Speed of Life

Delighted to share my @KFC_jp #Christmas in #Japan story with @cathaypacific inflight magazine. Ever grateful to my first #Tokyo editor Tama san who still supports me 20 years later. Arigatō. 🥰 pic.twitter.com/OzC5H32P63 — 🌾Food Sake Tokyo🍙🌻坂本ゆかり (@YukariSakamoto) December 15, 2023  

  Gregg Chadwick New York Stories (Five Minutes to Midnight) 30"x 40" oil on linen  Happy New Year! 明けましておめでとうございます Akemashite Omedetou Gozaimasu In my painting "New York Stories" it’s five minutes to midnight. Waiting for 2022 to move into 2023 like the hands of a clock spinning into the next hour, figures move around the iconic Grand Central clock like foxes huddling beneath a tree in Andō Hiroshige's "New Year's Eve Foxfires at the Changing Tree, Ōji" It’s raining this New Year’s Eve in Santa Monica. I’m listening to a recording of a 10,000-member choir in Japan singing “Ode to Joy” in Beethoven’s Ninth Symphony. Enthusiasm for Beethoven is particularly strong in Japan. Every year in December, singers gather in a concert hall in Osaka to sing the final chorus from Beethoven's Ninth. Gregg Chadwick Passing View of Shohei Bridge  30"x24" oil on linen 1990 Again , my thoughts trace a circuit from this moment back to an earlier New Yea...

もうすぐハロウィンということで、今年も江戸時代版ジャック・オー・ランタンをご紹介。歌川芳員が描いた「砂村の怨霊」というカボチャの妖怪です。砂村は現在の東京都江東区。カボチャの産地として知られていました。顔がカボチャの実。手足が葉と蔓でできているのにご注目。※現在展示していません。 pic.twitter.com/Q6DO7zS7HB — 太田記念美術館 Ota Memorial Museum of Art (@ukiyoeota) October 29, 2022 Halloween is coming up soon, so this year  the Ota Memorial Museum of Art shows us the Edo period version of the Jack-O-Lantern. It is a pumpkin monster called "Sunamura no Onryo" drawn by Yoshikazu Utagawa. Sunamura is present-day Koto Ward in Tokyo. It was known for producing pumpkins. The limbs are made of leaves and vines. 

Loved this card from the Metropolitan Museum of Art in New York. Reminds me of the many holiday seasons that I have spent in Japan. Especially the year that I spent chasing Hiroshige in Tokyo.  

Gregg Chadwick's "Revenant" Jeffrey Carlson Reporting Editor, Fine Art Today  Specters from a distant past ‐‐ or perhaps another level of existence ‐‐ people the nostalgic and visionary works of Gregg Chadwick. Widely recognized for his figure paintings and cityscapes, Gregg Chadwick presents his latest work in an exhibition titled "Revenant," soon to be unveiled at San Francisco's Sandra Lee Gallery. The exhibition opens July 1, and the opening reception will be held July 10, from 5:30‐7:30 p.m. Gregg Chadwick, "Salish Sea," 2014, oil on linen, 30 x 24 in. Sandra Lee Gallery In viewing Chadwick's paintings, it feels as though we are viewing these people and places through a screen of nostalgic vision. In passages the works are blurred and vague, suggesting forms more than representing them. This lack of definition suggests the uncertainty and vagueness of a lost memory or a fleeting dream; we can picture its shape but a...

Gregg Chadwick and Painting Time Jeffrey Carlson Reporting Contributing Editor, Fine Art Today March 2013 In a new solo exhibition, California artist Gregg Chadwick ambitiously explores the boundaries of time and of representational painting.  Gregg Chadwick, "Grand Central," oil on canvas, 36 x 48 in.    Gregg Chadwick, “Il Poeta di Milano,” oil on canvas, 24 x 18 in. The Time Between, a show of recent paintings by Gregg Chadwick, is now on view at Sandra Lee Gallery in San Francisco. In these paintings Chadwick works lightly and suggestively, as if in the haze of a fragmented vision. Some figures are located in recognizable time and space, like three young women who stroll an open road, one texting and another snooping. In other works the subject is far more enigmatic, the spaces indeterminate, and the figures distorted or mirrored. The conceptual foundation for Chadwick’s recent work comes from a study of time as perce...

by Gregg Chadwick Happy New Year 2017! It’s raining this New Year’s Eve in Santa Monica. The haunting voice of Gil Scott-Heron singing  Winter In America  fills our living room. My thoughts trace a circuit from this moment back to an earlier New Year in Japan as 1989 rolled into 1990. I was in Tokyo following the spirit and artworks of Ando Hiroshige. That winter in Japan, I clutched a large volume by Henry D. Smith II and Amy G. Poster on Hiroshige’s  One Hundred Famous Views of Edo   and trekked on rail, foot and car across the historic core of what was Edo era Tokyo. Sponsored by the Nippon Seiyu-Kai's 30th Anniversary Award, I endeavored to create a series of new paintings inspired by Hiroshige’s woodcuts. Time, place, memory, mystery and lore all mixed in my artworks. Gregg Chadwick Passing View of Shohei Bridge  30"x24" oil on linen 1990  Today, on the Brooklyn museum’s Tumblr page, Alison Baldassano posted a phot...