Saturday, May 31, 2008
Upcoming Workshop at Esalen With Gregg Chadwick, Phil Cousineau & RB Morris
Phil Cousineau Reading from Stoking the Creative Fires at Bird & Beckett Books, San Francisco
Gregg Chadwick will be leading a weekend workshop at the Esalen Institute in Big Sur, California with author Phil Cousineau and poet/musician R.B. Morris on August 22-24, 2008
On the Bus: A Multimedia Performance Workshop—Mythmaking in the Movies, Music, Art, and Poetry
"Together as a group, we will become modern mythmakers by creating and performing a new multimedia work over the course of the weekend. Our spark will be musician R. B. Morris's song, ‘On the Bus,' which will serve as a template for a one-act play. Writer Phil Cousineau will help to stoke the creative fire of the group by bringing the mythic dimension into the story; painter Gregg Chadwick will take the lead in helping us visualize the story and the set; and Morris will help us write and arrange the score. On Sunday morning we will stage and perform the piece together."
RB Morris
To reserve a space:
On the Bus: A Multimedia Performance Workshop—Mythmaking in the Movies, Music, Art, and Poetry
Tuesday, May 27, 2008
Memorial Day
Arlington West (Iraq Memorial) Santa Monica
An old marine at the Vietnam Memorial in Washington DC scanned the reflective black wall for his buddy's name. "His name should be right here", he said to his wife as he pointed to a small gap between names."Check the book again." His wife calmly took his hand and said, "You have the wrong war. Your buddy died in another country at another time."
Saturday, May 24, 2008
Masami Teraoka: Cloisters' Confessions
Masami Teraoka and Samuel Freeman Speaking at the Opening of Cloisters' Confessions at the Samuel Freeman Gallery on April 19, 2008.
The painting behind:
Masami Teraoka
The Cloister/Venus and Pope's Bullfight
101"x300.5" oil on canvas with gold-leaf frame 2006-7
Masami Teraoka's powerful exhibition Cloisters' Confessions closes today at the Samuel Freeman Gallery in Santa Monica, California. During the show's run, I have slipped into the gallery frequently to witness the incredible mix of hope and horror in Masami's masterful paintings.
"In Teraoka's new works, where the floating world of pleasure-seekers has been replaced by the Spanish Inquisition, sex is no longer about pleasure. Rather, it has become the theater in which political power plays are enacted before a voyeuristic populace seeking titillation from the sexual misdeeds of the mighty, and where religion and morality can become weapons against freedom. A recurring theme in these paintings is how the religious and political right in America has wrested control of the definition of morality in order to further its own purposes."
- Eleanor Heartney, Pictures from an Inquisition,
Art in America April 2001
Masami Teraoka Speaking at the Opening of Cloisters' Confessions at the Samuel Freeman Gallery on April 19, 2008
The painting behind:
Masami Teraoka
The Cloisters/Holy Sea Pregnancy Test
119"x112.5" oil on canvas with gold-leaf frame 2007
Samuel Freeman writes in the catalog:
"These paintings show the horrors of our time retreating before the sensory pleasure of corporeal experience. The negative is pushed aside by the glowing curves of pregnant bellies and the impending, potential, rediscovered kiss of bright red lips."
Masami Teraoka
Virtual Inquisition/Reclining Eve(detail)
92.5"x168" watercolor on paper mounted as a four panel screen 1997
Masami Teraoka came to the United States from Japan in the early 1960s. Peter Clothier writes in the catalog:
"Long before most of us became aware of the problems inherent in what we have come to identify as "globalization," Teraoka was busy making those deservedly famous, delightfully irreverent images of McDonald's hamburgers and Baskin Robbins' 31 Flavors invading Japan.... Teraoka often included himself in these paintings as a wily co-conspirator, impishly complicit in the devil's bargain between two cultures."
Masami Teraoka
McDonald's Hamburgers Invading Japan/Chochin-me
color screenprint on Arches 88 paper, ed. 41/91 1982
Collection: Queensland Art Gallery
In 1996 in a review of Masami's exhibiton at the Sackler Gallery in Washington DC, Joyce Jones explained that "Masami Teraoka frequently e-mails his sensei (or teacher) Utagawa Kunisada, the famous Japanese woodblock artist. That's a neat trick, considering Kunisada died in 1865.But after viewing Teraoka's Coke-swilling geisha or punk rock samurai -- his fusion of traditional Japanese art with icons of American influence -- e-mailing the 19th century doesn't seem unusual."
The Sackler show paired Masami's AIDS series with Kunisada prints from his personal collection.
Masami Teraoka
AIDS Series/Geisha and Fox
14 3/4" x 25" watercolor on canvas 1988
Masami Teraoka's current work is dark in theme but not in spirit. In a telling comment during his informative lecture at the opening of Cloisters' Confessions at the Samuel Freeman Gallery, Masami explained that many of the horrific scenes exist only in the mind of the painting's protagonist. In Semana Santa/Venus’ Security Check the Policewoman in the checkered-banded bowler cap only imagines that the blond venus disrobed before her eyes is strapped with explosives. The painting comments on the ludicrous culture of fear that we currently inhabit and was inspired by a humorous and frightening experience that Masami's San Francisco art dealer, Catharine Clark, went through with her family at Heathrow in London.
Masami Teraoka
Semana Santa/Venus’ Security Check
119'' x 96.5'' x 2.75'' Oil on Panel in Gold Leaf Frame 2004
Across his fruitful career, Masami Teraoka has used depictions of the figure to grapple with the pain and poke fun at the foibles of our human existence. Masami looks back to the art of the past, at times ukiyo-e prints and other times as evidenced in the Cloisters paintings to Renaissance Italy, to find clues to help unravel the mysteries of art and life.
(I am off to view the show for one last time)
More at:
Peter Clothier
Masami Teraoka's website
Samuel Freeman Gallery
Catharine Clark Gallery
Wednesday, May 21, 2008
At VCU, Grant Money From Tobacco Giant Philip Morris Is Kept Secret
In the May 22nd issue, the New York Times reports that Virginia Commonwealth University has given a sweetheart deal to Philip Morris USA, the nation’s largest tobacco company and a unit of Altria Group, which gives the tobacco company veto rights over publishing results of research sponsored by the company:
“When universities sign contracts with these covenants, they are basically giving up their ethos, compromising their values as a university,” said Sheldon Krimsky, a professor at Tufts University who is an expert on corporate influence on medical research. “There should be no debate about having a sponsor with control over the publishing of results.”
Stanton A. Glantz, a professor at the University of California, San Francisco, School of Medicine who has lobbied for banning tobacco money on campuses, said, “University administrators who are desperate for money will basically do anything they have to for money.”
More at: At VCU, Tobacco Money Is Kept Secret
From four years ago in Thailand see details on an event that could provide possible protest ideas for VCU students, staff, and professors: Thai/U.S. Youth Crash Philip Morris ASEAN Art Awards Events
Thai/U.S. Youth Crash Philip Morris ASEAN Art Awards Events
“When universities sign contracts with these covenants, they are basically giving up their ethos, compromising their values as a university,” said Sheldon Krimsky, a professor at Tufts University who is an expert on corporate influence on medical research. “There should be no debate about having a sponsor with control over the publishing of results.”
Stanton A. Glantz, a professor at the University of California, San Francisco, School of Medicine who has lobbied for banning tobacco money on campuses, said, “University administrators who are desperate for money will basically do anything they have to for money.”
More at: At VCU, Tobacco Money Is Kept Secret
From four years ago in Thailand see details on an event that could provide possible protest ideas for VCU students, staff, and professors: Thai/U.S. Youth Crash Philip Morris ASEAN Art Awards Events
Thai/U.S. Youth Crash Philip Morris ASEAN Art Awards Events
Thursday, May 15, 2008
Francis Bacon's Triptych Sells For $86 Million
Francis Bacon
Triptych
78"x58" oil and pastel on canvas 1976
"The picture surely treats of sexual love – that 'crime' as Baudelaire put it, in which one is fated to have an accomplice – and the suffering it frequently sets in motion...The themes of crime, guilt and punishment are all strongly represented in this magnificent work....From this stasis no outcome is possible, no purging of the turbulent passions, almost as if, in his deep seated masochism, the artist had chosen constant pain over catharsis" - Michael Peppiatt
Wednesday, May 14, 2008
Gary Ruddell Exhibition Opens at Gallery Henoch in New York on May 15th
Gary Ruddell
Bocce Ball
52" x 50" oil on canvas
Gary Ruddell is a great painter. His artwork continually surprises me and inspires new ideas in my own studio. If you are in Manhattan in the next few weeks make sure to stop by the Gallery Henoch to give some time to Gary's paintings.
His paintings convey the mystery inherit in modern life - much like the poems and short stories of Raymond Carver. Ruddell's painted world slips in and out of focus in a silvery air.
Gallery Henoch's Website
Painter and Model: Lucian Freud's Benefits Supervisor Sleeping Sells for $33.64 Million
Lucian Freud
Benefits Supervisor Sleeping
59" x 98.5"oil on canvas 1995
The London Evening Standard has a nice interview with Sue Tilley who posed for the painting -
In the article Sue Tilley explained the genesis of the painting:
"The first time the artist met her, in a Soho nightclub 20 years ago, he criticised her lipstick. "He said it had too many blue tones. The next time we met was over lunch at the River Café and I wore a different lipstick," she said.
She knew she was effectively being interviewed for the role of artist's muse and was briefed on how to behave by their mutual friend, performance artist Leigh Bowery.
"But I just did as I wanted as usual," said Ms Tilley, who grew up in Sussex Gardens and now lives in Mornington Crescent.
"Soon after, Leigh called me up and said, 'Lucian wants you to start work next week' and he made me practise stripping off on my settee at home before I went to Lucian's house in Holland Park. I like a bit of excitement but I was still mortified when I got there and he told me to take my clothes off. For the first picture I had to lie on the floorboards in a most uncomfortable position with Leigh and Nicola, the woman he married, and a dog.
"I was in agony and I thought about giving up. But we work hard in my family so I stuck it for the whole nine months. Leigh got rubbed out because he went to Scotland and Lucian needs you to be devoted. He won't work on the painting when you're not there." Ms Tilley, who has worked at the JobCentre in Denmark Street for 30 years and previously worked in nightclubs, modelled for Freud on her days off. "For the picture on the sofa I only had three days off in two years. Every weekend he expected me to be there and I couldn't go on holiday because I couldn't get a tan," she said.
"It was wonderful to spend time with such a fantastic person and see him working. Lucian has an opinion on everything and he was interested in my run-of-the-mill life."
The Guardian ran another interesting interview with Sue Tilley in 2005. Because Freud's painting, for which Tilley modeled, sold for such an extraordinary amount of money, a lot of garbage and misunderstanding is making the rounds in print and on the web. It is well worth the time to read up on this "ordinary" woman's extraordinary life as a model for Lucian Freud as well as a friend, ( not to mention confidante, and tillkeeper in the '80's at Taboo), of Leigh Bowery.
Sue Tilley in London
More at:
Benefits Supervisor Sleeping may fetch £17m - Lucien Freud
Freud's JobCentre muse
Lucian Freud's Benefits Supervisor Sleeping sells for record $33m
Tuesday, May 13, 2008
Robert Rauschenberg 1925 - 2008
Robert Rauschenberg
October 22, 1925 - May 12, 2008
As Seen by Chuck Close
140 x 112 cm color digital pigment print 1996
On the New York Times website, dancer and choreographer, Paul Taylor has written a moving farewell to Bob:
"Robert Rauschenberg’s work and overall spirit as an artist and human being had an ENORMOUS impact on shaping my own direction and conviction as an artist. I am deeply indebted to his liberating approach in working with any-&-all materials including other people. The R.O.C.I. period equally demonstrated his love for mankind through our creations and showed that we ARE all in this together after all. He changed my life and blew my mind and I am a better person/artist for having been touched by him (literally even).
You were the BEST sir and I say God Bless You Bob! Goodbye."
Michael Kimmelman's farewell: Robert Rauschenberg, Titan of American Art, Is Dead at 82
Christopher Knight from the Los Angeles Times writes: Robert Rauschenberg, 82; influential artist mixed painting, sculpture and cast-off items
New York Times Page on Rauschenberg
Sunday, May 11, 2008
Hillary Skit on Saturday Night Live
Great to see that Saturday Night Live is relevant again. This clip gets my vote as the best political skit so far.
Wednesday, May 07, 2008
Fernand Léger's Étude pour 'La Femme en Bleu' sold this evening at Sotheby's in New York for $39,241,000
FERNAND LÉGER
ÉTUDE POUR 'LA FEMME EN BLEU'
51"x38" oil on canvas 1912-13
Lot Sold. Hammer Price with Buyer's Premium: 39,241,000 USD
Fernand Léger's Étude pour 'La Femme en Bleu' sold this evening at Sotheby's in New York for $39,241,000. Painted shortly before the outbreak of World War I, Léger's painting is a masterful composition of blues and silvers.
More at: Sotheby's Video
Tuesday, May 06, 2008
Thursday, May 01, 2008
Joseph Andrew's Inspiration
On My Switch From Clinton to Obama
By Joseph Andrew
I have been inspired.
Today I am announcing my support for Senator Barack Obama for President of the United States of America. I am changing my support from Senator Clinton to Senator Obama, and calling for my fellow Democrats across my home State of Indiana, and my fellow super delegates across the nation, to heal the rift in our Party and unite behind Barack Obama.
The hardest decisions in life are not between good and bad or right and wrong, but between two goods or two rights. That is the decision Democrats face today. We have an embarrassment of riches, but as much as we may love our candidates and revel in the political process that has brought Presidential politics to places that have not seen it in a generation, we cannot let our family affair hurt America by helping John McCain.
Here is my message, explained in this lengthy letter that I hope is perceived as a thoughtful analysis of how to save America from four more years of the misguided polices of the past: you can be for someone without being against someone else. You can unite behind a candidate and a vision for America without rejecting another candidate and their vision, because in real life, opposed to party politics, we Democrats are on the same side. The battle should not be amongst ourselves. Rather, we should focus our efforts on those who are truly on the opposite side: those who want to continue the failed policies of the last eight years, rather than bring real change to Washington. Let us come together right now behind an inspiring leader who not only has the audacity to challenge the old divisive politics, but the audacity to make us all hope for a better America.
Unite the Party Now
I believe that Bill Clinton will be remembered as one of our nation's great Presidents, and Senator Clinton as one of our nation's great public servants. But as much as I respect and admire them both, it is clear that a vote for Hillary Clinton is a vote to continue this process, and a vote to continue this process is a vote that assists John McCain.
I ask Hoosiers to come together and vote for Barack Obama to be our next President. In an accident of timing, Indiana has been given the opportunity to truly make a difference. Hoosiers should grab that power and do what in their heart they know is right. They should reject the old negative politics and vote for true change. Don't settle for the tried and true and the simplistic slogans, but listen to your heart and dare to be inspired. Only a cynic would be critical of Barack Obama inspiring millions. Only the uninformed could forget that the candidate that wins in November is always the candidate that inspires millions.
I ask the leaders of our Party to come together after this Tuesday's primary to heal wounds and unite us around a single nominee. While I was hopeful that a long, contested primary season would invigorate our Party, the polls show that the tone and temperature of the race is now hurting us. John McCain, without doing much of anything, is now competitive against both of our remaining candidates. We are doing his work for him and distracting Americans from the issues that really affect all of our lives.
We need to be talking about fixing the economy, not whose acquaintances once said what to whom. We need to be talking about stopping the attacks in Iraq, not stopping the attacks in Indiana. We need to be talking about policy, not politics.
Barack Obama is the Right Candidate for Right Now
While I am a longtime critic of our Party's rules that created so-called super delegates, we have the rules we have and we must live with them. I am humbled and honored to be a super delegate, and I understand the seriousness of the duty it entails. I recognize that this is a difficult decision for super delegates like me, who owe so much to President Bill Clinton. It is right to be loyal, to be grateful and to be consistent. But it is also right to acknowledge the inevitability of change, right to dare to dream for a better world, and right to know what in your heart is the right thing for the future even if your friends and family disagree. Good things, just like good people, can disagree. But as Democrats, we must disagree with dignity, debate with admiration of each other, and in the end, go forward with mutual respect.
President Clinton and Vice President Gore gave me the opportunity to serve as the Chair of the Democratic Party. I pledged my loyalty to them, and I will never forget Al Gore putting ego aside, gently demurring, and simply asking me to put our country ahead of politics. It is a lesson I will remember forever, and it is what guides me now in this decision. What is best for our Party and our country is not blind loyalty, but passionate support for the candidate who can best correct the misguided policies of the last eight years.
We need a candidate who will re-invigorate the economy and keep good jobs here in America. We need a candidate who will end the war in Iraq. We need a candidate who will provide health coverage for our 45 million uninsured neighbors. We need a candidate who will end our addiction to high-priced foreign oil by investing in renewable energy here at home.
That candidate is Barack Obama.
What was best for America sixteen years ago was electing Bill Clinton. What would have been best for America eight years ago was not only electing Al Gore, which we did, but allowing him to serve as President of the United States. Imagine how the world would be different if Al Gore and not George Bush, would have been President of the United States. Let's seize the opportunity and vote for someone who like Al Gore, was against the war from the beginning, and who brings a new energy, a new excitement, and a new politics to our country.
Let's put things right.
Time to Act
Many will ask, why now? Why, with several primaries still remaining, with Senator Clinton just winning Pennsylvania, with my friend Evan Bayh working hard to make sure Senator Clinton wins Indiana, why switch now? Why call for super delegates to come together now to constructively pick a president?
The simple answer is that while the timing is hard for me personally, it is best for America. We simply cannot wait any longer, nor can we let this race fall any lower and still hope to win in November. June or July may be too late. The time to act is now.
I write this letter from my mom's dining room table in Indianapolis, Indiana. Four generations of my family have argued and laughed around this table. But what I humbly believe today is that we, as Democrats and as Americans, face what Dr. King characterized and what Senator Obama reminds us is the fierce urgency of now. As a nation, we are at a critical moment and we need leaders with the character and vision to see us through the challenges at hand and those to come. I can't guess what will happen tomorrow, so I can't tell you what kind of experience our next President will need to have to deal with those challenges. But I can tell you what kind of character and vision they will need to have -- and that is what inspires me about Barack Obama.
As Democrats, however, we risk letting this moment slip through our fingers. We risk ceding the field to the Republicans and allowing the morally bankrupt Bush Agenda to continue unabated if we do not unite behind a single candidate. Should this race continue after Indiana and North Carolina, it will inevitably become more negative. The polls already show the supporters for both candidates becoming more strident in their positions and more locked into their support. Continuing on this path would be a catastrophe, as we would inadvertently end up doing Republicans work for them. Already, instead of the audacity of hope, we suffer the audacity of one Democrat comparing John McCain favorably to another Democrat. When that happens, you know it is time for all of us to stop, take a deep breath and unite to change America.
We must act and we must act now.
The Problems of the Process: 2000 and 2008
When Al Gore got a half million more votes than George Bush in 2000, yet the Electoral College elected George Bush President, we saw the absurdity of any system that does not elect the person who gets the most votes. That is why the Democratic Party's nomination process is flawed. I will continue to fight for a 2012 process where there are only primaries, and which ever Democrat gets the most votes becomes our nominee. Delegates should decide the party platform -- voters should decide who our nominee is.
But we are struck with this absurd system for 2008, and, flawed though it may be, we must work within it without betraying the voice of the people. No amount of spin or sleight of hand can deny the fact that where there has been competition, Senator Obama has won more votes, more States and more delegates than any other candidate. Only the super delegates can award the nomination to Senator Clinton, but to do so risks doing to our Party in 2008 what Republicans did to our country in 2000. Let us be intellectually consistent and unite behind Barack Obama.
A New Era of Politics
My endorsement of Senator Obama will not be welcome news to my friends and family at the Clinton campaign. If the campaign's surrogates called Governor Bill Richardson, a respected former member of President Clinton's cabinet, a "Judas" for endorsing Senator Obama, we can all imagine how they will treat somebody like me. They are the best practitioners of the old politics, so they will no doubt call me a traitor, an opportunist and a hypocrite. I will be branded as disloyal, power-hungry, but most importantly, they will use the exact words that Republicans used to attack me when I was defending President Clinton.
When they use the same attacks made on me when I was defending them, they prove the callow hypocrisy of the old politics first perfected by Republicans. I am an expert on this because these were the exact tools that I mastered as a campaign volunteer, a campaign manager, a State Party Chair and the National Chair of our Party. I learned the lessons of the tough, right-wing Republicans all too well. I can speak with authority on how to spar with everyone from Lee Atwater to Karl Rove. I understand that, while wrong and pernicious, shallow victory can be achieved through division by semantics and obfuscation. Like many, I succumbed to the addiction of old politics because they are so easy.
Innuendo is easy. The truth is hard.
Sound bites are easy. Solutions are hard.
Spin is simple and easy. Struggling with facts is complicated and hard.
I have learned the hard way that you can love the candidate and hate the campaign. My stomach churns when I think how my old friends in the Clinton campaign will just pick up the old silly Republican play book and call in the same old artificial attacks and bombardments we have all heard before.
Yet, despite the simple and overwhelming pressure to do anything and everything to win, Barack Obama has risen above it all and demanded a new brand of politics. People flock to Senator Obama because they are rejecting the hyperbole of the old politics. The past eight years of George Bush have witnessed a retreat from substance, science, and reason in favor spin, cronyism and ideology. Barack Obama has dared not only to criticize it, as all Democrats do, but to actually reject playing the same old game. And in doing so, he has shown us a new path to victory.
Uniting for Victory
The simple fact is that Democrats need to be united in November to win, and Clinton supporters, in particular, will be vital to victory. We will not convince Clinton supporters to join the Obama campaign, however, by personally criticizing them. We must welcome everyone and avoid doing Republican work for them. It is therefore incumbent on all of us who once supported Senator Clinton to welcome the thousands who should now switch their support to Senator Obama. Similarly, a necessary part of the healing process for our Party is for those who supported Senator Obama early to have the grace and good sense to broaden the tent and welcome newcomers into the fold.
The old players of the old political game will claim that I am betraying my old friend Senator Evan Bayh by switching my support to Senator Obama. I believe that Evan Bayh would be a great President, and therefore a great Vice President. I will continue to argue that he would be a great choice to be on the ticket with Barack Obama. Evan Bayh is uniquely positioned as a successful governor with executive experience who is now a U.S. Senator with foreign policy experience and who is young enough to not undercut the message of vitality and hard work that Barack Obama represents. Part of healing the Party may be to have a Clinton supporter on the ticket, let alone someone who would help with Indiana, Ohio and the moderate Midwest in the general election.
Being for Evan Bayh, however, does not mean that you have to be for Hillary Clinton. The important message to Hoosiers, and to super delegates, is that being for someone does not mean that you agree 100 percent of the time. Regardless of whether Evan Bayh and I support different candidates, I will support Evan Bayh.
We must reject the notion that we have to beat the Republicans at their own game -- or even that the game has to be played at all. It is so easy for all of us involved -- candidates, campaigns and the media -- to focus on the process and the horse race that we forget why we got into it in the first place. Barack Obama has had the courage to talk about real issues, real problems and real people. Let's pause for a second in the midst of the cacophony of the campaign circus and listen.
In 1992, I was inspired by Bill Clinton because he promised, and delivered, a framework for addressing America's problems. President Clinton ended a long-running left-right debate in our Party, and inspired millions. He drew giant crowds and spoke passionately for a generation of Americans who often disenfranchised and rarely participated in governing. Today, Barack Obama does the same thing. Winners redefine the game. Winners connect with the American people and not only feel their pain, but inspire them to take action to heal the underlying cause. Barack Obama is that kind of candidate and that kind of leader, which is why he will win in November.
Welcoming Everyone into the Party
We face significant challenges as a nation and as a Party, but time and again, Americans have shown the resilience and determination necessary to overcome even the highest obstacle. We have a difficult road ahead, but I have complete confidence that Barack Obama is the candidate who can lead our Party to victory and the President who can guide us to even greater heights.
Many Democrats know me for one short speech I gave over and over again in the 2000 Presidential campaign. That speech was about welcoming people into our Party and welcoming undecided voters to our campaign to elect Al Gore. Today, we need to welcome Clinton supporters, undecided voters, and all Americans to join Barack Obama's cause to fight for a better America. My speech ended with these words, which are even more relevant today:
The difference between the Republican Party and the Democratic Party is that you are always welcome in the Democratic Party.
Because Democrats don't care if you are black or white or brown or a nice shade of green, you are welcome in the Democratic Party.
We don't care if you pray in a church or a synagogue or a temple or a mosque, or just before math tests, you are welcome in the Democratic Party.
We don't care if you are young or old, or just don't want to tell your age, you are welcome in the Democratic Party.
We don't care what gender you are, or what gender you want to hold hands with; as long as you want to hold hands, you are welcome in the Democratic Party.
We don't care about the size of your bank account, just the size of your heart; and we don't care where you are today, just where you dream you want to be tomorrow.
That is your Democratic Party.
That is Barack Obama's Democratic Party.
That is the Party that will win in November.
Sincerely,
Joe Andrew
Joseph J. Andrew was National Chairman of the Democratic National Committee from 1999-2001
More at the Huffington Post:
Joseph Andrew Backs Obama
By Joseph Andrew
I have been inspired.
Today I am announcing my support for Senator Barack Obama for President of the United States of America. I am changing my support from Senator Clinton to Senator Obama, and calling for my fellow Democrats across my home State of Indiana, and my fellow super delegates across the nation, to heal the rift in our Party and unite behind Barack Obama.
The hardest decisions in life are not between good and bad or right and wrong, but between two goods or two rights. That is the decision Democrats face today. We have an embarrassment of riches, but as much as we may love our candidates and revel in the political process that has brought Presidential politics to places that have not seen it in a generation, we cannot let our family affair hurt America by helping John McCain.
Here is my message, explained in this lengthy letter that I hope is perceived as a thoughtful analysis of how to save America from four more years of the misguided polices of the past: you can be for someone without being against someone else. You can unite behind a candidate and a vision for America without rejecting another candidate and their vision, because in real life, opposed to party politics, we Democrats are on the same side. The battle should not be amongst ourselves. Rather, we should focus our efforts on those who are truly on the opposite side: those who want to continue the failed policies of the last eight years, rather than bring real change to Washington. Let us come together right now behind an inspiring leader who not only has the audacity to challenge the old divisive politics, but the audacity to make us all hope for a better America.
Unite the Party Now
I believe that Bill Clinton will be remembered as one of our nation's great Presidents, and Senator Clinton as one of our nation's great public servants. But as much as I respect and admire them both, it is clear that a vote for Hillary Clinton is a vote to continue this process, and a vote to continue this process is a vote that assists John McCain.
I ask Hoosiers to come together and vote for Barack Obama to be our next President. In an accident of timing, Indiana has been given the opportunity to truly make a difference. Hoosiers should grab that power and do what in their heart they know is right. They should reject the old negative politics and vote for true change. Don't settle for the tried and true and the simplistic slogans, but listen to your heart and dare to be inspired. Only a cynic would be critical of Barack Obama inspiring millions. Only the uninformed could forget that the candidate that wins in November is always the candidate that inspires millions.
I ask the leaders of our Party to come together after this Tuesday's primary to heal wounds and unite us around a single nominee. While I was hopeful that a long, contested primary season would invigorate our Party, the polls show that the tone and temperature of the race is now hurting us. John McCain, without doing much of anything, is now competitive against both of our remaining candidates. We are doing his work for him and distracting Americans from the issues that really affect all of our lives.
We need to be talking about fixing the economy, not whose acquaintances once said what to whom. We need to be talking about stopping the attacks in Iraq, not stopping the attacks in Indiana. We need to be talking about policy, not politics.
Barack Obama is the Right Candidate for Right Now
While I am a longtime critic of our Party's rules that created so-called super delegates, we have the rules we have and we must live with them. I am humbled and honored to be a super delegate, and I understand the seriousness of the duty it entails. I recognize that this is a difficult decision for super delegates like me, who owe so much to President Bill Clinton. It is right to be loyal, to be grateful and to be consistent. But it is also right to acknowledge the inevitability of change, right to dare to dream for a better world, and right to know what in your heart is the right thing for the future even if your friends and family disagree. Good things, just like good people, can disagree. But as Democrats, we must disagree with dignity, debate with admiration of each other, and in the end, go forward with mutual respect.
President Clinton and Vice President Gore gave me the opportunity to serve as the Chair of the Democratic Party. I pledged my loyalty to them, and I will never forget Al Gore putting ego aside, gently demurring, and simply asking me to put our country ahead of politics. It is a lesson I will remember forever, and it is what guides me now in this decision. What is best for our Party and our country is not blind loyalty, but passionate support for the candidate who can best correct the misguided policies of the last eight years.
We need a candidate who will re-invigorate the economy and keep good jobs here in America. We need a candidate who will end the war in Iraq. We need a candidate who will provide health coverage for our 45 million uninsured neighbors. We need a candidate who will end our addiction to high-priced foreign oil by investing in renewable energy here at home.
That candidate is Barack Obama.
What was best for America sixteen years ago was electing Bill Clinton. What would have been best for America eight years ago was not only electing Al Gore, which we did, but allowing him to serve as President of the United States. Imagine how the world would be different if Al Gore and not George Bush, would have been President of the United States. Let's seize the opportunity and vote for someone who like Al Gore, was against the war from the beginning, and who brings a new energy, a new excitement, and a new politics to our country.
Let's put things right.
Time to Act
Many will ask, why now? Why, with several primaries still remaining, with Senator Clinton just winning Pennsylvania, with my friend Evan Bayh working hard to make sure Senator Clinton wins Indiana, why switch now? Why call for super delegates to come together now to constructively pick a president?
The simple answer is that while the timing is hard for me personally, it is best for America. We simply cannot wait any longer, nor can we let this race fall any lower and still hope to win in November. June or July may be too late. The time to act is now.
I write this letter from my mom's dining room table in Indianapolis, Indiana. Four generations of my family have argued and laughed around this table. But what I humbly believe today is that we, as Democrats and as Americans, face what Dr. King characterized and what Senator Obama reminds us is the fierce urgency of now. As a nation, we are at a critical moment and we need leaders with the character and vision to see us through the challenges at hand and those to come. I can't guess what will happen tomorrow, so I can't tell you what kind of experience our next President will need to have to deal with those challenges. But I can tell you what kind of character and vision they will need to have -- and that is what inspires me about Barack Obama.
As Democrats, however, we risk letting this moment slip through our fingers. We risk ceding the field to the Republicans and allowing the morally bankrupt Bush Agenda to continue unabated if we do not unite behind a single candidate. Should this race continue after Indiana and North Carolina, it will inevitably become more negative. The polls already show the supporters for both candidates becoming more strident in their positions and more locked into their support. Continuing on this path would be a catastrophe, as we would inadvertently end up doing Republicans work for them. Already, instead of the audacity of hope, we suffer the audacity of one Democrat comparing John McCain favorably to another Democrat. When that happens, you know it is time for all of us to stop, take a deep breath and unite to change America.
We must act and we must act now.
The Problems of the Process: 2000 and 2008
When Al Gore got a half million more votes than George Bush in 2000, yet the Electoral College elected George Bush President, we saw the absurdity of any system that does not elect the person who gets the most votes. That is why the Democratic Party's nomination process is flawed. I will continue to fight for a 2012 process where there are only primaries, and which ever Democrat gets the most votes becomes our nominee. Delegates should decide the party platform -- voters should decide who our nominee is.
But we are struck with this absurd system for 2008, and, flawed though it may be, we must work within it without betraying the voice of the people. No amount of spin or sleight of hand can deny the fact that where there has been competition, Senator Obama has won more votes, more States and more delegates than any other candidate. Only the super delegates can award the nomination to Senator Clinton, but to do so risks doing to our Party in 2008 what Republicans did to our country in 2000. Let us be intellectually consistent and unite behind Barack Obama.
A New Era of Politics
My endorsement of Senator Obama will not be welcome news to my friends and family at the Clinton campaign. If the campaign's surrogates called Governor Bill Richardson, a respected former member of President Clinton's cabinet, a "Judas" for endorsing Senator Obama, we can all imagine how they will treat somebody like me. They are the best practitioners of the old politics, so they will no doubt call me a traitor, an opportunist and a hypocrite. I will be branded as disloyal, power-hungry, but most importantly, they will use the exact words that Republicans used to attack me when I was defending President Clinton.
When they use the same attacks made on me when I was defending them, they prove the callow hypocrisy of the old politics first perfected by Republicans. I am an expert on this because these were the exact tools that I mastered as a campaign volunteer, a campaign manager, a State Party Chair and the National Chair of our Party. I learned the lessons of the tough, right-wing Republicans all too well. I can speak with authority on how to spar with everyone from Lee Atwater to Karl Rove. I understand that, while wrong and pernicious, shallow victory can be achieved through division by semantics and obfuscation. Like many, I succumbed to the addiction of old politics because they are so easy.
Innuendo is easy. The truth is hard.
Sound bites are easy. Solutions are hard.
Spin is simple and easy. Struggling with facts is complicated and hard.
I have learned the hard way that you can love the candidate and hate the campaign. My stomach churns when I think how my old friends in the Clinton campaign will just pick up the old silly Republican play book and call in the same old artificial attacks and bombardments we have all heard before.
Yet, despite the simple and overwhelming pressure to do anything and everything to win, Barack Obama has risen above it all and demanded a new brand of politics. People flock to Senator Obama because they are rejecting the hyperbole of the old politics. The past eight years of George Bush have witnessed a retreat from substance, science, and reason in favor spin, cronyism and ideology. Barack Obama has dared not only to criticize it, as all Democrats do, but to actually reject playing the same old game. And in doing so, he has shown us a new path to victory.
Uniting for Victory
The simple fact is that Democrats need to be united in November to win, and Clinton supporters, in particular, will be vital to victory. We will not convince Clinton supporters to join the Obama campaign, however, by personally criticizing them. We must welcome everyone and avoid doing Republican work for them. It is therefore incumbent on all of us who once supported Senator Clinton to welcome the thousands who should now switch their support to Senator Obama. Similarly, a necessary part of the healing process for our Party is for those who supported Senator Obama early to have the grace and good sense to broaden the tent and welcome newcomers into the fold.
The old players of the old political game will claim that I am betraying my old friend Senator Evan Bayh by switching my support to Senator Obama. I believe that Evan Bayh would be a great President, and therefore a great Vice President. I will continue to argue that he would be a great choice to be on the ticket with Barack Obama. Evan Bayh is uniquely positioned as a successful governor with executive experience who is now a U.S. Senator with foreign policy experience and who is young enough to not undercut the message of vitality and hard work that Barack Obama represents. Part of healing the Party may be to have a Clinton supporter on the ticket, let alone someone who would help with Indiana, Ohio and the moderate Midwest in the general election.
Being for Evan Bayh, however, does not mean that you have to be for Hillary Clinton. The important message to Hoosiers, and to super delegates, is that being for someone does not mean that you agree 100 percent of the time. Regardless of whether Evan Bayh and I support different candidates, I will support Evan Bayh.
We must reject the notion that we have to beat the Republicans at their own game -- or even that the game has to be played at all. It is so easy for all of us involved -- candidates, campaigns and the media -- to focus on the process and the horse race that we forget why we got into it in the first place. Barack Obama has had the courage to talk about real issues, real problems and real people. Let's pause for a second in the midst of the cacophony of the campaign circus and listen.
In 1992, I was inspired by Bill Clinton because he promised, and delivered, a framework for addressing America's problems. President Clinton ended a long-running left-right debate in our Party, and inspired millions. He drew giant crowds and spoke passionately for a generation of Americans who often disenfranchised and rarely participated in governing. Today, Barack Obama does the same thing. Winners redefine the game. Winners connect with the American people and not only feel their pain, but inspire them to take action to heal the underlying cause. Barack Obama is that kind of candidate and that kind of leader, which is why he will win in November.
Welcoming Everyone into the Party
We face significant challenges as a nation and as a Party, but time and again, Americans have shown the resilience and determination necessary to overcome even the highest obstacle. We have a difficult road ahead, but I have complete confidence that Barack Obama is the candidate who can lead our Party to victory and the President who can guide us to even greater heights.
Many Democrats know me for one short speech I gave over and over again in the 2000 Presidential campaign. That speech was about welcoming people into our Party and welcoming undecided voters to our campaign to elect Al Gore. Today, we need to welcome Clinton supporters, undecided voters, and all Americans to join Barack Obama's cause to fight for a better America. My speech ended with these words, which are even more relevant today:
The difference between the Republican Party and the Democratic Party is that you are always welcome in the Democratic Party.
Because Democrats don't care if you are black or white or brown or a nice shade of green, you are welcome in the Democratic Party.
We don't care if you pray in a church or a synagogue or a temple or a mosque, or just before math tests, you are welcome in the Democratic Party.
We don't care if you are young or old, or just don't want to tell your age, you are welcome in the Democratic Party.
We don't care what gender you are, or what gender you want to hold hands with; as long as you want to hold hands, you are welcome in the Democratic Party.
We don't care about the size of your bank account, just the size of your heart; and we don't care where you are today, just where you dream you want to be tomorrow.
That is your Democratic Party.
That is Barack Obama's Democratic Party.
That is the Party that will win in November.
Sincerely,
Joe Andrew
Joseph J. Andrew was National Chairman of the Democratic National Committee from 1999-2001
More at the Huffington Post:
Joseph Andrew Backs Obama
Tuesday, April 29, 2008
Coldplay's Viva la Vida
Frida Kahlo
Viva la Vida
59 x 50.7 cm. oil on masonite 1954
Frida Kahlo Museum, Mexico City, Mexico.
Coldplay's lead singer, Chris Martin, was inspired by the life and art of the Mexican painter, Frida Kahlo, while recording Coldplay's latest album: Viva la Vida. Martin was struck by the appeal to life gouged into the watermelon in the foreground of Frida's Viva la Vida which he viewed on a visit to the Frida Kahlo Museum in Mexico City,
Both Frida Kahlo and her husband Diego Rivera were involved in revolutionary politics in the Americas. Both artists felt it was their responsibility to point out and help change the injustices in society. But the band has used another painter's work to stand in for their inspiration. Eugène Delacroix's Liberty Leading the People graces the cover of Coldplay's new album.
Though, the painting has been tagged by Frida, Chris, Banksy or perhaps Ricky Martin in white paint with the phrase "Long Live Life!"
The undamaged painting is seen below:
Eugène Delacroix
July 28. Liberty Leading the People
Louvre, Paris, France
The Louvre describes the painting in some detail in materials from their self guided tour:
"This work is unlike others by Delacroix, who was especially drawn to exotic subjects. His compositions inspired by contemporary events were rare.
In July 1830, three days of riots known as “Les Trois Glorieuses” led to the downfall of Charles X and the enthronement of Louis-Philip, despite a vain attempt by the people of Paris to re-establish the Republic on 28 July, the day celebrated here. The belltowers of Notre-Dame situate the scene behind the huge barricade, already piled with corpses. Striding over the top, Phrygian bonnet on her head and rifle in hand, the allegorical figure of the Republic waves the tricolor flag and urges the people to follow her. The different classes of society can be recognized from the clothes in which they are dressed. Political awareness is epitomized by the boy, the emblematic Parisian street urchin and forerunner of Victor Hugo’s character Gavroche, who takes his destiny into his own hands despite his young age.
This powerful, innovative painting caused an uproar at the Salon of 1831. The freedom of the artist’s brushwork depicted the Republic not as a symbolic image but as a real woman — dirty, half-naked, and hirsute. Only smooth-skinned, allegorical nudity was acceptable! This forceful work also heralded the critical function of contemporary art. Louis-Philip grasped the message only too well: he purchased the painting to commemorate his accession to the throne, then hid it away so that its subversiveness could not turn against him."
By using Liberty Leading the People , Coldplay seems to be suggesting that artists need to storm the barricades with the forces of change. Isn't that the painter Delacroix in a tophat and armed with a musket?
Perhaps joining a mob led by a topless French woman isn't a bad idea after all? What would Gwyneth say?
(The first single, Violet Hill, is available for the next week as a free download from the Coldplay's site:
Violet Hill Download)
Tuesday, April 22, 2008
Monday, April 21, 2008
Saturday, April 19, 2008
Prove It All Night Live - Thinking of Danny Federici
Filmed at Capitol Theatre, Passaic, NJ. 19-9-1978
A gray morning at the beach in L.A. I'm thinking of Danny Federici and the fragility of life. Sometimes you just have to crank up the music real loud and let the memories reverb around the room. At the 7 minute 35 second mark of this tape, Danny lets it all out. Warn your neighbors. Let the dog out. Pull a Spinal Tap and set the max at 11 and let the wake begin!
Peace
Friday, April 18, 2008
Good on ya, Danny. Rest easy.
Danny Federici
January 23, 1950 - April 17th, 2008
"So we lose another friend... I have known Danny since he started playing at the Stone Pony back in the late 60s. He was always a crusty guy with a sarcastic sense of humor, so, of course, we got along just fine. I can recall many nights jamming on blues and rock & roll classics, then he and I,Garry, and whomever else was on stage would shift into some jazz standard or improvise on a chord progression. He was a much more advanced musician than most of us at the time, and he raised the bar for all of us. It was embarrassing to hear how good he already was and to listen to your own pitiful efforts. And, yes, for all you REAL early fans out there, Danny was the one who pushed the speaker cabinets over onto the chief of police who was behind the stage trying to cut the power on a Steel Mill concert. There were arrest warrants, so he always denied it, but I was back there and saw him get up and do it. No one was hurt, but it helped keep the show going. Good on ya, Danny. Rest easy."
- Southside Johnny
“What people take for granted on a daily basis, among so many other things, is their skin. I spent my life, like many others, catching some rays, surfing, hanging out in the sun and it never bothered me until now. Who knew that something as simple as a proper sunscreen or keeping yourself covered up on a sunny day could one day save your life? Our culture looks at a nice tan as a sign of luxury. We spend time in tanning booths when we can't go to the beach or lay by the pool. It's time to think again. Especially if you're fair skined, have freckles, or light eyes. Be aware of the dangers, take precaution, and have yourself checked out regularly by a dermatologist from head to toe. It could absolutely make the difference in your life."
- Danny Federici
The Danny Federici Melanoma Fund
Miss You ... Good Luck, Goodbye
Wednesday, April 16, 2008
With These Hands: "A Great American Reclamation Project Needs to be Undertaken"
Gregg Chadwick
In the Basin of Angels
36"x36" oil on linen (1987-1992)
My City of Ruins
- Bruce Springsteen
There is a blood red circle
On the cold dark ground
And the rain is falling down
The church door's thrown open
I can hear the organ's song
But the congregation's gone
My city of ruins
My city of ruins
Now the sweet bells of mercy
Drift through the evening trees
Young men on the corner
Like scattered leaves,
The boarded up windows,
The empty streets
While my brother's down on his knees
My city of ruins
My city of ruins
Come on, rise up! Come on, rise up!
Come on, rise up! Come on, rise up!
Come on, rise up! Come on, rise up!
Now's there's tears on the pillow
Darlin' where we slept
And you took my heart when you left
Without your sweet kiss
My soul is lost, my friend
Tell me how do I begin again?
My city's in ruins
My city's in ruins
Now with these hands,
With these hands,
With these hands,
I pray Lord
With these hands,
With these hands,
I pray for the strength, Lord
With these hands,
With these hands,
I pray for the faith, Lord
We pray for your love, Lord
We pray for the lost, Lord
We pray for this world, Lord
We pray for the strength, Lord
We pray for the strength, Lord
Come on
Come on
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Come on, rise up
Copyright © Bruce Springsteen (ASCAP)
Friday, April 04, 2008
Tuesday, April 01, 2008
Tuesday, March 18, 2008
Full Text of Barack Obama's "A More Perfect Union"
Monday, March 17, 2008
Sunday, March 16, 2008
The Dalai Lama Describes the Chinese Crackdown as Cultural Genocide
As the violent Chinese crackdown in Tibet continues, the Dalai Lama says, ""Whether intentionally or unintentionally, some cultural genocide is taking place. There is some kind of discrimination: the Tibetans in their own land quite often are treated as second-class citizens."
Lhadon is blogging from China on the protests in Tibet and the Chinese reaction. Important reading in the run up to the summer Olympics:
beijingwideopen
Friday, March 14, 2008
A Few Things
A few things in the works:
Coming out in May is Phil Cousineau's new book, Stoking the Creative Fires. My painting is illustrated on the cover and the book also contains two interviews with me about the creative process as well as two other paintings.
Cousineau's Stoking the Creative Fires
Inquiring Mind, a Berkeley based journal, will be using one of my paintings, A Balance of Shadows in their upcoming issue.
Inquiring Mind
An artist in Italy has created a project based on Raymond Carver's poem, The Painter and the Fish. If you go to the project website (link below), you'll see he includes my thoughts on Raymond Carver.
“A SORT OF ARTISTIC EPIPHANY”
Febbraio 15, 2008, 9:21 pm
Archiviato in: Contorni | Tag: epifania, epiphany, Gregg Chadwick, Raymond Carver
“While I’m working on an artwork I don’t just settle for the middle ground or main image. I work the edges and the spaces between. I am hoping to create works that breathe across the whole surface. I desire to find a point of “satori”, a place of spiritual balance within the work itself. There is a need within my painting to let go and trust the inner process. When I reach this point, time loses its power, my senses are heightened. I just paint. It could be minutes, or hours; it is the work and I. Raymond Carver in his amazing poem, The Painter and the Fish describes this sort of artistic epiphany”.
The Painter and the Fish
My exhibition in Park City went very well and now I am in the studio creating my next body of work as well as a large commission.
Coming out in May is Phil Cousineau's new book, Stoking the Creative Fires. My painting is illustrated on the cover and the book also contains two interviews with me about the creative process as well as two other paintings.
Cousineau's Stoking the Creative Fires
Inquiring Mind, a Berkeley based journal, will be using one of my paintings, A Balance of Shadows in their upcoming issue.
Inquiring Mind
An artist in Italy has created a project based on Raymond Carver's poem, The Painter and the Fish. If you go to the project website (link below), you'll see he includes my thoughts on Raymond Carver.
“A SORT OF ARTISTIC EPIPHANY”
Febbraio 15, 2008, 9:21 pm
Archiviato in: Contorni | Tag: epifania, epiphany, Gregg Chadwick, Raymond Carver
“While I’m working on an artwork I don’t just settle for the middle ground or main image. I work the edges and the spaces between. I am hoping to create works that breathe across the whole surface. I desire to find a point of “satori”, a place of spiritual balance within the work itself. There is a need within my painting to let go and trust the inner process. When I reach this point, time loses its power, my senses are heightened. I just paint. It could be minutes, or hours; it is the work and I. Raymond Carver in his amazing poem, The Painter and the Fish describes this sort of artistic epiphany”.
The Painter and the Fish
My exhibition in Park City went very well and now I am in the studio creating my next body of work as well as a large commission.
Tuesday, February 19, 2008
Monday, February 18, 2008
Drama and Desire: Japanese Paintings from the Floating World
Drama and Desire: Japanese Paintings from the Floating World 1690-1850 opened Friday at the Asian Art Museum in San Francisco and runs through April 2008. The exhibition of Japanese paintings from the permanent collection of the Museum of Fine Arts, Boston has traveled from Kobe, Japan to Nagoya to Tokyo to the Kimbell Museum then back to their usual home in Boston and on to Ontario and now San Francisco. The exhibition is stunning. Hokusai's ukiyo-e woodcuts may be quite familiar but the chance to see his paintings on silk was revelatory. Two paintings in particular stood out:
Hokusai's Woman Looking at Herself in a Mirror (Kyômen bijin zu) is a work of extreme elegance and beauty. A woman stands before a mirror, a cherry seductively lolls in her mouth, and in her right hand she holds a letter. A poem inscribed on the scroll by the poet Shima Tokki reads:
Does that letter from
the man she waits for promise
a summer's night out?
Katsushika Hokusai, Japanese, 1760–1849
Woman Looking at Herself in a Mirror
Kyômen bijin zu
鏡面美人図
91 1/8" x 31 9/16" (Image: 54 5/8" x 22 5/8") ink, color, gold, and mica on silk c.1805
detail - full image below
There is an immediacy and humor in Hokusai's work that seems to beckon us into his view of a vanished world.
Hokusai's festival banner, Zhong Kui, the Demon Queller (Shû Shôki zu nobori), was painted in liquid inks and possibly cinnabar which was thought to provide protection from disease. Zhong Kui's garments seem to rustle in winds brought forth by impending struggles. The Demon Queller is resolute, moving briskly forward, grasping his sword, ready to battle demons, disease or misfortunes that might spring forth on the road ahead.
Katsushika Hokusai 1760–1849
Zhong Kui, the Demon Queller
Shû Shôki zu nobori
朱鍾馗図幟
92 15/16" x 37" painted banner; color with ink on cotton c. 1805
Images of Zhong Kui, the Demon Queller, were hung in Japan on Boy's Day held on May 5th. In China woodcuts of the Demon Queller were also hung on May 5th during the Dragon Boat Festival.
Another important aspect of the exhibition Drama and Desire is the inclusion of erotic paintings known as shunga which are rarely exhibited. Until recently the Museum of Fine Arts, Boston stored and catalogued these paintings away from the main collection. Eishi's handscroll contains twelve erotic scenes under the title - The Elephant's Leash. The title refers to a Buddhist sutra that describes how a woman's hair could capture even a wild elephant.
Eishi's vivid images imagine how this force could entwine an amorous couple.
Chôbunsai Eishi, 1756–1829
The Elephant’s Lure
13 3/8" x 222 15/16" handscroll: ink, color, gold, and mica on silk 1804–1818
detail
Hokusai's Woman Looking at Herself in a Mirror (Kyômen bijin zu) is a work of extreme elegance and beauty. A woman stands before a mirror, a cherry seductively lolls in her mouth, and in her right hand she holds a letter. A poem inscribed on the scroll by the poet Shima Tokki reads:
Does that letter from
the man she waits for promise
a summer's night out?
Katsushika Hokusai, Japanese, 1760–1849
Woman Looking at Herself in a Mirror
Kyômen bijin zu
鏡面美人図
91 1/8" x 31 9/16" (Image: 54 5/8" x 22 5/8") ink, color, gold, and mica on silk c.1805
detail - full image below
There is an immediacy and humor in Hokusai's work that seems to beckon us into his view of a vanished world.
Hokusai's festival banner, Zhong Kui, the Demon Queller (Shû Shôki zu nobori), was painted in liquid inks and possibly cinnabar which was thought to provide protection from disease. Zhong Kui's garments seem to rustle in winds brought forth by impending struggles. The Demon Queller is resolute, moving briskly forward, grasping his sword, ready to battle demons, disease or misfortunes that might spring forth on the road ahead.
Katsushika Hokusai 1760–1849
Zhong Kui, the Demon Queller
Shû Shôki zu nobori
朱鍾馗図幟
92 15/16" x 37" painted banner; color with ink on cotton c. 1805
Images of Zhong Kui, the Demon Queller, were hung in Japan on Boy's Day held on May 5th. In China woodcuts of the Demon Queller were also hung on May 5th during the Dragon Boat Festival.
Another important aspect of the exhibition Drama and Desire is the inclusion of erotic paintings known as shunga which are rarely exhibited. Until recently the Museum of Fine Arts, Boston stored and catalogued these paintings away from the main collection. Eishi's handscroll contains twelve erotic scenes under the title - The Elephant's Leash. The title refers to a Buddhist sutra that describes how a woman's hair could capture even a wild elephant.
Eishi's vivid images imagine how this force could entwine an amorous couple.
Chôbunsai Eishi, 1756–1829
The Elephant’s Lure
13 3/8" x 222 15/16" handscroll: ink, color, gold, and mica on silk 1804–1818
detail
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