Showing posts with label video. Show all posts
Showing posts with label video. Show all posts

Monday, June 19, 2023

Tuesday, October 22, 2019

Princeton Professor Eddie Glaude Jr. On Racism in America

Monday, January 14, 2019

The Killers - Land Of The Free - Video by Spike Lee





Powerful and Timely! Kudos to The Killers and Spike Lee

"We got more people locked up than the rest of the world
Right here in red, white and blue
Incarceration's become big business
It's harvest time out on the avenue"

"So how may daughters, tell me how many sons
Do we have to put in the ground before we just break down and face it

We got a problem with guns"







Bob Lefsetz writes,"The message of the song, the message of the video. What does America stand for? But that wall hasn't been built yet and the Killers don't want it to be. They're making a statement that will reach their fans more than anything in the "New York Times," never mind Fox News. That's the power of art, to change minds.

And if this were the eighties, this video would be all over MTV, the talk of the nation. But in the teens, it's impossible to reach everybody. But disruption never sleeps, it's just a matter of who is willing to fight.

We've been overwhelmed with the innovation of the techies for two decades. But we've learned in the past few years that the majordomos have no moral center, which is why artists need to take the reins and make a statement.

Like the Killers."

More at:
spoti.fi/2CoO6ZG and lefsetz.com/wordpress/ 

Tuesday, May 27, 2014

Film Review - Generosity of Eye: Art Transformed into Education

by Gregg Chadwick

 
Generosity of Eye: Art Transformed into Education from brad hall (Full Film)


Generosity of Eye: Art Transformed into Education is a must watch documentary by Julia Louis-Dreyfus and Brad Hall that documents William Louis-Dreyfus, Julia's father,  as he explains why he decided to sell his bountiful art collection to benefit the Harlem Children's Zone - an educational program in New York, created by Geoffrey Canada to break the cycle of generational poverty for the thousands of children and their families in the Harlem community. 



Julia is often on screen with her father and their scenes together are rich with familial affection. As Julia interviews her father about the art that William has collected over the years and the artists who have created it, she is often overcome with emotion as she discovers the depth of her father's passion for art and for justice.


Geoffrey Canada, William Louis-Dreyfus, and Julia Louis-Dreyfus  


Julia says, "Dad doesn't just collect art, he collects the artists who create it." For her entire life, Julia's dad has collected paintings, sculptures, and works on paper. Currently, the collection has grown to over 3,000 pieces and includes artworks by Kandinsky, Dubuffet, Giacometti, George Grosz, Red Grooms, Robert Traylor, Catherine Murphy, Stone Roberts, Graham Nickson, Raymond Mason, Rackstraw Downes, Jean-Baptiste Sécheret, Nicola Hicks, Robert Birmelin, George Boorujy, Thornton Dial, and many others. 

In a telling scene in the film, William explains his thoughts on society's reaction to injustice:  "I think there are two types of people that make up our political outlook. One is a person who sees something happening and thinks that it might happen to him and therefore is worried about it. He notices it and thinks to himself,"That could happen to me." Therefore, he is against the injustice that is happening to a third party. And then there is another kind of person who looks at the injustice and says to himself,"Thank the Lord that is not happening to me." So the fact of it's happening to another person he is for. He is for it psychologically because by virtue of this happening to another person, it's not happening to him. The other guy is against it because when he sees it, he thinks it might happen to him. Therefore, he is against it." 

William's passions are inspiring: art, justice, and humanity.






Can we balance out the slate?

Monday, November 25, 2013

High Hopes



 Bruce Springsteen On His New Album High Hopes:

I was working on a record of some of our best unreleased material from the past decade when Tom Morello (sitting in for Steve during the Australian leg of our tour) suggested we ought to add “High Hopes” to our live set.  I had cut “High Hopes,” a song by Tim Scott McConnell of the LA based Havalinas, in the 90′s.  We worked it up in our Aussie rehearsals and Tom then proceeded to burn the house down with it.  We re-cut it mid tour at Studios 301 in Sydney along with “Just Like Fire Would,” a song from one of my favorite early Australian punk bands, The Saints (check out “I’m Stranded”).  Tom and his guitar became my muse, pushing the rest of this project to another level.  Thanks for the inspiration Tom.
Some of these songs, “American Skin” and “Ghost of Tom Joad,” you’ll be familiar with from our live versions.  I felt they were among the best of my writing and deserved a proper studio recording. 

 ”The Wall” is something I’d played on stage a few times and remains very close to my heart.  The title and idea were Joe Grushecky’s, then the song appeared after Patti and I made a visit to the Vietnam Veterans Memorial in Washington.  It was inspired by my memories of Walter Cichon.  Walter was one of the great early Jersey Shore rockers, who along with his brother Ray (one of my early guitar mentors) led the ”Motifs”.  The Motifs were a local rock band who were always a head above everybody else.  Raw, sexy and rebellious, they were the heroes you aspired to be.  But these were heroes you could touch, speak to, and go to with your musical inquiries.  Cool, but always accessible, they were an inspiration to me, and many young working musicians in 1960′s central New Jersey.   Though my character in “The Wall” is a Marine, Walter was actually in the Army, A Company, 3rd Battalion, 8th Infantry.  He was the first person I ever stood in the presence of who was filled with the mystique of the true rock star.  Walter went missing in action in Vietnam in March 1968.  He still performs somewhat regularly in my mind, the way he stood, dressed, held the tambourine, the casual cool, the freeness. The man who by his attitude, his walk said “you can defy all this, all of what’s here, all of what you’ve been taught, taught to fear, to love and you’ll still be alright.”  His was a terrible loss to us, his loved ones and the local music scene.  I still miss him.
This is music I always felt needed to be released.  From the gangsters of “Harry’s Place,” the ill-prepared roomies on “Frankie Fell In Love” (shades of Steve and I bumming together in our Asbury Park apartment) the travelers in the wasteland of “Hunter Of Invisible Game,” to the soldier and his visiting friend in “The Wall”, I felt they all deserved a home and a hearing.
Hope you enjoy it,
Bruce Springsteen

Tuesday, July 16, 2013

Springsteen Sings 41 Shots (American Skin) in Memory of Trayvon Martin

by Gregg Chadwick

 

Today in Ireland, Bruce Springsteen dedicated his powerful song 41 Shots (American Skin) with a call to justice for Trayvon Martin. The verdict in the Zimmerman case was tainted by the stench of ALEC's odious "Stand Your Ground" legislation.  "Stand Your Ground" laws are abhorrent. They are fundamentally biased. A recent study has shown that white people who kill black people in 'Stand Your Ground' states are 354% more likely to be acquitted of murder. 

Denise, an active duty US Marine, wrote a compelling argument against the jury's decision on twitter tonight, "If a man watches a woman while he is in his SUV, follows that woman in the dark and kills her because she fought him. Is he justified?"

As I write, more than one million  Americans have signed petitions demanding federal civil rights charges against Zimmerman. There is no doubt that Zimmerman killed Trayvon and yet has not spoken one word of remorse. Instead Zimmerman, called his violent act, "God's will."  

Thank You Bruce for dedicating this song to the memory of a young man cut down in a senseless violent act. Justice for Trayvon!


Tuesday, January 08, 2013

David Bowie's New Berlin Elegy: Where Are We Now?




Early this morning David Bowie celebrated his 66th Birthday with the release of his first single in a decade. This song Where Are We Now?, taken from Bowie's forthcoming album The Next Day, is accompanied by an artful video directed by the contemporary artist Tony Oursler. Set in a black and white Berlin of memory and dream, Oursler's video combines with Bowie's voice and lyrics to question the themes of human bondage, release, freedom,  doubt, ageing, and death. 

 The video opens with a shot of a crystal skull on a table. Reminiscent of Gerhard Richter's evocative paintings of human skulls, this visual entrance to Bowie's musical memento mori reminds us that in Berlin we wrestle with the dead as we walk through a haunted and enchanted city. After the fall of the wall, Berlin has come to embody the future while at the same time carrying the scars of the past. 




Bowie sings:


Had to get the train
From Potsdamer Platz
You never knew
That I could do that
Just walking the dead



Gerhard Richter
 
Skull (Schadel) (1983)


Where Are We Now? is as much a painting in soft greys as it is a song. A quiet rhythm of drums and synth warp and weft with minor key 
piano chords and Bowie's plaintiveelegiac voice. 





Bowie lived in West Berlin between 1976 and 1979 in the Schöneberg district in a house with Iggy Pop while Brian Eno and Tony Visconti were helping record Bowie's Berlin trilogy of albums Low, Heroes, and Lodger in the now legendary Hansa Studios.
In an interview on a French radio program, Bowie said, “Berlin has the strange ability to make you write only the important things. Anything else you don’t mention.” 

In Where Are We Now?Bowie guides us through his former haunts:

Sitting in the Dschungel
On Nürnberger Straße
A man lost in time
Near KaDeWe
Just walking the dead


The Dschungel was a Schöneberg club frequented by Bowie, Iggy Pop, Frank Zappa, and  Nina Hagen. KaDaWe is a historical Berlin department store that originally opened in 1907. In a divided city, from its reopening in 1950 until 1989, KaDaWe was a beacon for the East and drew massive crowds after the fall of the Berlin Wall.  







In an informative piece on the creation of the cover for the upcoming album The Next Day, designer Johnathan Barnbrook writes that "the song Where Are We Now? is a comparison between Berlin when the wall fell and Berlin today. Most people know of Bowie’s heritage in Berlin and we want people to think about the time when the original album was produced and now."

Twenty thousand people
Cross Bösebrücke
Fingers are crossed
Just in case
Walking the dead


 The Bösebrücke was the bridge on which the first border crossing was opened to Eastern Berliners in November 1989 as the Berlin Wall began to fall. In Berlin, David Bowie challenged societal bondages in his art and his life. Later, the city itself broke free from the bondage of the wall. Now, years later, Bowie looks back and wonders if all the chains have been broken.


Gregg Chadwick
Berlin Noir
30"x22" monotype on paper 2011
There are hints of personal loss in Where Are We Now? as well. Does the mysterious woman who appears with David throughout the video refer to Bowie's incredibly brave and influential first wife Angela? Or is she a reference to the classical muses? Or perhaps an angel briefly freed from the the towering Siegessäule which flickers in the video behind Bowie and his partner. The political and the personal merge in Where Are We Now?. We are left with existential questions and are reminded that bodies age, marriages end, friendships dissolve and memories fade. But Bowie's quietly defiant voice does not give in to any dying of the light:



As long as there’s sun
As long as there’s sun
As long as there’s rain
As long as there’s rain
As long as there’s fire
As long as there’s fire
As long as there’s me
As long as there’s you








 Where Are We Now?
 by David Bowie
 produced by Tony Visconti 

Had to get the train
From Potsdamer Platz
You never knew
That I could do that
Just walking the dead
Sitting in the Dschungel
On Nürnberger Straße
A man lost in time
Near KaDeWe
Just walking the dead

Where are we now?
Where are we now?
The moment you know
You know you know

Twenty thousand people
Cross Bösebrücke
Fingers are crossed
Just in case
Walking the dead

Where are we now?
Where are we now?
The moment you know
You know you know

As long as there’s sun
As long as there’s sun
As long as there’s rain
As long as there’s rain
As long as there’s fire
As long as there’s fire
As long as there’s me
As long as there’s you







In March, David Bowie will release The Next Day, an album of his first new music in a decade and a reunion with longtime producer Tony Visconti. Where Are We Now? was released today on Bowie's 66th birthday. A note from his label Columbia explained this was "a timely moment for such a treasure to appear as if out of nowhere." 


Available from iTunes



More at:
Die Zeit: Nächste Abfahrt Potsdamer Platz
David Bowie: The Next Day. That album cover design


It is a new font that we are working on called Doctrine – this is the first major use of it. Doctrine will be released in the coming weeks at VirusFonts.







Friday, December 14, 2012

Our Nation Cries for the Children of Newtown, Connecticut

by Gregg Chadwick

When Slow October by GreggChadwick


As I write this, an impromptu vigil is forming in front of the White House in Washington DC to mourn the victims of another senseless mass shooting and to call for much needed gun regulation. Today, a quiet school in Newtown, Connecticut was violated by a gun wielding murderer packing semi-automatic weapons with a back up assault rifle in his car.
The shooting was horrific and preventable. This is a national tragedy that needs a national response. Our glorification of weapons and our embrace of the use of violent force to resolve conflicts has led us to a crisis point. Do we continue to let our children be slaughtered in schools and theaters? Will we continue to allow almost unfettered access to military grade high powered weapons? Will we continue to cut funding for preventive mental health care?

Today, we make a decision as a nation. Twenty children and six adults were killed today at a Newtown, Connecticut school. I refuse to allow their memories to be forgotten and will not let this horror continue unabated across the nation. 

Because of their strict regulation of firearms, last year in Japan there were only 8 murders committed with guns in a country of 120 million. The year before there were 6 and during the previous year 11. Today, during one horrific attack in one school, one American gunned down more fellow citizens than the last 3 years of gun deaths in Japan combined.  Over 100 rounds of ammo were fired into children today. According to the FBI, we average 20 similar mass shootings in the US each year. Don't let the NRA fool you the Second Amendment is not unlimited. As recently as the 2008 Heller decision, the US Supreme Court has held that:

Like most rights, the Second Amendment right is not unlimited. It is not a right to keep and carry any weapon whatsoever in any manner whatsoever and for whatever purpose: For example, concealed weapons prohibitions have been upheld under the Amendment or state analogues. The Court’s opinion should not be taken to cast doubt on longstanding prohibitions on the possession of firearms by felons and the mentally ill, or laws forbidding the carrying of firearms in sensitive places such as schools and government buildings, or laws imposing conditions and qualifications on the commercial sale of arms. Miller’s holding that the sorts of weapons protected are those “in common use at the time” finds support in the historical tradition of prohibiting the carrying of dangerous and unusual weapons.

Today is the day to begin the long delayed discussion of gun control and lay the foundation for the implementation of sensible gun regulations across the United States.







President Obama Wipes Away A Tear During His Address to the Nation Concerning Today's Shooting in Newtown


More at:
A Land Without Guns: How Japan Has Virtually Eliminated Shooting Deaths
Mayors Against Illegal Guns
Fatal Gaps: Can Dangerous People Buy Guns In Your State?






Wednesday, November 21, 2012

Anish Kapoor's Gangnam for Freedom



                 Gangnam for Freedom - Anish Kapoor and Friends 

The British sculptor Anish Kapoor and a group of his human rights oriented friends have released a new video in partnership with Amnesty International and PEN International to bring attention to the ongoing persecution of artists and writers across the globe from China to Russia who have been harassed and imprisoned because of their work. Taking up where Ai Wei Wei's recent Gangnam Style video left off, Kapoor's own Gangnam Style romp combines symbols of imprisonment and torture with the names of many who have been persecuted in their artistic strivings for freedom. Please watch, visit the links, and find out what you can do to help shed light on this growing problem of censorship and oppression.

As an emigré from India to the United Kingdom, Anish Kapoor has often been concerned with the ideas of freedom and dislocation in his artwork. I have posted a few examples below that provide a brief glimpse into his artistic practice. For me, Anish Kapoor is one of the most important and visionary artists working today.



Anish Kapoor.
Dismemberment Site 1

Mild Steel Tube and Tensioned Fabric 2009
Gibbs Farm, Kaipara Harbour, New Zealand
photos courtesy  Gibbs Farm

 In North America, his best-known creation, Cloud Gate, is the centerpiece of Chicago’s Millennium Park:




Anish Kapoor
Cloud Gate
Stainless Steel 2004-2006
Millenium Park, Chicago, Illinois
Photos by Gregg Chadwick



Anish Kapoor, Hole1988sculpturefiberglass and pigment84 in. x 84 in. x 102 in. (213.36 cm x 213.36 cm x 259.08 cm)Collection SFMOMAGift of Mrs. Milo Gates© Anish Kapoor

Source: http://www.sfmoma.org/explore/collection/artwork/169##ixzz2CtD7h8ex
San Francisco Museum of Modern Art


More At: 


Wednesday, October 24, 2012

Provocative Chinese Artist Ai Weiwei Creates His Own Gangnam Style Video

Provocative Chinese Artist Ai Weiwei Creates His Own Gangnam Style Video

Here's Ai Weiwei's twitter announcement:

 
艾未未 Ai Weiwei
给债主的礼物。。疯转吧!!!RT : 草泥马style 来自 

Monday, September 10, 2012

Late Summer Mentors and Memories

Watching these poignant videos of Eddie Vedder singing with Bruce Springsteen and knowing that Tom Morello was offstage waiting for his next turn, I am called to thank the numerous mentors in my life. As an artist, sometimes it is only the artwork itself that carries its influence into your life. Other times it is the day to day connection with a teacher, colleague, or partner. And for me it has also been the powerful influence of my family and friends. From my blazingly intelligent wife MarySue Heilemann, to my brilliant brother Kent Chadwick, to my supportive parents Bob and Peg Chadwick, to my teachers Sam Amato and Jan Stussy at UCLA and Dale McConathy and Richard Martin at NYU, to my colleagues at the Santa Monica Art Studios, to the always inspiring writer Peter Clothier, to my gallerist in San Francisco Sandra Lee, to my collectors over all these years, to my new friend and colleague in the arts Barbara Drucker, to my agent Gwenda Joyce, to the insightful film and theater artists Alan and Alana Caudillo, Yareli Arizmendi and Sergio Arau, Dan Bonnell and Lea Floden, Craig Zisk and Julie Weiss, to the passionate musicians RB Morris, Kelly Colbert, Michael McDermott and Peter Himmelman, and to my collaborator in the creative fire Phil Cousineau - I say "Thank You for the inspiration, friendship and mentorship!"


Video: Bruce Springsteen and Eddie Vedder Sing My Hometown at Wrigley Field Sept 8, 2012


Another View: Bruce Springsteen w/ Eddie Vedder My Hometown - Wrigley Field 9/8/12

Video: Bruce Springsteen and Eddie Vedder - Atlantic City- Wrigley Field, Sept 7, 2012

Gregg Chadwick
Jimmy Buff's
72"x96" oil on linen 1983-1988