Cross Currents: Don't Forget the Water - Salish Sea

by Gregg Chadwick

Gregg Chadwick
Salish Sea
30"x24" oil on linen 2014 

Two years ago on a technicolor blue day, I stood on the deck of the Wenatchee ferry cutting through the choppy sea from Seattle to Bainbridge Island. The vessel was named for the Wenatchi people who originally lived in the shadow of the Columbia and Wenatchee Rivers in Eastern Washington State. We are riding on a ship of memory.

In the Yakama language, wenatchi means "river flowing from canyon." The Wenatchee River was home to a vibrant salmon run prior to the damming of the Columbia River which impeded the salmon's journey. Like the fish, the Wenatchi tribe was also blocked from its ancestral waterways as the US government rounded up the Native Americans in Washington State and collected them in reservations far from their native lands. 

I often think about the rivers, lakes, towns and cities we have named after the original Americans. The absence of most of their culture in our increasingly mini-malled landscape points to the brutal erasure of Indian tribes across the United States. The dominant culture in America seems to continually romanticize, while at the same time ostracizing, the rich history of Native Americans. The writer Sherman Alexie will have none of that, thank you. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington before graduating from Washington State University. Alexie is a major player in contemporary writing. His well-received novels, Reservation Blues and Indian Killer helped pave the way for his foray into film with Smoke Signals and The Business of Fancydancing. Alexie writes with courage about his experiences as an Indian in a white culture. Alexie also writes, as Andrea Vogt in Washington State Magazine reported, with "brutal honesty-some might even say disdain-about ignorance, alcoholism, and other problems on the rez."  

The Business of Fancydancing leads Gene Tagaban (Aristotle Joseph), Michelle St. John (Agnes Roth), and Evan Adams (Seymour Polatkin), with writer/director Sherman Alexie.photo by Lance Muresan
Courtesy Washington State Magazine

For Alexie and other Native American activists ignoring the problems exacerbated by systemic racism in the US is out of the question. With that in mind, for over 20 years an annual inter-tribal Canoe Journey has been held on the Salish Sea. The Salish Sea is a 6,500 square mile ecosystem consisting of the Puget Sound Basin (US) and the Georgia Basin (Canada). 
Canoe Journey 2016, Paddle to Nisqually, continues the inter-tribal celebration and annual gathering of Northwest indigenous nations. The website for Paddle to Nisqually goes into great detail about the history and significance of the event:

"Canoe Journey gatherings are rich in meaning and cultural significance. Canoe families travel great distances as their ancestors did and participating in the journey requires physical and spiritual discipline. At each stop, canoe families follow certain protocols, they ask for permission to come ashore, often in their native languages. At night in longhouses there is gifting, honoring and the sharing of traditional prayers, drumming, songs and dances. Meals, including evening dinners of traditional foods, are provided by the host nations.

When Europeans began exploring the region, the tribes were used to meeting and welcoming strangers who arrived by boat. Sadly, the Europeans did not understand the hospitality culture of the coastal tribes as the tribes were displaced over the next two centuries. The canoe culture, as practiced by the Native American tribes of the Pacific Northwest, had all but disappeared until the Canoe Journey events began to grow in the 90’s. Techniques of canoe making and use had largely vanished and fewer and fewer tribal people knew how to pull a traditional canoe. Now...a new tradition is well into the making and a cultural resurgence is underway."

The Salish Sea is a 6,500 square mile ecosystem consisting of the Puget Sound Basin (US) and the Georgia Basin (Canada). 

The theme for this years Canoe Journey is "Don't Forget the Water" in honor of the Nisqually Tribe's Mountain story.  

The Nisqually Tribe finds hope in the annual canoe journey and its focus on community building:

"The Nisqually River Council’s Nisqually Watershed Stewardship Plan (NWSP) recognizes that community wellness is a key component of creating a sustainable watershed. We embrace the people who live in the Nisqually watershed, their sense of identity and responsibility that has existed for generations. Strong communities require, among other things, access to the arts and high community health indicators. Paddle to Nisqually represents a unique opportunity to highlight the many efforts the Nisqually Tribe makes to promote community wellness, including a culture free of drugs and alcohol, access to traditional and healthy foods, and close ties to Nisqually heritage."

Looking back now on that day on the ferry, I see things through the veil of my painting and the complicated history of the region. There is an accumulation of memories gathered in this Salish Sea as the Wenatchee ferry carries its passengers towards their destination. How many canoes over the centuries have traversed this same path?
In my painting Salish Sea, who is the rider on the bow of this ship of memory? 



Gregg Chadwick's Salish Sea is on exhibit at Saatchi Art through September 29, 2016 in the group exhibition Cross Currents. There will be an opening on Thursday, July 21, 2016 from 6-9pm. For more info and to RSVP please visit:  
http://www.eventbrite.com/e/cross-currents-new-works-by-la-artists-presented-by-saatchi-art-tickets-26159942091?aff=fb

CROSS CURRENTS
New Works by Los Angeles Artists 

Saatchi Art, the world's leading online gallery, presents new works in celebration of LA's first citywide Public Art Biennial, Current: LA.

July 21, 2016
6–7pm VIP Preview
7–9pm Public Reception

Featuring special musical guest
POWDERCOAT

1655 26th Street
Santa Monica, CA 90404

RSVP by July 20

CROSS CURRENTS is a new exhibition on view at Saatchi Art in Santa Monica. Curated by Katherine Henning, Associate Curator, and Jessica McQueen, Assistant Curator, the exhibition continues Saatchi Art's series of shows around the world.

The exhibition highlights the work of 14 emerging artists represented by Saatchi Art, the world’s leading online gallery: Gregg Chadwick, Fabio Coruzzi, Charlotte Evans, Art van Kraft, Chase Langford, Koen Lybaert, Lola Mitchell, Harry Moody, Relja Penezic, Kelly Puissegur, Stephen Rowe, Erin Tengquist, Dean West, and Naomi White.

The exhibition is on view from July 21 through September 29, 2016 at Saatchi Art, located at 1655 26th Street, Santa Monica, CA. Gallery hours: Monday through Friday 10am-5pm and Saturday by appointment. Please email to schedule a visit during gallery hours. Gallery contact:curator@saatchiart.com.

All works are on sale at the exhibition and online at Saatchi Art: saatchiart.com/show/cross-currents

#CrossCurrents

Cross Currents: Ponte di Castelvecchio - Water and the Image of Time

by Gregg Chadwick

Gregg Chadwick
Ponte di Castelvecchio (Verona)
48"x36" oil on linen 2016

Last year, perched above a Renaissance era bridge in Verona, Italy, I watched a light rainfall and a swollen river rush by. The smell of rain filled the air. Swifts darted across the milky sky. Like gauze stretched across a stage set, the mix of rain, bus exhaust, and a distant sun breaking through the mist cloaked the moment in a spell of timelessness. I thought of the late Russian emigre writer Joseph Brodsky and his idea that water is the image of time. Often on trips to Europe, I will carry a battered copy of Brodsky's verse to help inspire my ramblings. Here in the Veneto, I am reminded of Brodsky's love of Italy and Venice in particular. I turn the pages of Brodsky's Watermark and find the passage I am looking for:

"I always adhered to the idea that God is time, or at least that His spirit is. Perhaps this idea was even of my own manufacture, but now I don't remember. In any case, I always thought that if the Spirit of God moved upon the face of the water, the water was bound to reflect it. Hence my sentiment for water, for its folds, wrinkles, and ripples, and – as I am a Northerner – for its grayness. I simply think that water is the image of time, and every New Year's Eve, in somewhat pagan fashion, I try to find myself near water, preferably near a sea or an ocean, to watch the emergence of a new helping, a new cupful of time from it. I am not looking for a naked maiden riding on a shell; I am looking for either a cloud or the crest of a wave hitting the shore at midnight. That, to me, is time coming out of water, and I stare at the lace-like pattern it puts on the shore, not with a gypsy-like knowing, but with tenderness and with gratitude."

 I look up from by book and peer down at the river's edge. In the reeds and shallows small fish chasing food dart where the current eddies. In this reverie, my mind creates stories - If Brodsky is right these pools hold time in stasis. If I had a long net, maybe I could dip into the water and pull out living memories. A motorcycle roaring by on the road behind me breaks the spell and I think of darker times. During the Allied advance in World War II up through the Italian boot, the occupying German army drew a do not pass line at Verona because of its major transportation links running north to Austria. This bridge beneath me, the Ponte di Castelvecchio, bears the scars of that conflict. Retreating Nazi forces blew the bridge up in 1945. After the war, the pieces were collected and reformed into the bridge's current form. Time shapes all. 

I rush back to my studio on Via Filippini and lay in with liquid oil paints the initial layers of my first study for Ponte di Castelvecchio. 

Gregg Chadwick
Study for  Il Sole nella Pioggia : Ponte Castelvecchio Verona 
oil on canvas 2015
private collection - Verona, Italy
photo taken at Via Filippini Studio, Verona, Italy 2015

On the canvas, I brush in greens, milky blues, and brick reds. The structure of the bridge begins to emerge as I cut into the wet paint with a loaded brush of lighter color. It is a large canvas in my small 16th-century space and it quickly becomes a presence in the room. After the initial surface is complete, I lean the wet painting against the plaster wall. 

Gregg Chadwick's Via Filippini Studio, Verona, Italy 2015

I stand across the room and gaze at the painting. Even at this stage, the artwork has taken on a life of its own and I need to respect that. I see hints of Corot, maybe Degas? Perhaps I was thinking of Giorgione's The Tempest now housed at the Gallerie dell'Accademia in Venice, Italy?

Giorgione Banner with Detail of The Tempest
Venice, Italy 2010

I spend time with the painting, then out into the vibrant Veronese streets for dinner. Tomorrow, I will look at the painting again and maybe, if the paint is dry enough in the humid summer air, add more layers of color. In the morning light with an espresso in hand, I will see more clearly.

A few weeks later upon its completion, I left the study with a new collector in Verona and started on a final version in my Santa Monica studio upon my return from Italy.

As a painting progresses, I will often find hints of its future shape in historical artworks as mentioned above, or in films, or books. When I was in graduate school at NYU, I studied not far from Verona in Venice. I often think of my instructor Giovanni Soccol who provided the art direction for Nicolas Roeg's eerie Venice-based film Don't Look Now. The film is based on a story by Daphne Du Maurier and stars Julie Christie and Donald Sutherland as a couple mourning the recent loss of a child. Soccol's artistic vision is evident throughout the film and I remember traveling to sites in Venice with Giovanni where the film was shot. As a Venetian, water is an important subject for Soccol and is often poetically referenced in his film work and his paintings. (See the video below)



Another striking element from Don't Look Now has found an echo in my painting Ponte di Castelvecchio (Verona). The color red is a character in Don't Look Now as much as Christie and Sutherland. That pop of color against the green-blue water, blue and grey skies, and tawny stone of Venice finds an echo in my painting. In Ponte di Castelvecchio (Verona), the splashes of red and orange that mark the umbrellas swiftly carried across the bridge find their antecedent in the red jackets and blood eddies in Soccol and Roeg's film. Water, blood, and time.



Gregg Chadwick's Ponte di Castelvecchio (Verona) is on exhibit at Saatchi Art through September 29, 2016 in the group exhibition Cross Currents. There will be an opening on Thursday, July 21, 2016 from 6-9pm. For more info and to RSVP please visit:  
http://www.eventbrite.com/e/cross-currents-new-works-by-la-artists-presented-by-saatchi-art-tickets-26159942091?aff=fb

CROSS CURRENTS
New Works by Los Angeles Artists 

Saatchi Art, the world's leading online gallery, presents new works in celebration of LA's first citywide Public Art Biennial, Current: LA.

July 21, 2016
6–7pm VIP Preview
7–9pm Public Reception

Featuring special musical guest
POWDERCOAT

1655 26th Street
Santa Monica, CA 90404

RSVP by July 20

CROSS CURRENTS is a new exhibition on view at Saatchi Art in Santa Monica. Curated by Katherine Henning, Associate Curator, and Jessica McQueen, Assistant Curator, the exhibition continues Saatchi Art's series of shows around the world.

The exhibition highlights the work of 14 emerging artists represented by Saatchi Art, the world’s leading online gallery: Gregg Chadwick, Fabio Coruzzi, Charlotte Evans, Art van Kraft, Chase Langford, Koen Lybaert, Lola Mitchell, Harry Moody, Relja Penezic, Kelly Puissegur, Stephen Rowe, Erin Tengquist, Dean West, and Naomi White.

The exhibition is on view from July 21 through September 29, 2016 at Saatchi Art, located at 1655 26th Street, Santa Monica, CA. Gallery hours: Monday through Friday 10am-5pm and Saturday by appointment. Please email to schedule a visit during gallery hours. Gallery contact:curator@saatchiart.com.

All works are on sale at the exhibition and online at Saatchi Art: saatchiart.com/show/cross-currents

#CrossCurrents

Thinking About Peace and Painting With Melissa Pickford

by Gregg Chadwick

Under the Gun Film Poster Reflected in Window at Premiere in Beverly Hills, CA
May 3, 2016
photo by Gregg Chadwick

Just spent a rich afternoon in my studio with Monterey Peninsula College Art Gallery Director Melissa Pickford. Her father Rollin Pickford was an accomplished painter of the California scene and she is an accomplished curator and artist as well. We caught up on our lives, and talked about art, and memory, and time, and we also discussed the recent violent acts across the globe. Writer Anne Lamott on her Facebook page writes, "And then in recent weeks, Orlando, police shooting innocent people, and innocent police officers being shot, and now Nice. How on Earth do we respond, when we are stunned and scared and overwhelmed, to the point of almost disbelieving?" This morning as I scan the reports trickling out from Istanbul about the failed coup in Turkey, a news alert scans across my computer screen informing me of a new shooting of police officers in Baton Rouge, Louisiana. This summer of discontent continues to boil. But Anne Lamott reminds us,"What is true is that the world has always been this way, people have always been this way, grace always bats last, it just does--" 

As we consider recent events, three books published in the last few years should be on every peacemaker's bookshelf: Steven Pinker's The Better Angels of Our Nature: Why Violence Has Declined, Michael Shermer's The Moral Arc: How Science Makes Us Better People, and the Dalai Lama's Beyond Religion: Ethics for a Whole World. These three volumes begin with the premise that global violence on an historical timeline is not increasing and that humanity is generally good. As Melissa and I talked about - turn the nightly news on, or scan the latest headlines on your iPhone, and it would seem that the world grows uglier each day. Pinker's book successfully argues that the past was a much more brutal time. Shermer argues that because of the Enlightenment, thinkers consciously applied the methods of science to morally solve social struggles and that again, on an historical timeline, humanity is in the most moral period in history. The Dalai Lama makes it clear in Beyond Religion: Ethics for a Whole World that an individual does not have to be religious to be ethical. Love and compassion are necessities for living. Compassion expresses deep sensitivity to the sufferings of others and a fierce drive to help alleviate those sufferings. Compassion is also the realization that we - human beings, animals, and the earth itself - are all interconnected.

How do we respond to our summer of discontent with compassion? Anne Lamott writes:

"I know that we MUST respond. We must respond with a show of force equal to the violence and tragedies, with love force. Mercy force. Un-negotiated compassion force. Crazy care-giving to the poor and suffering, including ourselves."

And we must continue to paint, to write, to dance, to sing. To value creation over destruction.
We must continue to fight for justice and to celebrate life. 

Greenpeace holds a historic performance with pianist Ludovico Einaudi on the Arctic Ocean

MFA Conservation: Van Gogh's Houses at Auvers

Venice Art Walk and Auctions Today - May 22, 2016

Gregg Chadwick

City of Angels

17”x17” oil on linen 2014

Benefit Auction for Venice Family Clinic

Today's the day! #VeniceArtWalk 2016 at Google Los Angeles 340 Main Street Venice, CA 90291 Noon-6pm #MyDayInLA

Full Remarks by U.S. Attorney General Loretta Lynch and Civil Rights Division Leader Vanita Gupta on North Carolina's Anti-LGBT HB 2

Loretta Lynch to transgender community: 

"We see you, we stand with you and we will do everything we can to protect you." 

Full Remarks by U.S. Attorney General Loretta Lynch:

Good afternoon and thank you all for being here.  Today, I’m joined by Vanita Gupta, head of the Civil Rights Division at the Department of Justice.  We are here to announce a significant law enforcement action regarding North Carolina’s Public Facilities Privacy & Security Act, also known as House Bill 2. 

The North Carolina General Assembly passed House Bill 2 in special session on March 23 of this year.  The bill sought to strike down an anti-discrimination provision in a recently-passed Charlotte, North Carolina, ordinance, as well as to require transgender people in public agencies to use the bathrooms consistent with their sex as noted at birth, rather than the bathrooms that fit their gender identity.  The bill was signed into law that same day.  In so doing, the legislature and the governor placed North Carolina in direct opposition to federal laws prohibiting discrimination on the basis of sex and gender identity.  More to the point, they created state-sponsored discrimination against transgender individuals, who simply seek to engage in the most private of functions in a place of safety and security – a right taken for granted by most of us.  

Last week, our Civil Rights Division notified state officials that House Bill 2 violates federal civil rights laws.  We asked that they certify by the end of the day today that they would not comply with or implement House Bill 2’s restriction on restroom access.  An extension was requested by North Carolina and was under active consideration.  But instead of replying to our offer or providing a certification, this morning, the state of North Carolina and its governor chose to respond by suing the Department of Justice.  As a result of their decisions, we are now moving forward. 

Today, we are filing a federal civil rights lawsuit against the state of North Carolina, Governor Pat McCrory, the North Carolina Department of Public Safety and the University of North Carolina.  We are seeking a court order declaring House Bill 2’s restroom restriction impermissibly discriminatory, as well as a statewide bar on its enforcement.  While the lawsuit currently seeks declaratory relief, I want to note that we retain the option of curtailing federal funding to the North Carolina Department of Public Safety and the University of North Carolina as this case proceeds.

This action is about a great deal more than just bathrooms.  This is about the dignity and respect we accord our fellow citizens and the laws that we, as a people and as a country, have enacted to protect them – indeed, to protect all of us.  And it’s about the founding ideals that have led this country – haltingly but inexorably – in the direction of fairness, inclusion and equality for all Americans. 

This is not the first time that we have seen discriminatory responses to historic moments of progress for our nation.  We saw it in the Jim Crow laws that followed the Emancipation Proclamation.  We saw it in fierce and widespread resistance to Brown v. Board of Education.  And we saw it in the proliferation of state bans on same-sex unions intended to stifle any hope that gay and lesbian Americans might one day be afforded the right to marry.  That right, of course, is now recognized as a guarantee embedded in our Constitution, and in the wake of that historic triumph, we have seen bill after bill in state after state taking aim at the LGBT community.  Some of these responses reflect a recognizably human fear of the unknown, and a discomfort with the uncertainty of change.  But this is not a time to act out of fear.  This is a time to summon our national virtues of inclusivity, diversity, compassion and open-mindedness.  What we must not do – what we must never do – is turn on our neighbors, our family members, our fellow Americans, for something they cannot control, and deny what makes them human.  This is why none of us can stand by when a state enters the business of legislating identity and insists that a person pretend to be something they are not, or invents a problem that doesn’t exist as a pretext for discrimination and harassment.

Let me speak now to the people of the great state, the beautiful state, my state of North Carolina.  You’ve been told that this law protects vulnerable populations from harm – but that just is not the case.  Instead, what this law does is inflict further indignity on a population that has already suffered far more than its fair share.  This law provides no benefit to society – all it does is harm innocent Americans.  

Instead of turning away from our neighbors, our friends, our colleagues, let us instead learn from our history and avoid repeating the mistakes of our past.  Let us reflect on the obvious but often neglected lesson that state-sanctioned discrimination never looks good in hindsight.  It was not so very long ago that states, including North Carolina, had signs above restrooms, water fountains and on public accommodations keeping people out based upon a distinction without a difference.  We have moved beyond those dark days, but not without pain and suffering and an ongoing fight to keep moving forward.  Let us write a different story this time.  Let us not act out of fear and misunderstanding, but out of the values of inclusion, diversity and regard for all that make our country great. 

Let me also speak directly to the transgender community itself.  Some of you have lived freely for decades.  Others of you are still wondering how you can possibly live the lives you were born to lead.  But no matter how isolated or scared you may feel today, the Department of Justice and the entire Obama Administration wants you to know that  we see you; we stand with you; and we will do everything we can to protect you going forward.  Please know that history is on your side.  This country was founded on a promise of equal rights for all, and we have always managed to move closer to that promise, little by little, one day at a time.  It may not be easy – but we’ll get there together.  

I want to thank my colleagues in the Civil Rights Division who have devoted many hours to this case so far, and who will devote many more to seeing it through.  At this time, I’d like to turn things over to Vanita Gupta, whose determined leadership on this and so many other issues has been essential to the Justice Department’s work.



Remarks by Civil Rights Division Leader Vanita Gupta:

Thank you, Attorney General Lynch, for those powerful words.  Throughout the arc of our country’s history – from tragedies of injustice to marches for equality – there have been pivotal moments when America’s leaders chose to stand up and speak out to safeguard the ideal of equal justice under law.  And history will record your inspiring words and our forceful action today as one of these moments.  

I also want to take a moment to thank the entire team throughout the Civil Rights Division and the Department of Justice, who have worked tirelessly over the last several weeks to ensure that everyone in North Carolina has the full protections of our laws.

Today, we filed a federal civil rights complaint in federal court in the Middle District of North Carolina.  Before I discuss the details of our legal argument, I want to make one thing clear.  Calling H.B. 2 a “bathroom bill” trivializes what this is really about.  H.B. 2 translates into discrimination in the real world.  The complaint we filed today speaks to public employees who feel afraid and stigmatized on the job.  It speaks to students who feel like their campus treats them differently because of who they are.  It speaks to sports fans who feel forced to choose between their gender identity and their identity as a Tar Heel.  And it speaks to all of us who have ever been made to feel inferior – like somehow we just don’t belong in our community, like somehow we just don’t fit in.  Let me reassure every transgender individual, right here in America, that you belong just as you are.  You are supported.  And you are protected.

Our complaint brings legal claims under three different civil rights statutes.  Two of these statutes are long-standing protections against discrimination in the employment and education contexts: Title VII of the Civil Rights Act of 1964 and Title IX of the Education Amendments of 1972.  It is fitting that these statutes – which emerged from our nation’s long struggle to banish a legacy of legal discrimination – are now being used to defend, to uphold and to reaffirm the progress that resulted from that struggle; progress that represents America at its best, at its brightest and at its strongest.

Title IX and Title VII prohibit discrimination based on sex.  The Department of Justice has for some time now made clear that sex discrimination includes discrimination against transgender people – that is, discrimination based on gender identity.  That is consistent not only with the language of the statutes, but also with the legal interpretations adopted by federal courts – including the appellate court with jurisdiction over the state of North Carolina.  There is nothing radical or even particularly unusual about the notion that the word “sex” includes the concept of “gender.”  Transgender people are discriminated against because their gender identity does not match the sex they were assigned at birth.  H.B. 2 denies transgender people something that all non-transgender people enjoy and take for granted: access to restrooms consistent with their gender identity.  That’s sex discrimination, plain and simple.  This view is only confirmed when proponents of measures like H.B. 2 misinterpret or make up facts about gender identity.  Here are the facts.  Transgender men are men – they live, work and study as men.  Transgender women are women – they live, work and study as women.

Our Title VII claim is brought against the state and governor of North Carolina, the North Carolina Department of Public Safety and the University of North Carolina because of sex discrimination in employment.  Our Title IX claim is brought against the University of North Carolina because of sex discrimination in its education programs.

We also bring a claim under the Violence Against Women Act, or VAWA, a more recent statute specifically designed to prevent discrimination against transgender people by entities that accept certain federal funds.  As with Title IX, entities that accepted federal funds under VAWA – including UNC and the North Carolina Department of Public Safety – pledged that they would not discriminate on the basis of sex or gender identity.  Our complaint seeks to enforce that pledge and hold those entities accountable for the discrimination required by H.B. 2.

Even as we seek that compliance, we remain committed to working with any agency receiving federal funding to develop a plan to ensure their compliance with federal law.

For the reasons I just highlighted, H.B. 2 violates the law.  But H.B. 2 also threatens the values that define us as a people.  These values are timeless.  These values say to all people that you can be who you are, and you deserve to live with dignity.

The complaint filed today seeks to enforce these laws and protect these values.  At this time, the Attorney General and I would be happy to answer any questions you may have.

Beautiful Video of International Jazz Day April 30, 2016

Must Watch video of International Jazz Day Event at the White House.

City of Angels Benefits Venice Family Clinic

Gregg Chadwick

City of Angels

17”x17” oil on linen 2014

Benefit Auction for Venice Family Clinic

My painting, City of Angels, will be available at the 2016 Benefit Auction for the Venice Family Clinic on Sunday, May 22, 2016. The annual event, now in its 37th year, will again be held at Google Los Angeles in the Frank Gehry designed Binoculars Building. City of Angels will be featured for pre-bidding on the auction site Paddle 8 with a select group of donated artworks. 100% of the proceeds from the sale of my painting help fund the Venice Family Clinic’s comprehensive health care program for the low-income and uninsured.

Bruce Springsteen opens Brooklyn show with Purple Rain

Bruce Springsteen and the E Street Band Open Brooklyn Show with a tribute to Prince - Purple Rain

RIP Prince - Prince, Tom Petty, Steve Winwood, Jeff Lynne and others -- "While My Gui...

Powerful Film - THE BIRTH OF A NATION

Set against the antebellum South, THE BIRTH OF A NATION follows Nat Turner (Nate Parker), a literate slave and preacher, whose financially strained owner, Samuel Turner (Armie Hammer), accepts an offer to use Nat’s preaching to subdue unruly slaves. As he witnesses countless atrocities - against himself and his fellow slaves - Nat orchestrates an uprising in the hopes of leading his people to freedom.

A Message from Delaware Gov. Jack Markell

Must watch video from Delaware Governor Jack Markell - In response to a wave of anti-transgender legislation in several states around the country, Delaware Gov. Jack Markell stands up for transgender equality and combats the misinformation and scare tactics being utilized by proponents of these discriminatory bills. Gov. Markell is the only sitting governor to have signed both sexual orientation and gender identity protections in employment, housing, and public accommodations.

Fresh Faces: New Portraits by Los Angeles Artists

Tonight in Santa Monica: 

Fresh Faces: New Portraits by Los Angeles Artists presented by Saatchi Art

My portrait of Anna May Wong is part of this upcoming exhibition in Santa Monica. Anna May Wong was the first Chinese American film star, and the first Asian American actress to gain international recognition.

Her acting career went from silent films to talkies, to stage, to radio, and to television.

Born in Los Angeles, a few blocks from Chinatown, Anna May Wong's career has been an inspiration for many. My painting was created as an homage to Anna, sourced from numerous photo stills and film clips from the era.

Please join Saatchi Art in celebrating the opening of
FRESH FACES
New Portraits by Los Angeles Artists
THURSDAY, MARCH 24, 2016
7-9PM
Saatchi Art at Demand Media
1655 26th Street, Santa Monica, CA 90404
For complimentary valet parking, enter lot via 26th Street.
Please RSVP by March 17th at the link below.

Fresh Faces, curated by Saatchi Art curators Katherine Henning and Jessica McQueen, continues Saatchi Art's series of exhibitions around the world featuring today's most exciting emerging artists.

The exhibition will feature recent works by 14 Los Angeles-based artists, including Kevin Bradley, Gregg Chadwick, Karen Clark, Fabio Coruzzi, Steven Engelmann, Maria Folger, Minas Halaj, Mark Hobley, Tahnee Lonsdale, Mallory Morrison, Christopher Mudgett, Brian Oldham, Stephanie Vovas and Adrian Kay Wong.

The exhibition will be on view from March 24 through May 13, 2016. Gallery hours: Monday through Friday 10am-5pm and Saturday by appointment. Gallery contact: curator@saatchiart.com.

All works are for sale at the exhibition in Santa Monica and online at Saatchi Art. To view, please visit saatchiart.com/show/freshfaces.
‪#‎FreshFaces‬

Loving Vincent

by Gregg Chadwick

Currently under production by the Oscar winning companies Breakthru Films and Trademark Films, the animated film Loving Vincent delves into the life and art of Vincent Van Gogh. Each frame of the film is an oil painting on canvas that will lend a sense of immediacy and painterly touch to Vincent's story. 

Loving Vincent is sourced from over one hundred and twenty of Vincent Van Gogh's paintings and from the 800 letters written by Van Gogh during his lifetime.

The trailers below give hints of the animated feature to come.

Enjoy!

Backstreets - Bruce Springsteen & the E Street Band @ LA Sports Arena

Climate Change and Art

Otter moms have their paws full!

Mystery Train at 10th Annual Santa Monica Airport Artwalk

Fresh from my solo exhibition at the Sandra Lee Gallery in San Francisco and the Palm Springs Fine Art Fair, a number of paintings from my current series of train inspired artworks will be on view at the Santa Monica Art Studios on March 12, 2016 from 12-5 pm as part of the 10th Annual Santa Monica Airport Artwalk.  

Gregg Chadwick’s Mystery Train and Open Studio

SATURDAY, MARCH 12, 2016

12-5 PM

Studio #15

Santa Monica Art Studios

3026 Airport Ave., Santa Monica, CA 90405

Free parking outside the hangar.

More on Mystery Train at www.greggchadwick.com

#mysterytrain

Gregg Chadwick Artist Talk on Feb 27th 2016 - Last Week for Mystery Train at Sandra Lee Gallery and More Studio Notes from Gregg Chadwick - Winter 2016

  I reorganized my paints yesterday after fervent months in the studio painting the work for Mystery Train. Tubes of oil paint squeezed into empty twisted shells and stray caps marked only by a tell tale ring of color  were discarded. Brushes, newly cleaned, stand at attention ready for new work. A clean glass palette now sits on top of a used stack of brightly daubed surfaces. Painting trains seems to bring daily reminders of change, of process, of journeys. When a train or plane turns around for its trip back home, there is little time for introspection. Vehicles are cleaned, engines refueled, often a new crew is added - new passengers and new travels await. As Mystery Train prepares to depart San Francisco, I ask you to celebrate with me at a closing party and artist talk on February 27th at the Sandra Lee Gallery (details below) if you are in the Bay Area. I have listed below a series of events, exhibitions, press, and more that give a glimpse into the excitement around Mystery Train and my art. Thanks for taking the time to look at and ponder my paintings!
Hope to see you soon. - Gregg Chadwick

1. Artist Talk and Closing Party for Mystery Train on Saturday, February 27, 2016 2-4pm 

      Santa Monica-based artist Gregg Chadwick  has been painting for three decades. His current studio is an old airplane hangar where the flurry of takeoffs and landings on the runway outside seems to creep into Chadwick’s paintings as he explores movement and travel within his light-filled paintings.  His current series of paintings is entitled ‘Mystery Train’ and evokes the railways of America that Chadwick says run in his blood. His grandfather worked as a fireman, stoking coal in steam engines before advancing to train engineer on the Jersey Central Line. Chadwick often says that family gatherings brought the rhythms of the rails home. The sounds of railroad workers echoed in the music that Chadwick’s relatives played in the shadows of the train lines outside. For Chadwick and many others such as writer Greil Marcus, filmmaker Jim Jarmusch, and musicians Junior Parker and Elvis Presley, the enduring mythos of America and its legacy is wrapped in the blues notes of the song ‘Mystery Train’. Chadwick will speak about these influences and how they shaped his current paintings.

       Sandra Lee Gallery 

      251 Post Street, Suite 310

San Francisco, CA 94108

415.291.8000

art@sandraleegallery.com

2. Gregg Chadwick's 'Mystery Train' Celebrates the Rhythms of the Rails! by Kathy Leonardo
Read more about Mystery Train in the Huffington Post:
http://www.huffingtonpost.com/kathy-leonardo-/gregg-chadwicks-mystery-t_b_9203570.html?utm_hp_ref=arts&ir=Art

3. Much thanks to Alan Bamberger for his photos and comments on the "Mystery Train" opening at Sandra Lee Gallery on Feb 4 -
Sandra Lee Gallery: Mystery Train - Gregg Chadwick.
Comment by AB: "Dreamy dynamic portrayals recall the heyday of rail travel and the nostalgia it evokes."
More from Alan at: http://artbusiness.com/1open/020416.html

4. Mystery Train: Influences and Inspiration (Videos and More) http://www.greggchadwick.com/Gregg_Chadwick/Mystery_Train__Influences_and_Inspiration_%28Videos_and_More%29/Mystery_Train__Influences_and_Inspiration_%28Videos_and_More%29.html

5. A selection of Gregg Chadwick’s paintings from the Mystery Train series was exhibited at the Palm Springs Fine Art Fair from February 11-14 in the Sandra Lee Gallery booth. 
(Photo by Eric Minh Swenson) Gregg spoke at the booth on February 12, 2016. Jersey Rain (Across the Tracks) was illustrated in the catalog and Gregg’s talk was featured as well.
http://www.palmspringsfineartfair.com/gregg-chadwick/

6. A solo exhibition of Gregg Chadwick’s paintings entitled Cities in Time, hangs through March 2016 at Vedder Price in Century City, California.

7. Gregg Chadwick’s painting Pigalle is featured on the cover of the latest issue of
    Black Fox Literary Magazine.
http://www.blackfoxlitmag.com/

8. A Balance of Shadows: Gregg Chadwick's Paintings 
    Authored by Kent Chadwick
    Hardcover – February 6, 2016
     Available Online at Amazon

Stack of Pigalles: Pigalle by Gregg Chadwick on Cover of Black Fox Literary Magazine

Look what arrived! They'll be at @bookmarkit_shop by the end of the day! #writers #writer #write #writing #lifeofawriter #amwriting #author #authors #inspiration #inspire #instagood #igdaily #fiction #poetry #nonfiction #shortstory #shortstories #books #creatives #creativewriting #amreading #readers #goodreads #read #litmag #litjournal #magazines #happyreading #blackfoxlit

A photo posted by Black Fox Literary Magazine (@blackfoxlit) on Feb 18, 2016 at 11:07am PST

More Mystery Train Inspiration -Gary Clark Jr. - When My Train Pulls In

Gary Clark Jr.’s vocals and guitar carry the themes of my show “Mystery Train” directly into our present. Haunting and at times wild with a searing beauty. Almost every night as my hands grew tired from painting, Gary Clark Jr. propelled me to go on just a bit further.

More Mystery Train Events

1.          Artist Talk and Closing Party for Mystery Train on Feb 27, 2016 2-4pm 

2.   Read more about Mystery Train in the Huffington Post:

http://www.huffingtonpost.com/kathy-leonardo-/gregg-chadwicks-mystery-t_b_9203570.html?utm_hp_ref=arts&ir=Arts

3. 
   
3.     A selection of Gregg Chadwick’s paintings from the Mystery Train series was exhibited at the Palm Springs Fine Art Fair from February 11-14 in the Sandra Lee Gallery booth. (Photo by Eric Minh Swenson) Gregg spoke at the booth on February 12, 2016. Jersey Rain (Across the Tracks) was illustrated in the catalog and Gregg’s talk was featured as well.