Showing posts with label september. Show all posts
Showing posts with label september. Show all posts

Sunday, September 10, 2023

The Golden Hour - Venezia

 


Gregg Chadwick

The Golden Hour - Venezia

30"x24" oil on linen 2023


Do you cherish a city or place that takes your breath away? For me, Venice, Italy has been a world of wonder since I first visited. My oil on linen painting "The Golden Hour" was inspired by my time over the years in the magical city of Venice. Poised between sea and land, Venice is a place where light, shade, color, and reflection merge and recombine in a watery environment. In this mirrored world, past and present seem to coexist.History's shadows slide in and out of darkened alleys.

The color and light found in the artworks of the Venetian painters Bellini, Carpaccio, Giorgione, Titian, Tintoretto, Veronese, and Tiepolo, seen up close in the city of their creation, have been revelatory for me.

Their works glow like light upon water. This effect of reflected, sparkling light bouncing off canals, is called gibigiane in Venetian dialect. The liquid nature of transparent oils glowing from within, as if light lived within the pigment, captures me. I continue to study and adapt Venetian painting techniques in my paintings.

See this painting and more in my studio at Art at the Airport on September 30, 2023 from 5-9pm.

Kindly RSVP in advance:

https://artattheairport.eventbrite.com

Art At The Airport is made possible by Art of Recovery, an initiative of Santa Monica Cultural Affairs, santamonica.gov/arts/artofrecovery.

To learn about upcoming Art At The Airport events, visit: https://www.artattheairport.org/

Friday, September 21, 2018

It's September 21st Again. Did You Remember?





Do you remember the
21st night of September?
Love was changing the minds of pretenders
While chasing the clouds away

Friday, September 25, 2009

Deo Gratias for Luke


Deo Gratias for Luke -
The composer Johannes Ockeghem's canon, Deo Gratias, is sung by nine choirs of four voices each. The formal structure of the work is intricate yet creates an incredibly haunting musical space.

Johannes Ockeghem was born in 1410 in Saint-Ghislain (now in Belgium) and died in Tours, France in 1497.

(Hat tip to Eamonn Fitzgerald)