, most Americans have yet to learn much about their records or visions for the country. Their candidates are busy courting the Tea Party, signing off on any economic pledge it might demand – no revenue increases under any circumstances, ending Medicare as we know it, draconian cuts that will hamper job creation. And Americans are increasingly rejecting the Tea Party’s agenda and its ideological rigidity – following the debt negotiations, an AP poll found the Tea Party’s approval rating sinking to 28-46. When Americans learn the details of the Republican candidates’ plans, the choice about America’s future will come into clear view.

Despite the Republican candidates just beginning to undergo the media scrutiny that occurs during a presidential campaign, from North Carolina to Nevada, the President remains ahead or in a dead heat with the Republican candidates in the battleground states that will decide the election in 2012. And ultimately it is in those battleground states where voters will choose, 14 months from now, between two candidates, their records, and their visions for the country.

More at:
David Nakamura: Washington Post

James Turrell: Present Tense - Opens on Thursday, September 15, 2011 at the Kayne Griffin Corcoran Gallery in Santa Monica

2011-09-14T13:54:00.000-07:00

James Turrell at Kayne Griffin Corcoran

In 1966, James Turrell began experimenting with light at Santa Monica's Mendota Hotel, which he used as his visual laboratory. Turrell covered the windows, leaving slits that allowed prescribed amounts of light from the street outside to shine through the openings. After these experiments Turrell expanded his work, using halogen projectors to beam light across darkened rooms. From a distance the projected shapes appeared solid, but as viewers moved closer the numinous forms vanished revealing nothing more than light cast against flat walls.

Two of these Cross-‐Corner Projections, Carn White (1967) and Phantom Blue (1968), will be included in James Turrell: Present Tense. which opens tomorrow - Thursday, September 15, 2011 at the Kayne Griffin Corcoran Gallery in Santa Monica.

James Turrell: Present Tense is part of Pacific Standard Time, which documents the Los Angeles art scene from 1945-1980. Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California. Initiated through grants from the Getty Foundation, Pacific Standard Time will take place for six months until April 2011.

More at:
Pacific Standard Time Website
Kayne Griffin Corcoran Gallery