"I Have a Dream" ~ August 28, 1963

Full Text: “I Have A Dream” by Martin Luther King Jr.
August 28, 1963, Washington DC

I am happy to join with you today in what will go down in history as the greatest demonstration for freedom in the history of our nation.
Five score years ago, a great American, in whose symbolic shadow we stand today, signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity.

But one hundred years later, the Negro still is not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land. And so we’ve come here today to dramatize a shameful condition.

In a sense we’ve come to our nation’s capital to cash a check. When the architects of our republic wrote the magnificent words of the Constitution and the Declaration of Independence, they were signing a promissory note to which every American was to fall heir. This note was a promise that all men, yes, black men as well as white men, would be guaranteed the “unalienable Rights” of “Life, Liberty and the pursuit of Happiness.” It is obvious today that America has defaulted on this promissory note, insofar as her citizens of color are concerned. Instead of honoring this sacred obligation, America has given the Negro people a bad check, a check which has come back marked “insufficient funds.”

But we refuse to believe that the bank of justice is bankrupt. We refuse to believe that there are insufficient funds in the great vaults of opportunity of this nation. And so, we’ve come to cash this check, a check that will give us upon demand the riches of freedom and the security of justice.

We have also come to this hallowed spot to remind America of the fierce urgency of Now. This is no time to engage in the luxury of cooling off or to take the tranquilizing drug of gradualism. Now is the time to make real the promises of democracy. Now is the time to rise from the dark and desolate valley of segregation to the sunlit path of racial justice. Now is the time to lift our nation from the quicksands of racial injustice to the solid rock of brotherhood. Now is the time to make justice a reality for all of God’s children.

It would be fatal for the nation to overlook the urgency of the moment. This sweltering summer of the Negro’s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. Nineteen sixty-three is not an end, but a beginning. And those who hope that the Negro needed to blow off steam and will now be content will have a rude awakening if the nation returns to business as usual. And there will be neither rest nor tranquility in America until the Negro is granted his citizenship rights. The whirlwinds of revolt will continue to shake the foundations of our nation until the bright day of justice emerges.

But there is something that I must say to my people, who stand on the warm threshold which leads into the palace of justice: In the process of gaining our rightful place, we must not be guilty of wrongful deeds. Let us not seek to satisfy our thirst for freedom by drinking from the cup of bitterness and hatred. We must forever conduct our struggle on the high plane of dignity and discipline. We must not allow our creative protest to degenerate into physical violence. Again and again, we must rise to the majestic heights of meeting physical force with soul force.
The marvelous new militancy which has engulfed the Negro community must not lead us to a distrust of all white people, for many of our white brothers, as evidenced by their presence here today, have come to realize that their destiny is tied up with our destiny. And they have come to realize that their freedom is inextricably bound to our freedom.
We cannot walk alone.

And as we walk, we must make the pledge that we shall always march ahead.
We cannot turn back.

There are those who are asking the devotees of civil rights, “When will you be satisfied?” We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We can never be satisfied as long as our bodies, heavy with the fatigue of travel, cannot gain lodging in the motels of the highways and the hotels of the cities. We cannot be satisfied as long as the negro’s basic mobility is from a smaller ghetto to a larger one. We can never be satisfied as long as our children are stripped of their self-hood and robbed of their dignity by a sign stating: “For Whites Only.” We cannot be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and we will not be satisfied until “justice rolls down like waters, and righteousness like a mighty stream.”

I am not unmindful that some of you have come here out of great trials and tribulations. Some of you have come fresh from narrow jail cells. And some of you have come from areas where your quest — quest for freedom left you battered by the storms of persecution and staggered by the winds of police brutality. You have been the veterans of creative suffering. Continue to work with the faith that unearned suffering is redemptive. Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that somehow this situation can and will be changed.

Let us not wallow in the valley of despair, I say to you today, my friends.
And so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream.
I have a dream that one day this nation will rise up and live out the true meaning of its creed: “We hold these truths to be self-evident, that all men are created equal.”
I have a dream that one day on the red hills of Georgia, the sons of former slaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.
I have a dream that one day even the state of Mississippi, a state sweltering with the heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.
I have a dream that my four little children will one day live in a nation where they will not be judged by the color of their skin but by the content of their character.
I have a dream today!

I have a dream that one day, down in Alabama, with its vicious racists, with its governor having his lips dripping with the words of “interposition” and “nullification” — one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.
I have a dream today!

I have a dream that one day every valley shall be exalted, and every hill and mountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; “and the glory of the Lord shall be revealed and all flesh shall see it together.”

This is our hope, and this is the faith that I go back to the South with.
With this faith, we will be able to hew out of the mountain of despair a stone of hope. With this faith, we will be able to transform the jangling discords of our nation into a beautiful symphony of brotherhood. With this faith, we will be able to work together, to pray together, to struggle together, to go to jail together, to stand up for freedom together, knowing that we will be free one day.

And this will be the day – this will be the day when all of God’s children will be able to sing with new meaning:
My country ’tis of thee, sweet land of liberty, of thee I sing.
Land where my fathers died, land of the Pilgrim’s pride,
From every mountainside, let freedom ring!
And if America is to be a great nation, this must become true.
And so let freedom ring from the prodigious hilltops of New Hampshire.
Let freedom ring from the mighty mountains of New York.
Let freedom ring from the heightening Alleghenies of Pennsylvania.
Let freedom ring from the snow-capped Rockies of Colorado.
Let freedom ring from the curvaceous slopes of California.
But not only that:
Let freedom ring from Stone Mountain of Georgia.
Let freedom ring from Lookout Mountain of Tennessee.
Let freedom ring from every hill and molehill of Mississippi.
From every mountainside, let freedom ring.

And when this happens, when we allow freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God’s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual:
Free at last! Free at last!
Thank God Almighty, we are free at last!


King
Gregg Chadwick
36"x36"
conte, charcoal, oil and wax on linen
April 4, 2008

Esalen Glow

Sunset at the Esalen Institute

This past week I was honored to lead a workshop on creativity with writer Phil Cousineau and writer/musician RB Morris.
The Esalen Institute is a non-profit organization founded in 1962 by Stanford alums Michael Murphy and Richard Price as an alternative educational center devoted to the exploration of what Aldous Huxley called the "human potential." This world of unrealized human capacities that lies beyond the imagination has brought to Esalen a steady influx of philosophers, psychologists, artists, and religious thinkers.


Late afternoon at Esalen in Big Sur. Taken during a workshop on creativity by Phil Cousineau, RB Morris, and Gregg Chadwick.

Recently Phil Cousineau's new book "Stoking the Creative Fires" has hit the shelves. It is an impassioned volume on creativity that combines myth, story and personal pilgrimages in a primer on the creative life. My painting "Fire Dream" graces the cover.
We used this book as a stepping off point for the workshop. I am hoping in the future to have time for a more thorough journey through myth and art at Esalen. Stay tuned.



Workshop participant Allan Hunt Badiner explains the history of Esalen:
"Esalen takes its name from the Native American tribe, the Esselen, that once lived there. Sitting on a former ceremonial ground, the Esalen property was the site of frequent cross-tribal peace gatherings. Esselen cosmology described Big Sur as a “weaving” center for human culture and drew representatives from tribes, near and far. Today, Esalen draws 10,000 people a year from around the world to participate in a wildly diverse menu of workshops. It brought former Russian President Boris Yeltsin to the West, popularized Rolfing and Gestalt, and nurtured books like The Tao of Physics and The Dancing Wu Li Masters. Esalen created a context for understanding psychedelics, established the healing power of massage, and championed wisdom of the body. Visitors often mention that the land itself and spectacular coastline setting feels almost sacred." Allan's words are not surprising, given the retreat’s lineage of powerful teachers such as Abraham Maslow, Joseph Campbell, Alan Watts, Fritz Perls, Allen Ginsberg, Ida Rolf, Joan Baez, Boris Yeltsin, Philip Glass, Gregory Bateson, Buckminster Fuller and countless others who have visited and taught at Esalen in an effort to discuss, debate and develop revolutionary ideas, transformative practices, and innovative art forms.


Workshop participant Natasha.

More at:
Phil Cousineau
RB Morris
"Esalen: America and the Religion of No Religion" by Jeffrey J. Kripal
Esalen at the Edge. From Zen and hot tubs to glasnost, the famed Big Sur retreat has changed our minds, bodies, and ways of looking at the world.
- by workshop participant Allan Hunt Badiner

McCain = George III

As the Democratic Convention in Denver begins,Drew Westen in the Huffington Post describes how Obama can effectively attack John McCain by explaining that:

"a vote for McCain is a vote for continuing the failed policies of George W. Bush, policies that have weakened us economically and threatened our national security in a world whose greatest dangers lie in international terrorism (which require coordination with other nations, not condescension toward our allies, refusal to speak to our enemies, and saber rattling when we have no sabers left to rattle.)"

Secondly, "McCain is not the straight-talking maverick who many admired in 2000 but a man whose ambition has gotten the best of him, who learned the wrong lessons from watching himself swift-boated by George W. Bush and Karl Rove--a man who is so desperate to be President that he will say whatever he has to say to convince conservatives he is one of them, say whatever he has to say to convince moderates that he isn't really the person he is telling the far right, and convince himself that if he has to take the low road to the presidency, that's just politics. "

Thirdly," McCain is out of touch with the American people; that he has no idea of the suffering his party and their policies have inflicted on working Americans; that a man who can't remember how many houses he has, whose wife says the only way to get around Arizona is by private jet, and whose closest economic advisor thinks people who lose their jobs or can't keep up with the bills through no fault of their own are just whiners clearly doesn't understand what middle class families are experiencing."

Obama ~ Biden '08

Chet Edwards, Obama's VP pick?

Chet Edwards

Sources are saying that Democratic Congressman Chet Edwards from Texas could be Obama's choice for VP?
Is this a feint? Biden, Bayh or Webb perhaps? More soon...

Watching the Beijing Olympics, Thinking of Tibet

As the Beijing Olympics nears its finale, I can't help but think about the conflict between the Olympic ideal and the Chinese state sponsored attempts to make China appear good and powerful at all costs. It seems that at least one of the star Chinese gymnasts has not yet reached the needed Olympic competition age of sixteen and has submitted a state-forged passport with an inaccurate date of birth to the International Olympic Committee. And most of all, the question of Tibet hangs over Beijing like the smog that chokes the athletes lungs. It appears that the Chinese government has blocked the Apple i-tunes site for the past week to keep the Chinese people from hearing and purchasing the benefit album Songs for Tibet. It seems that many of the athletes from around the world had downloaded the album in the Olympic village and were listening to what has become a top rated i-tunes download around the world. The album is a benefit for the Art of Peace Foundation.


Gregg Chadwick
Through Tibetan Eyes
72"x96" oil on linen 2008

Before the current Olympics began there were signs of hope that the question of Tibet would be approached peacefully and intelligently by the senior Chinese leadership. Nicholas D. Kristof wrote in his New York Times opinion piece,
An Olive Branch From the Dalai Lama:

"The senior Chinese leadership should respond by expressing serious interest in talks at the presidential or prime ministerial level. In ancient days, the Olympics were a time to suspend conflict. In that spirit, the two sides should get to work to prepare for a visit by the Dalai Lama in November, followed by top-level negotiations aimed at a historic resolution of the Tibet question. The ball is in the Chinese court."


Tibet The Story Of A Tragedy




More at:
Art of Peace Foundation.
An Olive Branch From the Dalai Lama
Team Darfur

Thanks McCain and Scheunamann for the Continuing Georgia Fiasco! Talk About a Foreign Policy Disaster...

(Bela Szandelszky/AP Photo)

Breaking info from the newswires:
"Georgians with their eyes covered sit atop of a Russian armored personnel carrier while being detained by Russian troops in the Black Sea port city of Poti, western Georgia, Tuesday, Aug. 19, 2008. Russian troops entered the port of Poti on Tuesday, to detain people and to loot US military equipment left behind after a joint Georgian, US military exercise. The movements of Russian forces in Georgia raised questions about whether Russia was fulfilling its side of the cease-fire intended to end the short but intense fighting between Georgians, Russians and its allies".

McCain and his foreign policy advisor Scheunamann's dealings with the government of Georgia and the ongoing foreign policy disaster unfolding in the region need to be investigated. This is what we would look forward to under a McCain presidency: blindfolded troops captured and carted off by an emboldened aggressor. Already the Russians are stealing US military equipment. Would US troops be captured and blindfolded next?

James Zogby has more:

"There have been concerns raised that McCain's closeness to Georgia and its president may, in fact, have clouded his judgment. McCain continually refers to the Georgian President as "my friend Misha," and notes that, since the crisis began, they have spoken on the phone several times a day. And, in an emotional address on August 14th, he told a cheering Pennsylvania crowd, "Today we are all Georgians." It has also been revealed that Scheunemann has, until recently, been a paid lobbyist for the Georgian government. His two-man firm has recorded almost a million dollars in receipts from the Georgian government since 2004, with almost $300,000 coming during the very time period when Scheunemann was serving as a paid McCain advisor.

All of this has raised questions about whether or not, as a result of this too-close embrace, Saakashvili had unreasonable expectations of U.S. support, causing him to make a strategic miscalculation in approaching this conflict.

Obama, like McCain, has long-supported Georgia's entry into NATO, and expressed concern about Russian ambitions in Abkhazia and South Ossetia. Nevertheless, on July 23rd, Obama noted that only a political settlement can resolve the conflicts; and, while he called on Russia to roll back its aggressive actions, also called on the Georgian government to "resist the temptation to be drawn into military conflict."

Zogby ends his article with a telling line:
"The conflict between Russia and Georgia did not begin on August 8th, and it won't end anytime soon. Bluster will not push the Russians back, nor will (nearly empty) threats of retaliation. And, as we learned in Iraq, there's an enormous difference between being tough and certain, and smart and thoughtful. The former makes good sound bites, and leads to chaos.

Given a choice, if the phone rings in the White House at 3 a.m., I'd rather have the smart guy answering the phone and hope the tough guy stays asleep."

McCain and Scheunamann and the Georgia Fiasco

Hans Heiner Buhr
"view-old-tbilisi-thief"
digital collage 2007
- image courtesy the artist

As the small country of Georgia continues to pay the price for taking on the Bush administration's seemingly overt dare, "Go poke that big bear in the eye!" - word has gotten out that McCain's chief foreign policy advisor, Randy Scheunemann was paid "just short of a million dollars" to represent Georgia. On the same day that Scheunemann signed his most recent contract, John McCain had a lengthy conversation with the President of Georgia.

I quote Robert Creamer's insightful article at length below:

"The Georgia conflict has shined a spotlight on McCain's chief foreign policy adviser Randy Scheunemann.

Scheunamann was a major organizer of the campaign to get the U.S to invade Iraq. He was a board member of the Project for a New American Century that circulated the now-famous manifesto signed by key Neo Cons that first called for the Iraq invasion. He was a founder of the Committee for the Liberation of Iraq. More recently he has been a paid lobbyist for a number of foreign governments including Macedonia, Taiwan and, most importantly, the Republic of Georgia.

According to records from the Justice Department's foreign agents registration office, Scheunamann's two-person firm has received $830,000 from Georgia since 2004. Though Scheunamann now claims to have taken a leave of absence from lobbying, his latest contract, with Georgia's National Security Council, was signed as recently as April 17th. According to the Los Angeles Times, McCain spoke by phone with Georgian president Mikheil Saakashvili that day and then issued a statement denouncing Russian moves to "undermine Georgian's sovereignty."

The paper also cites lobbying forms filed by Scheunamann's firm Orion indicating that McCain sponsored or co-sponsored four Senate resolutions on behalf of Georgia and other Orion clients: Latvia, Macedonia, Romania and Taiwan.

The poor judgment McCain showed by appointing a man who was serving as a paid foreign agent to be his chief foreign policy adviser is simply breathtaking. It is even more so because of the history of the current conflict.

There is more than appearance of conflict of interests. Before Georgia's President Saakashvili sent Georgian troops to reassert control in the semi-autonomous region of Ossetia, even the US State Department says it repeatedly warned him against precipitous action that might provoke a Russian response. He did it anyway. In other words, the government of the United States and Georgia had different agendas, different interests, and different policies with respect to the Ossetia conflict.

Where were Scheunamann's loyalties? Did he represent the position of the government of the United States, or of his old client Saakashvili. Do the actions and statements of McCain represent his independent judgment of what is in the best interests of the United States, or the views of a top adviser who made just short of a million dollars representing a foreign power?

What's more, if Scheunamann and McCain did encourage Saakashvili to send troops to Ossetia, it once again calls into question their simple strategic judgment. Saakashvili's action has been a disaster for the Georgian government that has lead to the rout of the small Georgian army, and increased the likelihood that he will ultimately be replaced by someone more acceptable to Russia. This is exactly the kind of poor strategic judgment that McCain and Scheunamann used to lead America into the War in Iraq. Americans don't want more of that kind of judgment.

Odds are, the more we learn about the involvement of McCain and Scheunamann in the Georgia fiasco, the more that McCain's foreign policy judgment will be called into question. Many Republicans have prayed for a foreign policy crisis that could refocus voter attention on foreign affairs and away from the domestic economic disaster. Sometimes you should be careful what you wish for."

A note to Hans:
As a citizen of the US, I abhor McCain and Scheunamann's involvement in the current mess in Georgia as I abhor McCain's support for the invasion of Iraq. We are doing our best over here to get a new leader, Obama, that will look at the world from a larger, more intelligent and more nuanced vantage point. I hope you and the other members of the Art Club Caucasus International are well. Take care.


Hans Heiner Buhr
Logo of the Art Club Caucasus International
website at artclubcaucasus.blogspot.com
- image courtesy the artist

"No, its one of our Georgian Elephants, we have them here too..., the so-called Blue Caucasian Dwarf Elephants, living in the area around Kazbegi on altitudes between 1800 and 3000 m."
-Hans Heiner Buhr

Obama on Faith

Gregg Chadwick
Barack Obama
48"x36" oil on linen 2008

"Whatever we once were, we are no longer just a Christian nation; we are also a Jewish nation, a Muslim nation, a Buddhist nation, a Hindu nation, and a nation of nonbelievers."
-Barack Obama

Frank Schaefer and Adele Stan at the Huffington Post have the best responses I have seen to last night's "give the Presidential candidates a Christian litmus test in Orange County." Frank weighs in, "Obama offers a spiritual vision of life founded on the Sermon On the Mount. It is the freedom of "we." It is the same view of freedom that my Marine son learned in boot camp: that the person standing next to you is more important than you are. That concept of freedom is more in keeping with valuing all human life. It will create a climate more friendly to mothers and children. As I listen to Senator Obama speak, as I see the selfless altruistic energy he has generated in a whole new generation of young people, as I think about the ethical, caring culture he would like to foster with healthcare for all, a revamped and reenergized educational system that includes the arts, history, poetry and all those things that make life worthwhile, as I think about the wars my son's brothers-in-arms are still mired and dying in because of the hubris of the Republicans, as I think about the crying need to restore our standing in the world, as I think about the scandalous way in which the Republicans have manipulated people, including the most sincere Evangelicals, Orthodox and Roman Catholics, to get their votes, while not actually doing anything about the issues they care most about, yes, I am ready to for a change."

Adele Stan was horrified to watch the audience lap up the blood that McCain threw their way:
" But with Warren's claim to a kinder, gentler biblical imperative than is found by elders such as Robertson's, it was profoundly disheartening to see an almost knee-jerk response in favor of unbridled, war-mongering jingoism, advanced by McCain."

More at:
Adele Stan
Frank Schaeffer on Obama, Faith, Choice, and Life

Where Elephants Weep

Gregg Chadwick
Where Elephants Weep
60"x50" oil on linen 2008

My Thoughts Go Out To Fellow Artist Hans Heiner Buhr in Tbilisi as Georgia Burns

Hans Heiner Buhr
"Big Horse Thief"
125 X 90 cm
mixed media on a collage of Caucasus Maps
- image courtesy the artist

As Russian forces continue to attack Georgia, my thoughts go out to fellow artist Hans Heiner Buhr in Tbilisi and his compatriots.
Follow the events at the official Georgian site: Ministry of Foreign Affairs of Georgia

- map by the BBC


More at:
Georgia Today
Russia Orders Halt in Georgia as Fighting Continues
A Russian Viewpoint:
A Path to Peace in the Caucasus - Mikhail Gorbachev

Below is a review from Georgia Today written about a recent exhibition by Hans:

"The most striking of the works displayed this past weekend in the exhibition “Horse Thief Sayat Nova Street” by Hans Heiner Buhr at the Baia Gallery is a painted work, called “Big Horse Thief” (125 X 90 cm), set against a collage of Caucasus maps. It portrays a masked gunman on horseback, with a jutting pair of triangular prongs for a nose and mouth. While the oddly conjoined figure of horse and rider gallops away from us, it’s that impossible beaked head — tilted backwards towards the viewer — that startles the eye. Its long twin pincers scissor the air like a switchblade. The pointed nose, explains the artist, is a sign of the permanent outsider, a mark of the harlequin, the pariah. In Georgia, “you can make time jumps. You go to Kakheti and someone kills his neighbor because he’s stolen a sheep.”

"Part spectacle, part Star Wars, this show by Buhr has underground comic-book energy and its simplest graphic images are some of the freshest."

Full Text and Video: Obama’s Speech in Berlin

Crowd Awaits Obama's Speech in Berlin

Remarks of Senator Barack Obama (as prepared for delivery)

“A World that Stands as One”

July 24th, 2008

Berlin, Germany

Thank you to the citizens of Berlin and to the people of Germany. Let me thank Chancellor Merkel and Foreign Minister Steinmeier for welcoming me earlier today. Thank you Mayor Wowereit, the Berlin Senate, the police, and most of all thank you for this welcome.

I come to Berlin as so many of my countrymen have come before. Tonight, I speak to you not as a candidate for President, but as a citizen – a proud citizen of the United States, and a fellow citizen of the world.

I know that I don’t look like the Americans who’ve previously spoken in this great city. The journey that led me here is improbable. My mother was born in the heartland of America, but my father grew up herding goats in Kenya. His father – my grandfather – was a cook, a domestic servant to the British.

At the height of the Cold War, my father decided, like so many others in the forgotten corners of the world, that his yearning – his dream – required the freedom and opportunity promised by the West. And so he wrote letter after letter to universities all across America until somebody, somewhere answered his prayer for a better life.

That is why I’m here. And you are here because you too know that yearning. This city, of all cities, knows the dream of freedom. And you know that the only reason we stand here tonight is because men and women from both of our nations came together to work, and struggle, and sacrifice for that better life.


Obama Speaks in Berlin

Ours is a partnership that truly began sixty years ago this summer, on the day when the first American plane touched down at Templehof.

On that day, much of this continent still lay in ruin. The rubble of this city had yet to be built into a wall. The Soviet shadow had swept across Eastern Europe, while in the West, America, Britain, and France took stock of their losses, and pondered how the world might be remade.

This is where the two sides met. And on the twenty-fourth of June, 1948, the Communists chose to blockade the western part of the city. They cut off food and supplies to more than two million Germans in an effort to extinguish the last flame of freedom in Berlin.

The size of our forces was no match for the much larger Soviet Army. And yet retreat would have allowed Communism to march across Europe. Where the last war had ended, another World War could have easily begun. All that stood in the way was Berlin.

And that’s when the airlift began – when the largest and most unlikely rescue in history brought food and hope to the people of this city.

The odds were stacked against success. In the winter, a heavy fog filled the sky above, and many planes were forced to turn back without dropping off the needed supplies. The streets where we stand were filled with hungry families who had no comfort from the cold.


Children in 1948 West Berlin, isolated by a Soviet blockade, watch as a U.S. plane delivers food to Tempelhof Airport. Over 11 months, U.S. and British aircraft brought in 80 tons of aid, touching down every 90 seconds. (Associated Press)

But in the darkest hours, the people of Berlin kept the flame of hope burning. The people of Berlin refused to give up. And on one fall day, hundreds of thousands of Berliners came here, to the Tiergarten, and heard the city’s mayor implore the world not to give up on freedom. “There is only one possibility,” he said. “For us to stand together united until this battle is won…The people of Berlin have spoken. We have done our duty, and we will keep on doing our duty. People of the world: now do your duty…People of the world, look at Berlin!”

People of the world – look at Berlin!

Look at Berlin, where Germans and Americans learned to work together and trust each other less than three years after facing each other on the field of battle.

Look at Berlin, where the determination of a people met the generosity of the Marshall Plan and created a German miracle; where a victory over tyranny gave rise to NATO, the greatest alliance ever formed to defend our common security.

Look at Berlin, where the bullet holes in the buildings and the somber stones and pillars near the Brandenburg Gate insist that we never forget our common humanity.

People of the world – look at Berlin, where a wall came down, a continent came together, and history proved that there is no challenge too great for a world that stands as one.

Sixty years after the airlift, we are called upon again. History has led us to a new crossroad, with new promise and new peril.



When you, the German people, tore down that wall – a wall that divided East and West; freedom and tyranny; fear and hope – walls came tumbling down around the world. From Kiev to Cape Town, prison camps were closed, and the doors of democracy were opened. Markets opened too, and the spread of information and technology reduced barriers to opportunity and prosperity. While the 20th century taught us that we share a common destiny, the 21st has revealed a world more intertwined than at any time in human history.

The fall of the Berlin Wall brought new hope. But that very closeness has given rise to new dangers – dangers that cannot be contained within the borders of a country or by the distance of an ocean.

The terrorists of September 11th plotted in Hamburg and trained in Kandahar and Karachi before killing thousands from all over the globe on American soil.

As we speak, cars in Boston and factories in Beijing are melting the ice caps in the Arctic, shrinking coastlines in the Atlantic, and bringing drought to farms from Kansas to Kenya.

Poorly secured nuclear material in the former Soviet Union, or secrets from a scientist in Pakistan could help build a bomb that detonates in Paris. The poppies in Afghanistan become the heroin in Berlin. The poverty and violence in Somalia breeds the terror of tomorrow. The genocide in Darfur shames the conscience of us all.

In this new world, such dangerous currents have swept along faster than our efforts to contain them. That is why we cannot afford to be divided. No one nation, no matter how large or powerful, can defeat such challenges alone. None of us can deny these threats, or escape responsibility in meeting them. Yet, in the absence of Soviet tanks and a terrible wall, it has become easy to forget this truth. And if we’re honest with each other, we know that sometimes, on both sides of the Atlantic, we have drifted apart, and forgotten our shared destiny.

In Europe, the view that America is part of what has gone wrong in our world, rather than a force to help make it right, has become all too common. In America, there are voices that deride and deny the importance of Europe’s role in our security and our future. Both views miss the truth – that Europeans today are bearing new burdens and taking more responsibility in critical parts of the world; and that just as American bases built in the last century still help to defend the security of this continent, so does our country still sacrifice greatly for freedom around the globe.

Yes, there have been differences between America and Europe. No doubt, there will be differences in the future. But the burdens of global citizenship continue to bind us together. A change of leadership in Washington will not lift this burden. In this new century, Americans and Europeans alike will be required to do more – not less. Partnership and cooperation among nations is not a choice; it is the one way, the only way, to protect our common security and advance our common humanity.

That is why the greatest danger of all is to allow new walls to divide us from one another.

The walls between old allies on either side of the Atlantic cannot stand. The walls between the countries with the most and those with the least cannot stand. The walls between races and tribes; natives and immigrants; Christian and Muslim and Jew cannot stand. These now are the walls we must tear down.

We know they have fallen before. After centuries of strife, the people of Europe have formed a Union of promise and prosperity. Here, at the base of a column built to mark victory in war, we meet in the center of a Europe at peace. Not only have walls come down in Berlin, but they have come down in Belfast, where Protestant and Catholic found a way to live together; in the Balkans, where our Atlantic alliance ended wars and brought savage war criminals to justice; and in South Africa, where the struggle of a courageous people defeated apartheid.

So history reminds us that walls can be torn down. But the task is never easy. True partnership and true progress requires constant work and sustained sacrifice. They require sharing the burdens of development and diplomacy; of progress and peace. They require allies who will listen to each other, learn from each other and, most of all, trust each other.

That is why America cannot turn inward. That is why Europe cannot turn inward. America has no better partner than Europe. Now is the time to build new bridges across the globe as strong as the one that bound us across the Atlantic. Now is the time to join together, through constant cooperation, strong institutions, shared sacrifice, and a global commitment to progress, to meet the challenges of the 21st century. It was this spirit that led airlift planes to appear in the sky above our heads, and people to assemble where we stand today. And this is the moment when our nations – and all nations – must summon that spirit anew.

This is the moment when we must defeat terror and dry up the well of extremism that supports it. This threat is real and we cannot shrink from our responsibility to combat it. If we could create NATO to face down the Soviet Union, we can join in a new and global partnership to dismantle the networks that have struck in Madrid and Amman; in London and Bali; in Washington and New York. If we could win a battle of ideas against the communists, we can stand with the vast majority of Muslims who reject the extremism that leads to hate instead of hope.

This is the moment when we must renew our resolve to rout the terrorists who threaten our security in Afghanistan, and the traffickers who sell drugs on your streets. No one welcomes war. I recognize the enormous difficulties in Afghanistan. But my country and yours have a stake in seeing that NATO’s first mission beyond Europe’s borders is a success. For the people of Afghanistan, and for our shared security, the work must be done. America cannot do this alone. The Afghan people need our troops and your troops; our support and your support to defeat the Taliban and al Qaeda, to develop their economy, and to help them rebuild their nation. We have too much at stake to turn back now.

This is the moment when we must renew the goal of a world without nuclear weapons. The two superpowers that faced each other across the wall of this city came too close too often to destroying all we have built and all that we love. With that wall gone, we need not stand idly by and watch the further spread of the deadly atom. It is time to secure all loose nuclear materials; to stop the spread of nuclear weapons; and to reduce the arsenals from another era. This is the moment to begin the work of seeking the peace of a world without nuclear weapons.

This is the moment when every nation in Europe must have the chance to choose its own tomorrow free from the shadows of yesterday. In this century, we need a strong European Union that deepens the security and prosperity of this continent, while extending a hand abroad. In this century – in this city of all cities – we must reject the Cold War mind-set of the past, and resolve to work with Russia when we can, to stand up for our values when we must, and to seek a partnership that extends across this entire continent.

This is the moment when we must build on the wealth that open markets have created, and share its benefits more equitably. Trade has been a cornerstone of our growth and global development. But we will not be able to sustain this growth if it favors the few, and not the many. Together, we must forge trade that truly rewards the work that creates wealth, with meaningful protections for our people and our planet. This is the moment for trade that is free and fair for all.

This is the moment we must help answer the call for a new dawn in the Middle East. My country must stand with yours and with Europe in sending a direct message to Iran that it must abandon its nuclear ambitions. We must support the Lebanese who have marched and bled for democracy, and the Israelis and Palestinians who seek a secure and lasting peace. And despite past differences, this is the moment when the world should support the millions of Iraqis who seek to rebuild their lives, even as we pass responsibility to the Iraqi government and finally bring this war to a close.

This is the moment when we must come together to save this planet. Let us resolve that we will not leave our children a world where the oceans rise and famine spreads and terrible storms devastate our lands. Let us resolve that all nations – including my own – will act with the same seriousness of purpose as has your nation, and reduce the carbon we send into our atmosphere. This is the moment to give our children back their future. This is the moment to stand as one.

And this is the moment when we must give hope to those left behind in a globalized world. We must remember that the Cold War born in this city was not a battle for land or treasure. Sixty years ago, the planes that flew over Berlin did not drop bombs; instead they delivered food, and coal, and candy to grateful children. And in that show of solidarity, those pilots won more than a military victory. They won hearts and minds; love and loyalty and trust – not just from the people in this city, but from all those who heard the story of what they did here.

Now the world will watch and remember what we do here – what we do with this moment. Will we extend our hand to the people in the forgotten corners of this world who yearn for lives marked by dignity and opportunity; by security and justice? Will we lift the child in Bangladesh from poverty, shelter the refugee in Chad, and banish the scourge of AIDS in our time?

Will we stand for the human rights of the dissident in Burma, the blogger in Iran, or the voter in Zimbabwe? Will we give meaning to the words “never again” in Darfur?

Will we acknowledge that there is no more powerful example than the one each of our nations projects to the world? Will we reject torture and stand for the rule of law? Will we welcome immigrants from different lands, and shun discrimination against those who don’t look like us or worship like we do, and keep the promise of equality and opportunity for all of our people?

People of Berlin – people of the world – this is our moment. This is our time.

I know my country has not perfected itself. At times, we’ve struggled to keep the promise of liberty and equality for all of our people. We’ve made our share of mistakes, and there are times when our actions around the world have not lived up to our best intentions.

But I also know how much I love America. I know that for more than two centuries, we have strived – at great cost and great sacrifice – to form a more perfect union; to seek, with other nations, a more hopeful world. Our allegiance has never been to any particular tribe or kingdom – indeed, every language is spoken in our country; every culture has left its imprint on ours; every point of view is expressed in our public squares. What has always united us – what has always driven our people; what drew my father to America’s shores – is a set of ideals that speak to aspirations shared by all people: that we can live free from fear and free from want; that we can speak our minds and assemble with whomever we choose and worship as we please.

These are the aspirations that joined the fates of all nations in this city. These aspirations are bigger than anything that drives us apart. It is because of these aspirations that the airlift began. It is because of these aspirations that all free people – everywhere – became citizens of Berlin. It is in pursuit of these aspirations that a new generation – our generation – must make our mark on the world.

People of Berlin – and people of the world – the scale of our challenge is great. The road ahead will be long. But I come before you to say that we are heirs to a struggle for freedom. We are a people of improbable hope. With an eye toward the future, with resolve in our hearts, let us remember this history, and answer our destiny, and remake the world once again.


Obama in Berlin

Art and Memory: Obama in Berlin- 24 July 2008

Full Text - Obama's Speech in Berlin:
A World that Stands as One - July 24th, 2008



Barack Obama will speak in Berlin tomorrow at the Tiergarten beneath the Siegessäule . For many of us, Berlin and the towering Siegessäule bring to mind Wim Wenders' films Wings of Desire and the haunting sequel, Faraway, So Close, which opens with the angel Cassiel (Otto Sander) standing on the statue of the Angel of Victory overlooking post-Cold War Berlin. As Wim Wender's site puts it, this angel grows "ever more despondent over his fate as a mere observer of human life, rather than a vital part of it, Cassiel dreams of crossing over to the human world." Many times as the centuries pass, art that was at first created to celebrate fleeting military victories over past or imagined enemies loses its local memory and becomes part of all humanity's memories. Wim Wenders was able to shake the Siegessäule loose from the spectres of Prussian militarism and into the post-Cold War world. Arguably, this Angel of Victory can now be seen as a harbinger of Walter Benjamin's Angel of History:

"This is how one pictures the angel of history. His face is turned toward the past. Where we perceive a chain of events, he sees one single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing in from Paradise; it has got caught in his wings with such a violence that the angel can no longer close them. The storm irresistibly propels him into the future to which his back is turned, while the pile of debris before him grows skyward."
- Walter Benjamin, "Theses on the Philosophy of History," IX

photo- DailyKos

Germany has been able to move on from a past led by a militaristic leader and his tight cabal. Now it is America's turn to move on from our current militaristic leader, his tight cabal and his purported successor. Barack Obama's speech on July 24, 2008 in Berlin will come to be seen as a turning point in the journey away from the memory and grip of war towards the promise of peace and reconciliation.

MBNYC at the DailyKos has a very well written piece on the history of the site and the Siegessäule:

"During the workers revolt of 17. June 1953, an uprising against the Soviet-imposed East German government which was brutally crushed by Soviet tanks, fleeing revolutionaries used the column as a point of orientation in escaping from East Berlin. Partly in consequence, the street the Siegessäule stands on is now named the Street of 17 June. Ironically, Berlin's principal monument to the war dead of the Soviet Union stands on that street, about halfway between the column and the Brandenburg Gate. That monument is built out of red marble salvaged from Hitler's nearby Reich Chancellery, and Obama will be looking in its direction when he speaks. He will also symbolically be answering Ronald Reagan; when the latter spoke at the Brandenburg Gate, he was looking West. Obama will be looking East, in the direction of the Brandenburg Gate, answering and rebutting Reagan, as we prepare to enter a new era in American politics and bury Reagan's malignant legacy."


Gregg Chadwick
The Angel of History
28.5" x 73" sumi and oil on screen 2006

More at:
Faraway, So Close
MBNYC at the DailyKos


From the soundtrack to Wim Wender's Faraway, So Close.

Long Horizons and Slow Art: Thoughts on Art & Australia as Regina Wilson's Exhibit Opens at Arena 1 Gallery in Santa Monica

by Gregg Chadwick

Regina Wilson, Syaw (fish-net), acrylic on linen 62.99" x 78.74" 

 "You've been looking too closely at pictures. Why don't you swap them for some long horizons?" - Bruce Chatwin, The Songlines 

 Recently Cassiel asked me what my richest visual memory was. It didn't take me long to answer- "Night in the Australian outback - somewhere on the way to Alice Springs from Perth on a desolate dirt road. Above the Southern Cross gleams in a lapis sky as it goes black and up ahead a fire glows in the shell of a burned out Holden automobile. Silhouetted figures flicker and bob like tongues of shadow in front of the orange glow. " "Wow", Cassiel said. "Who were they out in the middle of nowhere? But it wasn't really nowhere was it? Everywhere is somewhere." Caught in my visual reverie, I missed the profound truth my daughter expressed.

 Today as I wandered through the exhibition of Australian artist Regina Wilson's large, glowing acrylic paintings at the Arena 1 Gallery in Santa Monica, I remembered that recent conversation with my daughter and my rich experiences in Australia and with Australian culture. I have crisscrossed the Australian continent in a series of journeys. And I have grown to love the deeply historic and richly vital Aboriginal culture that I first glimpsed on a crisp desert night in the middle of somewhere. Together with her husband, Harold Wilson, Regina Wilson founded the Peppimenarti Community as a permanent settlement for the Ngangikurrungurr people. The community is located in the Daly River Aboriginal Reserve in Northern Australia and is an important dreaming site for the Ngangikurrungurr. Bruce Chatwin in The Songlines explains that "Aboriginal Creation myths tell of the legendary totemic beings who had wandered over the Australian continent in the Dreamtime, singing out the name of everything that crossed their path - birds, animals, plants, rocks, waterholes - and so singing the world into existence." Many of the current paintings by Australian Aboriginal artists use these songlines as inspiration for their paintings. Regina Wilson's work, though rooted in the dream sites of the Ngangikurrungurr people, instead makes use of the layering process inherit in traditional Aboriginal weavings. The Durrmu Arts site explains,"The women of Peppimenarti are traditionally weavers and have transposed their knowledge of fibre and textiles onto the canvas. The results are paintings of intricate, abstract mark-making; some clearly representing syaws (fish-nets) and wupun (basket-weavings) through their layered textures, whilst others resemble fine tapestries."

 

Regina Wilson at the Peppimenarti (large rock) Community. photo- Peppimenarti Arts 

 Regina Wilson's paintings are lovingly brought into being over time. The fluid paint she lays on her canvases is knit, stroke by stroke, to create an all-over surface that reads as landscape, or map, or fishing net, or even a net of stars. These are paintings that take time to make and time to read. Another Australian, the writer and art critic Robert Hughes spoke to the Royal Academy in London in 2004 and bemoaned the impatience of contemporary industrialized societies: "Drawing brings us into a different, a deeper and more fully experienced relation to the object. A good drawing says: “not so fast, buster”. We have had a gutful of fast art and fast food. What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and whose skill and doggedness make you think and feel; art that isn't merely sensational, that doesn't get its message across in 10 seconds, that isn't falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media. For no spiritually authentic art can beat mass media at their own game."

   

Peppimenarti Community Open Day 2007 ( Peppimenarti Open Day is held every two years - the next one will be in the dry season of 2009) photo- Peppimenarti Arts 

 My friend, the chef and sommelier Nicole Christensen, currently lives in Sydney near her Australian mother and over the years we have had numerous conversations about Australian Aboriginal culture, Robert Hughes, Bruce Chatwin and the place of myth in contemporary societies. Nicole inspired my painting A Dream of Water.

 

Gregg Chadwick 

A Dream of Water 

48" x 36" Oil on Linen 2002 

Private Collection Sydney, Australia 

 Nicole and I agree with Robert Hughes that what we need is art and food that "holds time as a vase holds water: art that grows out of modes of perception and whose skill and doggedness" makes us think and feel. Regina Wilson's paintings hold time and make us think and feel. Robert Hughes also said that Australian Aboriginal art was the "world’s last great art movement of the 20th century." As we slide along into the 21st century, Robert Hughes' words still might ring true. But I am betting that the inspiration provided by the works of artists such as Regina Wilson will encourage all of us to live lives rich in insight and creativity that will inspire great art movements to come. For my sake at least, I have a new painting to start of a night in the Australian outback - somewhere on the way to Alice Springs from Perth on a desolate dirt road. Above the Southern Cross will gleam in a lapis sky as it goes black and up ahead a fire will glow in the shell of a burned out Holden automobile. Silhouetted figures will flicker and bob like tongues of shadow in front of the orange glow... 

 Regina Wison's exhibition, PULCHRITUDO VAGA, runs from July 17th through August 3rd, 2008. The opening reception will be held on Saturday, July 19, 2008 from 6:30 to 9 pm. 

I will be at the show and my studio (#15) will be open down the hall in the Santa Monica Art Studios complex. Please stop by for conversation and remembrances. 

 Exhibition dates: July 19th – August 3rd, 2008

Gallery hours: Wed-Sat from 12 noon to 6 pm ARENA 1  3026 Airport Avenue, Santa Monica, CA. 90405

 

Regina Wilson at work - STUDIO: Australian Painters on the Nature of Creativity Photography: R. Ian Lloyd

More at: Durrmu Arts: the Peppimenarti Community Art Program Regina Wilson Bio Bruce Chatwin - The Songlines Northern Territory Arts Remotely Convinced: An Arts Manager's Blog from the Northern Territory Durrmu Community

New SFMOMA Blog: Open Space

Bruce Conner
Burning Bright
1996, Collection SFMOMA

The San Francisco Museum of Modern Art has a new art blog: Open Space.
The current posts on the recently deceased Bruce Conner are thought provoking. I am intrigued by the account of Conner's fervent disagreement over a proposed retrospective with then director Henry Hopkins:

"Conner’s relationship with SFMOMA was notoriously troubled. As Conner recounted in 1979 (in an interview published in Damage and reprinted in Stiles and Selz, Theories and Documents of Contemporary Art), Henry Hopkins, then the museum’s director, had proposed doing a retrospective of the artist’s work to date. But they couldn’t agree on certain things. Conner wanted to take part in curating his own history, and demanded a role in the conservation of assemblages that he’d originally intended to change over time. He also wanted his show to be free – the museum wanted to charge $2 admission fee – or at least to share in a percentage of the earnings from an increased admission."

More at:
Open Space
Theories and Documents of Contemporary Art

$2 Show at i-5 Gallery in Los Angeles

Mat Gleason, publisher of Coagula, has curated a group show in Los Angeles which opens this week. The premise was simple. Each artist was given a $2 bill in US currency and encouraged to create an artistic interaction. My approach was historical. Thomas Jefferson graces the front of the two dollar bill. On the reverse is a depiction of Jefferson and the Continental Congress presenting the Declaration of Independence. I spent part of my childhood in Charlottesville, Virginia and as a kid loved to visit Jefferson's home at Monticello as well as the Jefferson designed campus at the University of Virginia. Before moving to Virginia my family had rendezvoused with my father in Paris as he returned from the Vietnam War. Jefferson's love of Paris and his influence on the French Revolution of 1789 was presented in detail on our tours. I was entranced with this complex figure. And also perplexed. How could a lover of liberty and the author of the Declaration of Independence justify owning slaves? I vaguely remember asking a docent this question on a tour of Monticello. In the 1960's, in the South especially, this question wasn't asked in public by adults much less a little kid. I am still trying to answer that question in my $2 artwork: How could a lover of liberty and the author of the Declaration of Independence justify owning slaves? And how could a lover of liberty and the author of the Declaration of Independence justify having sex and children with one of his slaves - Sally Hemings?

Recto:

Notes: Seen through Sally’s eyes are the words from the $2 bill- “tender and private.”
To the right of and underneath the pink skinned man the name Hemings and the words “shadow man” are written in script.

Verso:

Gregg Chadwick
Sally and the Shadow Man
Sumi-e, egg tempera, charcoal, conté, oil and gum arabic on $2 US currency 2008

Notes: The name Sally is written in a script derived from Thomas Jefferson’s own handwritten book which lists all of his slaves. The ghost of Tom Jefferson remains from John Trumball’s Declaration of Independence.


Joseph Ellis, a Ford Foundation Professor of History at Mount Holyoke College and author of American Sphinx: The Character of Thomas Jefferson, (winner of the 1997 National Book Award), explains Thomas Jefferson’s affair with Sally Hemings in a recent interview in the program Frontline: Jefferson's Blood:

Frontline: For Jefferson, was race a double issue, in a sense? On one level, when he wanted to enjoy or be with Sally as a woman, he could see her as white, and fully human. But when he wanted to deny her human entitlements, he could see her as black. Was there a double convenience involved there?

Ellis: Yes, Jefferson's racial views do give him an ability to have his cake and eat it, too. On the one hand, he can control Sally Hemings, and doesn't have to worry about a relationship that's a truly equitable relationship, back and forth. And yet he can get his physical gratification and satisfactions at the same time.Jefferson is excellent at "having your cake and eating it, too." And he's excellent at then denying inside himself what he's doing. What's impossible to know is what Sally thinks and feels on her side of this relationship at this time.

Frontline: Madison (Sally and Thomas Jefferson’s son) does give some indication . . . about his experience serving in the house.

Ellis: Madison Hemings said that he felt that he was treated as one of the Hemings slaves, and that they were treated in more privileged ways than the other slaves. But he was treated as a slave. He was not treated as a member of Jefferson's family, or in the same way that Jefferson's own grandchildren were treated. And he resented that. He was the age of Jefferson's grandchildren. He's implicitly suggesting that, within the family, Jefferson never acknowledged his paternity.

From Thomas Jefferson's own account on the writing of the Declaration of Independence he explains how the passages banning slavery were deleted:
"The clause too, reprobating the enslaving the inhabitants of Africa, was struck out in complaisance to South Carolina and Georgia, who had never attempted to restrain the importation of slaves, and who on the contrary still wished to continue it. Our northern brethren also I believe felt a little tender under those censures; for tho' their people have very few slaves themselves yet they had been pretty considerable carriers of them to others."




Crane & Company has continually supplied the United States Treasury with its currency paper since 1879. The paper used for US currency is discussed on the website for NOVA: Secrets of Making Money:

"There are no wood fibers or starch in currency paper. Instead, like high quality stationery, currency paper is composed of a special blend of cotton and linen fibers. The strength comes from raw materials continuously refined until the special feel of the currency is achieved. People who handle money on a regular basis, such as bank tellers, can easily determine if a bill is counterfeit by this distinctive feel. The characteristic yellowish-green tint of U.S. currency is another distinctive feature which is, in fact, hard for color photocopiers to accurately match."


The $2 Show at i-5 GALLERY at THE BREWERY ART COLONY
2100 N. Main St., #A-9 (in the Atrium at The Brewery), Los Angeles, CA 90031

July 11 - Aug 23, 2008
Reception: Saturday, July 12th 7-10pm
Gallery hours: Fri.-Sat., 12-4pm; & by appointment.
100 artists were given a $2 Bill on which to make their masterpiece - each artwork is priced at $200 as a fundraiser for i-5 gallery. Featuring Ya Ya Chou, Anna Conti, Gregg Chadwick, Dale Dreiling, Carol Es, Mark Hix, Leora Lutz, Michael Salerno, Leigh Salgado, David Trulli, Paige Wery, An Xiao and others.

More at:
Crane & Company
NOVA: Secrets of Making Money
Jefferson's notes on the Declaration
Frontline: Jefferson's Blood
Frontline: Jefferson's Blood - Interview with Joseph Ellis
American Sphinx: The Character of Thomas Jefferson
Monticello

Opening Today at the Julie Nester Gallery: Moving Pictures

Santa Monica artists Gregg Chadwick and Gerard Bourgeois will be exhibiting their artwork at the Julie Nester Gallery in Park City, Utah in the exhibition Moving Pictures.

The Julie Nester Gallery, named by Salt Lake Magazine as "the best gallery in Utah", celebrates its new gallery location with a group exhibition. The inaugural show features new work from each of the gallery's 35 national artists.


Gregg Chadwick
The Sound of Silk (detail) 2008

Greg Marshall in the Park Record writes:

"Since opening in 2004, the Julie Nester Gallery has specialized in contemporary art and represents mid-career and nationally recognized artists. 'We're focusing on bringing art that's never been seen in Utah. The size of the gallery gives art room to breathe', Nester said. The gallery departs from the mountain motif popular in many galleries in Park City. 'I would say it's a different level of sophistication. Some of the work here can be a little more difficult, a little more challenging.' "

Moving Pictures opens Saturday July 5, 5:30 p.m. to 8 p.m. The exhibition runs from July 5th-July 29th, 2008.

(The gallery also will host a champagne and caviar event on Sunday, July 13, as part of the Park City Food and Wine Festival.)

Rachid Taha Live in Los Angeles on July 12, 2008

Rachid Taha's version of the Clash's Rock el Casbah

Rachid Taha plays live in Los Angeles on July 12, 2008 as part of the free Grand Performances Series at California Plaza. The event starts at 8pm.

(Rachid Taha will also play the next afternoon at Stern Grove in San Francisco)

On 7/13/05 I wrote:


“Unity is a universal message.”
Rachid Taha

Backstage at a Clash concert in the early '80's, the young French-Algerian singer Rachid Taha pressed a demo tape of his own mix of punk, rock and middle eastern music into Joe Strummer's hands. Rachid Taha didn't hear back from the Clash. But shortly after their backstage meeting, the Clash's "Rock the Casbah" made it onto vinyl. The song could have been written by Taha. “I like Joe Strummer. We have the same obsession - freedom,” says Rachid. When he heard of Strummer's recent death, Taha recorded his own version of the Clash song: "Rock el Casbah" as a tribute.

Watching video clips during the first Iraq War, Taha heard the Clash song blared by US troops during the short engagement with Iraqi forces. – “I wanted to show that this is not a war song, but much more a peaceful song.”

Rachid Taha’s "Rock El Casbah", sung in Arabic, is a sly cover of the Clash classic and provides a nice entree into the power, intelligence and humor of his own music. Rachid Taha's stance against racism, hypocrisy and nostalgic ghetto complacency, have earned him a fearsome reputation in France, North Africa and the Arabic world.

A cultural figure with powerful views on racism and injustices in French society, his music reflects these tensions and has, in Brian Eno’s words, an energy and confidence arising out of his belief that music can still change the world.

Says Rachid: “I’m a proletarian, I’m of the people… so I’m protesting. For me the music’s a protest. So all my songs are like this because I wanted to stop making metaphors. I said it’s time to speak out now.”


Gregg Chadwick
"Medina Memories"
38"x38" oil on linen 1992-2005

Rachid Taha quoted by BBC's 'The World':

"When I hear George Bush, and when I hear Osama bin Laden, I hear two bedouin nomads. The only difference he says, is that one of them is from the desert of Texas and drives an SUV, and the other is from the desert of Saudi Arabia and rides a dromedary." Taha says Bush and bin Laden come from similar well-heeled backgrounds. And both, he says, use a similar fundamentalist rhetoric.

Taha's "Rock el Casbah" is on "Tekitoi" (Who Are You?), Rachid's first album after the September 11 attacks.The title track is sung as a dialogue between a young Frenchman and a young Algerian. They ask each other “Who are you?” This question, Taha says, “is part of the healing process. If you start to recognize that we are the same, then you don’t want to do something bad to someone else.”


Rachid Taha: Barra Barra

4th of July, Asbury Park (Sandy)

"Did you hear the cops finally busted Madam Marie for tellin' fortunes better than they do..."

"Back in the day when I was a fixture on the Asbury Park boardwalk, I'd often stop and talk to Madam Marie as she sat on her folding chair outside the Temple of Knowledge. I'd sit across from her on the metal guard rail bordering the beach, and watched as she led the day trippers into the small back room where she would unlock a few of the mysteries of their future. She always told me mine looked pretty good - she was right. The world has lost enough mystery as it is - we need our fortunetellers. We send our condolences out to her family who've carried on her tradition. Over here on E Street, we will miss her."
--Bruce Springsteen



More at:
Madam Marie
Daniel Wolff's Excellent Book: 4th of July, Asbury Park: A History of the Promised Land