Darkness on the Edge of Town - 44 Years Down the Road

 by Gregg Chadwick

44 years ago today, Bruce Springsteen's fourth album Darkness on the Edge of Town was released. The wide open romanticism of Born to Run was missing from this new album. Instead we were greeted with a powerful mix of Steinbeck, Hopper, Woody Guthrie, and Springsteen's unleashed guitar. Bruce's new guitar sound was both lyrical and powerful. I put that sound into my artistic toolbox and pull it out when I need to. In the opening track Badlands, Springsteen howls that "It ain't no sin to be glad your alive." I've held on to that line as a call to action ever since. 

Gregg Chadwick
Love In Vain (Castro - San Francisco)
16"x20"oil on linen 2016

I had just finished my freshman year at UCLA and  this was my first summer on the Monterey Bay in central California. The pace of life was so much slower than Los Angeles or Washington DC and I found time for study and reflection in the hours after my temp job finished. I would go for a run through Point Lobos after work to clear my head and then would sit with East of Eden or The Grapes of Wrath until the sun went down. I would paint late into the night trying to get these new inspirations onto canvas. I had a lot to learn but I was dogged and I let my failures lead me onto new paths. 

Gregg Chadwick
This Machine Kills Fascists - Woody Guthrie
14"x11"oil on linen 2012
Peter Himmelman Collection, Los Angeles

The highways around Monterey were wide open in the late 1970's. Like a character in a Springsteen song I would drive to find out where I was going. Images that still need to be painted flooded in:

Early morning light on farm workers in the fields outside Salinas.

The crumbling docks of Cannery Row seemingly melting in the sea air.

Rows of US soldiers waiting their turn on the target line at Fort Ord.

The seaside chimera of Santa Cruz glowing in the morning fog.

Gregg Chadwick
The Opal's Rim (Point Lobos)
72"x48"oil on linen 1997
Private Collection, Los Angeles

On July 1, 1978, I took Highway 101 up from the Monterey Bay to Berkeley. I met my brother and his future wife Cathy at the edge of the UC campus and we wandered until we found the Berkeley Community Theater. Throughout my high school years in the suburbs of DC, my older brother Kent was studying at UC Davis and I cherished the moments we had together. Each time we reunited seemed like an epiphany. We talked and argued about life, art, politics, poetry, spirituality and music. We had seen a few concerts together on the east coast starting with a J Geils gig in Asbury Park. But neither one of us had seen Bruce Springsteen and the E Street Band play live. Until that night in Berkeley. 

The concert was a revelation, almost a rock n' roll revival. But there was also an undercurrent of pain and empathy like the Darkness album itself. Springsteen's 1978 guitar improvisation opening to Prove It All Night got us all out of our seats. 

Two songs stood out for me that night. The first was Springsteen's haunting, solo piano version of The Promise which became a sound that I tried to get into my paintings from that day forward. 

The second was Bruce and the E Street Band's electrifying version of Because the Night. 

I knew that Springsteen had penned Because the Night and then given the not quite finished work to Patti Smith to complete and record. I took that song on as my romantic talisman. Somewhere down the line I knew I would find a partner who would feel the passion from those haunting lines and that searing music just as I did. My wife, MarySue, and I found each other in 2003 and  our friend, the singer/songwriter Kelly Colbert performed a scorchingly hot version of Because the Night at our wedding on 7/7/07.

MarySue and Gregg at Their Wedding  7/7/07
photo by Sabine Pearlman

My artistic landscape was growing in the Summer of 1978 and Springsteen's Darkness on the Edge of Town provided a soundtrack for the film of my life. And most importantly Darkness inspired me to find the stories that I wanted to tell in my art and life. 

Late Summer Mentors and Memories

Watching these poignant videos of Eddie Vedder singing with Bruce Springsteen and knowing that Tom Morello was offstage waiting for his next turn, I am called to thank the numerous mentors in my life. As an artist, sometimes it is only the artwork itself that carries its influence into your life. Other times it is the day to day connection with a teacher, colleague, or partner. And for me it has also been the powerful influence of my family and friends. From my blazingly intelligent wife MarySue Heilemann, to my brilliant brother Kent Chadwick, to my supportive parents Bob and Peg Chadwick, to my teachers Sam Amato and Jan Stussy at UCLA and Dale McConathy and Richard Martin at NYU, to my colleagues at the Santa Monica Art Studios, to the always inspiring writer Peter Clothier, to my gallerist in San Francisco Sandra Lee, to my collectors over all these years, to my new friend and colleague in the arts Barbara Drucker, to my agent Gwenda Joyce, to the insightful film and theater artists Alan and Alana Caudillo, Yareli Arizmendi and Sergio Arau, Dan Bonnell and Lea Floden, Craig Zisk and Julie Weiss, to the passionate musicians RB Morris, Kelly Colbert, Michael McDermott and Peter Himmelman, and to my collaborator in the creative fire Phil Cousineau - I say "Thank You for the inspiration, friendship and mentorship!"


Video: Bruce Springsteen and Eddie Vedder Sing My Hometown at Wrigley Field Sept 8, 2012


Another View: Bruce Springsteen w/ Eddie Vedder My Hometown - Wrigley Field 9/8/12

Video: Bruce Springsteen and Eddie Vedder - Atlantic City- Wrigley Field, Sept 7, 2012

Gregg Chadwick
Jimmy Buff's
72"x96" oil on linen 1983-1988

Because the Night

by Gregg Chadwick


Bruce Springsteen and the E Street Band
Because The Night
 Greensboro - March 19, 2012


The first Bruce Springsteen concert I attended was a revelation, almost a rock n' roll revival. But there was also an undercurrent of pain and empathy. Two songs stood out for me that night. The first was Springsteen's haunting, solo piano version of The Promise which became a sound that I tried to get into my paintings from that day forward. The second was Bruce and the E Street Band's electrifying version of Because the Night. I knew that Springsteen had penned the song and then given the not quite finished work to Patti Smith to complete and record. I took that song on as my romantic talisman. Somewhere down the line I knew I would find a partner who would feel the passion from those haunting lines and that searing music just as I did. My wife, MarySue, and I found each other in 2003 and  our friend, the singer/songwriter Kelly Colbert performed a scorchingly hot version of Because the Night at our wedding on 7/7/07.

Gregg Chadwick
Endless Blue
40"x30" oil on linen 2012 (in process)

Something Like a Preface to My Review of the Songs on Bruce Springsteen's Wrecking Ball

by Gregg Chadwick

"Wrecking Ball sounds like it's quite possibly Bruce’s best album in a quarter century, for what my opinion's worth. It's bracing and subversive and furious and sonically fearless. It's going to give voice to a generation. Certainly to an era. In that regard I'd put it shoulder to shoulder with Born to Run, Highway 61 Revisited, Exile on Main Street, London Calling, and American Idiot. Indelible. I hate hyperbole, but I've got to say I stand in awe of Bruce's ability to make music this angry and relevant and authentic at any stage of his career, never mind 40 years on. Thank God for him."

-Novelist Dennis Lehane

Bruce Springsteen's new album, Wrecking Ball (Listen to the full album streaming here), was officially released in Europe and Australia today and will make its debut in the U.S.tomorrow - March 6, 2012. Over the past two weeks I have been writing song by song reviews of the album and have found that readers from Italy, the Netherlands, France and the United States have linked to my essays. Thanks for the thoughts and comments from Bonzo at the Italian Springsteen forum Loose Ends, Human Touch at the French Springsteen forum Land of Hope and Dreams, Happy Cat at the Swedish Springsteen forum Springsteen.se, TeeVee at the Finnish Springsteen forum This Hard Land, No Surrender81 at the Springsteen fan site Backstreets,  Judge Brown at the Springsteen tribute page Greasy Lake, and the Dutch writer Glory Cookie in her post De Gospel van Springsteen and as Kari-Anne Fygi at Be True - The International Magazine voor Springsteen Fans.

I also want to thank my brother Kent for the years of Springsteen related discussions and concerts. Our Springsteen connection goes way back - though I must say that I am the only son born in New Jersey. (My brother is a native Virginian.) We spent many of our summers visiting my grandparents in Montclair, Garwood, or Toms River. And we often searched in vain for the houses that my parents grew up in Newark. But it was our trips to the Jersey Shore that hold some of the most vivid memories. Aunt Jeanne lived in a small apartment in Asbury Park which we would visit at least once each summer, before we hit the creosote and saltwater taffy perfumed magic at the boardwalk. My brother and his friends would play Skee-Ball while I would gamble at the record arcades trying to win LP's. I was heavily into funk in those days as well as 60's soul and then added Bruce Springsteen to my playlist as soon as I heard the newly released single, Born to Run, as I  drove my first car around the suburbs and into Washington DC to visit the museums, and attend classes at the Corcoran School of Art.

Gregg Chadwick
Under the El
30"x20" oil on linen 2012 

A couple of years later, in the summer of 1978, I steeped myself in John Steinbeck novels and the paintings of Edward Hopper. My soundtrack was Bruce Springsteen's fourth album Darkness on the Edge of Town, which to me sounded like a distillation of Steinbeck, Hopper and Woody Guthrie. 

I had just finished my freshman year at UCLA and  this was my first summer on the Monterey Bay in central California. The pace of life was so much slower than Los Angeles or Washington DC and I found time for study and reflection in the hours after my temp job finished. I would go for a run through Point Lobos after work to clear my head and then would sit with East of Eden or The Grapes of Wrath until the sun went down. I would paint late into the night trying to get these new inspirations onto canvas. I had a lot to learn but I was dogged and I let my failures lead me onto new paths.

Gregg Chadwick
Study for a Portrait of Woody Guthrie
16"x12" oil on linen 2012

The highways around Monterey were wide open in the late 1970's and the gas crisis wouldn't hit until after the fall of the Shah in Iran in 1979. Like a character in a Springsteen song I would drive to find out where I was going. Images that still need to be painted flooded in:

Early morning light on farm workers in the fields outside Salinas.

The crumbling docks of Cannery Row seemingly melting in the sea air.

Rows of US soldiers waiting their turn on the target line at Fort Ord.

On the 1st of July, I took Highway 101 up from the bay to Berkeley. I met my brother and a group of his friends at the edge of the UC campus and we wandered until we found the Berkeley Community Theater. Throughout my high school years in the suburbs of DC, my older brother Kent was studying at UC Davis and I cherished the moments we had together. Each time we reunited seemed like an epiphany. We talked and argued about life, art, politics, poetry, spirituality and music. We had seen a few concerts together on the east coast starting with a J Geils gig in Asbury Park. But neither one of us had seen Bruce Springsteen and the E Street Band play live. Until that night in Berkeley. 

The concert was a revelation, almost a rock n' roll revival. But there was also an undercurrent of pain and empathy. Two songs stood out for me that night. The first was Springsteen's haunting, solo piano version of The Promise which became a sound that I tried to get into my paintings from that day forward. The second was Bruce and the E Street Band's electrifying version of Because the Night. I knew that Springsteen had penned the song and then given the not quite finished work to Patti Smith to complete and record. I took that song on as my romantic talisman. Somewhere down the line I knew I would find a partner who would feel the passion from those haunting lines and that searing music just as I did. My wife, MarySue, and I found each other in 2003 and  our friend, the singer/songwriter Kelly Colbert performed a scorchingly hot version of Because the Night at our wedding on 7/7/07.

MarySue Greets Our Dear Friend Julian Murillo at Our Wedding  7/7/07
photo by Sabine Pearlman

So, please put on Wrecking Ball, turn it up loud and wander through my thoughts on the songs:

Song by Song Reviews of Wrecking Ball on Speed of Life:

1. We Take Care of Our Own

2. Easy Money

3. Shackled and Drawn

4. Jack of All Trades

5. Death to My Hometown

6. This Depression

7. Wrecking Ball

8. You've Got It

9. Rocky Ground

10. Land of Hope and Dreams

11. We Are Alive

Lady Gaga ‏ @ladygaga

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Did ANYONE see SPRINGSTEEN on Fallon last night!!! Buy his new album. It is so genius its hard to even believe. Just mind-blowing passion.

Retweeted by brucespringsteen.net

jimmy fallon ‏ @jimmyfallon

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Death To My Hometown by Bruce Springsteen was probably the hardest anyone has ever rocked on our show. #wreckingball

Retweeted by brucespringsteen.net

Bruce Springsteen and the E Street Band with Tom Morello Play

Death to My Hometown on Late Night w/ Jimmy Fallon (3/2/12)

Bruce Springsteen and the E Street Band with Tom Morello Play

Jack of All Trades on Late Night w/ Jimmy Fallon (3/2/12)

Bruce Springsteen and the E Street Band 

with Tom Morello and The Roots

Play The E Street Shuffle on Late Night w/ Jimmy Fallon (3/2/12)

Bruce Springsteen Week Conclusion on Late Night with Jimmy Fallon

(Entire Show - Friday, March 2, 2012)

More at:

"Bruce Springsteen's widescreen vision of America on Wrecking Ball is filled with terror, tension, tenacity and above all else, triumph which may not replenish your bank account, but it will replenish your soul."

-Anthony Kuzminski, Bruce Springsteen - Wrecking Ball, antiMusic

"What was done to my country was un-American."

Shackled and Drawn

Jack of All Trades

Death to My Hometown

From Down Under: Sean Sennett Talks With Springsteen About Wrecking Ball

All Things Shining by Hubert Dreyfus and Sean Dorrance Kelly

The Working Man's Voice - The Wall Street Journal

A More Chaste Review of You've Got It by Jonathan Lack

Onstage and Backstage with Springsteen at Late Night with Jimmy Fallon

Parsing the Samples and Quotes on Wrecking Ball

Bruce Springsteen, Théatre Marigny press conference, Paris, February 2012

Springsteen Visits Fallon: Streaming Videos

Stream Bruce's new album #WreckingBall in its entirety now at the newly redesigned Springsteen website: http://www.brucespringsteen.net

Don't Miss This Upcoming Event on NPR:

NPR Music will broadcast Bruce Springsteen's keynote speech from the SXSW Music Festival in Austin, Texas. The live webcast of that address will take place on NPR Music on March 15 at noon Central time.