Speed of Life

  Gregg Chadwick New York Stories (Five Minutes to Midnight) 30"x 40" oil on linen  Happy New Year! 明けましておめでとうございます Akemashite Omedetou Gozaimasu In my painting "New York Stories" it’s five minutes to midnight. Waiting for 2022 to move into 2023 like the hands of a clock spinning into the next hour, figures move around the iconic Grand Central clock like foxes huddling beneath a tree in Andō Hiroshige's "New Year's Eve Foxfires at the Changing Tree, Ōji" It’s raining this New Year’s Eve in Santa Monica. I’m listening to a recording of a 10,000-member choir in Japan singing “Ode to Joy” in Beethoven’s Ninth Symphony. Enthusiasm for Beethoven is particularly strong in Japan. Every year in December, singers gather in a concert hall in Osaka to sing the final chorus from Beethoven's Ninth. Gregg Chadwick Passing View of Shohei Bridge  30"x24" oil on linen 1990 Again , my thoughts trace a circuit from this moment back to an earlier New Yea...

It's never been a good idea to bet against America. And, there's nothing we can't do if we do it together. We are stronger today than we were a year ago. Watch our new video on the first year of the Biden-Harris Administration. In his inaugural address one year ago today, @POTUS committed to “press forward with speed and urgency, for we have much to do in this winter of peril and possibility.” In the year since, he and the @VP have made significant progress in the face of enormous challenges. pic.twitter.com/5YFbMnw3Pg — Barack Obama (@BarackObama) January 20, 2022

by Gregg Chadwick Happy New Year 2017! It’s raining this New Year’s Eve in Santa Monica. The haunting voice of Gil Scott-Heron singing  Winter In America  fills our living room. My thoughts trace a circuit from this moment back to an earlier New Year in Japan as 1989 rolled into 1990. I was in Tokyo following the spirit and artworks of Ando Hiroshige. That winter in Japan, I clutched a large volume by Henry D. Smith II and Amy G. Poster on Hiroshige’s  One Hundred Famous Views of Edo   and trekked on rail, foot and car across the historic core of what was Edo era Tokyo. Sponsored by the Nippon Seiyu-Kai's 30th Anniversary Award, I endeavored to create a series of new paintings inspired by Hiroshige’s woodcuts. Time, place, memory, mystery and lore all mixed in my artworks. Gregg Chadwick Passing View of Shohei Bridge  30"x24" oil on linen 1990  Today, on the Brooklyn museum’s Tumblr page, Alison Baldassano posted a phot...