Neda's Mother Mourning at Her Grave
July 31, 2009 Behest Zahra, Tehran 7pm Iran - Neda's mother mourning on her beloved daughter's grave مادر ندا در سوگ دختر بی گناهش The Call - ندا -Neda
Posts
Gregg Chadwick Interview With "Artists 4 Freedom"
I am eager to share with you an interview I did with Artists 4 Freedom on my paintings for Iran. Artists 4 Freedom is international in scope and is located between London, Barcelona, Lisbon and Berlin, Here's the link. Please feel free to comment on the site. Artists 4 Freedom They are doing important work.
Joyeux Quatorze Juillet !
"Rue Mosnier with Flags" Édouard Manet 25 3/4 x 31 3/4 in. oil on canvas 1878 Getty Museum, Los Angeles photo by Gregg Chadwick Édouard Manet's "Rue Mosnier" was painted two years before July 14th was declared the French national holiday in 1880. The holiday is known as the Fête Nationale in France and commemorates the Fête de la Fédération of 1790, held on the first anniversary of the storming of the Bastille prison in Paris by an angry mob on 14 July 1789, sparking the revolution that rid France of its monarchy. Manet painted the scene as if he is looking down from his second story studio onto the flag decked street below. Manet's brush is fluid and the color scintillating but the weary amputee on crutches, perhaps a war veteran from the disastrous Franco-Prussian War of 1870-1871, is the figure with which we enter the painting. In essence we as viewers enter the scene carrying a ladder just behind the man on crutches bearing the "costs and sacrific...
Eleanor Antin's Classical Frieze at LACMA
"Pompeii, especially, with its grand murals and flourishing gardens haunted by the dark shadow of Vesuvius, has always suggested uncomfortable parallels with our contemporary world, especially here in Southern California, where the sunlit life also turns out to have dark shadows in which failure and death lurk at the edge of consciousness. Now, in these times, we have even closer parallels with those ancient, beautiful, affluent people living the good life on the verge of annihilation." —Eleanor Antin on Classical Frieze Eleanor Antin The Artist's Studio from "The Last Days of Pompeii," 2001 (detail) chromogenic print 46 5/6 x 58 5/8 inches Eleanor Antin The Tree from "The Last Days of Pompei," 2001 chromogenic print 60 x 48 inches Eleanor Antin's film and photo work, Classical Frieze , re-imagines Pompeii and the classical Roman world as if seen through the eyes of a contemporary filmmaker paying homage to the sword and sandal film epics of t...
What Lies In the Shadow of the Statue? ~ Ille qui nos omnes servabit.
Update; January 26, 2010 The statue is of Tawaret the goddess of protection during pregnancy and childbirth. Temple of Haroeris and Sobek, Kom Ombo , copyright by Gary Jones . The Egyptian god Sobek seems to be the inspiration for the giant statue on LOST. I was leaning towards Anubis but the crocodilian snout gives it away. (Anubis was probably a bit too close to Stargate anyway.) Gary Jones' masterful photo of the Temple of Haroeris and Sobek in Egypt shows Sobek in detail. The light in Jones' photo is stunning - mysterious and beckoning. Caroline Seawright writes of Sobek: "Having the form of a crocodile, the Egyptians believed that he also had the nature of a crocodile. He could be the strong, powerful symbol of the pharaoh, showing the ruler's might. He could use this force to protect the justified dead in their after life, and be the protector and rescuer of the other gods... yet he could also use that power to savage his enemies and the sinful decease...