Vale Robert Hughes: Influential Author, Artlover and Art Critic Dies at 74

 "I have always tended to take art contextually. If I have any merits as a critic, they have to do with my ability as a storyteller — and above all I wanted to tell a story."
Robert Hughes in Salon, May 23, 1997

Robert Hughes in New York City - 1970's

In a 1997 piece on "60 Minutes," correspondent Steve Kroft said to Robert Hughes that he was the most powerful art critic in the world. Hughes deftly avoided the moniker and described his job as being akin to being the most important beekeeper in the world and that his influence said more about Time magazine than it did about the importance of his writing. But Robert Hughes writing is important. For many of us it was the first real taste of the transcendence and power of great art. Since I discovered the art criticism of Robert Hughes in Time magazine when I was a teenager, I have eagerly awaited each of his new works. Robert's articles, books, and documentaries helped open the worlds of art and history to me. Robert wrote clearly about art, taking pains to avoid jargon and faddish arguments. Hughes expressed that he was drawn to artworks that explored the questions: "Why am I here? And what am I doing here?" This search for philosophical and metaphysical concepts underscored much of the great art that Hughes explored in his work and shared with us. 

The Critic's Eyes
Robert Hughes - 2008

With great sadness I note that at the age of 74, Robert has died after suffering through a long illness. Robert Hughes will be greatly missed.

Robert Hughes on 60 Minutes in 1997

Robert Hughes in Italy - 1960's

The Mona Lisa Curse
Written and Presented by Robert Hughes


More At:
Robert Hughes Dies at 74: The New York Times
Hughes Views in Salon

Feminist, Anti War and Pro LGBT Poet Adrienne Rich Dies at 82

Gregg Chadwick
To Talk About Trees
24" x 18" oil on linen 2012

What Kind of Times Are These

BY ADRIENNE RICH

There's a place between two stands of trees where the grass grows uphill

and the old revolutionary road breaks off into shadows

near a meeting-house abandoned by the persecuted

who disappeared into those shadows.

I've walked there picking mushrooms at the edge of dread, but don't be fooled

this isn't a Russian poem, this is not somewhere else but here,

our country moving closer to its own truth and dread,

its own ways of making people disappear.

I won't tell you where the place is, the dark mesh of the woods

meeting the unmarked strip of light—

ghost-ridden crossroads, leafmold paradise:

I know already who wants to buy it, sell it, make it disappear.

And I won't tell you where it is, so why do I tell you

anything? Because you still listen, because in times like these

to have you listen at all, it's necessary

to talk about trees.

“What Kind of Times Are These”. © 2002, 1995 by Adrienne Rich, from The Fact of a Doorframe: Selected Poems 1950-2001 by Adrienne Rich. Used by permission of the author and W.W. Norton, Inc.
Source: Dark Fields of the Republic: Poems 1991-1995 (W. W. Norton and Company Inc., 1995)

Details at:

Feminist, Anti War and Pro LGBT Poet Adrienne Rich Dies at 82