Showing posts with label novel. Show all posts
Showing posts with label novel. Show all posts

Monday, July 27, 2015

Basque Ghosts: A Review of Gabriel Urza’s First Novel — ”All That Followed”

by Gregg Chadwick




Author Gabriel Urza’s family has roots in Spain’s Basque region. His new novel “All That Followed”http://amzn.to/2eyXpMY shows us the faces of civil wars — the Spanish Civil War of the 1930's, the Basque separatist movement, and the small wars that families and couples often find themselves fighting. Urza recounts a fictional tale based on real events that explores the kidnapping and killing of a young politician by even younger separatists in the late 1990s. Urza limns a town where everyone knows where bullet holes were left by Franco’s murderous thugs decades before. Ghosts of the murdered seem to arrive in the slanted rain — txirimiri in Basque. In a Rashomon like retelling of the politician’s murder, three disparate voices speak in alternating chapters: Joni, an aging American expat teacher. Mariana, the victim’s young wife. And Iker, a student activist turned abductor. Joni and Mariana’s pain and loss are balanced with Iker’s hunger for meaning and action and ultimate indoctrination into violence. Much like the current appeal of ISIS for many young men and women in Europe, Iker finds acceptance into a group of like minded if not lost compadres. Urza’s novel does not give us easy answers, but instead focuses on the human costs of political and personal devotion and unfaithfulness.

Urza writes with a deep poetic connection to the Basque landscape and the struggles of its people. Highly recommended.



Monday, November 10, 2014

Lust, Lecherousness, and Love

by Gregg Chadwick




Peter Clothier's scurrilously witty new novel "The Pilgrim's Staff" explores lust, lecherousness, and love through the voices of two men from two disparate centuries. David Soames, a contemporary figurative painter living as an ex-pat in Los Angeles, receives a curious package in the mail from an English cousin. Wrapped in layers of tape and memory is the two hundred year-old journal of an English gentleman, who begins his tale with the words,"I am no Rake!" "Rake" is a wonderfully antiquated word that refers to a man caught in the snares of immorality, particularly concerning the charms of the opposite sex. 



William Hogarth
A Rakes's Progress:3
The Rake at the Rose Tavern
62.5x75.2 cm oil on canvas 1734
Collection Sir John Soane's Museum, London


Writing this on the 10th of November, in a coincidence worthy of Clothier's novel, I am reminded that the 18th century English painter William Hogarth was born on this day in 1697.  Hogarth's pre-cinematic series entitled "A Rake's Progress" immediately comes to mind.  Reflecting his own deep history in the arts as both writer and arts administrator, Clothier deftly weaves artistic concerns into "The Pilgrim's Staff." In Clothier's novel both men richly voice their own sexual histories with honesty and quite a bit of humor that echoes the satirical artworks of fellow Englishmen Hogarth, Thomas Rowlandson, and George Cruikshank. 

Clothier's "The Pilgrim's Staff" is not a mere romp. The novel also explores the destructive potential of family legacy and the clouded history of power, abuse, and sexual slavery in 18th century Imperial England as well as in our contemporary world. "The Pilgrim's Staff" is a book about sexual pleasure and also a cautionary tale that reminds us not to lose the love as we lust. Highly recommended!



Notes on Peter Clothier and "The Pilgrim's Staff"

Peter Clothier learned about masculinity the British way: boarding school and Cambridge--and spent twenty years in recovery in men's group work. 

Previous books include two novels, a monograph on David Hockney, and a memoir, While I am Not Afraid: Secrets of a Man's Heart. His recent book, Persist, was acclaimed as the "ultimate survival guide for any creative artist." 

Find out more at: http://www.thepilgrimsstaff.com


Shout Out to Peter! I am honored that my painting, The Embrace, and my studio are featured on your cover. Bravo on your new book!

Sunday, September 25, 2011

Defending the Muse: Michael Stein and Paul Georges

Paul Georges
The Studio
120”x79 1/2” oil on canvas 1965
The Whitney Museum Collection, New York
Courtesy Paul Georges Estate

Michael Stein's new novel "The Rape of the Muse" ponders the worth of art and the place of beauty in our contemporary society. Stein's re-imagining of painter Paul Georges' trial for libel in 1980 updates the events to the 21st century and fleshes out the characters with a post September 11th ennui. When Georges' trial took place in 1980, the Neo-Expressionist boom in art was just beginning. Emotional, brightly colored paintings using the figure as a theme filled galleries in New York and Europe. In that time Paul Georges’ artwork was included in exhibitions at the Whitney Museum in New York, the Rose Art Museum at Brandeis, and the Pennsylvania Academy of Fine Arts. But still, Georges was an outsider looking in on an art world that often considered narrative painting to be atavistic at best - reactionary at worst.

Paul Georges
The Mugging of the Muse
80”x103” oil on canvas 1972-1974
Courtesy Paul Georges Estate

Michael Stein adeptly weaves elements of Paul Georges' life into the story of his fictive painter - Harris Montrose. Montrose cares deeply about the gift and responsibility of art. This humble esteem for the muse that stokes his creative fire leads to a showdown with an artistic colleague over a limned image. Are we all fair game for artistic interpretation? Is anything really private anymore? Is the language of painting relevant to our time?

Stein brings in a young artist, already marked by the reigning critics as one to watch, who is psychologically blocked from the creative process. This young artist, Rand Taber, becomes Montrose's studio assistant. As if in a scene from Martin Scorsese's segment in the film "New York Stories", Taber learns life lessons from his mentor Montrose. In this sense, Michael Stein seems to hold up the elder painter as a pugnacious model of validity. Harris Montrose paints like his life depends on it. The muse needs to be honored. And if anyone gets in the way they should heed the warnings. The muse shall be avenged.

It is refreshing to read a work in which art is considered deeply as much more than a commodity or a means to privilege. Michael Stein’s “The Rape of the Muse” is gutsy – almost an aesthetic bar fight of a novel. It is heartening to feel Paul Georges’ passion seep into Stein’s writing. Art is not just style. At its best, art considers life and then makes something new. Michael Stein’s “The Rape of the Muse” digs into the life and work of the forceful painter Paul Georges and conjures up a story for our moment.

Highly recommended.


Michael Stein

More at:
Life and Art of Paul Georges
Michael Stein's Website