The groundbreaking Chinese American actress Anna May Wong was born on this day in 1905. My painting ”Anna May Wong” is part of a series of historically inspired artworks on the history of the movie business and Los Angeles,. "Anna May Wong" evokes cinema dreams and societal memories. Anna May Wong was the first Chinese American film star, and the first Asian American actress to gain international recognition. Her acting career went from silent films to talkies, to stage, to radio, and to television. Born in Los Angeles, a few blocks from Chinatown, Anna May Wong's career has been an inspiration for many. My painting was created as an homage to Anna, sourced from numerous photo stills and film clips. I am honored that my painting of Anna May Wong is in the collection of NPR reporter Ailsa Chang. Ailsa's recent report on Anna is a must listen.
Gregg Chadwick Cinematographer's Dream 30"x40" oil on linen 2018
I created Cinematographer's Dream in honor of the first Women Illuminated Film Festival which takes place March 12, 2018 at the Anthology Film Archives in New York, parallel to the United Nation’s 62nd Annual Commision on the Status of Women (CSW).
The one day event showcases documentary, short, and feature length films by women filmmakers, grappling with the most pressing issues of our time.
The Women Illuminated Film Festival is particularly timely, as this year’s CSW review theme is “participation in and access of women to the media, and information and communications technologies and their impact on and use as an instrument for the advancement and empowerment of women.”
My painting Cinematographer's Dream is part of a series of artworks on the history of the movie business and Los Angeles. Set in the early 21st Century, Cinematographer's Dream depicts a world on the cusp of change. Inspired by Oscar nominated cinematographer Rachel Morrison, who shot Mudbound, Fruitvale Station, and Black Panther, as well as the filmmakers featured in the Women Illuminated Film Festival, my painting looks forward to a more inclusive future.
Ed Catmull's "Creativity, Inc." is much like the films of Pixar itself: a balanced mix of sheer enthusiasm and careful planning. Catmull writes,"The thesis of this book is that there are many blocks to creativity, but there are active steps we can take to protect the creative process." Catmull writes about the history and vision of Pixar as well as the strategies and mechanisms that have kept the creativity flowing for an amazing run of great animated films - second only in my mind to the stunning work of the Japanese animator Hayao Miyazaki and his Ghibli film studios. Cattmull's book is a must read for anyone involved in the arts. From painters, to writers, to actors, to musicians, to film-makers, to game designers - all will benefit immensely from Catmull's encouragement to embrace the unknown while learning to communicate creatively. Link here: Creativity, Inc
La Notte, my latest painting, was begun shortly after I returned from my latest excursion to Venice, Italy. Venice, poised between sea
and land, is a place where light, shade, color, and reflection merge and recombine
in the city's watery environment. In this mirrored world, past and present seem to
coexist. History’s shadows slide in and out of darkened alleys and slip along narrow canals.
The color and light found
in the artworks of the Venetian painters Bellini, Carpaccio, Giorgione, Titian,
Tintoretto, Veronese, and Tiepolo, seen up close in the city of their creation,
is always revelatory. These artist's artworks glow like light upon water. This effect of
reflected, sparkling light bouncing off canals, is called gibigiane in Venetian dialect. The liquid nature of transparent
oils glowing from within, as if light lived within the pigment, seems to fix this quixotic glow onto canvas.
The First Grader, a new film directed by Justin Chadwick and produced by Richard Harding and Sam Feuer, opens today May 13, 2011 in Los Angeles and New York.
Since I wrote the following review in March, I have seen the film again and attended a marvelous question and answer session with Justin Chadwick, Naomie Harris, Richard Harding and Sam Feuer. I met Justin at that event and he mentioned that people were asking him if his brother had written a review of the film. Justin and I are not knowingly related but I am sure if you follow the genetic path you will find that there is a connection somewhere in the distant past. In honor of my artistic brothers and sisters and their beautiful film, The First Grader, I am posting my thoughts on the film below.
I recently attended a pre-release screening of this poignant and numinous movie set in the Rift Valley in the mountains of Kenya. The First Grader, like Wim Wenders' Wings of Desire, seamlessly combines story and place to create an illuminating beacon for our time.
The First Grader portrays the story of Kimani Maruge, an 84 year old Mau Mau veteran who helped liberate Kenya from the British. After the Kenyan government announced in 2003 that free schooling would be offered for all, Maruge, played marvelously by Kenyan actor Oliver Litondo, arrives at a primary school to finally get his chance at an education - long denied under oppressive colonial rule and unavailable to him since independence.
As the story unfolds, the realities of rural Kenyan life intermix with Maruge's traumatic memories of torture, incarceration, and the murder of his loved ones, which he endured steadfastly for the sake of freedom. These very real scenes make a powerful emotional impact but with a remarkable reverence, a profound sense of calling and self respect despite injustice. There is an artistic elegance to this film that combines truth telling with transcendence.
The First Grader, based on a true story, uses a school full of actual Kenyan pupils playing themselves. Oliver Litondo (Maruge) explains that high up in the Rift Valley "education is coming in as a new thing." The youngsters were not surprised to see an older student, there was already a fifteen year old in a class of six year olds, so the students accepted Maruge as one of them - just another student seeking an education like they were. Shared goals and shared experiences create a bond between the young students and Maruge.
There are also important shadow elements in the story written by screenwriter Ann Peacock. The First Grader deftly covers the post World War II history of Kenya: moving back and forth from Maruge's struggle against British rule to his struggle against tribal prejudice and mistrust of his motives in 21st century Kenya. By combining traditional Kenyan music with his own compositions, composer Alex Heffes creates a rich sonic landscape.
The film, compellingly crafted by cinematographer Rob Hardy, opens with a gaggle of school children running through mist shrouded trees to their isolated but beckoning new school. On this first day of the new term hundreds of children and their parents jostle to find a place. The exuberance of youth contrasts with the dogged strength of Kimani Maruge and the desperate drive of parents struggling to gain a coveted spot at school for their child.
Naomie Harris plays teacher Jane Obinchu who grows to support Maruge's fierce drive to learn. The joy of learning and the bond between teacher and students is so evident in The First Grader that while watching the film, I felt as if the audience was compelled to grab a sharpened pencil and join the class.
The First Grader is a transcendent human story about confronting injustice and achieving redemption. The film spreads balm for old wounds and lifts the spirit with hope for the future. The First Grader is highly recommended.
"The real challenge is now—getting people into the cinema as the film has been so warmly received and supported around the world winning many audience awards. It is important that alongside the blockbusters there are stories that can inspire and audiences can experience together in the cinema. We don’‘t a huge machine on this film so I hope that people talk and tell their friends"
- Justin Chadwick (Interview w/indieWIRE.
The First Grader, a new film directed by Justin Chadwick and produced by Richard Harding and Sam Feuer, has been gathering cinema festival awards as it moves towards a May 2011 release. This week The First Grader won the award for best feature film at the Palm Beach Film Festival.
I recently attended a pre-release screening of this poignant and numinous movie set in the Rift Valley in the mountains of Kenya. The First Grader, like Wim Wenders' Wings of Desire, seamlessly combines story and place to create an illuminating beacon for our time.
The First Grader portrays the story of Kimani Maruge, an 84 year old Mau Mau veteran who helped liberate Kenya from the British. After the Kenyan government announced in 2003 that free schooling would be offered for all, Maruge, played marvelously by Kenyan actor Oliver Litondo, arrives at a primary school to finally get his chance at an education - long denied under oppressive colonial rule and unavailable to him since independence.
As the story unfolds, the realities of rural Kenyan life intermix with Maruge's traumatic memories of torture, incarceration, and the murder of his loved ones, which he endured steadfastly for the sake of freedom. These very real scenes make a powerful emotional impact but with a remarkable reverence, a profound sense of calling and self respect despite injustice. There is an artistic elegance to this film that combines truth telling with transcendence.
The First Grader, based on a true story, uses a school full of actual Kenyan pupils playing themselves. Oliver Litondo (Maruge) explains that high up in the Rift Valley "education is coming in as a new thing." The youngsters were not surprised to see an older student, there was already a fifteen year old in a class of six year olds, so the students accepted Maruge as one of them - just another student seeking an education like they were. Shared goals and shared experiences create a bond between the young students and Maruge.
There are also important shadow elements in the story written by screenwriter Ann Peacock. The First Grader deftly covers the post World War II history of Kenya: moving back and forth from Maruge's struggle against British rule to his struggle against tribal prejudice and mistrust of his motives in 21st century Kenya. By combining traditional Kenyan music with his own compositions, composer Alex Heffes creates a rich sonic landscape.
The film, compellingly crafted by cinematographer Rob Hardy, opens with a gaggle of school children running through mist shrouded trees to their isolated but beckoning new school. On this first day of the new term hundreds of children and their parents jostle to find a place. The exuberance of youth contrasts with the dogged strength of Kimani Maruge and the desperate drive of parents struggling to gain a coveted spot at school for their child.
Naomie Harris plays teacher Jane Obinchu who grows to support Maruge's fierce drive to learn. The joy of learning and the bond between teacher and students is so evident in The First Grader that while watching the film, I felt as if the audience was compelled to grab a sharpened pencil and join the class.
The First Grader is a transcendent human story about confronting injustice and achieving redemption. The film spreads balm for old wounds and lifts the spirit with hope for the future. The First Grader is highly recommended.
Christopher Nolan's "Inception" is the box office smash of the summer of 2010 which is indicative of the film's place in the new century. Whether the film will stand alongside "Citizen Kane" or "Taxi Driver" is up to the future to decide. But it can be argued that Nolan's film provides a necessary contemporary conduit for the questions: "What is reality?" and "Who decides what reality is?"
The Persistence of Being Gregg Chadwick 36"x24" oil on linen 2010
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