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Showing posts from November, 2005

Santa Monica Art Studios: One Year Anniversary

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Gregg Chadwick Siddhartha 8"x6" oil on linen 2005 This weekend is the 1st Anniversary of the Santa Monica Studios. We are holding a free reception which is open to the public. My studio- #15 will be open. I will be at Esalen this weekend leading a workshop on Creativity with Phil Cousineau - The Painted Word: A Conversation between Word & Image - Phil Cousineau & Gregg Chadwick at Esalen, Big Sur But don't worry, Evelyn Gonzalez Figueroa will be studio sitting to answer your questions. Many of the paintings on view in my studio will be part of my next solo exhibition- "Between Moment and Memory" which will be held at the Julie Nester Gallery in Park City, Utah during the Sundance Film Festival. The historic 22,000 square foot hangar at 3026 Airport Avenue at the Santa Monica Airport will be open on Saturday, December 3rd from 6 to 9 pm. More than 30 artists will open their studios for the event which continues on Sunday, December 4th from 1 to 5 p...

A Scribe's Pleasure

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A scribe was asked, "What is pleasure?" He answered, "Parchment, papers, shiny ink, and a cleft reed pen." A card bearing this quotation sits in a glass case among precious manuscripts and instruments of writing at the McGill Library in Montreal. Magnificent Octopus reports on this fascinating exhibit: Scribes, Scholars & Conservators .

An Open Letter to Mayor Villaraigosa: Please Save Our LACMA Murals

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Barry McGee (detail of a mural currently in the LACMA garage) Mayor Villaraigosa, I want to thank you for the bold steps that you have taken to create a Los Angeles for the 21st Century. Your vision and ideals are inspiring. Not long ago you attended the opening of Sergio Arau and Yareli Arizmendi's film: "A Day Without a Mexican" . Your commitment to challenging (and humorous) art is evident. Last May - Sergio Arau, Yareli Arizmendi, and the film's cinematographer Alan Caudillo - attended the opening of my exhibition at the LACMA Art Rental and Sales Gallery. It was an evening of spirit, camaraderie and possibility. We pledged our support to you in the upcoming election and knew that if the time came for the art community to reach out for your help that you would listen. That time has come sooner than we thought. It has been reported that in a few days, on December 1st, the Los Angeles County Museum of Art is slated to demolish its parking garage to make way for a ...

Kriston's Eye Level at the Smithsonian

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Eye Unidentified Artist 3/4" x 3/4" watercolor on ivory ca. 1900 Smithsonian American Art Museum Kriston Capps announces: "I'm excited to introduce Eye Level , the blog for the Smithsonian American Art Museum. It's one of just a few museums forging new ground with new media (and is host to the Smithsonian's first blog!). Today's the official launch and I hope you'll check in frequently. When the Smithsonian American Art Museum reopens its renovated historic main building in July 2006, it will be a showcase for American art that celebrates this nation's vision and creativity. SAAM's blog Eye Level is part of the museum's continuing effort to explore the stories central to the American experienceand to search for what connects Americans today. Using the museum's collection as a touchstone, the conversation at Eye Level will center on the ways in which the nation's art connects to its history and culture. The discussion will extend ...

Favorites in the de Young: Edwin W. Dickinson, "The Cello Player"

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Edwin W. Dickinson American, 1891 - 1978 The Cello Player, 1924 - 1926 oil on canvas 60" x 48 1/4" DeYoung Museum photo by Gregg Chadwick "Dickinson is not a name that carries instant recognition outside the circles of art historians and artists. He spanned (1891 - 1978) a period in American art history which jumped from academic Realism to Cubism and Abstract Expressionism and through all of these changes he retained his own style, pausing here and there to prove that he was thoroughly informed by all the new schools in the arts while continuing his mission as a representational artist. His studios were in New York and in Cape Cod and it is here that he observed and painted the world as he saw it. Some of his canvases took years to complete." -Grady Harp

A Museum for San Francisco & the Americas

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by Gregg Chadwick Olmec Sculpture photo by Gregg Chadwick "In 1862 plantation workers in Huaypan, Veracruz, thought that they had found a large overturned iron kettle buried in the ground. Believing that it might hide a cache of gold, they dug -- and dug -- and dug, eventually revealing a colossal stone portrait head. This was the first Olmec sculpture to be discovered in Mexico. It would be nearly 70 years before a number of extraordinary objects of jade and stone were to be seen as stylistically related and of a culture which nobody had known. That culture was arbitrarily named "Olmec" for the peoples who, at the time of the Spanish conquest, had inhabited the region where the first head had been found." - Gillett G. Griffin, from the catalog eesay for "The Olmec World: Ritual and Rulership" exhibited at The Art Museum, Princeton University in 1996. The Fine Arts Museums of San Francisco have a new building to house the de Young museum and a n...

Lee Mullican at LACMA

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Lee Mullican "Space" 40" x 50" oil on canvas 1951 Los Angeles County Museum of Art "Mullican, like many other artists of his generation, was consumed with the question of how spirituality could be effectively represented in art. He had been stationed with the Army in Guam when atomic bombs landed on Hiroshima and Nagasaki, and, with thousands of other American soldiers in the Pacific, he was sent to occupy Japan immediately after. Faced with the unprecedented potential for nuclear annihilation, and soon given the emerging truth about the Holocaust in Europe, matters of life's sanctity were pressing in the years following the war. Creativity itself held profound intrinsic value — and in a measure unmatched in American culture before. History had brought the world to the brink. Artists, many of them returned from the battlefields, reasonably surmised that a reconsideration of prehistory might provide a platform from which to start over." - Christopher Kn...

Phil Cousineau & Gregg Chadwick at Esalen

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Gregg Chadwick "Acadia" 48"x36" oil on linen 2005 Upcoming Workshop Weekend of December 2-4, 2005 The Painted Word: A Conversation between Word & Image at Esalen,Big Sur Phil Cousineau & Gregg Chadwick "Painting is silent poetry, and poetry painting that speaks." — Simonides For thousands of years, one of the profound mysteries of the human adventure has been the creative impulse. The urge to make new things, to leave our mark, to express ourselves, is essential to what makes us human. While most creative people focus on one art form, there is a venerable tradition, from Leonardo and Michelangelo to Picasso and Akira Kurosawa, that teaches creativity as one vast continuum with no real distinction between drawing and writing. In this spirit, Gregg Chadwick and Phil Cousineau will use slideshows, film-clips, music, and discussion to explore the intimate relationship between words and images, as well as innovative writing, drawing and painting ex...

Wunderkammer

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by Gregg Chadwick Lise Patt "Traumbagger" On Sunday, November 13, 2005, from 2-5 pm, a reception will be held at The Institute of Cultural Inquiry (ICI) at 1512 South Robertson Blvd in Los Angeles. This special open house will borrow from the Renaissance “Wunderkammer” tradition—every usable surface of the Institute will be covered with projects created during the organization’s 15 year history. Ole Worm's Wunderkammer (Cabinet of Curiosities) Frontispiece from the 1655 catalog : "Worm's Museum, or the History of Very Rare Things, Natural and Artificial, Domestic and Exotic, Which Are Stored in the Author's House in Copenhagen."* The Danish professor of medicine Ole Worm (1588-1654) believed that learning comes about through the observation of nature - "through empiricism and experiment" - and not just through the study of texts. Worm firmly believed that vision was the most trustworthy sense for investigations of our environment....

Special Screening of Wim Wenders' "Land of Plenty" in Los Angeles

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Wim Wenders's 2003 film The Land of Plenty will be opening on November 11th for an exclusive one-week run at the Laemmle's Music Hall in Beverly Hills, California. The film deals with themes that are common to Wenders's work: angst, alienation, and America—but in Land of Plenty these themes are explored through a uniquely spiritual and post 9-11 perspective. The film tells the story of Lana (Michelle Williams), who returns to the United States after years of living abroad with her American missionary father. Though she has returned to America with plans to continue her education, Lana instead sets out to find her only other living relative—her uncle Paul, her deceased mother’s brother. A Vietnam veteran, Paul is a reclusive vagabond with deep emotional war wounds. A tragic event witnessed by the two unites them in a common goal to rectify a wrong and takes them on a journey of healing, discovery, and kinship. The Hollywood Reporter says in a recent review of the film, ...

The Burnt Paintings

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Jessey Dorr's "Off to the Oyster Beds," a painting found at a garage sale, led the buyer, Davis Dutton, on a several-year search for the painter. Photo courtesy of the Davis Dutton Collection Sunday's San Francisco Chronicle has a wonderful piece by the Los Angeles bookseller* and author Davis Dutton on the search for the artist behind a haunting painting found gathering dust in a garage. This account is so well written that it calls out to become a book. It has much to say about art and life in California in the early part of the 20th Century: The Burnt Paintings Artist Jessey Dorr: Born into a wealthy Nob Hill family, she was a strong-willed woman who burned her paintings after a bad review. Photo by Imogen Cunningham As an artist I always wonder where my works will end up in fifty or a hundred years. Like most painters I know,(See Martin Bromirski at Anaba ), I have found a few treasures stacked against the walls in small shops. I once found an original Cezanne etc...

Native American Spirituality: Huston Smith and Phil Cousineau in Conversation

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On Monday November 7th at Book Passage in Corte Madera at 7 pm, Phil Cousineau and Huston Smith will talk about their new book "A Seat at the Table: Huston Smith in Conversation with Native Americans on Religious Freedom ". The book is cast as a series of dialogues in which the most widely read and beloved historian of religions in the world, Huston Smith, engages in conversations with American Indian leaders about their five hundred year long fight for religious freedom. These intimate, impassioned dialogues yield profound insights into one of the most striking cases of tragic irony in history: the country that prides itself on religious freedom has resolutely denied those same rights to its own indigenous people. Phil Cousineau and Huston Smith With remarkable erudition and curiosity, Smith and Cousineau, respectfully engage ten American Indian leaders: Vine Deloria, Jr. (Lakota), Winona LaDuke (Anishinaabe), Walter Echo-Hawk (Pawnee), Frank Dayish, Jr. (Navajo), Charlot...

The Childballads: New Music

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Stewart Lupton and Betsy Wright "I'm coming into my own," Stewart Lupton says. "Every painter or poet has this period - the good ones always reinvent themselves. There's always this little epoch where you step into your own skin and leave what T.S. Eliot called 'the anxiety of influence' behind." Gregory Korn, a talented writer and artist, passed on word of The Childballads recently, and the lone song available on the band's website haunts me: Childballads: "Cheekbones (White Chocolate Tea)" . This song was in my dreams last night and I woke up singing it this morning. Of course the name, Stewart Lupton, sounds familiar. Recently in the New York Post , Maureen Callahan wrote: "IT'S rare that someone gets another shot at becoming the next big thing - especially when people aren't quite sure whether you're still alive. In the late 1990s, Stewart Lupton was poised to be the biggest rock star to emerge from the burgeonin...

Pancake Mountain: 21st Century Children's Television

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Arcade Fire on Pancake Mountain Filmmaker Scott Stuckey created Pancake Mountain , the Washington, D.C., cable-access show on which alt-rockers like Ted Leo, Shonen Knife, Weird War, Fiery Furnaces and Arcade Fire play before an energetic and very young audience. "Bands started hearing about it and called us," Scott Stuckey says. "So many parents write us," says Stuckey, "and they're like, 'Wow, this is something I really like watching with my kids.'" Rufus and Henry Rollins In addition to live performances by bands, Pancake Mountain features interviews between the show's puppet host Rufus Leaking and musicians — including Henry Rollins and George Clinton. The program is currently available on cable in DC and New York, but you can buy the episodes on DVD from the Pancake Mountain website. While created with children in mind, the show appeals to kids of all ages. My favorite clips include Shonen Knife performing "Twist Barbie" and...