Saturday, November 23, 2019

Students from Harvard and Yale Unite in Climate Action




Rep Adam Schiff's powerful closing statement sums up the entire Impeachment Hearing



What Trump did wasn’t minor or just stupid.

Dr. Fiona Hill Brings the Truth



Fiona Hill - "The unfortunate truth is that Russia was the foreign power that systematically attacked our democratic institutions in 2016. This is the public conclusion of our intelligence agencies, confirmed in bipartisan Congressional reports. It is beyond dispute."

Transgender Day of Remembrance



Sondland Bombshell!









Tuesday, November 19, 2019

Yes Indeed! Prime Time closing statement by Rep Adam Schiff




quid pro quo, bribe, bribery, extortion, ambiguity



Sunday, November 17, 2019

UCLA Alumni Association Spreads the Love

Friday, November 15, 2019

Witness Intimidation is a Crime











Artist Dread Scott 'Freedom or death!': bringing America's largest slave revolt back to life





Performance artist Dread Scott recreates the largely untold story of the 1811 slave rebellion in southern Louisiana. Winding through old plantation country, petrochemical plants and the city of New Orleans, the Guardian followed re-enactors along the route



Exculpatory

Wednesday, November 13, 2019

Happy Impeachment Day! - Watch Live

Tuesday, November 12, 2019

New Podcast on Powerful Women Artists from the Getty Museum



Vital New Podcast on Powerful Women Artists from the Getty Museum

Alice Neel
Viva la Mujer

Lee Krasner
Deal with It

Betye Saar
Your Particular Jellybean

Helen Frankenthaler
Let ’er Rip

Yoko Ono
A Kind of Meeting Point

Eva Hesse
Oh, More Absurdity

From the Getty:
Radical Women
What was it like to be a woman making art during the feminist and civil rights movements? In this season of Recording Artists, host Helen Molesworth delves into the lives and careers of six women artists spanning several generations. Hear them describe, in their own words, their work, relationships, and feelings about the ongoing march of feminism. Contemporary artists and art historians join the conversation, offering their own perspectives on the recordings and exploring what it meant—and still means—to be a woman and an artist. This podcast is based on interviews from the 1960s and ’70s by Cindy Nemser and Barbara Rose, drawn from the archives of the Getty Research Institute.

Sunday, November 10, 2019

The NRA is weaker than they’ve ever been,’ says Shannon Watts

Saturday, November 09, 2019

30 Years Ago Today - The Berlin Wall Came Down






Checkpoint Charlie
Checkpoint Charlie
Walls so wide, can't get around it
Walls so high, can't climb over
Gotta come down
Checkpoint Charlie
Brothers and sisters on the other side
Livin' in the shadow of a wall so high
Make me wanna cry
I know that someday we'll be together
If we really want it
Nothin' that hurts gonna last forever
Why do we let it happen
Or is it that we don't mind
Somebody bein' punished for their fathers' crimes

Checkpoint Charlie lyrics © Universal Music Publishing Group, BMG Rights Management

Wednesday, November 06, 2019

Blue Wave






Tuesday, November 05, 2019

Extortion






Friday, November 01, 2019

Must Watch: Why Trump’s attempted extortion of Ukraine is an impeachable offense



Please take some time and watch all of Chris Murphy's clear and concise 
explanation why Trump’s attempted extortion of Ukraine is an impeachable offense.

The Modern Art Notes Podcast by Tyler Green featuring artist Julie Mehretu



This week's The Modern Art Notes Podcast by Tyler Green features artist Julie Mehretu and curator Jane Aspinwall. Tyler's podcast is timed with the new Julie Mehretu mid-career survey that opens at LACMA on November 3, 2019.
More info from LACMA here: https://www.lacma.org/art/exhibition/julie-mehretu

From LACMA:

Co-organized by the Los Angeles County Museum of Art and The Whitney Museum of American Art, Julie Mehretu is a mid-career survey that will unite nearly 40 works on paper with 35 paintings dating from 1996 to the present by Julie Mehretu (b. 1970, Addis Ababa, Ethiopia). The first-ever comprehensive retrospective of Mehretu’s career, it covers over two decades of her examination of history, colonialism, capitalism, geopolitics, war, global uprising, diaspora, and displacement through the artistic strategies of abstraction, architecture, landscape, movement, and, most recently, figuration. Mehretu’s play with scale, as evident in her intimate drawings and large canvases and complex techniques in printmaking, will be explored in depth. Mehretu received her MFA from the Rhode Island School of Design, and, among many awards and honors, is a recipient of a MacArthur Foundation “Genius Grant” (2005) and a U.S. State Department National Medal of Arts (2015).
November 3, 2019–March 22, 2020 (BCAM, Level 1)


Tyler writes,  "After closing at LACMA on March 22, 2020, “Mehretu” will travel to the Whitney Museum of American Art, the High Museum of Art, and the Walker Art Center. The exhibition was curated by LACMA’s Christine Y. Kim and the Whitney’s Rujeko Hockley. The handsome exhibition catalogue was published by DelMonico Prestel. Amazon offers it for $65.
An exhibition of six new Mehretu aquatints opens at Los Angeles’s Gemini G.E.L. on November 1. It will remain on view through January 10, 2020."