Friday, June 02, 2023
45 Years of "Darkness on the Edge of Town"
Tuesday, August 02, 2022
Cherries Jubilee for Two (L'Affaire Cerises Jubilé)
by Gregg Chadwick
My brother Kent called me last night while he was dining with our parents because he had a question for me. “Do you remember the name of the French restaurant in La Jolla where they would not serve me Cherries Jubilee for dessert because I was underage?”
When he finally claimed the restaurant as his own, he renamed it L’Escargot (the snail), redecorated it, and — most important — revamped the menu.
'When people first came here, they ordered escargot always the same way — with garlic and butter. Well, I thought up four or five ways to serve them, including en croute (in pastry dough).’”
"Defeat of the Imperial Guard
At about 7pm, in a last bid for victory, Napoleon released his finest troops, the Imperial Guard. They marched up the ridge between Hougoumont and La Haye Sainte, but had chosen to attack where Wellington was strongest. Under a withering fire from British guardsmen and light infantry, the Imperial Guard halted, wavered, and finally broke.
Their defeat sent the rest of the French into panic and eventually retreat. This continued all night, with the French harried by the Prussian cavalry. Napoleon lost nearly 40,000 men killed, wounded or captured. The Allies suffered 22,000 casualties.
Napoleon was defeated. He spoke of fighting on, but was forced to abdicate when the Allies entered Paris on 7 July. He spent the rest of his life in exile on the island of St Helena in the South Atlantic.”
Here are Julia Child‘s directions for Cherries Jubilee:
- A 1 lb (450 g) can of pitted sour red cherries
- The grated rind of 1 lemon
- ¼ cup (4 tablespoons) granulated sugar
- ¼ teaspoon powdered cinnamon
- 3 to 4 tablespoons kirsch or cognac
Drain the cherries (save the juice), and toss in a bowl with the lemon rind, sugar, cinnamon, and kirsch or cognac; let steep until needed.
[At serving time]
Blend a tablespoon of arrowroot or cornstarch in a bowl with the cherry marinating juices, then beat in a few tablespoons of canned cherry juice. Pour into chafing-dish pan and stir over heat until thickened, adding more cherry juice if needed. Before entering dining room, stir in cherries and heat thoroughly. To flame, set over chafing-dish flame, sprinkle with 3 tablespoons granulated sugar, and add ½ cup (125 ml) cognac. Heat, then set afire with a lighted match. Spoon up the flaming mixture until blaze dies down; serve over vanilla ice cream.” [1]
Thursday, July 21, 2016
Cross Currents: Don't Forget the Water - Salish Sea
Gregg Chadwick Salish Sea 30"x24" oil on linen 2014 |
Two years ago on a technicolor blue day, I stood on the deck of the Wenatchee ferry cutting through the choppy sea from Seattle to Bainbridge Island. The vessel was named for the Wenatchi people who originally lived in the shadow of the Columbia and Wenatchee Rivers in Eastern Washington State. We are riding on a ship of memory.
In the Yakama language, wenatchi means "river flowing from canyon." The Wenatchee River was home to a vibrant salmon run prior to the damming of the Columbia River which impeded the salmon's journey. Like the fish, the Wenatchi tribe was also blocked from its ancestral waterways as the US government rounded up the Native Americans in Washington State and collected them in reservations far from their native lands.
I often think about the rivers, lakes, towns and cities we have named after the original Americans. The absence of most of their culture in our increasingly mini-malled landscape points to the brutal erasure of Indian tribes across the United States. The dominant culture in America seems to continually romanticize, while at the same time ostracizing, the rich history of Native Americans. The writer Sherman Alexie will have none of that, thank you. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington before graduating from Washington State University. Alexie is a major player in contemporary writing. His well-received novels, Reservation Blues and Indian Killer helped pave the way for his foray into film with Smoke Signals and The Business of Fancydancing. Alexie writes with courage about his experiences as an Indian in a white culture. Alexie also writes, as Andrea Vogt in Washington State Magazine reported, with "brutal honesty-some might even say disdain-about ignorance, alcoholism, and other problems on the rez."
The Business of Fancydancing leads Gene Tagaban (Aristotle Joseph), Michelle St. John (Agnes Roth), and Evan Adams (Seymour Polatkin), with writer/director Sherman Alexie.photo by Lance Muresan Courtesy Washington State Magazine |
Canoe Journey 2016, Paddle to Nisqually, continues the inter-tribal celebration and annual gathering of Northwest indigenous nations. The website for Paddle to Nisqually goes into great detail about the history and significance of the event:
"Canoe Journey gatherings are rich in meaning and cultural significance. Canoe families travel great distances as their ancestors did and participating in the journey requires physical and spiritual discipline. At each stop, canoe families follow certain protocols, they ask for permission to come ashore, often in their native languages. At night in longhouses there is gifting, honoring and the sharing of traditional prayers, drumming, songs and dances. Meals, including evening dinners of traditional foods, are provided by the host nations.When Europeans began exploring the region, the tribes were used to meeting and welcoming strangers who arrived by boat. Sadly, the Europeans did not understand the hospitality culture of the coastal tribes as the tribes were displaced over the next two centuries. The canoe culture, as practiced by the Native American tribes of the Pacific Northwest, had all but disappeared until the Canoe Journey events began to grow in the 90’s. Techniques of canoe making and use had largely vanished and fewer and fewer tribal people knew how to pull a traditional canoe. Now...a new tradition is well into the making and a cultural resurgence is underway."
The Salish Sea is a 6,500 square mile ecosystem consisting of the Puget Sound Basin (US) and the Georgia Basin (Canada).
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The Nisqually Tribe finds hope in the annual canoe journey and its focus on community building:
"The Nisqually River Council’s Nisqually Watershed Stewardship Plan (NWSP) recognizes that community wellness is a key component of creating a sustainable watershed. We embrace the people who live in the Nisqually watershed, their sense of identity and responsibility that has existed for generations. Strong communities require, among other things, access to the arts and high community health indicators. Paddle to Nisqually represents a unique opportunity to highlight the many efforts the Nisqually Tribe makes to promote community wellness, including a culture free of drugs and alcohol, access to traditional and healthy foods, and close ties to Nisqually heritage."Looking back now on that day on the ferry, I see things through the veil of my painting and the complicated history of the region. There is an accumulation of memories gathered in this Salish Sea as the Wenatchee ferry carries its passengers towards their destination. How many canoes over the centuries have traversed this same path?
In my painting Salish Sea, who is the rider on the bow of this ship of memory?
Gregg Chadwick's Salish Sea is on exhibit at Saatchi Art through September 29, 2016 in the group exhibition Cross Currents. There will be an opening on Thursday, July 21, 2016 from 6-9pm. For more info and to RSVP please visit:
http://www.eventbrite.com/e/cross-currents-new-works-by-la-artists-presented-by-saatchi-art-tickets-26159942091?aff=fb
New Works by Los Angeles Artists
6–7pm VIP Preview
7–9pm Public Reception
Santa Monica, CA 90404
Sunday, September 25, 2011
Krazy Kat Caught in an Alley by Kent Chadwick: New Poem Published in Pontoon by Floating Bridge Review
Pontoon is available from Floating Bridge Press
Sunday, August 22, 2010
For My Brother: Bruce Springsteen - Spirit in the Night - Live 1973 in Los Angeles
Tuesday, February 23, 2010
Spreadsheets Can Save Him
by Kent Chadwick
Where’s the pattern? What ratio will show
he’s getting better, that he’ll breathe again
on his own? The ventilator pushes
puffs of warm air through our son’s trachea
every time his brain asks for oxygen,
into his second set of lungs, damaged
too soon by pneumonia, scarred and stiffened.
The machine ka-shooshing eighteen or more
times a minute to make Luke breathe when he
needs, and it graphs his breath, reads his volumes,
scoring the resistance—centimeters
of water pressure—ready to alarm
and warn of dangers, displaying seven
variables in LED orange
with each breath, repeatedly—and I stare.
My hope has fallen to this new machine,
that maybe, maybe its gentler aid
can coax Luke’s lungs into recovery.
What numbers, what ratios show progress?,
something the doctors no longer expect.
Is it peak pressures to tidal volumes?
89 to 760
Or his diaphragm’s nerve activity
to the ventilator’s support level?
62, 70 to 1.5
What is significant? What is just noise?
So most every night at ten I write down
forty numbers, take them back to the room
where we are staying that evening—hotel’s
or friends’—enter them into tables, graph,
color, and label them to find something
that the intensive care doctors have missed
and I could show, “See this! He’s improving.”
Spreadsheets can save him.
But Luke gets annoyed
when he sees me staring at the machines.
He mouths, “Stop looking at those.” But he means
“Look at me.” He doesn’t hope in numbers.
And the truth’s blurted out, when Luke crashes,
by the respiratory therapist bagging
him, pumping up his oxygenation
with her hands, squeezing life into him for
another day, worried, focused on him,
forgetting I’m in the room, forgetting
all the euphemisms: “His lungs are bricks.”
Tuesday, September 08, 2009
A Photo Essay on "A Celebration of Luke Chadwick's Life: Lean On Me" at Rolling Bay Presbyterian Church, Bainbridge Island on September 6, 2009
Saffron Hugs at Luke Chadwick's Memorial
Luke!
Programs at Memorial Service
General Chadwick USMC
Semper Fi
Luke's Graduation Photo at Memorial Service
Peg and Bob Chadwick
Ali Chadwick Plays for Her Brother
Honoring Luke
Post Service Hugs and Greetings for Cathy and Kent Chadwick
Thoughts of Luke Hover in the Chapel
Cathy's Flowers and Dana's Badge
Cathy, Kent and Ali at the Celebration for Luke
Bainbridge Fire and Rescue Workers Gather to Honor Luke at the Memorial Service
MarySue Gazing at the Bainbridge Sky After the Memorial Service
Cassiel , Grandma and Grandpa
Flowers for Luke
Evening Glow After the Memorial With Luke's Obama Sticker
Cassiel With Dante
100 Years of Hallelujahs
SunBreak for Luke
A photo essay onA Celebration of Luke Chadwick's Life: Lean On Me at Rolling Bay Presbyterian Church, Bainbridge Island, Washington on September 6, 2009
Photos by Gregg Chadwick
Luke's Celebration ended with a recording of Frank Sinatra singing New York, New York
Luke, Buon Viaggio!