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Showing posts with the label narrative

Director's Pick: Gregg Chadwick

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The Other Art Fair presents Travels With Gregg Chadwick I am honored to have been chosen this week by The Other Art Fair Los Angeles director Nicole Garton as her Director’s Pick.  Deep thanks to Nicole Garton, The Other Art Fair and Saatchi Art. Please take a journey with me in the paintings below. Arrivals and Departures On June 26, 2015 Marriage Equality became the law of the land and with hundreds of others we celebrated on the Supreme Court steps. Later on that glorious day, I chatted with President Obama’s photographer Pete Souza in front of the White House which was lit up in rainbow colors in celebration of the LGBTQ community. While we watched, the Presidential Marine Corps air unit returned with President Obama from his moving speech at the memorial service for the church folks who were gunned down by a young white supremacist in South Carolina. President Obama sang “Amazing Grace” that day. In her current Netflix film Becoming , Michelle Obam...

Yoshitoshi & Comics

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Defending the Muse: Michael Stein and Paul Georges

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Paul Georges The Studio 120”x79 1/2” oil on canvas 1965 The Whitney Museum Collection, New York Courtesy Paul Georges Estate Michael Stein's new novel "The Rape of the Muse" ponders the worth of art and the place of beauty in our contemporary society. Stein's re-imagining of painter Paul Georges' trial for libel in 1980 updates the events to the 21st century and fleshes out the characters with a post September 11th ennui. When Georges' trial took place in 1980, the Neo-Expressionist boom in art was just beginning. Emotional, brightly colored paintings using the figure as a theme filled galleries in New York and Europe. In that time Paul Georges’ artwork was included in exhibitions at the Whitney Museum in New York, the Rose Art Museum at Brandeis, and the Pennsylvania Academy of Fine Arts. But still, Georges was an outsider looking in on an art world that often considered narrative painting to be atavistic at best - reactionary at worst. Paul Georges ...