Doğum günün kutlu olsun Claude Monet! pic.twitter.com/qWUHuBK4BL— Celine Symbiosis (@CelineSymbioss) November 14, 2016
Showing posts with label beauty. Show all posts
Showing posts with label beauty. Show all posts
Monday, November 14, 2016
Because We Still Need Beauty
Friday, November 11, 2016
Love and Protect the Vulnerable Among Us
by Gregg Chadwick
Dear Loved Ones,
As you know Tuesday’s election results have released a toxic brew of misogyny, anti LGBT, anti immigrant, anti global warming, and outright racist actions and rhetoric from out of control Trump supporters.
There is so much hate out there for trans folks - as well as lesbians and gays and people of color.
People have asked me what they can do. First off - love and protect the vulnerable among us.
Words are not enough. Action is needed so that our families and communities feel protected from the hate.
There is so much hate out there for trans folks - as well as lesbians and gays and people of color.
People have asked me what they can do. First off - love and protect the vulnerable among us.
Words are not enough. Action is needed so that our families and communities feel protected from the hate.
The California Legislature has stated such in no uncertain terms:
"By a margin in the millions, Californians overwhelmingly rejected politics fueled by resentment, bigotry, and misogyny.
The largest state of the union and the strongest driver of our nation’s economy has shown it has its surest conscience as well.
The largest state of the union and the strongest driver of our nation’s economy has shown it has its surest conscience as well.
California is – and must always be – a refuge of justice and opportunity for people of all walks, talks, ages and aspirations – regardless of how you look, where you live, what language you speak, or who you love.
California has long set an example for other states to follow. And California will defend its people and our progress. We are not going to allow one election to reverse generations of progress at the height of our historic diversity, scientific advancement, economic output, and sense of global responsibility."
Here are some actions that you can take now that were originally presented on the Huffington Post by Alex Berg. I have edited and added my own thoughts to her list.
1. Be physically present. Gender nonconforming and transgender Americans already face disproportionate violence and criminalization across the country, which has been exacerbated by laws dictating which bathrooms trans folk can use. Similarly, those in same-sex partnerships still face violence and harassment when together. You can offer to accompany LGBTQ people to the bathroom, walk with us outside, sit next to us on the subway and stand beside us in other spaces to ensure that we have an ally who can provide a physical presence in unsafe spaces.
2. Donate to LGBTQ organizations and people. If Trump and Pence do what they say, queer organizations will be gearing up for legal battles. You can ensure that these organizations can do this work by throwing them some coin. Check out Lambda Legal, Human Rights Campaign, the New York City Anti-Violence Project, It Gets Better Project (to combat LGBTQ bullying), and the Lorena Borjas Community Fund, which provides funding to bail out queer detainees. If you want to donate directly to LGBTQ people, you can search GoFundMe for those raising funds for transition-related healthcare, which is not covered by most insurance.
3. Get involved with your school board or PTA. Parents, this one’s for you. The Supreme Court will hear its first transgender case this spring about Gavin Grimm, a 17 year-old transgender boy who is fighting for the right to use the male restroom at school. Grimm’s case will decide the fate for transgender young people across the country, while Trump has said he would rescind existing guidelines that advise schools to allow trans kids to use the bathroom that aligns with their gender identity. But, you don’t have to wait for that to happen. Agitate on your PTA committees and before your school boards about their policies for transgender students. Are there gender-neutral restrooms at your school? What are the policies for locker rooms and sports teams? And, are teachers and administrators actively supporting LGBTQ student alliances? Even if you don’t have an LGBTQ-identified kid yourself, you can help bring attention to their safety.
4. Recognize that queer people also face racism and other forms of discrimination. Trump has used racist, xenophobic and Islamophobic rhetoric during the duration of his campaign, which has resulted in an uptick in hate crimes. documented daily on twitter and other social media platforms LGBTQ people of color face homophobia, transphobia and misogyny that is racialized, meanwhile queer Muslims face profiling as both Muslims and LGBTQ people. We can amplify the voices of queer people of color by sharing their stories and statuses and centering them in LGBTQ spaces. Learning about intersectional identities is just one click away.
5. Become LGBTQ culturally-competent in your field. If you are a doctor, lawyer, teacher, waiter or in virtually any field, you can educate yourself to provide competent care to queer people, use the correct language when coming into contact with us and volunteer your skills to help us. It is difficult to find doctors who can meet our specific healthcare needs, but there are resources you can use to educate yourself. If you are a lawyer, you can volunteer your legal skills to help us navigate the criminal justice system or to acquire accurate documentation. And, if you work in any field, you can educate yourself about correct terminology and always be on the look out for bullying, harassment and violence.
6. Contact your local lawmakers. The backlash against queer rights isn’t just happening federally. North Carolina’s bill #HB2 which walked back LGBTQ protections and made it illegal for trans people to use the appropriate bathroom was a house bill, passed by legislators who were elected at a local level. Find out who your local representatives are and where they stand on LGBTQ rights. Then, give their office a call. Here is a tool by Common Cause that will help you find your elected official -> http://act.commoncause.org/site/PageServer?pagename=sunlight_advocacy_list_page
7. By fastening a safety pin to their clothing, people are declaring themselves allies to folks who have been maligned by Trump and his followers, to show that they stand in solidarity with anyone who might be afraid.
8. Support progressive journalism such as Mother Jones or the Nation.
As the son of a Marine I was taught at a young age how to fight and how to win.
We lost a significant battle on Tuesday night. Our LGBT family and friends are in tears.
They are afraid that their families will be torn apart.
After hugging my wife and daughter this morning, I got to work.
I will fight with my pen, and my brush and my physical presence when needed.
We lost a significant battle on Tuesday night. Our LGBT family and friends are in tears.
They are afraid that their families will be torn apart.
After hugging my wife and daughter this morning, I got to work.
I will fight with my pen, and my brush and my physical presence when needed.
Feel free to join up with me on Facebook or follow me on twitter. We need to create a movement to prove that Love does trump hate.
So much more to come.
Sending my love
Gregg
Gregg
Wednesday, December 10, 2014
This Weekend at Esalen: The Courage to Create
WEEKEND OF DECEMBER 12-14, 2014
Gregg Chadwick The Painter (il miglior fabbro) 24"x30" oil on linen 2013 |
What role does creativity play in our lives? Is it an inner imperative that helps us forge the well-lived life? This workshop at Esalen, situated along California's rugged Big Sur coastline, engages with the notion that creativity is a “battle with the gods” in light of its Latin origins in the word creare, the natural urge “to grow or make order of chaos."
Our point of departure is that creativity is an archetypal journey with recognizable stages, which are especially helpful when we are stuck or lost in our work. For the last thirty years, Phil Cousineau has used his three-stage model — Inspiration, Perspiration, and Realization — as a guide to help writers, artists, and filmmakers to deepen and complete their work. The artist Gregg Chadwick uses his own artwork and anecdotes from his lifelong study of painters to provide an inside look at practices that will help us find a balance between inspiration and the marketplace, traditional notions of beauty with daring acts of innovation, and personal discipline with the importance of building community. Together, they will alternate lecture, discussion, movie clips, slide shows, readings, and exercises that encourage cross-fertilization between the visual arts and the written word.
This workshop is designed for creative souls in every field who hope to rekindle their imagination and passion, and renew their sense of joy.
Recommended reading: Cousineau, Stoking the Creative Fires and The Art of Pilgrimage; Cousineau and Chadwick, The Painted Word.
Gregg Chadwick Die Kathedrale Der Bücher (The Cathedral of Books) 36"x48" oil on linen 2013 |
Phil Cousineau
Phil Cousineau
Phil Cousineau is a freelance writer, filmmaker, teacher, and youth baseball coach. He has published more than 30 books, including the bestselling The Hero's Journey: The Life and Work of Joseph Campbell. He has written award-winning documentary films, and is the host of "Global Spirit," a nationally broadcast series on LINK TV and PBS.
Gregg Chadwick
Gregg Chadwick creates his artwork in an old airplane hangar in Santa Monica, California. The recurring sound of airplane take-offs and landings from the active airport runway outside his studio reminds him of his own history of travel. Chadwick has exhibited his artworks in galleries and museums both nationally and internationally. He earned a Bachelor's Degree at UCLA and a Master’s Degree at NYU, both in Fine Art. He has had notable solo exhibitions at the Manifesta Maastricht Gallery (Maastricht, The Netherlands), Space AD 2000 (Tokyo, Japan), the Sandra Lee Gallery (San Francisco), and the Lisa Coscino Gallery (Pacific Grove) among others. He has participated in nearly one hundred group exhibitions including at the di Rosa Preserve's Off the Preserve (Sonoma), the San Francisco Art Institute, the Sonoma Museum of Visual Art, the Monterey Art Museum, the LOOK Gallery (Los Angeles), the Arena 1 Gallery (Santa Monica), and the Arts Club of Washington (Washington DC). Chadwick’s art is notably included in the collections of the Adobe Corporation, the Gilpin Museum, the Graciela Hotel in Burbank, the Harbor Court Hotel in San Francisco; the Kimpton Group’s headquarters in San Francisco, the National Museum of the Marine Corps, Nordstrom Company Headquarters, the W Hotel Hollywood, and Winona State University.
Chadwick is frequently invited to lecture on the arts; in 2011-14 he spoke at UCLA, Monterey Peninsula College, the Esalen Institute, at Demand Media during NewCo LA, and at the World Views forum in Amsterdam, The Netherlands as well as at Categorically Not, a monthly forum that considers the arts and science, in May 2013 and December 2014.
Chadwick is frequently invited to lecture on the arts; in 2011-14 he spoke at UCLA, Monterey Peninsula College, the Esalen Institute, at Demand Media during NewCo LA, and at the World Views forum in Amsterdam, The Netherlands as well as at Categorically Not, a monthly forum that considers the arts and science, in May 2013 and December 2014.
Tuesday, December 03, 2013
The Courage to Create at Esalen December 6-8 2013
The Courage to Create
WEEKEND OF DECEMBER 6-8, 2013
Gregg Chadwick The Painter (il miglior fabbro) 24"x30" oil on linen 2013 |
What role does creativity play in our lives? Is it an inner imperative that helps us forge the well-lived life? This workshop at Esalen, situated along California's rugged Big Sur coastline, engages with the notion that creativity is a “battle with the gods” in light of its Latin origins in the word creare, the natural urge “to grow or make order of chaos."
Our point of departure is that creativity is an archetypal journey with recognizable stages, which are especially helpful when we are stuck or lost in our work. For the last thirty years, Phil Cousineau has used his three-stage model — Inspiration, Perspiration, and Realization — as a guide to help writers, artists, and filmmakers to deepen and complete their work. The artist Gregg Chadwick uses his own artwork and anecdotes from his lifelong study of painters to provide an inside look at practices that will help us find a balance between inspiration and the marketplace, traditional notions of beauty with daring acts of innovation, and personal discipline with the importance of building community. Together, they will alternate lecture, discussion, movie clips, slide shows, readings, and exercises that encourage cross-fertilization between the visual arts and the written word.
This workshop is designed for creative souls in every field who hope to rekindle their imagination and passion, and renew their sense of joy.
Recommended reading: Cousineau, Stoking the Creative Fires and The Art of Pilgrimage; Cousineau and Chadwick, The Painted Word.
Gregg Chadwick Die Kathedrale Der Bücher (The Cathedral of Books) 36"x48" oil on linen 2013 |
Phil Cousineau
Phil Cousineau
Phil Cousineau is a freelance writer, filmmaker, teacher, and youth baseball coach. He has published more than 30 books, including the bestselling The Hero's Journey: The Life and Work of Joseph Campbell. He has written award-winning documentary films, and is the host of "Global Spirit," a nationally broadcast series on LINK TV and PBS.
Gregg Chadwick
Gregg Chadwick creates his artwork in an old airplane hangar in Santa Monica, California. The recurring sound of airplane take-offs and landings from the active airport runway outside his studio reminds him of his own history of travel. Chadwick has exhibited his artworks in galleries and museums both nationally and internationally. He earned a Bachelor's Degree at UCLA and a Master’s Degree at NYU, both in Fine Art. He has had notable solo exhibitions at the Manifesta Maastricht Gallery (Maastricht, The Netherlands), Space AD 2000 (Tokyo, Japan), the Sandra Lee Gallery (San Francisco), and the Lisa Coscino Gallery (Pacific Grove) among others. He has participated in nearly one hundred group exhibitions including at the di Rosa Preserve's Off the Preserve (Sonoma), the San Francisco Art Institute, the Sonoma Museum of Visual Art, the Monterey Art Museum, the LOOK Gallery (Los Angeles), the Arena 1 Gallery (Santa Monica), and the Arts Club of Washington (Washington DC). Chadwick’s art is notably included in the collections of the Adobe Corporation, the Gilpin Museum, the Graciela Hotel in Burbank, the Harbor Court Hotel in San Francisco; the Kimpton Group’s headquarters in San Francisco, the National Museum of the Marine Corps, Nordstrom Company Headquarters, the W Hotel Hollywood, and Winona State University.
Chadwick is frequently invited to lecture on the arts; in 2011-13 he spoke at UCLA, Monterey Peninsula College, the Esalen Institute, and at the World Views forum in Amsterdam, The Netherlands as well as at Categorically Not, a monthly forum that considers the arts and science, in May 2013.
Chadwick is frequently invited to lecture on the arts; in 2011-13 he spoke at UCLA, Monterey Peninsula College, the Esalen Institute, and at the World Views forum in Amsterdam, The Netherlands as well as at Categorically Not, a monthly forum that considers the arts and science, in May 2013.
Tuesday, October 30, 2012
Time Lapse Video of Hurricane Sandy Hitting New York City
Incredible time lapse video made by Richard Shepherd from stills grabbed from the New York Times webcam during Hurricane Sandy. I had the New York Times webcam on all day yesterday as well. My thoughts go out to the brave responders and all those dealing with this frightening, unprecedented storm. Climate change is real my friends.
Props to President Obama, FEMA, the Coast Guard, the National Guard, and all the courageous nurses, firefighters, police officers, EMT's and union workers of all stripes who kept so many safe.
Tuesday, September 11, 2012
Tomorrow and Thursday in Nor Cal: The Painted Word Book Tour
I am honored to announce the publication of my latest collaboration with the author Phil Cousineau:
The Painted Word.
The Painted Word.
Sixty-three of my artworks are included in this new volume.
Book Tour Dates - All Are Welcome & All Events are Free. I will bring a group of the artworks included in the book to each event listed below:
In Northern California:
51 Tamal Vista Blvd | Corte Madera, California
Wednesday, September 12, 2012, 7:00 PM (Art by Gregg Chadwick Courtesy The Sandra Lee Gallery, San Francisco)
City Lights Booksellers | 261 Columbus Avenue | San Francisco, California
Thursday, September 13, 2012, 7:00 PM (Art by Gregg Chadwick Courtesy The Sandra Lee Gallery, San Francisco)
In Southern California:
Phil Cousineau and Gregg Chadwick on The Painted Word at Warwick's Books | 7812 Girard Avenue | La Jolla, California
Wednesday, November 7, 2012, 7:30 PM
Phil Cousineau and Gregg Chadwick on The Painted Word | Book Soup | 8818 Sunset Blvd West | Hollywood, California
Thursday, November 8, 2012, 7:00 PM
NEW BOOK: The Painted Word By Phil Cousineau and Gregg Chadwick
"When Phil Cousineau and Gregg Chadwick join creative forces it is an important event. This historic collaboration shines with fresh insights into both language and art."
— Alexander Eliot, author of 300 Years of American Painting and The Global Myths
— Alexander Eliot, author of 300 Years of American Painting and The Global Myths
Notes on the Artwork In The Painted Word
When I was young, the form of words—the way they looked— intrigued me and I often wondered what it would be like to look at a word and not be able to read or understand it. In essence, I wondered about the indecipherable mystery behind the word. The artworks I have created for The Painted Word take that sense of mystery into the world of paint and image.
Each creation began with that wonderful, slippery stuff that never wants to be tamed or pinned down: paint. Specifically, I use oil paint for its historical resonance and also because of its liquid origins in the oil pressed from flax. From this plant comes both linseed oil, which is mixed with dry powdered pigments to create oil paint, and linen, which traditionally has been used as the surface that oils are painted upon. Whenever I unroll a new bolt of linen in my studio a rich fragrance reminis- cent of a newly cut field fills the room.
I find that freshly stretched paintings waiting for their first touch of color invite the mystery of life and creation. The word stories written by Phil Cousineau opened up a similar sense of wonder. Like the words, each tube of paint also brought its history into the room. Color names are words steeped in myth and meaning. Lapis Lazuli evokes dangerous treks along the Silk Road into Afghanistan that brought this exquisite blue stone into the workshops of Renaissance artists. The pigment was so expensive and so important it was often reserved for coloring the heavens and Mary’s garments. A separate clause in the artist’s contract would dictate how much the client would pay for the Lapis Lazuli in addition to the amount paid for the artist’s services. Other colors weren’t so dear but were still rich in lore. Burnt Sienna is a warm brown earth pigment that was dug up in the fields surrounding Siena, Italy. Cinnabar, a brilliant red originally found in minerals veined with mercury, also made its way along the Silk Road from its source in China. I used all three of these colors in many of the paintings in The Painted Word.
When I was young, the form of words—the way they looked— intrigued me and I often wondered what it would be like to look at a word and not be able to read or understand it. In essence, I wondered about the indecipherable mystery behind the word. The artworks I have created for The Painted Word take that sense of mystery into the world of paint and image.
Each creation began with that wonderful, slippery stuff that never wants to be tamed or pinned down: paint. Specifically, I use oil paint for its historical resonance and also because of its liquid origins in the oil pressed from flax. From this plant comes both linseed oil, which is mixed with dry powdered pigments to create oil paint, and linen, which traditionally has been used as the surface that oils are painted upon. Whenever I unroll a new bolt of linen in my studio a rich fragrance reminis- cent of a newly cut field fills the room.
I find that freshly stretched paintings waiting for their first touch of color invite the mystery of life and creation. The word stories written by Phil Cousineau opened up a similar sense of wonder. Like the words, each tube of paint also brought its history into the room. Color names are words steeped in myth and meaning. Lapis Lazuli evokes dangerous treks along the Silk Road into Afghanistan that brought this exquisite blue stone into the workshops of Renaissance artists. The pigment was so expensive and so important it was often reserved for coloring the heavens and Mary’s garments. A separate clause in the artist’s contract would dictate how much the client would pay for the Lapis Lazuli in addition to the amount paid for the artist’s services. Other colors weren’t so dear but were still rich in lore. Burnt Sienna is a warm brown earth pigment that was dug up in the fields surrounding Siena, Italy. Cinnabar, a brilliant red originally found in minerals veined with mercury, also made its way along the Silk Road from its source in China. I used all three of these colors in many of the paintings in The Painted Word.
Gregg Chadwick
(From The Painted Word, available in September 2012.
Published in the United States by Viva Editions, an imprint of Cleis Press, Inc., 2246 Sixth Street, Berkeley, California 94710.)
"If The Painted Word were a club act, I'd sit there drinking in Cousineau's revelations, tales and mythologies until they kicked me out of the joint. Reading this brew of etymology, history, lore, and pop connections, with lambent illustrations by Gregg Chadwick, is just as intoxicating. A Cousineau riff on a (passionately selected) word is like Mark Twain meets Coleridge meets Casey Stengel meets---well, everyone who's fun and informative, whether the riff is on autologophagist (someone who eats his/her words) or jack, which, believe me, the world-traveled Cousineau knows when it comes to language. "
—Arthur Plotnik, author of The Elements of Expression: Putting Thoughts Into Words
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Tuesday, August 07, 2012
Opening Thursday, August 9, 2012 at the LACDA: Electron Salon
Gregg Chadwick Studio View of Fire Sermon, With Annick 44"x36" digital photograph on paper On Exhibit at the Los Angeles Center for Digital Art August 9 -September 1, 2012 |
"Within the scale of the life of the cosmos, a human life is no more than a tiny blip. Each one of us is a visitor to this planet, a guest, who has only a finite time to stay. What greater folly could there be than to spend this short time lonely, unhappy, and in conflict with our fellow visitors?"
-His Holiness the Dalai Lama, Beyond Religion, 2011
I am honored to announce that my photograph Studio View of Fire Sermon, With Annick will be included in the Los Angeles Center for Digital Art's Electron Salon exhibit which opens this Thursday, August 9 at LACDA. The artist's reception runs from 7-9pm as part of the Downtown Art Walk. The gallery is located at 102 West Fifth Street, Los Angeles, California 90013
Hope to see you there!
los angeles center for digital art presentsElectron SalonAugust 9-September 1, 2012
Artists Reception August 9, 7-9pm
in conjunction with Downtown Art WalkAdriane Biondo
Donna Cohen Lane
Andrea Rosenthal
Ty Cummings
Maria Martin
Beau Comeaux
Anna Chupa
Phil Althouse
Maureen McAuliffe
Mary Ciani Saslow
Julia and Amy Bautz
GUILLERMOHFORNILLO
Sal Morales
Lillian Abel
Melinda R. Smith
Bridget Klappert
Kristin Glover
Claudio Vazquez
Gregg Chadwick
Alli Curtis
Mike Pace
Elke Brand
Jane Gottlieb
Marjorie Albano Renno© 2012 Los Angeles Center For Digital Art
All Rights ReservedWorks of individual artists remain the intellectual property and are copyrighted by their respective authors. No unauthorized reproduction, all rights reserved.
• NEXT ART WALK: AUGUST 9, 2012 •
Directions From...
Hollywood to Art Walk
Pasadena to Art Walk
San Fernando Valley to Art Walk
Santa Monica to Art Walk
Take the 10 Freeway East and merge North onto the 110 towards Pasadena. Take the 3rd/4th Street exit and merge onto 6th Street. At Main Street turn left and continue a few blocks to find parking at Downtown Artwalk.
More at:
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Thursday August 9 2012
Monday, July 23, 2012
Barcarole
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Tuesday, May 15, 2012
Seeing Deeply With Art Writer Peter Clothier at Gregg Chadwick's Studio on Thursday, May 24, 2012
Dear Friends,
I am honored to invite you to register for the next One Hour/One Painting Art Meditation Session which will be led by the distinguished art writer Peter Clothier at 6:30pm on May 24th, 2012 in my studio at the Santa Monica Airport.
Peter has recently hosted One Hour/ One Painting sessions at the Diebenkorn: The Ocean Park Series exhibit at the Orange County Museum of Art and at the LA Louver Gallery. When describing Peter Clothier's sessions, I am often asked what to expect. In short, Peter will guide a small group of people through an exercise in 'concentrated looking' over the course of one hour's time. He will do this by taking us, as individuals in a group, on a visual and contemplative tour of my large, six by eight foot, painting A Balance of Shadows. We will experience color, shape, space and image in a concentrated yet calm and meditative manner using our eyes and minds.
I see this as an 'exercise in learning how to see' or 'how to see more deeply' rather than an exercise in the making of an art piece. To clarify, we will not be making a painting of our own during this session.
While I will be at the session, I am not leading this event. It is being organized and led by Peter; there is a $25 charge per person payable to Peter Clothier by check or credit card at the event but please reserve a space with Emily (emilypersist86@gmail.com). I am honored that Peter has chosen to hold his event in my studio (but I do not receive any of the fees.)
Please see the flier below for further details on the piece we will be viewing, location, time, and how to register. If you have any questions feel free to contact me via email or my cell
415 533 1165, Peter's assistant Emily at emilypersist86@gmail.com, or Peter Clothier at peterclothier@mac.com.
This session will be discreetly videotaped for possible inclusion on the website of the Buddhist Journal, Tricycle. More on Tricycle at: http://www.tricycle.com/
I hope to see you at my studio on May 24, 2012.
Gregg
Peter Clothier's Bio:
Peter Clothier has a long and distinguished career as an an internationally-known art writer, novelist and poet. Peter avoids the jargon that obscures much current writing about art by using readily understood language that illuminates rather than obfuscates. Clothier seeks to achieve a harmony of mind, heart, and body in his work, and looks for this quality in the artists he writes about. His work has appeared in the Los Angeles Times, Artscene, ARTNews and other publications. Peter writes a daily weblog,The Buddha Diaries, and is a contributing blogger to The Huffington Post. He also hosts a monthly podcast entitled "The Art of Outrage," on ArtScene Visual Radio."
Peter Clothier's latest books are Persist and Mind Work.
Peter Clothier's latest books are Persist and Mind Work.
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