by Gregg Chadwick
I do remember the 21st night of September. September is one of my favorite Earth, Wind & Fire songs and of course resonates with me on this date every year. Seeing Earth, Wind & Fire at the Capitol Center in Landover, Maryland was one of the most memorable musical events during my high school years in the Virginia suburbs of Washington DC. A friend's father had season tickets for the venue and graciously let his daughter take a group of friends along to the concert. It was the Bicentennial Summer of '76. A sense of possibility and freedom filled the arena that August night and mixed with the funky smell of parsley cut weed. The Emotions, a soulful sister trio from Chicago opened the night with songs from their album Flowers. Their huge hit Best of My Love would arrive the next year. But that night belonged to Earth, Wind & Fire. They opened their show with their band name spelled out in lights above the stage. A synthesizer riff offset with mock explosions and cymbal crashes called us together. Lead singer Maurice White sang out the word "Party" as if it were the meaning of life. And then the horn section roared in. Funk, fusion, jazz and film scores seemed to flood into the musical mix. The propulsive horn section, known as the Phenix Horns was a key element in the band's sound. Saxophonist Don Myrick, trombonist Louis Satterfield, trumpeters Rahmlee Davis and Michael Harris led us on our musical adventure.
Reasons sung by Philip Bailey was the song of the night for me. Something about being 16 and a young artist embracing life. I was taking a pre-college series of classes at the Corcoran School of Art a few miles away in DC and that song that night felt like the romance of the city.
"May love be one in all of your hearts" Bailey said near the close of the concert as he asked us in the audience to close our eyes and follow along with him into a fusion filled romp of guitar, vocals, keyboards, and horns. Then the band segued into "That's the Way of the World" with Maurice White back on vocals. "This song can set you free" declared Maurice. Bailey joined Maurice on vocals and they soared into the night. The song finished with a Johnny Graham guitar solo that brought echoes of Jimi Hendrix into the arena. Earth, Wind & Fire embraced an inclusive sound of possibility and joy on August 1, 1976. The band members played off each other like a well oiled machine. Earth, Wind & Fire's deft mix of jazzlike improvisation, funk bass grooves, and aspirational lyrics spoke to me deeply. I was hooked.
I was such a fan, that I wrote a short piece about Earth, Wind & Fire bassist Verdine White in an English composition class my first year at UCLA. The professor wasn't impressed with my essay but I did get him to listen to the group. In my English assignment I pointed out that Verdine's deep. sonorous and funky bass lines provided a bedrock for the band. Each musician would then add elements on top of Verdine's groove to build something bigger and richer. As an artist you have to let go and believe in the bigger composition. This was a form of faith in action. The next year Earth, Wind & Fire's song September was released on November 18, 1978. I inspired a group of friends to get tickets and we would see Earth, Wind & Fire in concert twice on that tour. September was a highlight in those shows.
Dan Charnas wrote a Morning Edition piece for NPR on Earth, Wind & Fire's September.
Dan asked Jeffrey Peretz, professor of music theory at New York University's Clive Davis Institute, what makes September's feel good groove so powerful. Peretz says "a lot of it has to do with how the music unfolds. The song's very structure is an endless cycle that keeps us dancing and wanting more. There's four chords in the chorus that just keep moving forward and never seem to land anywhere — much like the four seasons. It's the end of summer, it's the beginning of fall, it's that Indian summertime, it's the transition from warm to cool."
I agree with Professor Peretz - Earth, Wind & Fire's music keeps us dancing and wanting more.
Earth, Wind & Fire live at the Capitol Centre in Landover, MD on August 1, 1976. I was there.
Video was originally provided by the Official Earth, Wind & Fire Legacy Facebook page.
This email from a student, when I taught remote, lives rent free in my head đŸ˜‚ pic.twitter.com/BYd7I7cKcB
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