Springsteen and The E Street Band Close Hurricane Sandy Benefit w/ Land of Hope and Dreams

by Gregg Chadwick

 

NBC broadcast a fundraiser tonight to raise money for hurricane relief for the communities hit hardest by Hurricane Sandy. (If you are on the West Coast the event will be re-broadcast across NBC and its affiliated networks including MSNBC starting at 8pm.)
To donate, visit RedCross.org or iTunes.com/redcross; call 1-800-HELPNOW or 1-800-RED-CROSS; or text "REDCROSS" to 90999 to make a $10 donation.

The telethon, Hurricane Sandy: Coming Together, was hosted by newscaster Matt Lauer and included poignant performances by Staten Island's Christina Aguilera, New Jersey's Jon Bon Jovi, and Long Island's Billy Joel, as well as Steven Tyler with members of Aerosmith, and Sting. 

 Bruce Springsteen and the E Street Band closed the event with a powerful rendition of Land and Hope and Dreams from his most recent album Wrecking Ball. Bruce dedicated the song: "We're gonna send this out to the people of NY and NJ, and to all those who put their lives on the line with their service this week. This is Land of Hope and Dreams." Then he and the band tore into a crisp five-and-a-half minute rock n' roll train ride across the desolated Jersey shore. A powerful performance that spoke more of rebuilding and moving on than it did of sadness and reflection.  

If you have not read my piece on this song, which I  wrote in March upon the album's release, I have re-posted it below:

Land of Hope and Dreams

(Song by Song Review of Bruce Springsteen's New Album - Wrecking Ball)

People get ready, there's a train a-comin'
You don't need no baggage, you just get on board
All you need is faith to hear the diesels hummin'
Don't need no ticket, you just thank the Lord

-Curtis Mayfield, People Get Ready

Central Railroad of New Jersey Steam 4-6-2, Jersey City, New Jersey, February 06, 1954 

My grandfather on my mother's side spent his working life as a train engineer on the Jersey Central Line. That itself sounds like a Springsteen lyric and explains part of my great love for Land of Hope and Dreams.  Bruce Springsteen and the E Street Band first performed the song during the reunion tour in 1999, a live version was released on  Live in New York City in 2001 and also on The Essential Bruce Springsteen in 2003.  

The version of Land of Hope and Dreams featured on Wrecking Ball is the first studio recording of the song and poignantly includes one of the last recorded performances by E Street Band saxophonist Clarence Clemons, who died in June 2011. 

The inclusion of this song at this point in this album is cathartic. Up to now, hope has been yearned for in Wrecking Ball, but fear and doubt have threatened to overwhelm the lives of those living in the songs. 

The album version of the song begins with a soloist from The Victorious Gospel Choir spiritualizing an echo of Curtis Mayfield's People Get Ready:

Oh, Oh, Oh, This Train

The full choir joins in with banjo and organ accompaniment:

Don't you want to ride?

This train, this train, this train,

Get onboard, Get onboard, Get onboard

Gregg Chadwick
An August Dream
20"x36" oil on linen 2011

Curtis Mayfield's People Get Ready was directly inspired by the Civil Rights March on Washington in August 1963 and Martin Luther King Jr.'s I Have A Dream speech which was given from the steps of the Lincoln Memorial at the event.

By using the metaphor of the train of salvation, Mayfield's inspiring song continues a tradition of American folk music that began with African American Spirituals referencing the Gospel Train and the Underground Railroad that was then continued by Woody Guthrie and Johnny Cash.  As Juan Williams writes for NPR:

"The train that is coming in the song speaks to a chance for redemption -- the long-sought chance to rise above racism, to stand apart from despair and any desire for retaliation -- an end to the cycle of pain."

The amazing thing that speaks to the depth of Springsteen's inspiration is that we are only 30 seconds into the studio version of Land of Hope and Dreams and this much history has been evoked. 

I suggest that you put on a pair of headphones and listen to the song with the music up loud because at this point the musical train thunders in with rumbling guitar, drums, mandolin and swirling keyboards. Every time I listen to this moment in Land of Hope and Dreams, I remember a photo of me as a little kid standing next to my grandpa Desch as he guides a Jersey Central steam engine down the tracks. It was in the 1960's, but the photo is in black and white tones that give the image a timeless quality that hovers somewhere between memory and dream. 

Springsteen urges us onboard:

Grab your ticket and your suitcase

Thunder's rolling down this track

You don't know where you're goin' now

But you know you won't be back

Darlin' if you're weary

Lay your head upon my chest

We'll take what we can carry

And we'll leave the rest

Well, Big Wheels roll through fields

Where sunlight streams

Meet me in a land of hope and dreams

JMW Turner
Rain, Steam, and Speed - The Great Western Railway
36"x48" oil on canvas 1844
National Gallery, London

I will provide for you
And I'll stand by your side

I also think of my Dad's parents and the time we took a road trip deep into the South during the Civil Rights era. At a road stop somewhere along I95, in Georgia I think, my Grandma Chadwick saw me staring at a crude racist, epithet scrawled on a sign. She put her arm around me and said to me "Don't mind about those words. Those words aren't true. God loves everyone one of us - equally."
It was one of the first, and one of the best lessons about civil rights and equality that I have ever learned. 

As Springsteen sings:

You'll need a good companion now for

This part of the ride

Leave behind your sorrows

Let this day be the last

Well, Tomorrow there'll be sunshine

And all this darkness past

I think of the more recent past and how much I needed to hear this song when I saw Springsteen and The E Street Band on the Reunion Tour in 1999. I took BART in from San Francisco to Oakland with a copy under my arm of Eric Alterman's recently published, It Ain't No Sin to be Glad You're Alive: The Promise of Bruce Springsteen. On the train over, I read the epilogue about a new song that Springsteen had written which was the initial live version of Land of Hope and Dreams. A relationship that I had thought was real was ending and I found myself in a place similar to the despair found in Michelle Moore's rap in Springsteen's Rocky Ground. I needed to get on board. That night in Oakland, my faith was rewarded in Land of Hope and Dreams. I was one with the crowd and the band carried us along.

Clarence Clemons and Bruce Springsteen
from the Born to Run cover shoot
June 1975
photo by Eric Meola

The next time I heard the E Street Band play Land of Hope and Dreams, the whole country needed the spirit that Springsteen's music at its best can provide. The Rising, with its call to national unity after the horrors of the September 11 attacks had been released in July 2002 and a month later I stood close to the stage by Clarence Clemons throughout the entire concert in San Jose. I had met Clarence at a private dot com gig in San Francisco a few years before and warmly remembered the giant hug he had given me after the event. In San Jose, during the bands homage to Amadou Diallo - "American Skin", Clarence Clemons' face was streaked with tears as he intoned the refrain "41 shots". The music roared that night. The crowd around knew the words to every song and sang them as if their lives depended on it. And maybe they did? 

That August night in San Jose, the concert ended with a gospel fueled, steel engined, crowd propelling version of Land of Hope and Dreams. Now as I listen to the recorded version, with my headphones on and the music up loud, I can still see Clarence but the tears are mine as I listen to his last sax solo. 

This Train

Dreams will not be thwarted

This Train

Faith will be rewarded

This Train

Hear the steel wheels singin'

This Train

Bells of freedom ringin'

As Clarence Clemon's last recorded solo fades, Springsteen slides into Curtis Mayfield's People Get Ready. As the train pulls into the final station, The Victorious Gospel Choir joins in with a musical epitaph for the Big Man.

All lyrics from Land of Hope and Dreams -  Copyright © Bruce Springsteen (ASCAP)

Debris In Belmar, New Jersey After Hurrican Sandy Inscribed With Lyric From Bruce Springsteen's Song Sandy
Photo Courtesy Backstreets Magazine

To donate, visit RedCross.org or iTunes.com/redcross; call 1-800-HELPNOW or 1-800-RED-CROSS; or text "REDCROSS" to 90999 to make a $10 donation.

Nun On the Bus Sister Simone Campbell Speaks at the 2012 Democratic National Convention

Sister Simone Campbell, left, on her "Nuns on the Bus" tour
(J. Scott Applewhite / AP Photos)

2012 Democratic National Convention: Remarks as Prepared for Delivery by Sister Simone Campbell, Executive Director, Roman Catholic Social Justice Organization, NETWORK

The following is a transcript of a speech, as prepared for delivery, by Sister Simone Campbell, Executive Director, Roman Catholic Social Justice Organization, NETWORK, at the Democratic National Convention on Wednesday, September 5, 2012. 
(Full Text and Video)

Good evening, I'm Sister Simone Campbell, and I'm one of the "nuns on the bus." So, yes, we have nuns on the bus. And a nun on the podium!

Let me explain why I'm here. In June, I joined other Catholic sisters on a 2,700-mile bus journey through nine states to tell Americans about the budget Congressman Paul Ryan wrote and Governor Romney endorsed.

Paul Ryan claims his budget reflects the principles of our shared Catholic faith. But the United States Conference of Catholic Bishops stated that the Ryan budget failed a basic moral test, because it would harm families living in poverty.

We agree with our bishops, and that's why we went on the road: to stand with struggling families and to lift up our Catholic sisters who serve them. Their work to alleviate suffering would be seriously harmed by the Romney-Ryan budget, and that is wrong.

During our journey, I rediscovered a few truths. First, Mitt Romney and Paul Ryan are correct when they say that each individual should be responsible. But their budget goes astray in not acknowledging that we are responsible not only for ourselves and our immediate families. Rather, our faith strongly affirms that we are all responsible for one another.

I am my sister's keeper. I am my brother's keeper. While we were in Toledo, I met 10-year-old twins Matt and Mark, who had gotten into trouble at school for fighting. Sister Virginia and the staff at the Padua Center took them in when they were suspended and discovered on a home visit that these 10-year-olds were trying to care for their bedridden mother who has MS and diabetes.

They were her only caregivers. The sisters got her medical help and are giving the boys some stability. Now the boys are free to claim much of the childhood they were losing. Clearly, we all share responsibility for the Matts and Marks in our nation.

In Milwaukee, I met Billy and his wife and two boys at St. Benedict's dining room. Billy's work hours were cut back in the recession. Billy is taking responsibility for himself and his family, but right now without food stamps, he and his wife could not put food on their family table.

We all share responsibility for creating an economy where parents with jobs earn enough to take care of their families. In order to cut taxes for the very wealthy, the Romney-Ryan budget would make it even tougher for hard-working Americans like Billy to feed their families. Paul Ryan says this budget is in keeping with the values of our shared faith. I simply disagree.

In Cincinnati, I met Jini, who had just come from her sister's memorial service. When Jini's sister Margaret lost her job, she lost her health insurance. She developed cancer and had no access to diagnosis or treatment. She died unnecessarily. That is tragic. And it is wrong.

The Affordable Care Act will cover people like Margaret. We all share responsibility to ensure that this vital health care reform law is properly implemented and that all governors expand Medicaid coverage so no more Margarets die from lack of care. This is part of my pro-life stance and the right thing to do.

I have so many other stories but will only tell one more. In Hershey, Pennsylvania, a woman in her late thirties approached us. She asked for the names of some people she could talk to, because she felt alone and isolated. Her neighbors have been polarized by politics masquerading as values. She cares about the well-being of the people in her community.

She wishes they, and the rest of the nation, would listen to one another with kindness and compassion. Listen to one another rather than yell at each other. I told her then, and I tell her now, that she is not alone.

Looking out at you tonight, I feel your presence combined with that of the thousands of caring people we met on our journey. Together, we understand that an immoral budget that hurts already struggling families does not reflect our nation's values. We are better than that.

So I urge you to join us on the bus. Join us as together we stand with Matt and Mark, Billy and his family, the woman in Hershey and the Margarets of our nation.

This is what we nuns on the bus are all about: We care for the 100 percent, and that will secure the blessings of liberty for our nation. So join us as we nuns and all of us drive for faith, family and fairness.

Memory Train: Springsteen's Land of Hope and Dreams

by Gregg Chadwick

Land of Hope and Dreams

(Song by Song Review of Bruce Springsteen's New Album - Wrecking Ball)

People get ready, there's a train a-comin'
You don't need no baggage, you just get on board
All you need is faith to hear the diesels hummin'
Don't need no ticket, you just thank the Lord

-Curtis Mayfield, People Get Ready

Central Railroad of New Jersey Steam 4-6-2, Jersey City, New Jersey, February 06, 1954 

My grandfather on my mother's side spent his working life as a train engineer on the Jersey Central Line. That itself sounds like a Springsteen lyric and explains part of my great love for Land of Hope and Dreams. (Listen Here) Bruce Springsteen and the E Street Band first performed the song during the reunion tour in 1999, a live version was released on  Live in New York City in 2001 and also on The Essential Bruce Springsteen in 2003.  

The version of Land of Hope and Dreams featured on Wrecking Ball is the first studio recording of the song and poignantly includes one of the last recorded performances by E Street Band saxophonist Clarence Clemons, who died in June 2011. 

The inclusion of this song at this point in this album is cathartic. Up to now, hope has been yearned for in Wrecking Ball but fear and doubt have threatened to overwhelm the lives of those living in the songs. 

The album version of the song begins with a soloist from The Victorious Gospel Choir spiritualizing an echo of Curtis Mayfield's People Get Ready:

Oh, Oh, Oh, This Train

The full choir joins in with banjo and organ accompaniment:

Don't you want to ride?

This train, this train, this train,

Get onboard, Get onboard, Get onboard

Gregg Chadwick
An August Dream
20"x36" oil on linen 2011

Curtis Mayfield's People Get Ready was directly inspired by the Civil Rights March on Washington in August 1963 and Martin Luther King Jr.'s I Have A Dream speech which was given from the steps of the Lincoln Memorial at the event.

By using the metaphor of the train of salvation, Mayfield's inspiring song continues a tradition of American folk music that began with African American Spirituals referencing the Gospel Train and the Underground Railroad that was then continued by Woody Guthrie and Johnny Cash.  As Juan Williams writes for NPR:

"The train that is coming in the song speaks to a chance for redemption -- the long-sought chance to rise above racism, to stand apart from despair and any desire for retaliation -- an end to the cycle of pain."

The amazing thing that speaks to the depth of Springsteen's inspiration is that we are only 30 seconds into the studio version of Land of Hope and Dreams and this much history has been evoked. 

I suggest that you put on a pair of headphones and listen to the song with the music up loud because at this point the musical train thunders in with rumbling guitar, drums, mandolin and swirling keyboards. Every time I listen to this moment in Land of Hope and Dreams, I remember a photo of me as a little kid standing next to my grandpa Desch as he guides a Jersey Central steam engine down the tracks. It was in the 1960's, but the photo is in black and white tones that give the image a timeless quality that hovers somewhere between memory and dream. 

Springsteen urges us onboard:

Grab your ticket and your suitcase

Thunder's rolling down this track

You don't know where you're goin' now

But you know you won't be back

Darlin' if you're weary

Lay your head upon my chest

We'll take what we can carry

And we'll leave the rest

Well, Big Wheels roll through fields

Where sunlight streams

Meet me in a land of hope and dreams

JMW Turner
Rain, Steam, and Speed - The Great Western Railway
36"x48" oil on canvas 1844
National Gallery, London

I will provide for you

And I'll stand by your side

I also think of my Dad's parents and the time we took a road trip deep into the South during the Civil Rights era. At a road stop somewhere along I95, in Georgia I think, my Grandma Chadwick saw me staring at a crude racist, epithet scrawled on a sign. She put her arm around me and said to me "Don't mind about those words. Those words aren't true. God loves everyone one of us - equally."

It was one of the first, and one of the best lessons about civil rights and equality that I have ever learned. 

As Springsteen sings:

You'll need a good companion now for

This part of the ride

Leave behind your sorrows

Let this day be the last

Well, Tomorrow there'll be sunshine

And all this darkness past

I think of the more recent past and how much I needed to hear this song when I saw Springsteen and The E Street Band on the Reunion Tour in 1999. I took BART in from San Francisco to Oakland with a copy under my arm of Eric Alterman's recently published, It Ain't No Sin to be Glad You're Alive: The Promise of Bruce Springsteen. On the train over, I read the epilogue about a new song that Springsteen had written which was the initial live version of Land of Hope and Dreams. A relationship that I had thought was real was ending and I found myself in a place similar to the despair found in Michelle Moore's rap in Springsteen's Rocky Ground. I needed to get on board. That night in Oakland, my faith was rewarded in Land of Hope and Dreams. I was one with the crowd and the band carried us along.

Clarence Clemons and Bruce Springsteen
from the Born to Run cover shoot
June 1975
photo by Eric Meola

The next time I heard the E Street Band play Land of Hope and Dreams, the whole country needed the spirit that Springsteen's music at its best can provide. The Rising, with its call to national unity after the horrors of the September 11 attacks had been released in July 2002 and a month later I stood close to the stage by Clarence Clemons throughout the entire concert in San Jose. I had met Clarence at a private dot com gig in San Francisco a few years before and warmly remembered the giant hug he had given me after the event. In San Jose, during the bands homage to Amadou Diallo - "American Skin", Clarence Clemons' face was streaked with tears as he intoned the refrain "41 shots". The music roared that night. The crowd around knew the words to every song and sang them as if their lives depended on it. And maybe they did? 

That August night in San Jose, the concert ended with a gospel fueled, steel engined, crowd propelling version of Land of Hope and Dreams. Now as I listen to the recorded version, with my headphones on and the music up loud, I can still see Clarence but the tears are mine as I listen to his last sax solo. 

This Train

Dreams will not be thwarted

This Train

Faith will be rewarded

This Train

Hear the steel wheels singin'

This Train

Bells of freedom ringin'

As Clarence Clemon's last recorded solo fades, Springsteen slides into Curtis Mayfield's People Get Ready. As the train pulls into the final station, The Victorious Gospel Choir joins in with a musical epitaph for the Big Man.

All lyrics from Land of Hope and Dreams -  Copyright © Bruce Springsteen (ASCAP)

More Song by Song Reviews of Wrecking Ball:

1. We Take Care of Our Own

2. Easy Money

3. Shackled and Drawn

4. Jack of All Trades

5. Death to My Hometown

6. This Depression

7. Wrecking Ball

8. You've Got It

9. Rocky Ground

10. Land of Hope and Dreams

11.We Are Alive

More at:

"Bruce Springsteen's widescreen vision of America on Wrecking Ball is filled with terror, tension, tenacity and above all else, triumph which may not replenish your bank account, but it will replenish your soul."

-Anthony Kuzminski, Bruce Springsteen - Wrecking Ball, antiMusic

"What was done to my country was un-American."

Shackled and Drawn

Jack of All Trades

Death to My Hometown

From Down Under: Sean Sennett Talks With Springsteen About Wrecking Ball

All Things Shining by Hubert Dreyfus and Sean Dorrance Kelly

The Working Man's Voice - The Wall Street Journal

A More Chaste Review of You've Got It by Jonathan Lack

Parsing the Samples and Quotes on Wrecking Ball

Bruce Springsteen, Théatre Marigny press conference, Paris, February 2012

Don't Miss This Upcoming Event on NPR:

NPR Music will broadcast Bruce Springsteen's keynote speech from the SXSW Music Festival in Austin, Texas. The live webcast of that address will take place on NPR Music on March 15 at noon Central time.