The Painter of the World

Gregg Chadwick

The Painter of the World ( Seol-min) 

12"x9"oil on panel 2021

At the Asian Art Museum in San Francisco a few years ago, I watched the Korean Buddhist Nun artist Seol-min paint a gorgeous artwork of the Water Moon Avalokiteshvara, also known as Guanyin. Her canvas was laid flat on the floor and she painted on top of it as if she was bodysurfing a gentle wave with brushes in hand. The large hall where Seol-min painted was quiet. The gentle sound of her brushes created a kind of music that echoed off the marble walls. My oil on panel painting "The Painter of the World" is my latest artwork inspired by this experience with the artist Seol-min.

The Asian Art Museum has created a video of Seol-min at the museum. I am in the background, off camera, watching the events.
Video Below. Link at: https://education.asianart.org/resources/korean-buddhist-art/

Featured at Saatchi Art's The Other Art Fair Los Angeles at Barker Hangar from September 23-26, 2021.

Thanks again to everyone who enjoyed my paintings at @theotherartfair Many of the paintings are available for purchase on my @saatchiart page. Link at: https://www.saatchiart.com/greggchadwick

#theotherartfair #theotherartfairla #art #artshow #la #losangeles #laartshow #laart #collectart #artcollector #artfair #santamonica #buddhism #buddha #saffron #light #SanFrancisco #AsianArtMuseum #CityOfLove #Korea #KoreanArt

 

The Monk's Road

Gregg Chadwick
The Monk's Road
36"x36" oil on panel 2018

I’m very pleased to let you know that my painting The Monk's Road has been chosen to be featured in the New This Week Collection on Saatchi Art's homepage.  

The Monk's Road is part of an ongoing series of artworks about seeking peace and justice in a world in need of harmony.

In the mountains of Northern Thailand, rising above the city of Chiang Mai, peaks are often caught in an early morning sea of fog. Written as ทะเลหมอก in Thai, this mist often covers the summit of Doi Inthanon, Thailand’s highest peak. On the mountain slope- two Buddhist stupas, often referred to as chedis in Thailand, sit to honor the monarchs of Thailand. Known as Phra Mahathat Naphamethanidon and -Nophamethanidon, the chedis were named to reflect the power of the sky and the grace of the land. 

My painting "The Monk's Road" is set in this mist shrouded landscape. Three Buddhist monks in saffron robes appear and then seem to merge into the air. The color of their robes is considered the color of illumination or satori – the highest wisdom.

 You can see the collection here: https://www.saatchiart.com/art-collection/Painting-Photography-Drawing/New-This-Week-8-20-2018/153961/245008/view 

Direct Link here: https://www.saatchiart.com/art/Painting-The-Monk-s-Road/25560/4347138/view

Tonight! Art & Home: An Evening with LA Family Housing - October 21, 2015 7-9pm

Gregg Chadwick 
Buddha of Roseburg
8"x6" oil on panel 2015

Tonight!

Art & Home: An Evening with LA Family Housing to benefit LA Family Housing.

October 21, 2015 7-9pm

Room & Board, Helm's Bakery Building, 8707 Washington Boulevard, Culver City CA 90232

More at:
https://www.facebook.com/events/1023426074375780/
https://www.facebook.com/lafhonline

Happy Thanksgiving !

Spring Buddha

 GreggChadwick 

40"x28" oil on linen 2012

Notes on the Painting: A Balance of Shadows

We were not meant to survive. We were meant to live.

- W.S. Merwin

Gregg Chadwick

A Balance of Shadows

72”x96” oil on linen

A Balance of Shadows was begun in 2004 as a visual poem reflecting the tensions of our era. Today, May 24, 2012, I laid a thin transparent layer of lapis lazuli across a section of the sky. Sourced in Afghanistan, this precious stone, when ground into pigment, creates a radiant blue that has been considered auspicious in both east and west. The word depicted in Japanese script in the upper left section of the painting is satori.  The word satori is a Japanese Buddhist term for enlightenment or "understanding". In the Zen Buddhist tradition, satori refers to the experience of kensho. Kensho when used in Zen traditions refers to "seeing into one's true nature." Ken means "seeing," sho means "nature" or "essence." Satori and kensho are commonly translated as enlightenment, a word that is also used to translate bodhi, prajna and buddhahood.

A series of interactions between this painting and viewers worldwide has taken place on the web. Poets, writers and artists from Brazil, to Hong Kong, to Greece, to the Netherlands have interacted with the painting in online dialogues. I have traveled widely in my quest to understand the international connections between east and west. These global interactions inflect my understanding of the painting and help me understand my need to create this work.

Throughout my life I have been compelled to create artworks that depict a world caught between color and elegy, between memory and dream. Inspired by the Buddhist practices of people across the globe, I have created images referencing Thailand, Cambodia, Vietnam, Singapore, Malaysia, Indonesia, Korea, Japan, Burma, The United States, India and China. These artworks seem to depict a world in which humanity struggles not just to survive, but to live. My paintings bring out questions.  What does it mean to honor the space between seeing and being? What is the place of beauty in the modern world? Where is the space for contemplation in contemporary life?

In reference to my paintings of monks inspired by Eastern Philosophy, the art writer Peter Clothier has said:

“They exist in an aura of light rather than on some earthly plane. They move through space like transient beings, absorbed in their own silent, meditative isolation. In this way, they seem to project some of the real values of their Buddhist faith: the inevitable passage of time that is at the root of so much human suffering, the illusory quality of what we take to be the real world and, most importantly, the promise of an escape from suffering into enlightenment.”

- Gregg Chadwick, May 2012

What Does Loss Look Like? (World AIDS Day 2009)

Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
-Maya Angelou

Twenty years ago on December 1, 1989 the first Day Without Art was held to spark dialogue and create a day of action concerning the AIDS crisis. At least 800 museums and galleries across the United States closed their doors, shrouded artworks or removed them from view as symbols of mourning and loss. The goal was to show that AIDS can touch everyone. And it worked.



Today on December 1, 2009 museums are again engaged in remembrance for those lost to AIDS and are actively marking the gains that have been made so far. In 1997 the day became known as A Day With(out) Art to reflect the force art can bring to the cause.



Today, A Day With(out) Art has grown into a international collaborative project in which nearly 8,000 museums, galleries, art centers, libraries, high schools and colleges mark the day.



The Metropolitan Museum of Art in New York has removed from view sixteen artworks to mark World AIDS Day. The artists range from Duccio to Dali. And the subjects range from the young man Eutyches to Andrew Jackson. I have posted a few fragments of the hidden Metropolitan Museum of Art artworks as well as the Getty Museum's draped Maillol sculpture and, in memory of my friend Thom who died of AIDS, an evocative corner from a Buddha monotype I created.







More at:
World AIDS Day
MTV Staying Alive


Courtesy the Getty Museum

Thanks to Bill Roedy for reminding me of Maya Angelou's powerful poem:
Bill Roedy:Despite Huge Successes In HIV Prevention And Treatment, We Must Not Rest On Our Laurels

*Images courtesy the Metropolitan Museum of Art, New York, the Getty Museum, Los Angeles and the LOOK Gallery, Los Angeles

2008 The Year and More in Images

Watching the Beijing Olympics, Thinking of Tibet

As the Beijing Olympics nears its finale, I can't help but think about the conflict between the Olympic ideal and the Chinese state sponsored attempts to make China appear good and powerful at all costs. It seems that at least one of the star Chinese gymnasts has not yet reached the needed Olympic competition age of sixteen and has submitted a state-forged passport with an inaccurate date of birth to the International Olympic Committee. And most of all, the question of Tibet hangs over Beijing like the smog that chokes the athletes lungs. It appears that the Chinese government has blocked the Apple i-tunes site for the past week to keep the Chinese people from hearing and purchasing the benefit album Songs for Tibet. It seems that many of the athletes from around the world had downloaded the album in the Olympic village and were listening to what has become a top rated i-tunes download around the world. The album is a benefit for the Art of Peace Foundation.


Gregg Chadwick
Through Tibetan Eyes
72"x96" oil on linen 2008

Before the current Olympics began there were signs of hope that the question of Tibet would be approached peacefully and intelligently by the senior Chinese leadership. Nicholas D. Kristof wrote in his New York Times opinion piece,
An Olive Branch From the Dalai Lama:

"The senior Chinese leadership should respond by expressing serious interest in talks at the presidential or prime ministerial level. In ancient days, the Olympics were a time to suspend conflict. In that spirit, the two sides should get to work to prepare for a visit by the Dalai Lama in November, followed by top-level negotiations aimed at a historic resolution of the Tibet question. The ball is in the Chinese court."


Tibet The Story Of A Tragedy




More at:
Art of Peace Foundation.
An Olive Branch From the Dalai Lama
Team Darfur

How do you paint peace?

 

Gregg Chadwick

Either/Or

36"x29" oil on linen 2004

Private Collection, San Francisco

I find I need to look deeply into this painting to provide an antidote to the images flooding my way as I walk down the avenue. rack after newsrack, each with a front page heralding destruction. Years ago I was in Perth, Australia reading an art review concerning an exhibition about peace. Most of the images in in the show were anti-war but few if any were really about the idea of peace. The title of the review was "how do you paint peace". I have been trying to do that ever since. I think this painting is close. I ask you: how would you paint peace? How would you create the idea of peace in your music? In your writing? In your life? Please send thoughts. ideas and images my way- greggchadwick@icloud.com I will post your dreams...