Monday, February 27, 2023

Steinbeck Sky


Gregg Chadwick
Steinbeck Sky
18" x 24" oil on linen 2014


Writer John Steinbeck was born on this day in 1902 in Salinas, California. My parents moved to the Monterey Bay when I was a college student at UCLA and over the years I have made innumerable trips to the area from Southern California or San Francisco depending on where I was living at the time. When the sun sets on a road trip in California, the sky seems to erupt into a momentary monument to time itself. While driving through Steinbeck's hometown of Salinas, California; I am often struck by the immense color of the evening sky and know I have to get my impressions down on canvas. "Steinbeck Sky" is an homage to these moments.

In the summer after my first year at UCLA, I steeped myself in John Steinbeck novels and the paintings of Edward Hopper. My soundtrack was Bruce Springsteen's fourth album Darkness on the Edge of Town, which to me sounded like a distillation of Steinbeck, Hopper and Woody Guthrie.
The pace of life was so much slower than Los Angeles or Washington DC and I found time for study and reflection in the hours after my temp job finished. I would go for a run through Point Lobos after work to clear my head and then would sit with East of Eden or The Grapes of W
rath until the sun went down. I would paint late into the night trying to get these new inspirations onto canvas. I had a lot to learn but I was dogged and I let my failures lead me onto new paths.


Friday, February 24, 2023

One Year In - Ukraine Holds Strong

 


Gregg Chadwick

One year ago on Feb 24, 2022 - Russia launched its full scale genocide in Ukraine and 9 years ago this week Russia began its operation to illegally annex Crimea.

My painting "Home Guard (112th Territorial Defense Brigade - Kyiv, Ukraine)" is an homage to the brave Ukrainians fighting against an immoral and illegal invasion by Putin's Russia. I remember as a young boy when my father left for war as a US Marine. I can see in the faces of the kids and partners in Ukraine the same mix of fear and pride I felt as my dad told me that he was leaving home to fight for freedom. Ukrainians live in a democratic society that values diversity and opportunity for all. Many couples have decided to fight together against Putin's invasion. Putin wants to crush Ukraine. But he will never prevail against these brave heroes protecting their homeland.

In 2015 at the Venice Biennale, MarySue and I took part in an art performance called "On Vacation" protesting Russia's invasion of Crimea. See - Images 2 and 3.

Half of my proceeds for this painting will be donated to World Central Kitchen's efforts in Ukraine to provide food and sustenance to those fighting for their freedom. As Chef Jose Andres says,"Wherever there is a fight so that hungry people may eat, we will be there." 

#ChefsForTheWorld #Ukraine #SlavaUkraini #art #contemporaryart #NoSurrender @ukraine.ua #OnVacation @stevievanzandt




In 2015 at the Venice Biennale, MarySue and I took part in an art performance called "On Vacation" protesting Russia's invasion of Crimea. 

Thursday, February 23, 2023

Purple Rain in Santa Monica

 


Gregg Chadwick
Purple Rain (Prince Rogers Nelson)
24"x18" oil on linen 2016
Sold During Frieze Week, February 2023


Thank you to my collectors, fans, followers, and friends who visited my studio at the Santa Monica Airport during @friezeofficial. Honored that my homage to the sublime Prince has found its home with one of my treasured collectors. I am inspired by the art that I saw at Frieze with my new friend @ara.oshagan and percolating with ideas that will soon hit the canvas. As you know if you stepped in my studio - my brushes are clean, my paints are ready, and the colors will soon flow. If you heard Purple Rain playing across the Santa Monica Airport on Sunday Eve at the closing of Frieze that was @18thstreetarts amazing Kevin and me pouring one out musically for Prince!

#art #contemporaryart #Prince #Frieze #LAart #SantaMonica

Wednesday, February 15, 2023

Poolside



Gregg Chadwick
20"x16"oil on linen 2022
    Private Collection, Oxford, Connecticut



Pleased that my painting "Poolside" has been sold by @saatchiart and successfully delivered to its new home near New Haven, Connecticut. It arrived in the midst of a record cold spell and hopefully brought warm memories of Spring and Summer along.
Legs dangling in an aquamarine pool, drink in hand, and a book open to the right page. What is she reading? Perhaps because he was born on this day in 1946, French Buddhist monk Matthieu Ricard's book "Happiness: "A Guide to Developing Life's Most Important Skill" which explores how to develop happiness as a skill that includes acceptance of pain and struggle through a process of understanding, meditation, and breath.

Or perhaps her book is a collection of Emily Dickinson's poetry?
"Hope is the thing with feathers
That perches in the soul,
And sings the tune without the words,
And never stops at all,

And sweetest in the gale is heard;
And sore must be the storm
That could abash the little bird
That kept so many warm.

I've heard it in the chillest land,
And on the strangest sea;
Yet, never, in extremity,
It asked a crumb of me."

Note - if you are in town for the @friezeofficial Art Fair at the Santa Monica Airport, I will have my studio open @18thstreetarts at the Airport during fair hours. Please stop by and say Hello.

#art #SantaMonica #Frieze #Books #Hope #Beauty #ContemporaryArt #greggchadwick


Bruce Springsteen - "If I Was the Priest" for Valentine's Day in Houston

Tuesday, February 07, 2023

President Biden's State of the Union Address - Feb 7, 2023







Tuesday, January 10, 2023

Changes - David Bowie



Gregg Chadwick
Changes - David Bowie
41.5"x25.5"pastel on paper 2016


On January 8, 1935 Elvis Presley was born in Tupelo, Mississippi and in Brixton, London on January 8, 1947, David Bowie was born.

Bowie's decades of groundbreaking music and his shapeshifting persona inspired so many of us little aliens in suburbia to fight against conformity and become our true selves.
My artwork looks back on Bowie when he released his haunting song "Where Are We Now?", which is as much a painting in soft greys as it is a song. A quiet rhythm of drums and synth warp and weft with minor key piano chords and Bowie's plaintive, elegiac voice.
Set in a Berlin of memory and dream, Bowie's voice and lyrics question the themes of human bondage, release, freedom, doubt, ageing, and death. Bowie lived in West Berlin between 1976 and 1979 in the Schöneberg district in a house with Iggy Pop while Brian Eno and Tony Visconti were helping record Bowie's Berlin trilogy of albums Low, Heroes, and Lodger in the now legendary Hansa Studios. Years later, Bowie looks back in "Where Are We Now?" and echoes his words about Low, "Berlin has the strange ability to make you write only the important things. Anything else you don't mention."

The political and the personal merge in my pastel painting of Bowie. We are left with existential questions and are reminded that bodies age, marriages end, friendships dissolve and memories fade. But Bowie's quietly defiant voice does not give in to any dying of the light.



Late Light


Gregg Chadwick
Jordaan Window (Coffee in Amsterdam)
25cm x 25cm oil on wood 2010


Late Light 

by Philip Levine

(January 10, 1928 - 2015)


Rain filled the streets

once a year, rising almost

to door and window sills,

battering walls and roofs

until it cleaned away the mess

we'd made. My father told

me this, he told me it ran

downtown and spilled into

the river, which in turn

emptied finally into the sea.

He said this only once

while I sat on the arm

of his chair and stared out

at the banks of gray snow

melting as the March rain

streaked past. All the rest

of that day passed on

into childhood, into nothing,

or perhaps some portion hung

on in a tiny corner of thought.

Perhaps a clot of cinders

that peppered the front yard

clung to a spar of old weed

or the concrete lip of the curb

and worked its way back under

the new growth spring brought

and is a part of that yard

still. Perhaps light falling

on distant houses becomes

those houses, hunching them

down at dusk like sheep

browsing on a far hillside,

or at daybreak gilds

the roofs until they groan

under the new weight, or

after rain lifts haloes

of steam from the rinsed,

white aluminum siding,

and those houses and all

they contain live that day

in the sight of heaven.


II


In the blue, winking light

of the International Institute

of Social Revolution

I fell asleep one afternoon

over a book of memoirs

of a Spanish priest who'd

served his own private faith

in a long forgotten war.

An Anarchist and a Catholic,

his remembrances moved

inexplicably from Castilian

to Catalan, a language I

couldn't follow. That dust,

fine and gray, peculiar

to libraries, slipped

between the glossy pages

and my sight, a slow darkness

calmed me, and I forgot

the agony of those men

I'd come to love, forgot

the battles lost and won,

forgot the final trek

over hopeless mountain roads,

defeat, surrender, the vows

to live on. I slept until

the lights came on and off.

A girl was prodding my arm,

for the place was closing.

A slender Indonesian girl

in sweater and American jeans,

her black hair falling

almost to my eyes, she told

me in perfect English

that I could come back,

and she swept up into a folder

the yellowing newspaper stories

and photos spilled out before

me on the desk, the little

chronicles of death themselves

curling and blurring

into death, and took away

the book still unfinished

of a man more confused

even than I, and switched off

the light, and left me alone.


III


In June of 1975 I wakened

one late afternoon in Amsterdam

in a dim corner of a library.

I had fallen asleep over a book

and was roused by a young girl

whose hand lay on my hand.

I turned my head up and stared

into her brown eyes, deep

and gleaming. She was crying.

For a second I was confused

and started to speak, to offer

some comfort or aid, but I

kept still, for she was crying

for me, for the knowledge

that I had wakened to a life

in which loss was final.

I closed my eyes a moment.

When I opened them she'd gone,

the place was dark. I went

out into the golden sunlight;

the cobbled streets gleamed

as after rain, the street cafes

crowded and alive. Not

far off the great bell

of the Westerkirk tolled

in the early evening. I thought

of my oldest son, who years

before had sailed from here

into an unknown life in Sweden,

a life which failed, of how

he'd gone alone to Copenhagen,

Bremen, where he'd loaded trains,

Hamburg, Munich, and finally

-- sick and weary -- he'd returned

to us. He slept in a corner

of the living room for days,

and woke gaunt and quiet,

still only seventeen, his face

in its own shadows. I thought

of my father on the run

from an older war, and wondered

had he passed through Amsterdam,

had he stood, as I did now,

gazing up at the pale sky,

distant and opaque, for the sign

that never comes. Had he drifted

in the same winds of doubt

and change to another continent,

another life, a family, some

years of peace, an early death.

I walked on by myself for miles

and still the light hung on

as though the day would

never end. The gray canals

darkened slowly, the sky

above the high, narrow houses

deepened into blue, and one

by one the stars began

their singular voyages.


  


Monday, January 09, 2023

iPhone - Gamechange

by Gregg Chadwick 


 

Gregg Chadwick
The Station Agent (detail)
54"x54" oil on linen 2014
Private Collection, Los Angeles, California
Featured at the LA Art Show 2015 - 
LA Convention Center and illustrated in the catalog. January 14-18, 2015


In his biography of Apple cofounder Steve Jobs, biographer Walter Isaacson describes the unveiling of the iPhone on January 9, 2007 at Macworld in San Francisco:

"Every once in a while a revolutionary product comes along that changes everything," Steve Jobs said. "Today we are introducing three revolutionary products," Jobs continued. "The first one is a widescreen iPod with touch controls. The second is a revolutionary mobile phone. The third is a breakthrough Internet communications device ... Are you getting it? These are not three separate devices, this is one device, and we are calling it the iPhone."

In my paintings, I have often depicted communication devices. From phone booths in Tokyo and New York City, to a glowing computer lighting my daughter Cassiel in our Santa Monica home - people interacting with machines intrigues me artistically. In my graduate show at NYU, a public phone stands sentinel on an urban night in my painting "Oak Knoll Sandwich". In my more recent artworks "iPhone Light"and "The Station Agent" figures look down at their glowing screens as they make their way through life. I remember riding the subway in Manhattan in the early 1980s and looking across the rail car at the rows of seated figures looking down avoiding an unwanted gaze. Now, with cell phones in hand the downward gaze is ubiquitous across the world. Since the unveiling of the iPhone in 2007, we carry in our pockets and bags a device that is phone, music player, and computer in one. Thanks to the developments spurred on by the iPhone we are connected and protected. It is the availability of video on our phones that allows us to keep track of the abuse of force by unruly cops and get off my lawn civil no-gooders. And we can celebrate life by recording and posting silly moments of connection on Tik Tok and IG Reels. For many of us, all of life has become a film as we listen to the soundtrack of our journey across time via the music library in our phone. And sometimes we have to join Lizzo and ask - "Where the hell is my phone?"



Gregg Chadwick
iPhone Light
6"x4" oil on zinc 2013
Julie Weiss Collection, Los Angeles, California




Gregg Chadwick
Oak Knoll Sandwich
72"x96" oil on linen 1986
Private Collection, New York City 

Sunday, January 08, 2023

Happy Birthday Elvis!

 



Gregg Chadwick
 “Suspicion (Elvis Presley)” 
36”x36” oil on linen 2016



“Gregg Chadwick takes the opposite stance in the oil-on-linen 'Elvis Presley (Suspicion).' Here, a familiar depiction of the singer is rendered in blurry, shadowy lines, as if his memory is slowly fading and becoming the stuff of rumor and legend tending toward oblivion.”- Fredric Koeppel, The Commercial Appeal, Memphis, Tennessee


Since my artwork was included in a series of Elvis themed exhibitions at the L. Ross Gallery in Memphis, Tennessee, I have been reading and re-reading Ray Connolly’s book Being Elvis: A Lonely Life which deftly examines Elvis’ life through the lens of Memphis in the 1940’s and 1950’s. Childhood poverty and class aspirations spurred Elvis on in a way that left no room for error in his art but left his life dangerously open to misfortune and eventual tragedy.At the Mississippi-Alabama Fair and Dairy Show in Tupelo, Mississippi on September 26, 1956, Elvis played a powerful, homecoming show in the town where he was born in a two-room shack 21 years before on January 8, 1935. Elvis had left Tupelo when he was thirteen. In the interim, Elvis had become Tupelo’s most famous person. As Ray Connolly recounts in Being Elvis: A Lonely Life : “Elvis put on a special show that day…It was staged outside the fairgrounds in front of a large tent, and, as he sang in the afternoon show, he could see over in the background, a long freight train rolling past.” Starting on that day, as the concert closed, Elvis and the band slipped off stage through a trapdoor. No encores that day nor in the future. Instead an announcer would express over the PA system that “Elvis has left the building.”




Gregg Chadwick 
Elvis Wearing Headphones
monotype, oil, and pastel on paper 14"x11" 2017




Gregg Chadwick 
Memphis Train - Elvis with Portable Record Player 
oil on linen 40"x30" 2016