Showing posts with label monotypes. Show all posts
Showing posts with label monotypes. Show all posts

Monday, August 29, 2011

The New Yorker Releases Excerpt From Haruki Murakami's New Novel 1Q84

Stilled Life (Akihabara) 30"x22" monotype on paper 2011
Gregg Chadwick
Stilled Life (Akihabara)
30"x22" monotype on paper 2011

TOWN OF CATS
(Excerpt from 1Q84)
by Haruki Murakami

At Koenji Station, Tengo boarded the Chuo Line inbound rapid-service train. The car was empty. He had nothing planned that day. Wherever he went and whatever he did (or didn’t do) was entirely up to him. It was ten o’clock on a windless summer morning, and the sun was beating down. The train passed Shinjuku, Yotsuya, Ochanomizu, and arrived at Tokyo Central Station, the end of the line. Everyone got off, and Tengo followed suit. Then he sat on a bench and gave some thought to where he should go. “I can go anywhere I decide to,” he told himself. “It looks as if it’s going to be a hot day. I could go to the seashore.” He raised his head and studied the platform guide...
Continue reading in The New Yorker at: Excerpt from Haruki Murakami's Upcoming Novel 1Q84




Above: The Cover for Haruki Murakami's New Novel 1Q84:
1. Jacket 2. Binding 3.Complete
(Cover design by Chip Kidd. More at: Chip Kidd Discusses the Book Jacket for Haruki Murakami’s Forthcoming Novel 1Q84)

Also: New Jersey School Board Bans Reading of Haruki Murakami's Novel Norwegian Wood.

Knopf, Murakami's US publisher responds:

“We are disheartened to learn about the action by a New Jersey school district to remove a book from its required reading list due to objections from a group of concerned parents. The novel, NORWEGIAN WOOD by Haruki Murakami, was originally selected for the list based on suggestions by teachers, librarians, and administrators within the district, and the list was approved by the board of education. It is unfortunate the parents felt the need to dismiss such an important work of fiction and regrettable the school district would succumb to such pressure and disregard the recommendation of its own professional educators.”

More Details at: Knopf Responds to NJ School District’s Withdrawal of Murakami Novel from Reading List





Sunday, July 24, 2011

Friday, July 01, 2011

Tuesday, June 28, 2011

Monday, June 27, 2011

Friday, June 24, 2011

Tuesday, April 26, 2011

A Body of Sound in Arabic and English


Gregg Chadwick
A Body of Sound
30"x22" monotype on paper
Courtesy the Julie Nester Gallery

The writer Farouq Salloum recently sent me a poem inspired by my artwork The Body of Sound. Mr. Salloum's lilting words swirl and fix a passing image.

The poem is posted below in the original arabic version and is followed by the english translation by Farouq Salloum.
Thank you Farouq!

من اسئلة الجسد والوساوس
من زهرة الشهوات على وسادة السرير
من زخارف الكلمات على رنين هواتفك
حيث اتوهم انك تحتويني .. اتوهم انني احتويك
انثى هابطه من جحيم اللذائذ
وآدم حائر في ندم ايامه على الأرض
هو عطرك الذي يملأ المكان
كأنك هنا دائما
نعيد ترف وحدتنا بالفصول ..
بالجسد الحاني .. وبالغناء
*
A body of sound
جسد الصوت
لوحة
Gregg Chadwick
By: Farouq Salloum


A Body of Sound
-by Farouq Salloum

You spring up from the magic space of my forest
from the Questions of body and whispers
from the flower of desires on the pillow
from the ornementation of words on your phones calls
as an Illusion where you comprise me
... a falling female from the hell of pleasures

Friday, February 12, 2010

Invitation to My Opening February 18, 2010 at the LOOK Gallery in Los Angeles

The Crossing
Gregg Chadwick
The Crossing
72"x36" oil, monotype and collage on Japanese Torinoko paper 2010

The morning of my last day on a trip to Thailand, was particularly luminous. I got up especially early and wandered through the alleys of Chiang Mai, following some monks on their serene morning pilgrimage. The light was almost incandescent and the blur of movement seemed to create paintings for me. I just needed to pay attention. To really see. I spent the time on the short flight to Bangkok watching a kind of film playing in my mind of saffron robes scintillating in the morning mist. Later, as I waited for my connecting flight to San Francisco, I caught sight of a different clip on a television monitor as the second plane crashed into the World Trade Center. It was September 11, 2001. I felt the horror of the crowd as we watched in disbelief. I longed for home and my son. Weeks later when finally back in my studio, the juxtaposition of the monks’ serenity in Thailand that day and the traumatic explosions on the other side of the globe, stayed with me. The saffron robed monks in my work are direct echoes of that experience and that day. For me, these monks are spiritual pilgrims that lead us away from the destruction and waste of violence, racism, and hatred. I began painting them, giving space to their calm. The resulting paintings led to a series, and some recent large works-on-paper on this theme are featured in the LOOK Gallery's upcoming exhibition 100 for 1000.
(February 18 to March 31, 2010)

More Images at: Gregg Chadwick at LOOK Gallery
More info at: LOOK Gallery

100 for 1000 opens at the LOOK Gallery in Los Angeles on Thursday, February 18th, 2010. The exhibit runs from February 18th until March 31st. A main gallery wall provides a contemplative space for my recent large works on paper and I will have a large number of 30"x22" monotypes on display as well.

Artists include:
Ann Arden, Sally Peterson, Gregg Chadwick, Eric Poppleton, Cathy Charles, Jeff Robinson, Ghislaine Fenmore, Ronald Santos, Jerri Levi, Bruna Stude, Mike Lohr, Artie Twitchell, Ramon Lopez, Kent Twitchell, Stephanie Mercado, Mike Vegas, Chris Naylor, Adam Wolpert and Walt Peregoy


LOOK Gallery
1933 S. Broadway, Suite 111
Los Angeles, CA 90007
RSVP at (213)748-1113
OPENING RECEPTION FEBRUARY 18 6-9PM

Map It: Directions to the LOOK Gallery