Each year I am pleased to wish Happy Birthday to the amazing Hayao Miyazaki! My first birthday post to Miyazaki from 2011 (reposted below with updates) says it all:
Celluloid Dreams at the Ghibli Museum, Mitaka, Japan
I woke up from a dream this morning that seemed to have been pulled from a Hayao Miyazaki film. In my dream a tender sapling reached towards the light as it sprouted from my wrist. Above, russet clouds moved in a cerulean sky. I look to my dreams as openings rather than fortunes. Yet, since I recently returned from Tokyo, I should remember that in Japan the first dreams of the New Year, hatsu-yume 初夢, traditionally provide markers for the dreamer's upcoming year.
Hayao Miyazaki Sketch for Spirited Away (Sen to Chihiro no Kamikakushi) pencil and watercolor on paper 2001 (Ghibli Museum, Mitaka, Japan)
The vision and mystery of Hayao Miyazaki's work will surely provide inspiration for me throughout 2022. In December 2010, I was fortunate to visit the Ghibli Museum which was created to feature the art and films of Hayao Miyazaki and also the breadth of animation done by Studio Ghibli since its founding in 1985 by filmmakers Hayao Miyazaki and Isao Takahata.
Flight plays an important role in many of Miyazaki's films and it is fitting that both the film company, Studio Ghibli, and the Ghibli Museum were named after an Italian airplane first produced before World War II: the Caproni Ca.309 Ghibli. The word ghibli in Italian refers to the hot dry winds that blow across the Sahara desert.
Caproni Ca.309 "Ghibli" In North Africa during WWII
Hayao Miyazaki was born on January 5, 1941 just months before Pearl Harbor and the brutal battles in the Pacific Theatre of World War II. As a small child growing up in greater Tokyo, Miyazaki drew scenes of aircraft and aviation most likely inspired by his father's family business which built airplane parts for Japanese Zero fighter planes and also in the later years of the war, by his remembrances of the waves of Allied bombers which firebombed much of Tokyo into smoldering ruins.
Still from Grave of the Fireflies ((Hotaru no Haka)) 1988 Created by Studio Ghibli. Directed by Isao Takahata.
Much of Miyazaki's mature work reflects his distaste for heedless violence and warmongering. Miyazaki also deeply cares about the environment and the place of natural beauty in a heavily industrialized Japan. Thirdly, many of Miyazaki's films feature a strong, brave, and resourceful main female character. I have been traveling to Japan since I was a kid in the 1970's and I am pleased to see that Miyazaki's vision for life in Japan seems to be bearing fruit. On his 81st birthday, I would like to give thanks to Hayao Miyazaki for his talent, vision, and deep concern for humanity. Bravo!
Hayao Miyazaki at 22 (Courtesy NTV)
Hayao Miyazaki Sketch for Porco Rosso (Kurenai no buta) pencil and watercolor on paper 1992 (Ghibli Museum, Mitaka, Japan)
Hayao Miyazaki Sketch for My Neighbor Totoro (Tonari no Totoro) pencil and watercolor on paper 1988 (Ghibli Museum, Mitaka, Japan)
Beer for Homer at Miyazaki's Ghibli Museum in Mitaka, Japan photo by Gregg Chadwick
I just love this new clip from Sunday's upcoming Simpsons episode which includes a wonderful and comedic tribute to animator Hayao Miyazaki and Studio Ghibli. The magic that Miyazaki has created resonates globally. Enjoy!
Robot From Castle in the Sky at Ghibli Museum photo by Gregg Chadwick
Celluloid Dreams at the Ghibli Museum, Mitaka, Japan
I woke up from a dream this morning that seemed to have been pulled from a Hayao Miyazaki film. In my dream a tender sapling reached towards the light as it sprouted from my wrist. Above, russet clouds moved in a cerulean sky. I look to my dreams as openings rather than fortunes. Yet, since I recently returned from Tokyo, I should remember that in Japan the first dreams of the New Year, hatsu-yume 初夢, traditionally provide markers for the dreamer's upcoming year.
Hayao Miyazaki Sketch for Spirited Away (Sen to Chihiro no Kamikakushi) pencil and watercolor on paper 2001 (Ghibli Museum, Mitaka, Japan)
The vision and mystery of Hayao Miyazaki's work will surely provide inspiration for me throughout 2011. In December, I was fortunate to visit the Ghibli Museum which was created to feature the art and films of Hayao Miyazaki and also the breadth of animation done by Studio Ghibli since its founding in 1985 by filmmakers Hayao Miyazaki and Isao Takahata.
Flight plays an important role in many of Miyazaki's films and it is fitting that both the film company, Studio Ghibli, and the Ghibli Museum were named after an Italian airplane first produced before World War II: the Caproni Ca.309 Ghibli. The word ghibli in Italian refers to the hot dry winds that blow across the Sahara desert.
Caproni Ca.309 "Ghibli" In North Africa during WWII
Hayao Miyazaki was born on January 5, 1941 just months before Pearl Harbor and the brutal battles in the Pacific Theatre of World War II. As a small child growing up in greater Tokyo, Miyazaki drew scenes of aircraft and aviation most likely inspired by his father's family business which built airplane parts for Japanese Zero fighter planes and also in the later years of the war, by his remembrances of the waves of Allied bombers which firebombed much of Tokyo into smoldering ruins.
Still from Grave of the Fireflies ((Hotaru no Haka)) 1988 Created by Studio Ghibli. Directed by Isao Takahata.
Much of Miyazaki's mature work reflects his distaste for heedless violence and warmongering. Miyazaki also deeply cares about the environment and the place of natural beauty in a heavily industrialized Japan. Thirdly, many of Miyazaki's films feature a strong, brave, and resourceful main female character. I have been traveling to Japan since I was a kid in the 1970's and I am pleased to see that Miyazaki's vision for life in Japan seems to be bearing fruit. On his 70th birthday, I would like to give thanks to Hayao Miyazaki for his talent, vision, and deep concern for humanity. Bravo!
Hayao Miyazaki at 22 (Courtesy NTV)
Hayao Miyazaki Sketch for Porco Rosso (Kurenai no buta) pencil and watercolor on paper 1992 (Ghibli Museum, Mitaka, Japan)
Hayao Miyazaki Sketch for My Neighbor Totoro (Tonari no Totoro) pencil and watercolor on paper 1988 (Ghibli Museum, Mitaka, Japan)
Miyazaki Discusses Hand Drawn Animation and Inspiration at the Venice Film Festival on September 2, 2008
Hayao Miyazaki
"Howl's Moving Castle"
Hayao Miyazaki's most recent film ,"Howl's Moving Castle", is being released today on DVD in the US. The images in this film are spectacular. It is a visual feast: a panoply of color, movement, motion, spirit and imagination. Miyazaki makes films with children in mind. But his films are never childish.
At a press conference in Paris upon the release of "Spirited Away"*, Miyazaki said,"In fact, I am a pessimist. But when I'm making a film, I don't want to transfer my pessimism onto children. I keep it at bay. I don't believe that adults should impose their vision of the world on children, children are very much capable of forming their own visions. There's no need to force our own visions onto them."
Hayao Miyazaki
Study for "Totoro"
"The single difference between films for children and films for adults is that in films for children, there is always the option to start again, to create a new beginning. In films for adults, there are no ways to change things."
-Hayao Miyazaki
*(late December 2001, from a ceremony at "Spirited Away's" first European screening during the animation festival Nouvelles images du Japon where the French government bestowed on Miyazaki the title of 'Officier des Arts et des Lettres')
Hayao Miyazaki
Study for Spirited Away
On the occasion of Miyazaki's film retrospective at the Museum of Modern Art in New York last year, AO Scott wrote that after viewing Miyazaki's films "you may find your perception of your own world refreshed, as it might be by a similarly intensive immersion in the oeuvre of Ansel Adams, J. M. W. Turner or Monet. After a while, certain vistas - a rolling meadow dappled with flowers and shadowed by high cumulus clouds, a range of rocky foothills rising toward snow-capped peaks, the fading light at the edge of a forest - deserve to be called Miyazakian."
Hayao Miyazaki
Study for Princess Mononoke
AO Scott continues, "As a visual artist, Mr. Miyazaki is both an extravagant fantasist and an exacting naturalist; as a storyteller, he is an inventor of fables that seem at once utterly new and almost unspeakably ancient. Their strangeness comes equally from the freshness and novelty he brings to the crowded marketplace of juvenile fantasy and from an unnerving, uncanny sense of familiarity, as if he were resurrecting legends buried deep in the collective unconscious."