Saturday, July 18, 2020

Keep Our Eyes On the Prize

Do not get lost in a sea of despair.

The Power of John Lewis

Friday, July 10, 2020

The Airborne Toxic Event - Come On Out (RAC Mix Official Audio)

Cocktails with a Curator: Holbein's 'Sir Thomas More'





From the Frick Collection:

In this week’s episode of “Cocktails with a Curator,” Xavier F. Salomon, Deputy Director and Peter Jay Sharp Chief Curator, examines one of the Frick’s most beloved paintings, Hans Holbein’s “Sir Thomas More.” Xavier considers More's relationship to humanist circles and the role of "friendship portraits" in making the absent present. In the words of More's devoted friend, Desiderius Erasmus, “life without a friend is no life." As a nod to the turbulent times of Tudor England, Xavier pairs this episode with a Bloody Mary cocktail.



Sir Thomas More

Date:1527
Medium:Oil on oak panel
Dimensions:
29 1/2 x 23 3/4 in. (74.9 x 60.3 cm)
Credit Line:Henry Clay Frick Bequest









To see this painting in detail, please visit: https://collections.frick.org/objects...



Michael McDermott - Contender (Official Video)

Saturday, July 04, 2020

This 4th of July...

‘What To The Slave Is The Fourth Of July?’: Descendants of Frederick Douglass Read his Famous Speech





The U.S. celebrates this Independence Day amid nationwide protests and calls for systemic reforms. In this short film, five young descendants of Frederick Douglass read and respond to excerpts of his famous speech, "What to the Slave is the Fourth of July?" which asks all of us to consider America's long history of denying equal rights to Black Americans.

FEATURING (alphabetically)
Douglass Washington Morris II, 20 (he/him)
Isidore Dharma Douglass Skinner, 15 (they/their)
Zoë Douglass Skinner, 12 (she/her)
Alexa Anne Watson, 19 (she/her)
Haley Rose Watson, 17 (she/her)

You can read the full text of “What To The Slave Is The Fourth of July?” here:
https://teachingamericanhistory.org/l...

This video was inspired by Jennifer Crandall's documentary project "Whitman, Alabama". Visit
http://whitmanalabama.com/.

Thursday, July 02, 2020

David Byrne's American Utopia - Burning Down the House

Fierce!



Stand Up (Official Lyrics) – Tom Morello x Shea Diamond x Dan Reynolds x...





Play this one loud! Rage Against the Machine’s Tom Morello fights the power in a blistering  track that condemns police brutality, racism and transphobia.
“Stand Up” is a collaboration with producer the Bloody Beetroots, singer and transgender rights activist Shea Diamond, and Imagine Dragons frontman Dan Reynolds. Proceeds from the song will go to the NAACP, the Know Your Rights Camp, the Southern Poverty Law Center and the Marsha P. Johnson Institute.

“When I call the police, will they just kill me? / Will they just kill you?” Reynolds screams on the track. “When I call the police, will they just protect me ‘cause I’m white-skinned too?”

Monday, June 29, 2020

David Sancious Opens Our Eyes to Good Trouble

by Gregg Chadwick

“A time comes when silence is betrayal”
- Martin Luther King Jr.
  April 4, 1967

"So you have a moral obligation, a mission and a mandate, to speak up, speak out, and get in good trouble. You can do it. You must do it. Not just for yourselves but for generations yet unborn."
- John Lewis 
  Lawrence University, June 2015 






David Sancious’ new album Eyes Wide Open evokes Marvin Gaye’s What’s Going On, Gil Scott Heron's Winter in America, Herbie Hancock's The Prisoner, Steely Dan's Kid Charlemagne, and Terence Blanchard's music for Spike Lee's films. Sancious describes the album as “a movie for your ears.” Sancious' vocals, keyboards, and guitar are combined with spoken word passages, chants from protest marches, and news clips that form a cinematic soundscape which ventures into the urgent concerns of our time. Racial injustice, police violence against black folks, and the environmental destruction of our burning planet all come into view as we traverse Sancious' musical journey. Four powerful lyrical explorations open the album. 

Marvin Gaye's What's Going On begins with the sounds of a party for a Vietnam veteran who has returned home. Underneath the celebration though is existential dread. In a similar fashion David Sancious' Eyes Wide Open opens with the muffled voices of a crowd marching.  We hear the voices of protesters calling for change. Then Sancious sings "Hey it's not OK!" 




Sancious critiques the Trumpian disdain for reason and science while at the same time grooving with the message of the streets. "Keep your eyes wide open, so you can really see", Sancious sings before warning us that "Shoot you in the back is the name of the town, somewhere in America." 



Adriano Molinari's drumming propels us forward. Is there hope somewhere in America? Sancious' soundscape compels us to feel and see what's going on. 




Gregg Chadwick
1619
22"x30" gouache on paper 2020

The album's second song, In the Middle of the Night describes the mental cost of systemic racism and a presidency gone crazy. A gentle Sakamoto-like piano opens the song. 
Sancious speaks hushed lines of woe: 


"Five o'clock in the morning man ... Can't sleep, Can't believe I'm in this situation
These mathematics ... can't make it work
Brother needs a job!"

Then with a hint of David Bowie's Black Star voice Sancious sings:
"Oh ... Woe is We 
 Such a strange society 
I bow my head and bend my knee 
In the middle of the night, I don't sleep so well"

The recent Medium post by Emily Joyner and Caroline Joyner comes to mind. 
They write:
"Like so many Black people in this country, we struggled to sleep, eat, or function in any way.
White people, consider this moment your call to action. This is your violence, your history, and your responsibility. Racism is not a “cause” to consider donating to or learning about — it is the original sin of this nation, and your safety is predicated on its strength....Your white inaction is violence...The scars of these environments are deep and long-lasting for Black people. It is not our responsibility to educate you. You must realize your complicit behavior and do something about it, right now. Your indifference to a system you actively participate in is appalling. Your silence not only disgusts us — it endangers our lives."




Eyes Wide Open's third song Urban Psalm #3 opens with news bytes and a clip of a Martin Luther King Jr. speech1
"The basic thing about a man is not his specificity, but his fundamentals, not the texture of his hair or the color of his skin, but his eternal dignity and worth."

"May I walk the streets alone, free from suspicion?" Sancious sings. 
"When you look at me is it me that you see? Not something that you saw last night on TV. Because that's not me." 


 Personal injury lawyers Mark and Patricia McCloskey threaten to commit personal injury against peaceful, unarmed Black Lives Matter protesters walking on the street in St. Louis, Missouri on June 28, 2020

Listening to the song brought to mind the absurdly frightened, wealthy couple in St Louis, Missouri brandishing weapons at a group of peaceful protesters marching by their home on the way to a protest in front of the mayor's house. The protesters chant:

“We are here, we’ve been here, we ain’t leaving. We are love.” 






The fourth song If confronts disasters due to climate change, environmental unrest, and racial strife. 
Sancious asks us:
"Can you see this world? So bright and shiny." 
The piano, drums, sax lines, and guitar are bright and open - imploring us to see the beauty in our world. And to do something to preserve our endangered earth.


 “If the tears won’t leave your eyes 
If the sun fell from the sky 
If you could choose the color of your skin.”




Four instrumental pieces create the second half of Sancious' auditory film.

Flip It combines Sancious propulsive Gary Clark Jr.- like guitar lines with keyboard arranged horn parts which echo Herbie Hancock's civil rights movement inspired album The Prisoner. Hancock used instrumental jazz to honor the life and legacy of Martin Luther King Jr. Sancious also acknowledges the vision of MLK in his jazz inflected Eyes Wide Open. 

The Treehouse, the second instrumental track on Eyes Wide Open, brings to mind Bruce Hornsby's The Way It Is and 2Pac's riff on that song in his masterpiece Changes

December mixes Spanish guitar with Terence Blanchard-like keyboards. We are in a Spanish movie that director Almodovar would relish.  The soundscape is broad and healing. We are globally connected in a pandemic and a shared future. 




The album's final song War in Heaven harkens back to Coltrane, Miles Davis, and Herbie Hancock with its swirl of sax parts and hushed vocals. A love supreme indeed! 
As Terence Blanchard wrote recently on NPR:
"We need a song with a melody that allows us all to say our piece, and lyrics that urge us to be our best selves. We need a future where we can rely on our own beliefs and not depend on those who have none. It's a precious moment in time when many hearts, ears, and minds are now open to listening, so let's take advantage of it and make our mark on the world. Let's all listen to each other, and write a song to sing together that will give us some peace. We are well overdue." 
David Sancious gives us the music to see with eyes wide open which implores us not to remain silent about the systemic racism in America, but instead to embrace John Lewis' "good trouble" as we create a more equitable society.  

Sancious describes Eyes Wide Open as, “The best work I've ever done.” I have to agree. 
Buy David Sancious' Eyes Wide Open here






Track Listing
Eyes Wide Open; In The Middle Of The Night; Urban Psalm #3; If; Flip It; The Tree House; December; War In Heaven.

Personnel
David Sancious: piano; Will Calhoun: drums; Michael Bland: drums; Vinnie Colaiuta: drums; Joe Bonadio: drums.

David Sancious: synth, guitar, vocals, organ.

*All Images from David Sancious Eyes Wide Open Lyric Video by John McCracken unless otherwise noted.

1. "Some Things We Must Do," Address Delivered at the Second Annual Institute on Nonviolence and Social Change at Holt Street Baptist Church
Author:
King, Martin Luther, Jr.
Date:
December 5, 1957
Location:
Montgomery, Ala.
Genre:
Speech





More on David Sancious:

David joined Bruce Springsteen’s band at 17 as one of the founding members of Bruce Springsteen and The E Street Band whose name came from the street that David’s mom lived on in Belmar, New Jersey. It can be said that without David Sancious, there would be no E Street Band.



In 1974, David left the E Street Band and formed his own jazz-fusion ensemble Tone with drummer Boom Carter.


“I felt at the time I wanted to give my songwriting the same kind of focus and attention that Bruce was giving his”, said David. 

David Sancious has created 7 gold albums and toured with Sting, Peter Gabriel, Bruce Springsteen and The E Street Band, Eric Clapton, Jeff Beck, Santana, and Seal among others. 





DAVID SANCIOUS: EYES WIDE OPEN LYRIC VIDEO from John McCracken on Vimeo.

Herbie Hancock The Prisoner





So timeless, yet so timely. An ode to Martin Luther King Jr. and the continual struggle. Say it with me - Black Lives Matter!

Eyes Wide Open

Saturday, June 27, 2020

Putin paid a bounty to kill American soldiers. @realDonaldTrump knew about it but did nothing.

Cocktails with a Curator: Stubbs's 'Portrait of Warren Hastings'





Mentioned in the episode is William Dalrymple's The Anarchy: The East India Company, Corporate Violence, and the Pillage of an Empire


ONE OF PRESIDENT BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR

NAMED A BEST BOOK OF THE YEAR BY The Wall Street Journal and NPR


Link at:




Panel Discussion: 'Who's Not in the Picture?'

Friday, June 26, 2020

June 26, 2015 - Equality Shines on the White House



On June 26, 2015 Marriage Equality became the law of the land and with hundreds of others we celebrated on the Supreme Court steps. Later on that glorious day, I chatted with President Obama's photographer Pete Souza in front of the White House which was lit up in rainbow colors in celebration of the LGBTQ community.
While we watched, the Presidential Marine Corps air unit returned with President Obama from his moving speech at the memorial service for the church folks who were gunned down by a young white supremacist in South Carolina. President Obama sang "Amazing Grace" that day.
In her current Netflix film Becoming, Michelle Obama reflects upon that day as well. Michelle Obama describes how she and her daughter Malia sneaked outside that night, needing to share in the crowd's joy after all the terrible grief in Charleston. They let the jubilation soften their anguish. Arrivals and departures. The struggle for equality for all continues.

#art #artandsocialjustice #equality #marriageequality #humanrights #charlestonsc @petesouza #theotherartfairla #theotherartfair

Sunday, June 21, 2020

Stand Together!

Christopher Knight: The Critic Whose Love for LA Uplifted Its Arts Community


EPISODE NOTES

In his current position as art critic at the Los Angeles Times, Christopher Knight has been speaking truth to power for almost four decades. He charted the contemporary art waters in a city that has since become one of the world’s art hubs before most people ever noticed. He doesn’t shy away from controversy, as his recent columns about the Los Angeles County Museum of Art’s renovations suggest. This year he was awarded two special honors: the Rabkin Lifetime Achievement Award for Art Journalism and the Pulitzer Prize for Criticism.
In this episode, he shares stories about his years in LA, his work as a newspaper art critic, and even a very curious letter he received from actor Charleton Heston about artist Andrew Wyeth.
The music featured in this episode is the track “Zuma" by Austin David.
Subscribe to Hyperallergic’s Podcast on iTunes, or anywhere else you listen to podcasts.

Nils Lofgren "All God's Children"

As quoted by American Songwriter, Nils writes of his contribution:
I've been listening to Willie’s edgy, soulful rock 'n' roll for decades. Willie's always delivered. When asked to sing a track for this wonderful compilation I was sure my first song choice had to have been taken. I was thrilled the brilliant, "All God’s Children" was still available for me to record. A song of hope for the ages, more poignant now then ever as our entire human race strives for equality and peace, through a startling and collective insanity of hellish greed and moral corruption. I'm joined by a joyous choir to revel in this universal cry of hope for all. So raise your voices! We’re All God's Children! Believe, Nils

Saturday, June 20, 2020

JOIN THE POOR PEOPLE'S CAMPAIGN: A NATIONAL CALL FOR MORAL REVIVAL




Mass Poor People’s Assembly &
National Moral March on Washington, DC:
A Digital Gathering
June 20, 2020
Broadcast on 6/20 at 10 AM EST
& 6 PM EST; 6/21 at 6 PM EST
Text MORAL to 90975 or Visit June2020.org to Take Action!*

BLACK PARADE

Friday, June 19, 2020

Juneteenth 2020

Tuesday, June 16, 2020

Thoughts on Rooting Out Systemic Racism



"Systemic racism pervades every part of our society, including law enforcement — and we have to do the hard work to root it out. In January, I sat down with Jake, a field organizer on our campaign, to listen to what he had to say and discuss how we can move forward:" Joe Biden

Wednesday, June 10, 2020

House Judiciary Hearing - Policing Practices and Law Enforcement Accountability





Watch @HouseJudiciary Committee Hearing Now - "Policing Practices and Law Enforcement Accountability" #JusticeInPolicing Act
Tune in to hear from
@vanitaguptaCR @Sifill_LDF and others:
https://youtu.be/rxaShkaGrLY

Sunday, June 07, 2020

Michelle Obama's 2020 Commencement Address | Dear Class Of 2020



"So much has changed so quickly. And if any of you are confused or scared or angry—or just plain overwhelmed—I just want you to know that you aren’t alone. I am feeling all that, too. And I have a few things I want to say about it." - Michelle Obama

Saturday, June 06, 2020

Bye Ivanka: A Public Disservice Announcement

Welcome to Black Lives Matter Plaza in Washington, DC



 






Senator Kamala Harris at Black Lives Matter Plaza
June 5, 2020
photo by Douglas Emhoff