Showing posts with label dutch painting. Show all posts
Showing posts with label dutch painting. Show all posts

Friday, October 14, 2011

Please Join Me Tonight & Tomorrow - October 15th and 16th - for the Unveiling of New Work at the 7th Anniversary of the Santa Monica Art Studios

Los Sueños del Río 38"x38" oil on linen 2011 (Triptych: Closed)
Gregg Chadwick
Los Sueños del Río
38"x38" oil on linen 2011 (Triptych: Closed)

Please Join Me Tomorrow at My Studio for the Unveiling of New Work at the 7th Anniversary of the Santa Monica Art Studios
The Triptych Los Sueños del Río Will Be Opened At 7pm!

October 15, 2011 - Saturday Night 6-9pm

&

October 16, 2011- Sunday Afternoon 1-5pm


My studio- #15 - will be open
along with the other wonderful artists at the Santa Monica Art Studios.
Please stop in and say hello.

3026 Airport Ave, Santa Monica, CA 90405
cell 415 533 1165
email: greggchadwick@earthlink.net

Tuesday, June 21, 2011

Van Gogh Museum Discovers That a Self Portrait by Van Gogh is Actually a Portrait of His Brother Theo

Vincent Van Gogh
Portrait of Theo Van Gogh
Oil on Pasteboard, 19 X 14 cm 1887
Van Gogh Museum, Amsterdam
courtesy Van Gogh Museum, Amsterdam

The Van Gogh Museum in the Netherlands has announced that a small portrait by Van Gogh from their study collection is in fact a portrait of Vincent's brother - Theo Van Gogh. The painting has been recently restored and will go on view this week at the museum in Amsterdam.

Portraits of Theo and Vincent by Van Gogh



Much more at:
Explore the Van Gogh Museum Using the Google Art Project
Van Gogh Museum Website

Tuesday, June 14, 2011

Fragility of Life: I Mourn the Loss of Artist Sylvia Moss

In the Gion Rain 30"x22" monotype on paper 2011
Gregg Chadwick
A Gion Rain
22"x30" monotype on paper 2011


I came home from a memorial service for a great artist and a great friend, Sylvia Moss, on Sunday night. In times of loss and uncertainty, I tend to turn to the arts - books, music, film, theater and museums - for solace. But when an artist is severely ill or dies I find that I have to create. I have been in my studio for the past few weeks creating monotypes. A monotype is a singular impression made from an image which has been drawn or painted on to a printing plate.

My monotype process is technically straightforward but pushes my artistic subconscious in both image and mark. When I painted "A Gion Rain" onto a copper plate, thoughts of Sylvia fell like rain across my mind. Sylvia Moss died in Zurich, Switzerland on May 9, 2011. Sylvia had long suffered from the challenges of multiple sclerosis.

Sylvia Moss grew up in Piedmont, California and then moved east to a beckoning New York City to pursue her love of theater, fashion, and art. Over the years, Sylvia studied at The California College of Arts and Crafts, The Art Student’s League of New York, Columbia University, and The California Art Institute.

Sylvia eventually returned to California and was Professor of Costume Design at the University of California Los Angeles in the Theater Department where she taught from 1973 until 1994.

Sylvia authored numerous magazine articles as well as a groundbreaking book about alternative materials used in costume design, Costumes & Chemistry, published by Costumes and Fashion Press.

I had the fortune to meet Sylvia Moss when the Santa Monica Art Studios opened in an old hangar at the Santa Monica Airport in 2004. She was a continual inspiration as she determinedly fought the ravages of multiple sclerosis to create her visual art.

Sylvia's experimentation with alternative techniques in costume design fueled her explorations in the visual arts. Her paintings are as much archaeological digs as two dimensional creations. Layers of grit, gloss, glitter and color marked her artistic path as Sylvia's paintings seemed to grow of their own accord in her laboratory/altelier.

Sylvia Moss
Meditation 8
22"x30" oil and mixed media on paper

As my fellow artists in the Santa Monica Art Studios will attest I approach brush cleaning as a form of meditation. Each day, I carefully clean the detritus of each brush's passing in a bath of cool water. Just before her final trip to Switzerland, Sylvia wheeled up to me in her motorized wheelchair as I bathed my brushes. She began to speak as if she wanted to tell me the meaning of life but then stopped and just smiled her remarkable, unforgettable grin. And with that smile, Sylvia said "Goodbye" to me. I will hold that smile in my heart each day as I create.



More at:
Sylvia Moss

Sunday, May 22, 2011

Meditations on a Wave on the Day of the Venice Art Walk: May 22, 2011

by Gregg Chadwick


Gregg Chadwick
Study for Kamakura
14"x11" oil on linen 2011

"The most precious thing in life is its uncertainty."
- Kenko, from Essays in Idleness (Tsurezuregusa), circa 1330


I am always honored to support the Venice Family Clinic with my art. My donation this year reflects my interests in Southern California and Japan with Study for Kamakura. Kamakura is both a beach town and a center of Japanese culture. In my painting, grey beach haze seems to mask the distance between east and west.

Kamakura is home to the great statue of Buddha, the Daibutsu, pictured on countless postcards and books on Japan. Two years ago, I finally made my pilgimage to Kamakura and stood in awe beneath the great statue. A great wave washed away the building housing the Daibutsu in the 15th century. Since that time the statue has been seated in meditation beneath the sun and the stars. After surviving great tsunamis and political upheavals, the Daibutsu provides perspective on humanity's rush for wealth and power. Beneath the ancient bronze statue, I felt the past speaking to me. If we stop and listen, we can hear our long gone friends speaking to us through words, colors, and forms.

The 14th Century Japanese poet and monk, Kenko, wrote, "The pleasantest of all diversions is to sit alone under the lamp, a book spread out before you, and to make friends with people of a distant past you have never known." Lance Morrow's essay in the June 2011 issue of Smithsonian magazine considers Kenko's thoughts. Morrow explains "In a time of traumatic change, some writers or artists or composers may withdraw from the world in order to compose their own universe—Prospero’s island." When artists withdraw into their studios to create, they are not alone. With them, breathing soundless encouragement, are the voices of the past.

Kamakura 36"x48" oil on linen 2010
Gregg Chadwick
Kamakura (Daibutsu)
36"x48" oil on linen 2010
Private Collection, Los Angeles

“Leaving something incomplete makes it interesting and gives one the feeling that there is room for growth.”
- Kenko, from Essays in Idleness (Tsurezuregusa), circa 1330



Portrait of Kenko, Buddhist monk and poet,
by Kikuchi Yosai(菊池容斎)



Details on the Venice Art Walk Below:

Now in its 32nd year, the Venice Art Walk & Auctions has raised millions of dollars for Venice Family Clinic – largely through the Silent Art Auction, which offers great deals on original and limited-edition works by the biggest names in the Southern California art scene.

Hope to see you at Westminster School, 1010 Abbot Kinney Blvd., Venice, for the Studio Tour, the Silent Art Auction, the Select Auction, the Art Within Reach pop-up store, the Artful Living auction, the Food Fair, live music, and the separately ticketed Art & Architecture Tour of Water and Tree-Lined Streets of Venice. Don’t forget there’s free parking and shuttle service from two nearby lots.

By the way, online sales are now closed, but you can purchase tickets at the event.

Thank you very much for supporting Venice Family Clinic and its mission of providing free, quality health care to people in need. It’s going to be a great day.

Map to the Venice Art Walk:
Venice Art Walk



More at:
The Timeless Wisdom of Kenko
Venice Art Walk 2011



Great Buddha at Kamakura
photo by Gregg Chadwick

Friday, December 18, 2009

Last Week Casino Owner Stephen Wynn Paid $33.2 Million for a Rembrandt


photo courtesy Christie’s
Rembrandt
Portrait of a Man, Half-Length, With His Arms Akimbo
421⁄4" x 341⁄4" oil on canvas 1658

Carol Vogel in the New York Times reports that the mystery buyer of Rembrandt's Portrait of a Man, Half-Length, With His Arms Akimbo at Christie's last week was casino mogul Stephen Wynn. The $33.2 million is a record for a Rembrandt at auction. The painting has an interesting recent provenance and after its donation by George Huntington Hartford II hung in the President's office at Columbia University in New York for ten years from 1958 to 1968.

My hope is that Stephen Wynn will put the painting on public display in the near future. After closing his private gallery at the Wynn hotel, Las Vegas lost an intimate collection of important paintings. I enjoyed the Wynn collection immensely and as a non-gambler I was intrigued with the mix of great art within the glowing and at times tawdry Vegas of American pop culture.


photo courtesy Reuters

On a related note, currently at the Getty Museum in Los Angeles is an interesting exhibit: Drawings by Rembrandt and His Pupils: Telling the Difference which runs from December 8, 2009–February 28, 2010. Rembrandt's mark-making is extraordinary and the collection of his drawings from around the globe is not to be missed. My detailed thoughts will be posted next week.


Photography © The Art Institute of Chicago
Rembrandt
Seated Female Nude
pen and brown ink and brush and brown wash; corrected with white gouache about 1660
The Art Institute of Chicago, the Clarence Buckingham Collection

More at:
Rembrandt Drawings at the Getty
Wynn Pays Record Price for Rembrandt Portrait