Happy New Year's Eve!

 

⁠

Happy New Year's Eve 

Fireworks at Ryōgoku bridge 

Utagawa Hiroshige 

Woodblock Print on Paper

 1858 

Ashmolean Museum 

New Year’s Eve Foxfires by the Enoki tree at the Shōzoku Inari Shrine in Ōji 

 Ōji, Shōzoku Enoki Ōmisoka no kitsunebi | 王子装束ゑの木大晦日の狐火 

Series	One Hundred Famous Views of Edo | Meisho Edo hyakkei | 名所江戸百景
Artist/maker	Hiroshige Utagawa, I (1797 - 1858) (designer)
Associated people	Eikichi Uoya (mid-19th century) (publisher)
Associated place	Asia > Japan (place of creation)
Date	1857 (date of creation)
Material and technique	nishiki-e (full colour) woodblock print, with bokashi (tonal gradation) Ashmolean Museum

Welcome to the Year of the Tiger

 Happy Lunar New Year!

새해 복 많이 받으세요!

虎年快乐

幸せな寅年

In an auspicious kick off to the lunar new year, @Singulart has included Year of the Tiger (Sumatran Tiger — CJ) in their new Year of the Tiger collection.
This oil on linen painting is the first in a series of artworks depicting the characters in the Chinese Zodiac using animals in the Los Angeles Zoo as models and inspiration. The model for Year of the Tiger is the Sumatran Tiger named CJ. Sumatran Tigers are severely endangered in the wild and need our help so they do not become extinct.

I first became aware of the fragile nature of our planet as an elementary school student. For Christmas one year, I asked my parents for the book “Wildlife in Danger” published by the IUCN (International Union for the Conservation of Nature) They are still an important organization providing information, plans, and hope for our endangered earth. Worried about the environment as a kid, I drew pictures of animals constantly. Now, I am creating paintings that shed light on climate change, the beauty of the natural world, and our place with other species.
Year of the Tiger was first exhibited at The Other Art Fair in Los Angeles at Barker Hangar in September 2021 and continues to uphold the spirit of those born under the tiger’s sign as we move into 2022.

Pictured:
Gregg Chadwick
Year of the Tiger (Sumatran Tiger — CJ)
40" x 40 oil on linen 2021

#lunarnewyear #happynewyear2022 #yearofthetiger #Tiger #lazoo #sumatra @singulartofficial @lazoo @18thstreetarts

2022

 

by Gregg Chadwick

Happy Year of the Tiger! Good News and New Art  from Gregg Chadwick

Gregg Chadwick Steps of Time 30" x 24" oil on linen 2020 Featured in Seeds of Optimism  "Manifest a happy and bright new year with a joyous artwork  by one of our top artists from around the globe."                    Bethany Fincher - Assistant Curator at Saatchi Art    As 2022 begins, I am honored that Saatchi Art included an artwork  of mine in their Seeds of Optimism collection. In my new  interview with Art Squat Magazine, I discuss my Saffron Road series: "Twenty years ago in Thailand, I woke up at dawn and spent  the morning quietly and carefully observing the saffron robed monks  on their morning pilgrimages. On my return to the U.S. later that week,  I began to paint Buddhist monks, privately at first - as a form of meditation.  Only later did I grasp the dharmic sense of responsibility inherent in this new  body of work. I needed to paint these paintings. And I found that  the audience I had developed over the years felt the need to see them also . They have given me their trust that I will create paintings that  speak of our times but also provide clues to a future path into the unknown." Collection at https://www.saatchiart.com/.../Seeds.../1376557/638724/view

Gregg Chadwick Frida Cano (E Line) 37" x 24" oil on linen 2021 On exhibit in 𝙒𝙚 𝘼𝙧𝙚… 𝙋𝙤𝙧𝙩𝙧𝙖𝙞𝙩𝙨 𝙤𝙛 𝙈𝙚𝙩𝙧𝙤 𝙍𝙞𝙙𝙚𝙧𝙨 𝙗𝙮 𝙇𝙤𝙘𝙖𝙡 𝘼𝙧𝙩𝙞𝙨𝙩𝙨. Union Station, Los Angeles, California   For the Metro project "We Are…Portraits of Metro Riders by Local Artists", I painted a portrait of artist, writer, and curator Frida Cano.  Like a steel river, Metro’s E Line connects arts institutions across Los Angeles County. Running from 7th Street in Downtown L.A. to Santa Monica, the E train begins just down Bunker Hill from LA MOCA and the Broad Museum and passes by numerous art cultural centers from the California African-American Museum, to the art gallery districts in West Adams and Culver City, to the Sawtelle Corridor, to Bergamot Station, to the 18th Street Arts Center, ending a few miles from the Ocean Park neighborhood in Santa Monica that inspired artists from Richard Diebenkorn to John Baldessari.  Frida Cano lives in Echo Park and often travels on the E Line to her art curatorial position in Santa Monica. Frida lives and breathes the concerns of our times. She writes,” As an emerging Mexican artist and curator, focused on the reevaluation of history and culture through Latin American perspectives, it has been my concern to truly communicate the social issues of our times.” Frida rides the train and sees the world reflected in the glass of the E Line as she travels across L.A. Frida believes that art curators, in tandem with artists and critics, can bring circulating and hidden ideas to light. This zeitgeist informed my portrait of Frida Cano, pictured thinking as she waits for the E train.    Frida Cano Meets Frida Cano at  𝙒𝙚 𝘼𝙧𝙚… 𝙋𝙤𝙧𝙩𝙧𝙖𝙞𝙩𝙨 𝙤𝙛 𝙈𝙚𝙩𝙧𝙤 𝙍𝙞𝙙𝙚𝙧𝙨 𝙗𝙮 𝙇𝙤𝙘𝙖𝙡 𝘼𝙧𝙩𝙞𝙨𝙩𝙨. Union Station, Los Angeles, California We Are...Portraits of Metro Riders by Local Artists is on view in the Union Station Passageway Art Gallery and in an expanded online gallery that celebrates diversity and the community of transit riders. We Are... will launch more upcoming programs in 2022 across multiple formats and sites including buses, trains and stations in Los Angeles County. The program will even include a special Metro Art Bus!  This multi-site exhibition and series of events is presented by Metro Art in collaboration with Metro’s Office of Civil Rights, Racial Equity & Inclusion and Communications departments.

Gregg Chadwick Ocean, Otters, Oil 40" x 40 oil on linen 2021 Featured in Plants and Poetry Journal: Wildlife of the Underworld   On walks along California's Central Coast, I often stop and peer into the swirling mix of seaweed and surf looking for the telltale bob of a sea otter as it breaks to the surface. The tap, tap, tap of otters cracking shells across rocks carried on their chests as they float on their backs in the kelp filled water also gives away their location. Sea otters are voracious eaters, clearing coastal seabeds of purple sea urchins that would otherwise decimate the growing kelp forests.   By keeping the purple urchin population down, sea otters remove kelp's major nemesis. Sea urchins feed on the holdfasts that keep kelp anchored to the bottom of the ocean. Sea otters feed on the purple sea urchins that devour kelp forests. When the sea otter population collapsed after centuries of being hunted for their furs, the entire ecosystem of the Monterey Bay shifted.  The bay's giant kelp forests disappeared and along with it most of the sea life that they supported and protected. Matt Simon in Wired's November 4, 2021 article on sea otters explains that, "Keeping the urchin population in check preserves the kelp, which is vital for the ecosystem in two main ways. First, the forest is a habitat for fish, which are the food source for birds and other marine mammals, like sea lions. Second, the seaweed is part of what scientists call a blue carbon ecosystem, meaning a coastal or marine area that sequesters carbon."    To get even closer to sea otters, I love to visit the Monterey Bay Aquarium and their sea otter information and exhibition space. The Monterey Bay Aquarium describes sea otters as aquatic environmentalists: "By munching on urchins, they help kelp forests flourish, and by crunching on crabs, they promote eelgrass in estuaries. But this marine mammal is endangered — and needs our help." The sea otter population along the Central California Coast has rebounded after being feared extinct early in the 20th Century. But a family of resilient sea otters were found near Bixby Bridge in 1938. Due to strong conservation efforts, California's sea otter population has slowly grown to the current number of around 3,000. A combination of legal protection — in 1977 sea otters became protected under the Endangered Species Act — and the efforts of nongovernmental organizations have prompted the sea otter resurgence. But the sea otter's future is still at great risk. Oil spreading south from a single tanker spill near San Francisco or off the pristine Central Coast would threaten the entire California sea otter population. With the recent oil spill in Southern California off Huntington Beach in October 2021, I was reminded how vulnerable our coastal ecosystem is to oil spills and climate change. Coast Guard officials determined that the spill came from a leak in a pipeline owned by Houston-based Amplify Energy that shuttles crude from offshore platforms to the shore. In response to this latest environmental emergency, I created my painting Ocean, Otters, Oil.  Gregg Chadwick Ocean, Otters, Oil (detail) (Oil Platforms Ellen and Elly Offshore near Long Beach, California) 40"x40"oil on linen 2021   As I painted Ocean, Otters, Oil and other artworks in my Fragile Earth series, I have been listening to the environmentally and socially conscious Australian band Midnight Oil. In 1990 Midnight Oil created a guerilla performance in front of Exxon headquarters in New York City with a banner reading, "Midnight Oil Makes You Dance, Exxon Oil Makes Us Sick," as they played in protest of the Exxon Valdez oil spill.  Midnight Oil has released a new song about our global climate crisis that illuminates the peril in which we find our fragile earth. This new Midnight Oil song Rising Seas has found its way to the top of my studio playlist and inspires me to keep speaking out, to keep creating, to keep caring about the future of our planet. Please visit Plants and Poetry Journal: Wildlife of the Underworld to see my artwork and more inspiring poems, prose, and artworks on our oceans and fragile ecosystem.

New Gregg Chadwick Interview by Laura Siebold in Art Squat (Occupy Art) Magazine   "The Other Art Fair edition at the Barker Hangar in Santa Monica couldn’t have been a better place to give contemporary artist Gregg Chadwick a platform to exhibit his oil on linen paintings, especially as he creates his art in an old airplane hangar, as well. Gregg takes inspiration from important cultural and political figures and turns them into paintings, capturing moments and moods of contemporary America. Gregg’s series are very distinct in character – ranging from strong portraits of human beings, animals in the natural world, over medical portraitures to paintings that are inspired by meditation. A common element of Gregg’s paintings is his use of “internal illumination” to hold the viewer’s attention, his layered “Pentimenti” painting technique, and his tendency to create a glimpse of a path into the unknown future, told by his paintings multifaceted stories. Often, the artist draws ideas from poetry, novels, and music, then incorporating those elements into his paintings. Being renowned for his expressive art, Chadwick has exhibited in various galleries and shows across the U.S. and internationally; his paintings are part of many permanent collections. Gregg Chadwick is based in Los Angeles, California." - Laura Siebold in Art Squat (Occupy Art) Magazine Please visit http://www.art-squat.com/articles3/Gregg_Chadwick/index.php to read the entire interview.

Gregg Chadwick Year of the Tiger (Sumatran Tiger - CJ) 40" x 40 oil on linen 2021   In an auspicious kick off to the new year, Singulart has included  Year of the Tiger (Sumatran Tiger - CJ)  in their new Year of the Tiger collection.  This oil on linen painting is the first in a series of artworks depicting the characters in the Chinese Zodiac using animals in the Los Angeles Zoo as models and inspiration. The model for Year of the Tiger is the Sumatran Tiger named CJ. Sumatran Tigers are severely endangered in the wild and need our help so they do not become extinct. I first became aware of the fragile nature of our planet as an elementary school student. For Christmas one year, I asked my parents for the book “Wildlife in Danger” published by the IUCN (International Union for the Conservation of Nature) They are still an important organization providing information, plans, and hope for our endangered earth. Worried about the environment as a kid, I drew pictures of animals constantly. Now, I am creating paintings that shed light on climate change, the beauty of the natural world, and our place with other species. Year of the Tiger was  first exhibited at The Other Art Fair in Los Angeles at Barker Hangar in September 2021 and continues to uphold the spirit of those born under the tiger's sign as we move into 2022. Gregg Chadwick The Great Sunset (Carmel) 24" x 30 oil on linen 2020 Over the years, I have gravitated to the beach as a place of peace and healing. My parents moved to the Carmel area when I was a student at UCLA so the Central Coast of California will always be a site of family gatherings and homecomings. Going for a run along the beach as the sun goes down fuels me. We are still not traveling much outside of Santa Monica, due to the coronavirus, so I decided to venture out through my paintings. The golden light of late afternoon as it blends with the pink of a Carmel Point sunset appeared through the veil of memory on my canvas. A quiet, poetic moment inspired by my family home and the poetry of Carmel's late, great poet Robinson Jeffers. I wish you peace and prosperity in this new year!    - Gregg Chadwick, January 2022 A visitor viewing work by Gregg Chadwick in the Recovery Justice: Being Well exhibition at 18th Street Arts, Santa Monica, California.  Photo by Geoff Palomino.

Visit Gregg Chadwick's Website

Reaching for Light on Miyazaki's Birthday

by Gregg Chadwick

 

Gregg Chadwick
Tokyo (Shibuya Crossing)
30”x22” monotype on paper 2023

Since I was a kid, I have spent a number of holiday seasons in Japan. The time from just before Christmas to just after New Year's Day is a magical time in Japan. Families gather from around the country as students and workers take time off and return to their homes for celebrations of the season. The food is marvelous, the conversations are rich, and the moments are precious. My monotype on paper "Tokyo (Shibuya Crossing)" is an artistic nod to my memories of Japan. As we move into 2023, I wish you a Happy Year of the Rabbit! And I would like to wish a warm Happy Birthday to artist and filmmaker Hayao Miyazaki who was born on this day in 1941.

Pixar animator Enrico Casarosa said, "Miyazaki has this uncanny ability to add a childish sense of wonder to his stories. He’s able to make us feel like little kids again." 

Gregg Chadwick
Spirited Away
60"x48"oil on linen 2019

My oil on linen painting "Spirited Away" is an artwork that bridges realms. Light pierces shadow. The past enters the future. A woman on a meditative walk in the hills of Miyajima, Japan seems lost in reverie. Echoes of Japanese film, especially the animated works of Hayao Miyazaki illuminate our vision.

About ten years ago, I woke up from a dream that seemed to have been pulled from a Miyazaki film. In my dream a tender sapling reached towards the light as it sprouted from my wrist. Above, russet clouds moved in a cerulean sky. I look to my dreams as openings rather than fortunes. Yet, since I had recently returned from Tokyo, I remembered that in Japan the first dreams of the New Year, hatsu-yume 初夢, traditionally provide markers for the dreamer's upcoming year. I wrote about first dreams in my New Year's Day post on January 1, 2023 and feel that since my sapling dream ten years ago, I have made a conscious effort to reach for the light even when the world around us seems to be caught in a storm of hateful speech and actions. 

Celluloid Dreams at the Ghibli Museum, Mitaka, Japan

In December 2010, I was fortunate to visit the Ghibli Museum in Mitaka, Japan where I learned much about Miyazaki and his art.  Filmmakers Hayao Miyazaki and Isao Takahata founded their animation studio in 1985 and named it after an Italian airplane first produced before World War II: the Caproni Ca.309 Ghibli. The word ghibli in Italian refers to the hot dry winds that blow across the Sahara desert.

Hayao Miyazaki

Sketch for My Neighbor Totoro (Tonari no Totoro)

pencil and watercolor on paper 1988

(Ghibli Museum, Mitaka, Japan)

Hayao Miyazaki was born on January 5, 1941 just months before Pearl Harbor and the brutal battles in the Pacific Theatre of World War II. As a small child growing up in greater Tokyo, Miyazaki drew scenes of aircraft and aviation most likely inspired by his father's family business which built airplane parts for Japanese Zero fighter planes and also in the later years of the war, by his remembrances of the waves of Allied bombers which firebombed much of Tokyo into smoldering ruins.

Much of Miyazaki's mature work reflects his distaste for heedless violence and warmongering. Miyazaki also deeply cares about the environment and the place of natural beauty in a heavily industrialized Japan. Thirdly, many of Miyazaki's films feature a strong, brave, and resourceful main female character. On his birthday, I would like to give thanks to Hayao Miyazaki for his talent, vision, and deep concern for humanity. 

Gregg Chadwick
December Eyes/ Tokyo
72"x24" oil on silk 2011
Private Collection, Venice, California

 #art #film #poetry  #japan #miyazaki #miyajima #spiritedaway

First Dream, First Sale

 

In Japan the first dreams of the New Year, hatsu-yume 初夢, traditionally provide markers for the dreamer's upcoming year.

In that spirit, perhaps the first artwork sold in a new year provides inspiration for the months to come. My painting Monk Station is the first sale of 2022. 

 I was honored that Saatchi Art included an artwork of mine in their new Seeds of Optimism collection.

"Manifest a happy and bright new year with a joyous artwork by one of our top artists from around the globe." Curated by Bethany Fincher - Assistant Curator at Saatchi Art 

In my new interview with Art Squat Magazine, I discuss my Saffron Road series:

"Twenty years ago in Thailand, I woke up at dawn and spent the morning quietly and carefully observing the saffron robed monks on their morning pilgrimages. On my return to the U.S. later that week, I began to paint Buddhist monks, privately at first - as a form of meditation. Only later did I grasp the dharmic sense of responsibility inherent in this new body of work. I needed to paint these paintings. And I found that the audience I had developed over the years felt the need to see them also. They have given me their trust that I will create paintings that speak of our times but also provide clues to a future path into the unknown."

My painting Monk Station continues this theme and brings a saffron robed pilgrim into a 21st century urban moment. Inspired by a subway station in Montréal, this painting looks at the place of the spirit in our fast paced lives.

More on Monk Station at https://greggchadwick.blogspot.com/2021/09/monk-station.html

Collection at https://www.saatchiart.com/.../Seeds.../1376557/638724/view

#HappyNewYear #SeedsofOptimism #SaatchiArt #HatsuYume #contemporaryart #contemporaryartist #saffron #artcollector #buddha #buddhism

Happy New Year - 2024

Here’s something to think about as you kick off 2024: we are all stardust. Every atom of oxygen in our lungs, of carbon in our muscles, of calcium in our bones, of iron in our blood—was created inside a star before Earth was born. Wishing everyone a happy & healthy New Year!🎇 pic.twitter.com/fjw1QaWZiN

— American Museum of Natural History (@AMNH) January 1, 2024

December: As the Clocks Change and the Night Draws In

Happy December! Love this new video and discussion of  the role of light in Fra Filippo Lippi's Annunciation in the collection of the National Gallery in London. Anna Murray and Harriet O’Neill find hope in the darkness.

 

From the National Gallery in London:

"Our selection of paintings for December’s ‘Picture of the month’ vote was inspired by our interest in how artists have used and depicted light, particularly as a narrative device. With the clocks changing and the nights drawing in, we become more alert to the physical and symbolic qualities of light. It is a universal symbol of hope, associated with the beginning of a new day, the turning of seasons, and renewal. In many faiths, light plays ceremonial and symbolic roles.

In the Christian art tradition, light alludes to the promise and presence of Christ. ‘The Annunciation’ radiates a sense of peace, and the connection to light might seem obscure at first. Set in a loggia (a room with open sides) which extends out into a lush green garden, we observe two figures, one seated and the other kneeling. As we look more closely, we notice we are witness to a divine act. Fra Filippo Lippi shows us the very moment when the Archangel Gabriel appears to Mary, telling her she is to conceive a son, Jesus Christ, through the Holy Ghost.

Painted in egg tempera in the early 1450s, the striking application of gold leaf is used to symbolise divine light and render the invisible, visible. Lippi uses luminous planes of shining gold and rays of light to animate the story unfolding in front of us. He plays with the interaction between light and surface to draw our attention to delightful narrative details.

When you are next in the Gallery, you may be struck by the halos – shining discs of gold – illuminating the profiles of Mary and Angel Gabriel, identifying them as divine. Swathes of golden cloth and the trim of Mary’s robe surround her in a pool of glorious light and transform her simple chair into a throne. The gold on Gabriel’s feathers glisten, bestowing him with majesty.

If you are online, you can zoom in to discover dots and dustings of gold that spiral and radiate around the small dove representing the Holy Spirit. They also encircle and extend from the hand of God, and in the beams of divine light from Mary’s womb. These moving and connecting rays are celestial, they are everywhere and nowhere, carrying the word and action of God.

We can imagine the panel, probably one of a pair, gleaming in the study of Piero de’ Medici, a member of the ruling family of Florence at the time of its commission. Possibly located above a door, ‘The Annunciation’ would have been surrounded by 12 ceramic roundels depicting the signs of the Zodiac. The Feast of the Annunciation, falling on 25 March, was the first day, or New Year’s Day, of the Florentine calendar year; a day often associated with renewal and looking forward."

Fra Filippo Lippi, The Annunciation, about 1450-3

 

The National Gallery in London houses the national collection of paintings in the Western European tradition from the 13th to the 19th centuries. The museum is free of charge and open 361 days per year, daily between 10.00 am - 6.00 pm and on Fridays between 10.00 am - 9.00 pm. 

Trafalgar Square, London, WC2N 5DN 

https://www.nationalgallery.org.uk 

Happy Birthday Hayao Miyazaki

Happy Birthday Hayao Miyazaki! https://t.co/UOHEpcCKo3

— Gregg Chadwick (@greggchadwick) January 5, 2022

Each year I am pleased to wish Happy Birthday to the amazing Hayao Miyazaki! My first birthday post to Miyazaki from 2011 (reposted below with updates) says it all:

Taking Flight: Thoughts on the Art of Hayao Miyazaki on His 81st Birthday

by Gregg Chadwick


Celluloid Dreams at the Ghibli Museum, Mitaka, Japan

I woke up from a dream this morning that seemed to have been pulled from a Hayao Miyazaki film. In my dream a tender sapling reached towards the light as it sprouted from my wrist. Above, russet clouds moved in a cerulean sky. I look to my dreams as openings rather than fortunes. Yet, since I recently returned from Tokyo, I should remember that in Japan the first dreams of the New Year, hatsu-yume 初夢, traditionally provide markers for the dreamer's upcoming year.


Hayao Miyazaki
Sketch for Spirited Away (Sen to Chihiro no Kamikakushi)
pencil and watercolor on paper 2001
(Ghibli Museum, Mitaka, Japan)


The vision and mystery of Hayao Miyazaki's work will surely provide inspiration for me throughout 2022. In December 2010, I was fortunate to visit the Ghibli Museum which was created to feature the art and films of Hayao Miyazaki and also the breadth of animation done by Studio Ghibli since its founding in 1985 by filmmakers Hayao Miyazaki and Isao Takahata.

Flight plays an important role in many of Miyazaki's films and it is fitting that both the film company, Studio Ghibli, and the Ghibli Museum were named after an Italian airplane first produced before World War II: the Caproni Ca.309 Ghibli. The word ghibli in Italian refers to the hot dry winds that blow across the Sahara desert.


Caproni Ca.309 "Ghibli" In North Africa during WWII

Hayao Miyazaki was born on January 5, 1941 just months before Pearl Harbor and the brutal battles in the Pacific Theatre of World War II. As a small child growing up in greater Tokyo, Miyazaki drew scenes of aircraft and aviation most likely inspired by his father's family business which built airplane parts for Japanese Zero fighter planes and also in the later years of the war, by his remembrances of the waves of Allied bombers which firebombed much of Tokyo into smoldering ruins.


Still from Grave of the Fireflies ((Hotaru no Haka)) 1988
Created by Studio Ghibli. Directed by Isao Takahata.

Much of Miyazaki's mature work reflects his distaste for heedless violence and warmongering. Miyazaki also deeply cares about the environment and the place of natural beauty in a heavily industrialized Japan. Thirdly, many of Miyazaki's films feature a strong, brave, and resourceful main female character. I have been traveling to Japan since I was a kid in the 1970's and I am pleased to see that Miyazaki's vision for life in Japan seems to be bearing fruit. On his 81st birthday, I would like to give thanks to Hayao Miyazaki for his talent, vision, and deep concern for humanity. Bravo!




Hayao Miyazaki at 22
(Courtesy NTV)


Hayao Miyazaki
Sketch for Porco Rosso (Kurenai no buta)
pencil and watercolor on paper 1992
(Ghibli Museum, Mitaka, Japan)


Hayao Miyazaki
Sketch for My Neighbor Totoro (Tonari no Totoro)
pencil and watercolor on paper 1988
(Ghibli Museum, Mitaka, Japan)