Sunday, April 30, 2017
Saturday, April 29, 2017
The Pale Blue Dot - Cosmos: A Space Time Odyssey
Important Thoughts on Our Place In the World. Carl Sagan's famous 'The Pale Blue Dot' speech. Featured in the 2014 show 'Cosmos: A Space Time Odyssey' Remember there is No Planet B! #ClimateMarch
Friday, April 28, 2017
Wednesday, April 26, 2017
Sunday, April 16, 2017
Sunday, April 09, 2017
Gregg Chadwick: Revenant by Jeffrey Carlson - July 2014
Gregg Chadwick's "Revenant"
Jeffrey Carlson Reporting Editor, Fine Art Today
Specters from a distant past ‐‐ or perhaps another level of existence ‐‐ people the nostalgic and visionary works of Gregg Chadwick.
Widely recognized for his figure paintings and cityscapes, Gregg Chadwick presents his latest work in an exhibition titled "Revenant," soon to be unveiled at San Francisco's Sandra Lee Gallery. The exhibition opens July 1, and the opening reception will be held July 10, from 5:30‐7:30 p.m.
In viewing Chadwick's paintings, it feels as though we are viewing these people and places through a screen of nostalgic vision. In passages the works are blurred and vague, suggesting forms more than representing them. This lack of definition suggests the uncertainty and vagueness of a lost memory or a fleeting dream; we can picture its shape but are often left grasping at its details.
Chadwick's process, too, encourages reflection on the simultaneously fleeting and lasting nature of life's experiences. In each painting Chadwick creates a kind of palimpsest, layering transparent pigments and painting over the earlier image. In this way the past is built into the paintings themselves.
"Revenant" will remain on display at Sandra Lee Gallery through July 31, where a concurrent exhibition at Sandra Lee Gallery presents paintings by Evri Kwong. To learn more, visit Sandra Lee Gallery online.
This article was featured in Fine Art Today, a weekly e‐newsletter from Fine Art Connoisseur magazine.
Jeffrey Carlson Reporting Editor, Fine Art Today
Specters from a distant past ‐‐ or perhaps another level of existence ‐‐ people the nostalgic and visionary works of Gregg Chadwick.
Widely recognized for his figure paintings and cityscapes, Gregg Chadwick presents his latest work in an exhibition titled "Revenant," soon to be unveiled at San Francisco's Sandra Lee Gallery. The exhibition opens July 1, and the opening reception will be held July 10, from 5:30‐7:30 p.m.
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Gregg Chadwick, "Salish Sea," 2014, oil on linen, 30 x 24 in. Sandra Lee Gallery |
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Gregg Chadwick, "Calle," 2014, oil on linen, 24 x 18 in. Sandra Lee Gallery |
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Gregg Chadwick, "Revenant," 2014, oil on linen, 24 x 18 in. Sandra Lee Gallery |
Chadwick's process, too, encourages reflection on the simultaneously fleeting and lasting nature of life's experiences. In each painting Chadwick creates a kind of palimpsest, layering transparent pigments and painting over the earlier image. In this way the past is built into the paintings themselves.
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Gregg Chadwick, "The Station Agent," 2014, oil on linen, 40 x 40 in. Sandra Lee Gallery |
Gregg Chadwick, "Deerhead Diner," 2014, oil on linen, 24 x 36 in.
Sandra Lee Gallery
Sandra Lee Gallery
"Revenant" will remain on display at Sandra Lee Gallery through July 31, where a concurrent exhibition at Sandra Lee Gallery presents paintings by Evri Kwong. To learn more, visit Sandra Lee Gallery online.
This article was featured in Fine Art Today, a weekly e‐newsletter from Fine Art Connoisseur magazine.
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Gregg Chadwick, "Mulholland Blue," 2014, oil on linen, 24 x 30 in. Sandra Lee Gallery |
Gregg Chadwick and Painting Time by Jeffrey Carlson - March 2013
Gregg Chadwick and Painting Time
Jeffrey Carlson Reporting Contributing Editor, Fine Art Today
March 2013
In a new solo exhibition, California artist Gregg Chadwick ambitiously explores the boundaries of time and of representational painting.
The Time Between, a show of recent paintings by Gregg Chadwick, is now on view at Sandra Lee Gallery in San Francisco.
In these paintings Chadwick works lightly and suggestively, as if in the haze of a fragmented vision. Some figures are located in recognizable time and space, like three young women who stroll an open road, one texting and another snooping. In other works the subject is far more enigmatic, the spaces indeterminate, and the figures distorted or mirrored.
The conceptual foundation for Chadwick’s recent work comes from a study of time as perceived by the ancient Greeks, who categorized it in two distinct ways. Chronos denoted sequential time, measurable in units, whereas kairos conveyed the significance of a moment and was qualitative in nature. A kairos was indeterminate in length and potentially great in importance, as in “an appointed time.”
Chadwick’s stated intention with his works on time is to “break down the illusions of linear time passing and expose the coexistence of past, present and future.”
The artist’s conceptual vision neatly dovetails with the goals of the broader contemporary realist art movement. Chadwick paints scenes that are representational yet imaginative; they are, at one and the same time, rooted in tangible existence and removed from it. His figures are real and unreal. Engaged in everyday activities or detached from their surroundings, we see them as women and men of the world and as specters of superhuman existence.
Based in Santa Monica, where he paints in an old airplane hangar, Chadwick has shown at galleries and museums nationally and internationally. He earned his BFA from UCLA and his MFA from NYU. Chadwick has held notable solo exhibitions at the Manifesta Maastricht Gallery (Maastricht, Netherlands), AD Space 2000 (Tokyo, Japan), and the Lisa Coscino Gallery (Pacific Grove, California), and he has participated in group shows at the Sandra Lee Gallery, Arena 1 Gallery (Santa Monica, California), and the Arts Club of Washington (Washington, D.C.).
Chadwick writes a blog, Speed of Life, in which he examines art’s intersection with society. He also frequently posts recently completed work to his Flickr account, which can be viewed here.
The Time Between will be on view through March 30, 2013.
An opening reception will be held the evening of March 7, from 5:30‐7:30 p.m. Sandra Lee Gallery is located at 251 Post Street, Suite 310, in San Francisco.
For more information, visit www.greggchadwick.com and http://sandraleegallery.com.
This article was featured in Fine Art Today, a new weekly e‐newsletter from Fine Art
Connoisseur magazine.
Filed Under :
Locations : California, Milano, Monica, San Francisco, Santa Monica, Tokyo, Washington, D.c. People : Gregg Chadwick, Painting Time
Jeffrey Carlson Reporting Contributing Editor, Fine Art Today
March 2013
In a new solo exhibition, California artist Gregg Chadwick ambitiously explores the boundaries of time and of representational painting.
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Gregg Chadwick, "Grand Central," oil on canvas, 36 x 48 in. |
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Gregg Chadwick, “Il Poeta di Milano,” oil on canvas, 24 x 18 in. |
The Time Between, a show of recent paintings by Gregg Chadwick, is now on view at Sandra Lee Gallery in San Francisco.
In these paintings Chadwick works lightly and suggestively, as if in the haze of a fragmented vision. Some figures are located in recognizable time and space, like three young women who stroll an open road, one texting and another snooping. In other works the subject is far more enigmatic, the spaces indeterminate, and the figures distorted or mirrored.
The conceptual foundation for Chadwick’s recent work comes from a study of time as perceived by the ancient Greeks, who categorized it in two distinct ways. Chronos denoted sequential time, measurable in units, whereas kairos conveyed the significance of a moment and was qualitative in nature. A kairos was indeterminate in length and potentially great in importance, as in “an appointed time.”
Chadwick’s stated intention with his works on time is to “break down the illusions of linear time passing and expose the coexistence of past, present and future.”
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Gregg Chadwick, “I Canti (The Cantos),” oil on linen, 80 x 60 in. |
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Gregg Chadwick, “The Time Between,” oil on canvas, 24 x 18 in. |
The artist’s conceptual vision neatly dovetails with the goals of the broader contemporary realist art movement. Chadwick paints scenes that are representational yet imaginative; they are, at one and the same time, rooted in tangible existence and removed from it. His figures are real and unreal. Engaged in everyday activities or detached from their surroundings, we see them as women and men of the world and as specters of superhuman existence.
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Gregg Chadwick, “Three Secrets,” oil on canvas, 30 x 24 in. |
Based in Santa Monica, where he paints in an old airplane hangar, Chadwick has shown at galleries and museums nationally and internationally. He earned his BFA from UCLA and his MFA from NYU. Chadwick has held notable solo exhibitions at the Manifesta Maastricht Gallery (Maastricht, Netherlands), AD Space 2000 (Tokyo, Japan), and the Lisa Coscino Gallery (Pacific Grove, California), and he has participated in group shows at the Sandra Lee Gallery, Arena 1 Gallery (Santa Monica, California), and the Arts Club of Washington (Washington, D.C.).
Chadwick writes a blog, Speed of Life, in which he examines art’s intersection with society. He also frequently posts recently completed work to his Flickr account, which can be viewed here.
The Time Between will be on view through March 30, 2013.
An opening reception will be held the evening of March 7, from 5:30‐7:30 p.m. Sandra Lee Gallery is located at 251 Post Street, Suite 310, in San Francisco.
For more information, visit www.greggchadwick.com and http://sandraleegallery.com.
This article was featured in Fine Art Today, a new weekly e‐newsletter from Fine Art
Connoisseur magazine.
Filed Under :
Locations : California, Milano, Monica, San Francisco, Santa Monica, Tokyo, Washington, D.c. People : Gregg Chadwick, Painting Time
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Gregg Chadwick, “Proserpina,” oil on canvas, 48 x 36 in. |
Saturday, April 01, 2017
Gilbert Baker's Rainbow Flag at MOMA
.@MuseumModernArt @curiousoctopus installing the flag designed by #GilbertBaker, which is part of MoMA's collection thanks to @michellemfisher's efforts. pic.twitter.com/IIxNh2lWrB— Gretchen Scott (@gretchen_scott) April 1, 2017
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Gilbert Baker, heading the Stockholm Pride Parade in 2003, pieced together the first rainbow flags in 1978. He described himself as the “gay Betsy Ross.”
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