Friday, May 13, 2011

The First Grader: A Compelling New Film Set in Kenya Opens Today: Friday, May 13, 2011

by Gregg Chadwick



The First Grader, a new film directed by Justin Chadwick and produced by Richard Harding and Sam Feuer, opens today May 13, 2011 in Los Angeles and New York.

Since I wrote the following review in March, I have seen the film again and attended a marvelous question and answer session with Justin Chadwick, Naomie Harris, Richard Harding and Sam Feuer. I met Justin at that event and he mentioned that people were asking him if his brother had written a review of the film. Justin and I are not knowingly related but I am sure if you follow the genetic path you will find that there is a connection somewhere in the distant past. In honor of my artistic brothers and sisters and their beautiful film, The First Grader, I am posting my thoughts on the film below.

I recently attended a pre-release screening of this poignant and numinous movie set in the Rift Valley in the mountains of Kenya. The First Grader, like Wim Wenders' Wings of Desire, seamlessly combines story and place to create an illuminating beacon for our time.

The First Grader portrays the story of Kimani Maruge, an 84 year old Mau Mau veteran who helped liberate Kenya from the British. After the Kenyan government announced in 2003 that free schooling would be offered for all, Maruge, played marvelously by Kenyan actor Oliver Litondo, arrives at a primary school to finally get his chance at an education - long denied under oppressive colonial rule and unavailable to him since independence.

As the story unfolds, the realities of rural Kenyan life intermix with Maruge's traumatic memories of torture, incarceration, and the murder of his loved ones, which he endured steadfastly for the sake of freedom. These very real scenes make a powerful emotional impact but with a remarkable reverence, a profound sense of calling and self respect despite injustice. There is an artistic elegance to this film that combines truth telling with transcendence.



The First Grader, based on a true story, uses a school full of actual Kenyan pupils playing themselves. Oliver Litondo (Maruge) explains that high up in the Rift Valley "education is coming in as a new thing." The youngsters were not surprised to see an older student, there was already a fifteen year old in a class of six year olds, so the students accepted Maruge as one of them - just another student seeking an education like they were. Shared goals and shared experiences create a bond between the young students and Maruge.

There are also important shadow elements in the story written by screenwriter Ann Peacock. The First Grader deftly covers the post World War II history of Kenya: moving back and forth from Maruge's struggle against British rule to his struggle against tribal prejudice and mistrust of his motives in 21st century Kenya. By combining traditional Kenyan music with his own compositions, composer Alex Heffes creates a rich sonic landscape.



The film, compellingly crafted by cinematographer Rob Hardy, opens with a gaggle of school children running through mist shrouded trees to their isolated but beckoning new school. On this first day of the new term hundreds of children and their parents jostle to find a place. The exuberance of youth contrasts with the dogged strength of Kimani Maruge and the desperate drive of parents struggling to gain a coveted spot at school for their child.

Naomie Harris plays teacher Jane Obinchu who grows to support Maruge's fierce drive to learn. The joy of learning and the bond between teacher and students is so evident in The First Grader that while watching the film, I felt as if the audience was compelled to grab a sharpened pencil and join the class.

The First Grader is a transcendent human story about confronting injustice and achieving redemption. The film spreads balm for old wounds and lifts the spirit with hope for the future. The First Grader is highly recommended.

More at:
The First Grader Website
Review of The First Grader by Ted Ott
Naomie Harris and Justin Chadwick Talk The First Grader

Watch the full episode. See more WETA Around Town.




"The real challenge is now—getting people into the cinema as the film has been so warmly received and supported around the world winning many audience awards. It is important that alongside the blockbusters there are stories that can inspire and audiences can experience together in the cinema. We don’‘t a huge machine on this film so I hope that people talk and tell their friends"
- Justin Chadwick (Interview w/indieWIRE.



Happy 17th Birthday to My Amazing Kid Cassiel Chadwick!

Cassiel in Computer Light
Gregg Chadwick
Cassiel by Computer Light
40"x18" oil on linen 2008

Monday, May 09, 2011

Dedicated to the People of Tripoli: Sam Brookes - A Roof on my Head


Roman Ruins at Leptis Magna, Libya
Photo: ALAMY



As the fighting continues to rage in Libya, the gaze of the West seems to have turned to Abbottabad. The dedication of artists like Sam Brookes turns our heads back to this story of pain, heroism and ultimately triumph.

More at:
The Music of Sam Brookes.

Saturday, May 07, 2011

Tom Morello's New Song "Union Town" Roars in Solidarity With Workers Across the Globe

"Performing in Madison, Wisconsin and seeing 100,000 people in the streets demanding justice inspired me to record an album of union fighting songs. I've been a proud union man for 22 years and my mom was a union public high school teacher, so for me this fight is very personal. Unions are a crucial counterweight to the raw corporate greed that torpedoed our economy, threatens our environment and wants to strip away decades of social progress. From Cairo to Madison, workers are pushing back and tyrants are falling. Here's a soundtrack for our fight."
-Tom Morello


The full length UNION TOWN EP will be released digitally
May 17th with all proceeds going towards pro-union struggles.




On February 21st of this year, Tom Morello performed at the Capitol Square in Madison, Wisconsin in protest to an anti-union bill put forward by Governor Scott Walker. Morello explains in his editorial about the experience, “Frostbite and Freedom: Tom Morello on the Battle of Madison,” at RollingStone.com:

For days I had been following the exciting events in Cairo and across the Middle East. But when I turned on the television and saw 100,000 people marching through the streets of MADISON, WISCONSIN to protest an anti-union bill put forward by some schmuck named Governor Walker it caught my attention. I turned to my wife and said, "Honey, our boys are gonna grow up to be union men." She sighed and replied, "The Nightwatchman is needed. You should go."

And so The Nightwatchman went.

A nice lady at the airport looked at my guitar and politely asked, "Why are you going to Madison, young man?" I replied, "Because they're making history in Madison, ma'am. And I don't want to miss it."


The title track from the Union Town EP (full track listing below) is available now at SaveWorkers.org. On the heels of Union Town, Tom Morello, as The Nightwatchman, will release his third full length solo album, World Wide Rebel Songs, late Summer via New West Records.

Engine Company
Gregg Chadwick
Engine Company
48" x 36" oil on canvas 2011

The America Votes Labor Unity Fund supports the unified efforts of a broad coalition of national labor organizations to defend workers and their unions against state legislation, ballot measures and executive orders that will undermine or destroy their rights. The America Votes Labor Unity Fund accepts donations from labor organizations and individuals who donate on their own behalf. Please visit www.saveworkers.org for more details and to make a donation.

Tom is set to release Union Town via New West Records digitally on May 17th with a physical CD and Vinyl release to follow on July 19th. All profits from Union Town will benefit The America Votes Labor Unity Fund via SaveWorkers.org.

The studio recording consists of 8 pro-union songs featuring three Tom Morello originals, as well as the Woody Guthrie classic “This Land Is Your Land” (including the more radical, often censored verses).




Tom Morello : The Nightwatchman Union Town Track Listing:
1. Union Town
2. Solidarity Forever
3. Which Side Are You On?
4. A Wall Against The Wind
5. 16 Tons
6. This Land Is Your Land
7. I Dreamed I Saw Joe Hill Last Night
8. Union Song (Live - Capitol Square, Madison, Wisconsin Feb. 21st, 2011)



Sunday, May 01, 2011

International Concern for the Plight of Chinese Artist Ai Weiwei


A Berlin Museum Calls for China to Free Ai Weiwei

Last week, Salman Rushdie in the New York Times, wrote an important piece on the plight of Chinese artist Ai Weiwei. Excerpts below:

"The great Turbine Hall at London’s Tate Modern, a former power station, is a notoriously difficult space for an artist to fill with authority. Its immensity can dwarf the imaginations of all but a select tribe of modern artists who understand the mysteries of scale, of how to say something interesting when you also have to say something really big. Louise Bourgeois’s giant spider once stood menacingly in this hall; Anish Kapoor’s “Marsyas,” a huge, hollow trumpet-like shape made of a stretched substance that hinted at flayed skin, triumphed over it majestically."


Chinese Artist Ai Weiwei at the Tate Modern in London - October 2010

"Last October the Chinese artist Ai Weiwei covered the floor with his “Sunflower Seeds”: 100 million tiny porcelain objects, each handmade by a master craftsman, no two identical. The installation was a carpet of life, multitudinous, inexplicable and, in the best Surrealist sense, strange. The seeds were intended to be walked on, but further strangeness followed. It was discovered that when trampled they gave off a fine dust that could damage the lungs. These symbolic representations of life could, it appeared, be dangerous to the living. The exhibition was cordoned off and visitors had to walk carefully around the perimeter."




"Art can be dangerous. Very often artistic fame has proved dangerous to artists themselves. Mr. Ai’s work is not polemical — it tends towards the mysterious. But his immense prominence as an artist (he was a design consultant on the “bird’s nest” stadium for the Beijing Olympics and was recently ranked No. 13 in Art Review magazine’s list of the 100 most powerful figures in art) has allowed him to take up human rights cases and to draw attention to China’s often inadequate responses to disasters (like the plight of the child victims of the 2008 earthquake in Sichuan Province or those afflicted by deadly apartment fires in Shanghai last November). The authorities have embarrassed and harassed him before, but now they have gone on a dangerous new offensive.On April 4, Mr. Ai was arrested by the Chinese authorities as he tried to board a plane to Hong Kong. His studio was raided and computers and other items were removed."
-Salman Rushdie in the New York Times.


Continue reading the entire piece at:
Dangerous Arts

Friday, April 29, 2011

Daybreak in Alabama


Photo by Robert Ray/Associated Press
Francine Rollins and Rondroka Long sat amid the rubble of their neighborhood in Tuscaloosa, Alabama

Daybreak in Alabama
by Langston Hughes

When I get to be a composer
I’m gonna write me some music about
Daybreak in Alabama
And I’m gonna put the purtiest songs in it
Rising out of the ground like a swamp mist
And falling out of heaven like soft dew.
I’m gonna put some tall tall trees in it
And the scent of pine needles
And the smell of red clay after rain
And long red necks
And poppy colored faces
And big brown arms
And the field daisy eyes
Of black and white black white black people
And I’m gonna put white hands
And black hands and brown and yellow hands
And red clay earth hands in it
Touching everybody with kind fingers
And touching each other natural as dew
In that dawn of music when I
Get to be a composer
And write about daybreak
In Alabama.

Please donate to tornado relief for the South at:
American Red Cross

And please buy the poem here:
Knopf

A Call for China to Free Unjustly Imprisoned Artist Ai Weiwei


Ai Weiwei with musician Zuoxiao Zuzhou in the elevator when taken in custody by the police, Sichuan, China, August 2009
100 cm x 130 cm color photograph
Courtesy Ai Weiwei and Christine König Galerie, Vienna


“We can perhaps bet on art to win over tyrants. It is the world’s artists, particularly those courageous enough to stand up against authoritarianism, for whom we need to be concerned, and for whose safety we must fight.”
- Salman Rushdie

On April 3, 2011, the internationally recognized Chinese artist Ai Weiwei was detained by Chinese officials at the Beijing airport while en route to Hong Kong, and his papers and computers were seized from his studio compound.

The international arts community has rallied around Ai Weiwei's unjust incarceration and an online petition is being sponsored by museum directors and cultural figures across the globe: 'By using Ai Weiwei’s favored medium of “social sculpture,” we hope to hasten the release of our visionary friend."

Please take a moment and sign the petition here:
Call for the Release of Ai WeiWei

Your signature will join the growing list sampled below:

Richard Armstrong, Director, Solomon R. Guggenheim Museum and Foundation
and Alexandra Munroe, Samsung Senior Curator, Asian Art
Juan Ignacio Vidarte, Director General, Guggenheim Museum Bilbao,
and Deputy Director and Chief Officer for Global Strategies, Solomon R. Guggenheim Foundation
Glenn Lowry, Director, The Museum of Modern Art, New York
Sir Nicholas Serota, Director, Tate and Chris Dercon, Director, Tate Modern
Kaywin Feldman, President, Association of Art Museum Directors and Director
and President, Minneapolis Institute of Arts
Yongwoo Lee, President, The Gwangju Biennale Foundation
Michael Govan, Director, Los Angeles County Museum of Art
Vishakha Desai, President and Melissa Chiu, Vice President of Global Arts, Asia Society
Jim Cuno, President and Director, Art Institute of Chicago
Julián Zugazagoitia, Director, Nelson Atkins Museum, Kansas City
Ann Philbin, Director, Hammer Museum, University of California, Los Angeles
Olga Viso, Director, Walker Art Center
Alfred Pacquement, Director, Musée national d'art moderne/Centre de création industrielle, Paris
Arnold Lehman, Director, Brooklyn Museum
Jill Medvedow, Director, Institute of Contemporary Art, Boston
Julia Peyton-Jones, Director and Hans Ulrich Obrist, Co-director of Exhibitions and Programmes
and Director of International Projects, Serpentine Gallery, London
Poul Erik Tøjner, Director, Louisiana Museum of Modern Art, Denmark
Nathalie Bondil, Director and Chief Curator, Montreal Museum of Fine Arts
Neal Benezra, Director, San Francisco Museum of Modern Art
Tony Ellwood, Director, and Suhanya Raffel, Deputy Director, Queensland Art Gallery, Australia
Thomas W. Lentz, Elizabeth and John Moors Cabot Director, Harvard Art Museums
Ann Goldstein, Director, Stedelijk Museum, Amsterdam
Apinan Poshynanda, Bangkok Art and Culture Centre Foundation, Bangkok, Thailand
Carolyn Christov-Bakargiev, Artistic Director, dOCUMENTA (13) and Bernd Leifeld, CEO, documenta
Manray Hsu, Founding Director, Taipei Contemporary Art Center
Holly Hotchner, Nanette L. Laitman Director, Museum of Arts and Design, New York
Joel Wachs, President, Andy Warhol Foundation for the Visual Arts, Pittsburgh

More at:

Op/Ed piece Dangerous Arts by Salman Rushdie in the New York Times.

Ai Weiwei's Blog

Free Ai Weiwei

Tuesday, April 26, 2011

A Body of Sound in Arabic and English


Gregg Chadwick
A Body of Sound
30"x22" monotype on paper
Courtesy the Julie Nester Gallery

The writer Farouq Salloum recently sent me a poem inspired by my artwork The Body of Sound. Mr. Salloum's lilting words swirl and fix a passing image.

The poem is posted below in the original arabic version and is followed by the english translation by Farouq Salloum.
Thank you Farouq!

من اسئلة الجسد والوساوس
من زهرة الشهوات على وسادة السرير
من زخارف الكلمات على رنين هواتفك
حيث اتوهم انك تحتويني .. اتوهم انني احتويك
انثى هابطه من جحيم اللذائذ
وآدم حائر في ندم ايامه على الأرض
هو عطرك الذي يملأ المكان
كأنك هنا دائما
نعيد ترف وحدتنا بالفصول ..
بالجسد الحاني .. وبالغناء
*
A body of sound
جسد الصوت
لوحة
Gregg Chadwick
By: Farouq Salloum


A Body of Sound
-by Farouq Salloum

You spring up from the magic space of my forest
from the Questions of body and whispers
from the flower of desires on the pillow
from the ornementation of words on your phones calls
as an Illusion where you comprise me
... a falling female from the hell of pleasures

Thursday, April 21, 2011

Thursday, March 31, 2011

The First Grader: A Compelling New Film Set in Kenya

by Gregg Chadwick



The First Grader, a new film directed by Justin Chadwick and produced by Richard Harding and Sam Feuer, has been gathering cinema festival awards as it moves towards a May 2011 release. This week The First Grader won the award for best feature film at the Palm Beach Film Festival.

I recently attended a pre-release screening of this poignant and numinous movie set in the Rift Valley in the mountains of Kenya. The First Grader, like Wim Wenders' Wings of Desire, seamlessly combines story and place to create an illuminating beacon for our time.

The First Grader portrays the story of Kimani Maruge, an 84 year old Mau Mau veteran who helped liberate Kenya from the British. After the Kenyan government announced in 2003 that free schooling would be offered for all, Maruge, played marvelously by Kenyan actor Oliver Litondo, arrives at a primary school to finally get his chance at an education - long denied under oppressive colonial rule and unavailable to him since independence.

As the story unfolds, the realities of rural Kenyan life intermix with Maruge's traumatic memories of torture, incarceration, and the murder of his loved ones, which he endured steadfastly for the sake of freedom. These very real scenes make a powerful emotional impact but with a remarkable reverence, a profound sense of calling and self respect despite injustice. There is an artistic elegance to this film that combines truth telling with transcendence.



The First Grader, based on a true story, uses a school full of actual Kenyan pupils playing themselves. Oliver Litondo (Maruge) explains that high up in the Rift Valley "education is coming in as a new thing." The youngsters were not surprised to see an older student, there was already a fifteen year old in a class of six year olds, so the students accepted Maruge as one of them - just another student seeking an education like they were. Shared goals and shared experiences create a bond between the young students and Maruge.

There are also important shadow elements in the story written by screenwriter Ann Peacock. The First Grader deftly covers the post World War II history of Kenya: moving back and forth from Maruge's struggle against British rule to his struggle against tribal prejudice and mistrust of his motives in 21st century Kenya. By combining traditional Kenyan music with his own compositions, composer Alex Heffes creates a rich sonic landscape.



The film, compellingly crafted by cinematographer Rob Hardy, opens with a gaggle of school children running through mist shrouded trees to their isolated but beckoning new school. On this first day of the new term hundreds of children and their parents jostle to find a place. The exuberance of youth contrasts with the dogged strength of Kimani Maruge and the desperate drive of parents struggling to gain a coveted spot at school for their child.

Naomie Harris plays teacher Jane Obinchu who grows to support Maruge's fierce drive to learn. The joy of learning and the bond between teacher and students is so evident in The First Grader that while watching the film, I felt as if the audience was compelled to grab a sharpened pencil and join the class.

The First Grader is a transcendent human story about confronting injustice and achieving redemption. The film spreads balm for old wounds and lifts the spirit with hope for the future. The First Grader is highly recommended.

More at:
The First Grader Website





Tuesday, March 29, 2011

Art for Japan at the Torrance Museum of Art

On Saturday, March 26, 2011 the Torrance Art Museum held a fundraiser for the Japanese Red Cross to help with the humanitarian needs of post-tsunami Japan. I donated my painting Illume for the cause. This oil painting of a young Buddhist monk, seemingly caught in the glow of prayer candles, resonates hope in mourning, acceptance and rebirth.

Illume 16"x20" oil on linen 2010
Gregg Chadwick
Illume
16"x20" oil on linen 2011



Ongoing until April 30, 2011 at the Torrance Museum of Art is the exhibition Gateway Japan curated by Yuko Wakaume, Ei Kibukawa, and Max Presneill.

More at:
Torrance Art Museum

Saturday, March 19, 2011

The Libyan Sky

The Sheltering Sky
Gregg Chadwick
The Sheltering Sky
218cm x 163cm
oil on linen 2010

In honor of the brave people of Libya and in memory of the brave Libyan journalist Mohammed Nabbous.

Tuesday, March 15, 2011

George Takei on The Quake and Tsunami in Japan: Gaman


"At times like this, we are all Japanese"
-George Takei

Beauty and Sadness ( 美しさと哀しみと)
Gregg Chadwick
Beauty and Sadness ( 美しさと哀しみと)
Utsukushisa to Kanashimi to
57"x103" oil and collage on Japanese screen


Live video chat by Ustream
NHK Live Stream from Japan with Updates on the Earthquake, Tsunami, and Nuclear Crisis

Friday, March 11, 2011

Thoughts and Prayers With Japan

Buddha, Tokyo National Museum
Buddha, Japanese National Museum, Tokyo

A Balance of Shadows
Gregg Chadwick
"A Balance of Shadows"


My thoughts and prayers are with the people of Japan.


Video from Shinjuku,Tokyo showing skyscrapers swaying with the force of the March 11, 2011 earthquake centered off of northeastern Japan. Buildings in Japan are engineered to meet extraordinarily high governmental standards to help prevent earthquake damage.
(Video by escot2008)





" Friday’s quake was centered off the coast of Honshu, the most populous of the Japanese islands, at a point about 230 miles northeast of Tokyo and a depth of about 17 miles below the earth’s surface.The quake occurred at 2:46 p.m. Tokyo time, and was so powerful that buildings in central Tokyo, designed to withstand major earthquakes, swayed."
-United States Geological Survey

globalgiving has set up a well organized webpage for donations at Japan Earthquake And Tsunami Relief Fund

More at:
Earthquake in Japan

Wednesday, March 09, 2011

"Ash Wednesday Ambush" Protest Feed From Wisconsin Capitol

Watch live streaming video from theuptake at livestream.com


Engine Company
Gregg Chadwick
Engine Company
48"x36" oil on canvas 2011

Dedicated to the brave Union workers across the globe: firefighters, nurses, teachers, steelworkers, bricklayers, SAG members, screenwriters, police officers, custodians, musicians, and company. Especially those fighting for their futures in Madison, Wisconsin.


Madison, Wisconsin Protests set to the Dropkick Murphys' pro-union song "Take 'em Down"

Sunday, February 27, 2011

Live Video Stream From Inside Madison, Wisconsin's Capitol Building: Watch Democracy in Action

Watch live streaming video from theuptake at livestream.com


Solidarity with the Workers! On Wisconsin!

Archive Below:
Ustream is now down. But brandzel currently has live mobile video from inside the rotunda at :
brandzel at qik.com in the Capitol building

Saturday, February 26, 2011

UCLA Basketball Coach Ben Howland and John Wooden's Great-Grandson Talk About Making the Final Bruin Points at Pauley Pavilion


John Wooden (1910 - 2010)
Photo by Gregg Chadwick at Pauley Pavilion, November 2006



John Wooden's Great-Grandson Tyler Trapani Makes Last Bruin Points at Pauley Pavilion


Bruins - Great Final Game at Wooden's Pauley Pavilion!
UCLA 71 - Arizona 49
#ucla #ncaa #reevesnelson #bball #tylertrapani #jrw #wooden

Friday, February 25, 2011

Polish Trade Union Solidarnosc (Solidarity) Releases Letter in Support of Wisconsin Union Workers



To Public Service Workers in the State of Wisconsin

Dear Sisters and Brothers,

On behalf of the 700,000 members of the Polish Trade Union NSZZ “Solidarnosc” (Solidarity) I wish to express our solidarity and support for your struggle against the recent assault on trade unions and trade union rights unleashed by Governor Scott Walker.
We are witnessing yet another attempt of transferring the costs of the economic crisis and of the failed financial policies to working people and their families. As much as some adjustments are necessary, we can not and must not agree that the austerity measures are synonymous with union-busting practices, the elimination of bargaining rights and the reduction of social benefits and wages.

Dear friends, please rest assured that our thoughts are with you during your protest, as we truly do hope that your just fight for decent working and living conditions, for the workers’ rights will be successful.
Your victory is our victory as well.

In Solidarity,
Piotr Duda President


Thursday, February 24, 2011

We Are Wisconsin

We Are Wisconsin from Finn Ryan on Vimeo.


We Are Wisconsin by Finn Ryan

Engine Company

Tuesday, February 22, 2011

Engine Company

Engine Company
Gregg Chadwick
Engine Company
48"x36" oil on canvas 2011

Dedicated to the brave Union workers across the globe: firefighters, nurses, teachers, steelworkers, bricklayers, SAG members, screenwriters, police officers, custodians, musicians, and company. Especially those fighting for their futures in Madison, Wisconsin.

Sunday, February 20, 2011

Green Bay Packer Great Charles Woodson Releases a Statement in Firm Support of Wisconsin Union Workers



STATEMENT FROM GREEN BAY PACKER CHARLES WOODSON IN
SUPPORT OF WORKING FAMILIES IN WISCONSIN

Last week I was proud when many of my current and former teammates announced their support for the working families fighting for their rights in Wisconsin. Today I am honored to join with them.

Thousands of dedicated Wisconsin public workers provide vital services for Wisconsin citizens. They are the teachers, nurses and child care workers who take care of us and our families. These hard working people are under an unprecedented attack to take away their basic rights to have a voice and collectively bargain at work.

It is an honor for me to play for the Super Bowl Champion Green Bay Packers and be a part of the Green Bay and Wisconsin communities. I am also honored as a member of the NFL Players Association to stand together with working families of Wisconsin and organized labor in their fight against this attempt to hurt them by targeting unions. I hope those leading the attack will sit down with Wisconsin's public workers and discuss the problems Wisconsin faces, so that together they can truly move Wisconsin forward.

--Charles Woodson, Green Bay Packers cornerback and one of the team’s elected representatives to the players union

Saturday, February 19, 2011

Wisconsin Protests Set to Arcade Fire's Song "Rebellion"

Wisconsin Budget Repair Bill Protest from Matt Wisniewski on Vimeo.


Wisconsin Protests Set to Arcade Fire's Song "Rebellion"

This one is for my cousin Anne Johnson who has been at the Capitol building in Madison each day this week.
Keep the faith. As Wisconsin goes, so goes the country.

Thursday, February 17, 2011

Today we are all Wisconsinites!

To the demonstrators in Madison, WI - Keep the Faith. Today we are all Wisconsinites! #wisconsin #egypt #tcot #P2 #wiunion


Wednesday, February 16, 2011

This Digital Life: A Chat With Adam Gopnik

I enjoy the writing of Adam Gopnik. His current piece in the New Yorker, How the Internet Gets Inside Us, delves into the spaces between man and machines: between the internet and inner self.

Today the New Yorker hosted a chat with Adam Gopnik. I found the conversation to be fascinating and have archived it below.


The New Yorker: Adam Gopnik will be joining us shortly to discuss the Internet. For now, please submit your questions.

2:00 Adam Gopnik: Hey everyone. Glad to be here for the slightly ironic-meta purpose of carrying on a conversation on the internet about the uses of conversations on the internet. Let me start taking questions. A.G.

2:00 [Comment From Doug]
When did you first start using the Web? Were you a late or early adopter?

2:01 Adam Gopnik:: Early or late? Somewhere in between I suppose. I went on e-mail in the mid nineties while living in Paris-- my life is now composed of nothing but e-mail and caffiene-- but only really started being addicted as the world did, in the early noughts.

2:01 [Comment From KyleS]
Are you in the prognostication business? What’s the future for the printed book?

Die Kathedrale Der Bucher (The Cathedral of Books)
Gregg Chadwick
Die Kathedrale Der Bucher (The Cathedral of Books)
20"x16" oil on linen 2010


2:02 Adam Gopnik: Wish I knew. I live for books, love books, and cannot imagine a world without them. The book to my mind is the ideal technology -- you take it with you from window to table to bed -- and I love everything else about them: spines and turned pages and smells.

2:02 [Comment From JF]
I love how you describe Internet commenters. Have these kind of forums made us less polite in real life face-to-face interactions as well?

2:03 Adam Gopnik: I doubt it somehow. I think that there's a kind of abashed moment when virtual friends meet, and no doubt an equally abashed moment when internet opponents meet.

2:03 [Comment From Elizabeth Bee]
Do you consider yourself to be a Never-Better, Better-Never, or Ever-Waser?

2:05 Adam Gopnik: This I see has come up in several questions. I don't know...to be brutally honest I am something more of a skeptic than the form of the essay quite encourages, but also , as I say, something of an addict, and altogether a fatalist in any case. Like every parent, I worry myself sick about the dissapearance of books from our kids lives, and , like every parent, I wonder what a world made up of pixels will produce. But, like every amateur historian, I know that these changes are the stuff of life, as I tried to document in the essay, and that wishing them away is like wishing away the tides. So....still in the middle , I suppose.

2:05 [Comment From Fred]
How has the web changed your processes for writing a piece?

2:06 Adam Gopnik:There is, as I suggested, something semi-miraculous about Google. I find myself wondering what Hemingway wrote about winter sports for a project I've embarked on, and two seconds later, boom, there it all is. That's wonderful-- magical! But the slogging hours of the writing day never alter or lessen or, really, change much.

2:07 [Comment From Gregory]
The never-betters would say that Egypt's revolution wouldn't have happened without social networking technology...

2:09 Adam Gopnik: This I think is an important point, which my friend and colleague Malcolm Gladwell has been arguing through recently , so let me take a moment here to say as precisely I can, if at length, what I think is up with that. Malcolm can speak for himself better than I can speak for him..but the issue isn’t whether people in Egypt or wherever used Twitter or whatever to communicate. Of course they did. But they used cassettes or faxes or pamphlets or whispers in years past and would have used them now if that was the easiest tech available.


Jacques-Louis David
The Oath of the Tennis Court.
66 x 101 cm. Pen and brown ink, brown wash with white highlights 1791
Musée National du Chateau de Versailles, Versailles, France.


The issue – the only issue -- is whether the availability of those new media actually changed the likelihood of their formenting social revolutions, or altered the outcomes of the ones they did. And there is no evidence of any kind , that I've seen at least, to suggest they have. In truth, every popular social revolution/movement/regime change due to since at least the French Revolution has followed the same pattern: a government weakened by war or financial crisis or both meets popular resistance which for the first time takes in members of the elite and the masses; they find a meeting space and occupy it – could be the Square or the Tennis Court – then, in the crucial moment, the army ,called on to disperse the “mob”, identifies with the cause and refuses; the government is forced to surrender. Sometimes the army – Peking 1989 does—sometimes – Moscow, 1991 – it doesn’t. On that decision – complicated in motive – turns the outcome of the revolution. (Then, most often, in depressing truth the best organized and most motivated of the parties on the opposition side – Jacobins or Bolsheviks or Mullahs – no matter how unrepresentative takes over in the period of chaos that follows the revolution.) This is the pattern that was in place in Tunisia and Cairo, as it was in St. Petersburg in 1917 or Paris in 1830 and 1848 and 1871. Why the army , who the regime had trained and fed and paid to do just that ,didn’t disperse , i.e. massacre the “mob”is always the fascinating question. In Egypt , it seems to have been prudence; in France, widespread dissastisfaction with the economic conditions.

Historians and sociologists in fifty years time may see that more social movements were begun , or fewer – or that more that did begin succeeded. If that’s the case then for good or ill (because after all, most popular movement do not have benificient outcomes for the people who started them) social media will have had an outcome. If the number is about the same, and the outcomes about the same, then the truth that revolutionaries used Twitter or Facebook will be of the same consequence as that they once wore Phrygian caps and now wear tee-shirts – an interesting detail about the décor of the time, but not a crucial determinanat of anything. The notion that because people used Twitter therefore twitter made the revolution is so nakedly ridiculous that it is hard to believe that grown-up people are seriously proposing it.

Next?

2:09 [Comment From Mary Claire]
What did you mean by your closing comment...that's it's not about the toast, it's about the butter?

2:10 Adam Gopnik: I meant merely that , as it says a sentence or two before, that the content of our ideas -- the butter -- is more important than the containers, or vehicles --the toast-- that carries them. For a while I thought of writing " butter and jam" but thought that went a food image too far.

2:10 [Comment From Nimer Rashed]
Hi Adam, loved the piece, which I thought was fabulously well-written and researched and made my brand-new UK subscription of the magazine worthwhile! I think the article really took on a life of its own once you chipped in with your own point of view after rehearsing the various opinions of the different camps, and the toast/butter ending was a poignant flourish with which to end. I'm curious how much your opinions changed the more you delved into theNever-Better/ Better-Nevers Ever-Waser camps - how much were you pushed/pulled by what you read? And finally, what are your opinions about reading magazines such as the New Yorker in digital format?

2:13 Adam Gopnik:: Thanks. As I struggled to say a moment ago -- and the difficult thing about these chats is that you find yourself re-writing badly sentences that you struggled for months to write well!-- there is a kind of built in space between my actual emotions -- which include a lot of parental fear about the loss of books, silence, space -- and my evolving ideas, which recognize the "ever wasness" of it all. So I live now as a kind of Better-Never Ever Waser, with forlorn hopes of seeing Never-Betterism proven true. I would love to believe that the substance is all that matters -- and I do think the butter matters most -- and that the transition of The New Yorker or any other good magazine or newspaper to the new digital format will leave the content untouched. But I shudder as I see the future, and am skeptical that we can make the change without losing something on the way. But I am game to go, as we all must be.

2:14 [Comment From Bill]
I have found that what you call information is,from a technical pov, sometimes completely erroneous(as in energy cycles on Wikkipedia). Books are much harder to overwrite with a different message. Isn't this a big advantage of books?

2:14 Adam Gopnik: An interesting thought. Yes, I suppose so-- though of course books have been mines of misinformation , creating mountains of misery, for millenia.

2:14 Adam Gopnik:: Or less.

2:15 [Comment From Mary Claire]
Getting back to the 'butter' or the content of our ideas. Isn't it possible that the butter we can create now, in the age of the internet, is just not as good? I mean, I'm finding my ability to concentrate on books or to think deeply, has been diminished. Your thoughts?

2:17 Adam Gopnik:: There are scary days when I fear you're right , and I put down my own scattered mind and tattered nerves not to the press of life and deadlines but to the machines we're attached to. I was serious about the Unplugged Sunday business -- think it's as good an idea as Meatless Monday, and we try ( and often fail) to put it in operation at our house. But concentration is mutable and maybe has more to do with insomnia than new information, at least with me.

2:18 [Comment From Angelosays.com]
Do you think that the internet is the most important technological advancement after the discovery of fire?

2:18 Adam Gopnik: No. I think that instant replay was the most important tech advance since fire. More important , maybe. You can't go back to the fire once it's out, and you always have the replay.

2:18 [Comment From Ned]
Can book publishing survive ebook piracy? Will the internet's effect on the book publishing industry be even worse than the effect on the music industry since publishers cannot make up lost sales revenue with 360 deals that cover touring?

2:19 Adam Gopnik:: Oy! A worrying thought. My hope is that it was really "disaggreation" , which I'm sure I just mis-spelled , which killed the record business: suddenly, we all found ourselves in effect playing old 45s , singles. A book still comes at us a whole -- nobody wants to download a chapter of a Franzen or a Roth -- and I hope that will save our bacon.

2:20 Adam Gopnik: If not our butter.

2:20 [Comment From Susi]
What happened to my question that I sent at 2:15? Could you comment on the effect of our highly visual media's effect on gender roles?

2:21 Adam Gopnik:: Sorry, Susi; so many questions coming in here that I have to blip by some on the way to urgent others. Of course, as the father of a daughter (and son) I share your worry. We do seem to be offering kids sexual role-playing, and info, way too soon. That said, I notice that my daughter , in love with Justin Beiber, is more like her mother, in love with Mark Lester forty years ago, than one would have thought possible. Perhaps language and adolescent crushes are the two universal human traits.

2:22 [Comment From Nimer Rashed]
I think what's particularly poignant about the article is the fact that for just one second you hold up your hand, ask for a time out, and assess the state we're in, whilst simultaneously acknowledging the inevitability with which we as a species enthusiastically - and perhaps that inevitability feels more troubling the older you get.

2:23 Adam Gopnik:: Inevitablities crowd in on us the older we get, until that last great inevitability of all claws us down. Meanwhile, there's just the comedy of living,including the comedy of information.

2:23 [Comment From Gregg Chadwick]
Adam, My teenage son and I loved the part in "Through the Children's Gate" where you misused the internet initialism LOL.

2:23 Adam Gopnik:: That was probably more precise, and on point, than the long essay. It exists, he advertised shamelessly, as a MOTH podcast as well. Thanks.

2:23 [Comment From Susi]
Oh, yay. Computer glitch, no doubt. It seems to me that insults are more easily hurled at women, and with the increase in insults comes an increase in misogyny. I don't know how girls navigate it.

2:25 Adam Gopnik: I don't know how anyone navigates it. But when I look at Kids Today, I see more resourcefulness , and a greater reservoir of irony, in the face of things that trouble me than I would have feared. They are native speakers of the new technology, where we are second-language users, and , like all native speakers, they know the secret corners and double-takes and deadpans of their tongue.

2:25 [Comment From Tabitha]
Back on the recording industry - obviously the demise of the traditional recording company is inevitable and the rise of the independents is here and now. Have you any thoughts on where that is going?


The Strokes

2:26 Adam Gopnik:: One of the joys of my life is sharing -- that is , learning about -- new music with my son. It's stunning to me, and weirdly heart-lifting, that with all the difficulties of the "business", the connection between musician and listener -- between my son and his beloved Strokes -- is not just intact but more constant than ever. An encouraging thought for writers though,as you say, we don't have the option of touring -- or rather we do, but only to empty chairs in poignant indy bookstores.

2:26 [Comment From Nimer Rashed]
Oops - last question was sent unfinished! I think the poignancy of the article comes from the sense of the crushing inevitability of technology and the latent observation that we as a species hurtle forward, enthusastically accepting all new forms of technology and in the process giving up/losing something of the past - something elegiac about this. With this in mind, which of yesteryear's technologies would you suggest we resurrect on our Amish, internet-free Sundays?

2:27 Adam Gopnik:: Uh--reading unfamiliar books about familiar subjects. Japanese novels on the family; Russian memoirs of childhood; Slovenian research into adultery.

2:28 [Comment From Marcy Murninghan]
Loved your article, it's so timely with all that's happening around us, in politics, economics, and culture. Your "butter" statement reminds me of Annie Hall, and that wonderful line at the end where Woody reflects on love, and that joke about a fella with a crazy brother who thinks he's a chicken. Guy's doctor asks, "why don't you turn him in" and guy says, "I need the eggs." We all need the eggs--with something as wild, irrational, crazy and absurd as love--and the Internet.

2:29 Adam Gopnik: Hadn't thought of that. But in my book you can't quote, or borrow, or refer, too often to "Annie Hall". That was the "Battleship Potemkin" of my teenage years.

2:29 [Comment From Kevin J]
Back to the topic of over-writing "fact" with different messages e.g; on Wikipedia: does that mean there are no more truths, or are we entering an era of increased acceptance of diverging viewpoints?

2:30 Adam Gopnik: Diverging viewpoints are fine, and we've always had them. What worries me is the spread of information (i cited Shakespeare authorship and the Shroud of Turin in the piece) where the truth is known but the lies keep coming. Evolution and creationism. A kid going on line to do research on the Second World War is one fatal click away from negationism. That's worrying.




2:30 [Comment From Elizabeth Bee]
Have you read the YA fiction book Feed by M.T. Anderson? If so, what were your thoughts? If not, I found it to be a startling glimpse of what happens when social apps and advertisers find a way to finally reside in our brain. Do you think the average American is aware of the corporate interests that are investing in their social profiles (ie - Facebook's Social Graph, cookies used for advertising purposes, data mining and scrubbing, etc.)

2:30 Adam Gopnik: Haven't read it. Will do so.

2:31 [Comment From Susi]
My M.I.L. from behind the Iron Curtain wisely said about us newlyweds: "The problems we think they have aren't problems at all; and their real problems are things we can't imagine." Still, it's fascinating to watch and imagine. What else is life for?

2:32
Adam Gopnik:: Too true.

2:32 [Comment From Sanjiv]
I've been reading of late about the effects of technology on childrens minds and its impact on concentration and other key factors regarding education, literacy, and so forth. Already, people predict that this new generation's life expectancy may be lower than the previous. Do you suspect that our education outcomes will similarly decrease (although this has been happening for certain ethnic groups, I mean broadly)

2:33 Adam Gopnik: What worries me -- my goodness, seem to be using the verb "worry" a lot in this chat -- but what worries me is the spread, the break, that's happening between elite education, which bounces along on its meritocratic basis, and all the rest of us. A country divided into A pluses and C's cannot long stand.

2:33 Adam Gopnik:: Or, rather, A pluses and F.s

2:33 [Comment From Manuel Espinoza]
I personally believe that the inevitable fall of "traditional" media -call it books, magazines, news papers, music- is something as unavoidable as any other generational and technological change that has come along. But here in the developing countries we see it as an equalitarian change, as it will, if no already, provide us with access to information we never thought possible. So my question is, in essence: How do you feel about creative commons, freedom of information, abolition of copyrights and even piracy, as a medium of redemption for us who cannot have access to information with the traditional media?

2:34 Adam Gopnik: Well, obviously, the more news-novels-stories -opinion are more often in more hands , the better the world is. The trick is that all those "content providers" , to use that hideous jargon, must live ,too. At some point, the naches, to use a favorite Yiddish word, provided by the Huffington Post to its bloggers will not be enough, and then we will be dependent not on those who think and write , but on those who don't think and write anyway.

2:35 [Comment From Brian Kimberling]
If butter is important, and toast less so, have you thought much about the interaction between the particular brands of toast and butter used? Apologies for spreading your metaphor too thin. Does the internet foster shallower content? (It sure churns out and popularizes endless news content, much of it soon forgettable).

2:37 Adam Gopnik:: Metaphors are like jokes; once they make their little effect, they won't stand too much close analysis. But , yes, the thinner the toast, the less butter it holds. But then we could put jam on it so....escaping the traps of imagery, I don't think that the internet demands shallow content. It's just that the impatience it enforces is best suited to it...but , look, we publish long stuff on the New Yorker website all the time, and people cotton to that. Of course, I worry -- that word again! -- about the three hundred word bit moving out the three thousand word musing. But I think that a minority, anyway, will always want the real thing -- and minorities, in a world as vast as ours, can often be counted in millions.

2:37 [Comment From Tabitha]
I read the term 'Lifecasting' today. Interesting concept. Is this the new buzz word and really - is it just what Josh Harris did years ago?

2:38 Adam Gopnik: I have a dormant twitter account -- dormant because I am never sure what to tweet. We went out to dinner not long ago with a well known television personality -- and she had a sub-tweeter, a designated tweeter, of her own! Not merely lifecasting, but subsidary-rights lifecasting.

2:38 [Comment From Michael]
What did we do before we read about sports online?

2:39
Adam Gopnik:: We argued about them with our friends . Our face-friends, I mean -- is that a term, by the way? Should be.

2:40 [Comment From Kevin J]
Does the sub-tweeter make it up as s/he goes along or is there a style sheet to follow?


Edgar Bergen & Mortimer Snerd in Stage Door Canteen


2:41 Adam Gopnik: More like an impersonation -- your job in life, in that role, is to be a kind of benign Mortimer Snerd, sitting on your chief-tweeters lap.

2:41 [Comment From Elizabeth Bee]
I think I'm nervous about living in a world where we have "face friends"...

2:41 Adam Gopnik:: Well. I meant "face friends" meaning those whose faces we know.

2:41 [Comment From Mabel]
Are there novels being written now that capture what this digital life feels like?

2:42
Adam Gopnik: Good question. Are there? In movies particularly, people , movie-makers, are always trying to insert the Internet into their work, but it always ends up being painfully anti-dramatic, since it's just....somebody typing! The ultimate revenge of the secretary -- in a Julia Roberts rom-com, the heroine now has to type like a fiend just to be in time.

2:43 [Comment From Brian Kimberling]
And should there be novels written now that capture what this digital life feels like?

2:44
Adam Gopnik:: It is, or was, the novelist to whom we turned for news on the texture of life -- not news that stayed news, as I think Bellow said, but news that stayed alive. Who in recent fiction has tackled this particular stretch of texture?

2:44 [Comment From Dex]
Does the internet promote uniformity? I am thinking of the kid isolated in a small town who may not have any connection with art or music scenes who can instantly connect with established artists and directly interact instead of spending years isolated.

2:45 Adam Gopnik:: Well, yes -- but surely there's something to be said ,too , for that kid (the young SInclair Lewis, V.S. Naipaul, Scott Fitzgerald, Harper Lee, whomever) having the boredom to explore his own world without the instant gratification of the "top:. If you don't enjoy bad Beethoven concerts played by the local quartet, you won't enjoy the great ones eithe r- -won't know what makes them great. Boredom and amateurism are great incubators of art.

2:45 [Comment From Marcus]
It seems as though the rise of digital culture, this revolution, is much more tied to a consumer mindset than other, maybe more real revolutions.

2:46 Adam Gopnik: Interesting point. Yes, the technological revolution is also a consumer revolution. Our neurons may be altering, but Steve Jobs is profiting.

2:46 Adam Gopnik:: Not that I begrudge Steve Jobs, whose goods fill my desk and life and who should get well soon.


Portrait of Mark Twain
Chromolithograph from the 1898 oil portrait by Ignace Spiridon.
Courtesy UC Berkeley Library


2:46 [Comment From Gig]
I wonder what role the Web has played in this new Twain mini-fad, which you so adroitly harpooned.

2:47 Adam Gopnik: Well, I was sure that someone would say that the great Twain's very-much-lesser autobiography was a prescient form of blogging, silly though that would be to say, and sure enough, they said it. Slack sentences attract slack sentences as lint attracts lint, I suppose.

2:47 [Comment From Elizabeth Bee]
Any thoughts on "mommy bloggers" and others who obsessively document the lives of their families for the entire world to see? I viewed one today and thought, is it ethical that this mom is taking photos of her child's broken arm to post online? Will this child be totally cool with this in 5,10,20 years?

2:49 Adam Gopnik:: Well... as one who has written on auspicious occasion -- some would say on too damn many auspicious occasions -- about his children, I would say that being obsessed to the point of crazy with your kids is just normal parenthood. With children as with all others we write about: we owe them our best and fairest and most compassionate account,and if we give them that, how much pain can be caused. But there comes an age and time (of theirs, I mean) to stop.

2:49 [Comment From Bill]
As a classical Greek scholar (ex), I immediately recognized the prole bias of the Christian New Testament when I read it - a popular "book". This analytic comparison of comparing translations tells alot about translators What do you think of the translators and filterers on the net?

2:50 Adam Gopnik:: Sorry -- do you mean the literal translators -- the ones that go from French to English or whatever? THey're better than they used to be, but still so far from good that they present a daunting case for the difficulty of language.

2:50 [Comment From Frank]
Speaking of Twain, what explains the popularity and positive reviews of that book?

2:51 Adam Gopnik:: People love Mark, and with good reason -- no one more than I -- and they also love our "Founding Fathers", as every cynic with another book about 1776 knows. Twain is the closest thing we have to a literary founding father. Our writin' John Addams. Apart from that , I suppose people bought the book and didn't read it.

2:52 [Comment From doris]
As we discuss "the abolition of copyrights", the free flow of information, music, film etc… we obviously need to worry about the average musician. Can we, or should we, be - instead of fighting it and blaming record labels and/or the "perpetrators" - asking our government to approve of what is happening, agree with this flow of information, praise it; Obama talks about nationwide wireless, that is one step to our government's and generation’s willingness to embrace “this”, but it needs to go deeper. What if we created some kind of subsidization for the artists, similar as in Europe, but a 2.0 version of it where the average musician talked about earlier can have his music flowing online while still paying his rent. What do you think about the government’s approach to “how the internet gets inside of us?

2:53 Adam Gopnik: You know, I 'm mostly ignorant of the fine points. But i have been told just recently that , for instance, PANDORA, the wonderful internet , self-generation"genome" music service, is making money at last -- and I assume that some of that at least is going to the artists who make the music. The more we "monetize" , the more the muse is served.

2:54 [Comment From Brent]
How much longer will this interweb fad last?

2:54 Adam Gopnik: Wouldn't it be wonderful -- i.e. startling and appropriately comic-cosmic -- if the Internet turned out to be the CB radio of the oughts?
But it won't...

2:54 [Comment From monica]
do you think the internet and web 2.0. are blurring the lines between high and low art? are they giving more eclectism to people's way of entertainment, meaning that now people can pass easily from Shakespeare to Avatar for instance? What is the role of internet in the democratization of art?



2:56 Adam Gopnik: Hmmmn, big question. Years ago -- years and years and years ago -- I wrote, with the late Kirk Varnedoe, a big book about "High and Low" to go with an exposition at MOMA, and the theme of that book, produced by years of research, was that the dialogue between pop culture and difficult art was permanent, cyclical, and surprising. So it's less likely to produce easy passage than surprising collision. As with the amazing-looking Dante's Inferno video game, from EA.

Dore's Vision of Dante's Inferno




Electronic Arts Digital Vision of Dante's Inferno


2:56 [Comment From Nimer Rashed]
A common accusation levelled against Twitter, Facebook, et al is that whilst the technology does connect people, the connections are superficial, transient - it's esp. interesting how quickly people get riled by discussions of how social mores are evolving (frequently, but not always, with divisions across youth lines). Taking a straw poll of NYC intelligentsia/literati - the New Yorker staff! - what would you say is the general consensus (if there is one) about Facebook and/or Twitter? Do people tend towards scepticism, generally speaking? And more importantly, are deadlines being missed as a result of the echo-chamber of digital distractions?

2:57 Adam Gopnik: To take a poll of New Yorker staff would involve interfering with the writing days of a lot of scowling and exhausted-looking writers, so I won't attempt it. But on the whole I think that ours is a community of enthusiastic adopters, with uneasy consciences that what they are adopting might prove to be arsenic to what they make.

2:57 [Comment From maria]
Think more in google that in god?? hehe, I do, in fact I do not believe in God after ICT

2:58
Adam Gopnik In Google We Trust. A decent motto. Certainly Out Of Many, One, is the Internet theme as well.

2:58 [Comment From Brian Kimberling]
You can get superb bird-identification apps for your iPhone now. Which you then take deep in the forest, leagues from human contact, man alone in the wilderness, and....check your signal. Is this different to carrying a bird book in the same circumstances?



2:59 Adam Gopnik: I think not...do you know of the OCarina App, which you make music on , and can then hear other ocarina music being played simultaneously all over the world. The whole world humming in your hand! IF that isn't sublime, nothing is.

2:59 [Comment From elfe]
I'm a late comer, maybe you discussed this altready: despite all the shallowness and the lack of focus it creates, the internet is just a wonderful tool for people living in countries that does not invest much in libraries. Especially with the big tomes the ownership rights of the owners expired from the previous century that one needed to travel to lay eyes on are just a click away, same with old and new journals. Especially if you have an institution that pays for your subscriptions (I'm aware of the 'jeremiads')...

3:00 Adam Gopnik Yes, indeed. For those seeking specifics -- as opposed to those engaging in emnities - the internet is a truly Rowlingesquely magic thing. Bless it and its users, and all of you from jumping in here. Speak again soon.

3:00 [Comment From Bill]
Yes. And art is bursting out both to the people and to the others. Thank you.

3:00 Adam GopnikThanks to all you

More at:
High & Low at MOMA

Ocarina App