"Pompeii, especially, with its grand murals and flourishing gardens haunted by the dark shadow of Vesuvius, has always suggested uncomfortable parallels with our contemporary world, especially here in Southern California, where the sunlit life also turns out to have dark shadows in which failure and death lurk at the edge of consciousness. Now, in these times, we have even closer parallels with those ancient, beautiful, affluent people living the good life on the verge of annihilation." —Eleanor Antin on Classical Frieze Eleanor Antin The Artist's Studio from "The Last Days of Pompeii," 2001 (detail) chromogenic print 46 5/6 x 58 5/8 inches Eleanor Antin The Tree from "The Last Days of Pompei," 2001 chromogenic print 60 x 48 inches Eleanor Antin's film and photo work, Classical Frieze , re-imagines Pompeii and the classical Roman world as if seen through the eyes of a contemporary filmmaker paying homage to the sword and sandal film epics of t...