Einstein's Taxidermy: Julia Elliott's "The New and Improved Romie Futch"

by Gregg Chadwick

Julia Elliott's new novel, The New and Improved Romie Futch, takes us on a Southern adventure that seems inspired by the absurdly picaresque world of John Kennedy Toole's A Confederacy of Dunces, the cyber/ historic cosmography of David Mitchell's Cloud Atlas, the dangerous science of Mary Shelley's Frankenstein, the obsessive hunt of Herman Melville's Moby Dick, and the eerily foreboding scape of Don De Lillo's White Noise, blended with the environmental warning of Rachel Carson's Silent Spring, all played to a soundtrack by the pioneering electronica musician Delia Derbyshire. 

Romie Futch lives in an alternative yet still contemporary South Carolina, where hipsters seem to have swarmed South from Brooklyn and East from Portland to mingle and clash with characters that still haven't moved far from their High School glory days. Romie Futch is one of these down at the heels locals.  Romie's ex-wife haunts his dreams and waking memories while creditors are poised to seize his house. Romie has become an expert at avoiding his less than booming taxidermy business with a daily regimen of internet distractions and it must be 5 o'clock somewhere beverage choices. Challenged in pecuniary matters, Romie decides to answer an ad searching for well paid research subjects for the mysterious Center for Cybernetic Neuroscience in Atlanta, Georgia. 

Elliott's novel shifts locales here in a Tardis like fashion as Romie finds himself in an eerie world of lab coats and human experiments. Memories, always untrustworthy, erupt at inopportune times as Romie and  his fellow test subjects gather nightly at dinner to spar with their new neuroscience-enhanced cognitive abilities and burgeoning artistic powers. The neurally enhanced taxidermist, vows to return to his hometown and finally pursue his long dormant dream of becoming an artist. Life and the lingering effects of the neural experiments on him and his fellow guinea pigs intervene as well as the shadowy form of a seemingly mythical thousand-pound feral hog that has been terrorizing Romie's home county. 

Julia Elliott's language is rich and well played - at times darkly humorous, but also poignantly life affirming. Elliott's story is deftly crafted like Delia Derbyshire's haunting theme song for Doctor Who, originally composed by Ron Grainer, but transformed by Derbyshire into a futuristic swirl of spliced snippets of sound. Julia Elliott's The New and Improved Romie Futch is a literary swirl of Southern Gothic and dystopian Science Fiction that helps us laugh at our own foibles even as we try to create a better future. Highly recommended.




Julia Elliott’s The New and Improved Romie Futch goes on sale on October 19, 2015.
Her fiction has appeared in Tin House, the Georgia Review, Conjunctions, Fence, Puerto del Sol, Mississippi Review, Best American Fantasy, and other publications. She has won a Pushcart Prize and a Rona Jaffe Writer’s Award. Her short story collection, The Wilds, was published by Tin House Books in 2014, and she is currently working on a novel about Hamadryas baboons, a species that she has studied as an amateur primatologist. She teaches English and women’s and gender studies at the University of South Carolina in Columbia, where she lives with her daughter and husband. She and her spouse, John Dennis, are founding members of Grey Egg, an experimental music collective.

Writer of Magic: Ray Bradbury Dies at 91

Ray Bradbury
Santa Monica, California 2009
Photo by Gregg Chadwick

The author Ray Bradbury died yesterday in Los Angeles. He was 91. Gerald Jonas in the New York Times describes Bradbury as "a master of science fiction whose lyrical evocations of the future reflected both the optimism and the anxieties of his own postwar America." After atomic weapons obliterated the cities of Hiroshima and Nagasaki, fears that science had become more of a threat than a boon found their way into science fiction films and stories that depicted a dystopian future. Bradbury used the magic of stories to create literary works that used this threat as a source of tension in works that often left an impression of hope rather than horror.

For the book loving Bradbury, his novel Fahrenheit 451 - whose title refers to the temperature at which paper ignites - seems to be the most harrowing of his works. A future America that would burn books and thus control the river of ideas and imagination was a horror to be avoided at all costs. François Truffaut turned the book into a critically acclaimed film in 1966 which featured a moving film score by the composer Bernard Herrmann. When Herrmann asked Truffaut why he was chosen over more modernist composers to create music for the film, Truffaut replied,"They'll give me music of the twentieth century, but you'll give me music of the twenty first." Ray Bradbury gave us stories of the 21st century and beyond that will continue to inspire. 

Ray Bradbury
Santa Monica, California 2009
Photo by Gregg Chadwick

More at:

Ray Bradbury's Website