Showing posts with label Peter Clothier. Show all posts
Showing posts with label Peter Clothier. Show all posts

Monday, September 03, 2012

The Art of Labor


"Labor is prior to, and independent of, capital. Capital is only the fruit of labor, and could never have existed if labor had not first existed. Labor is the superior of capital, and deserves much the higher consideration.“


Republican President Abraham Lincoln, Message to Congress, December 3, 1861

Labor Day, 1942

by Charles Henry Alston,
 the first African American supervisor for the WPA Federal Art Project

Today, in honor of Labor Day in the United States, Denise Oliver Velez posted a moving tribute to work and workers on the Daily Kos. Inspired by the words, images and music that Velez put together, I have spent much of this Labor Day in deep consideration of the struggle and sacrifice of the brave laborers who worked together to build this country. 
Peter Clothier on his site, Vote Obama 2012, has also been considering the meaning of this holiday. Clothier writes:
"How much thought, I wonder, do most of us who celebrate Labor Day with a trip to the beach, a late summer barbecue in the park, a hike in the mountains--how much thought do we give to the actual reason for the holiday: to celebrate the contribution of the American worker?
Since Ronald Reagan faced down the air traffic controllers in 1981, it has been downhill all the way for unions in this country.  Republican governors like Scott Walker of Wisconsin feel free to use their powers to disempower the unions that champion the rights of teachers and other public workers, and the corporate powers-that-be wage a vigorous war against unions with everything in their arsenal, including their formidable army of lobbyists, their purchase of legislators through contributions to campaign funds and their "super pacs."  The result is a weakening of the unions that contributed significantly in the last century to the creation of the great American middle class, and diminishment of the middle class itself."
Peter Clothier goes on to send us a dire warning: 
"With the disempowerment of the unions, the American worker is deprived of the most basic tool to seek that upward mobility of which the country has long been justifiably proud.  Along with continually increasing cuts in state and federal education budgets, this assures the creation of a permanent, and to many inescapable underclass and the further enrichment of those who profit from their plight."

Gold Is Where You Find It

1934Tyrone ComfortBorn: Port Huron, Michigan 1909Died: Los Angeles, California 1939oil on canvas40 1/8 x 50 1/8 in. Smithsonian American Art Museum(Chosen By Eleanor and Franklin Delano Roosevelt to hang in the White House)
two steel workers, lithograph

Builders

lithograph by Harry Sternberg, WPA

I Canti (The Cantos)


I Canti (The Cantos)

Gregg Chadwick
78"x60" oil on linen 2011

There is an incredibly rich trove of American visual art and music that celebrates the power and struggles of the worker. Bruce Springsteen's most recent album, Wrecking Ball, continues that tradition. Throughout the album , Springsteen tries to wake us from our national spiritual catalepsy. We, as a people, are asleep but not dead and need only to rise again to continue the struggles for labor rights, immigrant rights, and civil equality throughout our land.

 In the song, We Are Alive, Springsteen sings :

A voice cried out, I was killed in Maryland in 1877
When the railroad workers made their stand



Sixth Regiment Fighting its way through Baltimore

"Harper's Weekly, Journal of Civilization," Vol XXL, No. 1076, 
 Saturday, August 11, 1877
The Great Railroad Strike of 1877 referenced by Springsteen in the above lines was arguably the key moment in the birth of the modern labor movement in the United States. The blood of the men and women cut down on city streets and country lanes across America catalyzed labor strikes and actions that woke up a citizenry  yearning for a better life and hope in a depressed economy ruled by corporate giants that had bought the presidency for Rutherford B. Hayes.

The actions of industrialists in this era and the corruption of Hayes and his cronies answer a deeply important political question. What happened to the Republican party of Abraham Lincoln? How did the GOP devolve into a party of privilege not progressiveness? The simple answer: the Republican party was bought off by Thomas Scott of the Pennsylvania Railroad and in a perverse election deal sold off Abraham Lincoln's legacy of equality for all Americans by ending Reconstruction in the former Confederate States:
"Many Americans in 1877 believed their new president had reached the White House through fraud. Certainly Rutherford B. Hayes, a Republican, was not the man for whom a majority of voters had cast their ballots the previous year. Democrat Samuel Tilden overcame the Ohio governor in the popular vote but 20 disputed electoral votes from Florida and other states threw the election into theHouse of Representatives.


Thomas Scott of the Pennsylvania Railroad reached a deal with Hayes: in exchange for a federal bailout of his troubled investment in the Texas and Pacific Railroad, the millionaire industrialist would deliver Congressional votes to Hayes. As a further inducement, the Republicans promised to end Reconstruction, a blatant betrayal of African Americans. Southern Congressmen deserted Tilden, handing the election to Hayes."*1
Hayes came into office a few years after the bank panic of 1873 which had disintegrated into a nationwide economic depression. "Weekly the layoffs, wage cuts, strikes, evictions, breadlines and hunger increased," wrote Richard Boyer and Herbert Morais in Labor’s Untold Story

Upon taking office during this depression, as Hayes had promised to his financial and political supporters,  he withdrew federal soldiers from the South and moved the forces to act as shock troops for the newly empowered corporate barons who were slashing wages across the board. Angry railroad workers took control of switches and blocked the movement of trains. As Harper’s Weekly reported the following month, "Governor Matthews evoked the aid of the national government. President Hayes responded promptly." Federal troops armed with Springfield rifles and Gatling guns arrived." Even in the face of the overwhelming fire power arrayed against them, the railroad workers made their stand. 

When I listen to Springsteen's We Are Alive, Mississippi John Hurt's Spike Driver Blues, or REM's Driver 8,  I am reminded of the laborers who built the tracks and engines, the engineers who drove the trains like my Grandpa Desch *2, and to the Brotherhood of Sleeping Car Porters who in 1925 became the first labor organization led by blacks to receive a charter in the American Federation of Labor. 

We as a nation are only as strong as the weakest member. It is my fervent hope that many will pause to reflect today on the contributions of the labor movement to our growingly inclusive society. Now is not the time to destroy unions and their protections for all. Instead now is the time to celebrate and affirm our shared history of civil and labor rights for all. Elizabeth Broun wrote when considering the exhibit Art and the New Deal organized in 2009 by The Smithsonian Institution: 

"What seems clear is that America gains in the long term when it invests in its own heritage and people."

Happy Labor Day!










1. The UE (United Electrical, Radio and Machine Workers of America) site provides invaluable information on the history and struggles of labor in the United States and I highly recommend spending time on their website to gather a clear history of the movement.

2. My grandfather on my mother's side spent his working life as a train engineer on the Jersey Central Line. That itself sounds like a Springsteen lyric and explains part of my great love for songs of the rail.

Thursday, May 24, 2012

Notes on the Painting: A Balance of Shadows


We were not meant to survive. We were meant to live.
- W.S. Merwin


Gregg Chadwick

A Balance of Shadows

72”x96” oil on linen

A Balance of Shadows was begun in 2004 as a visual poem reflecting the tensions of our era. Today, May 24, 2012, I laid a thin transparent layer of lapis lazuli across a section of the sky. Sourced in Afghanistan, this precious stone, when ground into pigment, creates a radiant blue that has been considered auspicious in both east and west. The word depicted in Japanese script in the upper left section of the painting is satori.  The word satori is a Japanese Buddhist term for enlightenment or "understanding". In the Zen Buddhist tradition, satori refers to the experience of kensho. Kensho when used in Zen traditions refers to "seeing into one's true nature." Ken means "seeing," sho means "nature" or "essence." Satori and kensho are commonly translated as enlightenment, a word that is also used to translate bodhi, prajna and buddhahood.

A series of interactions between this painting and viewers worldwide has taken place on the web. Poets, writers and artists from Brazil, to Hong Kong, to Greece, to the Netherlands have interacted with the painting in online dialogues. I have traveled widely in my quest to understand the international connections between east and west. These global interactions inflect my understanding of the painting and help me understand my need to create this work.

Throughout my life I have been compelled to create artworks that depict a world caught between color and elegy, between memory and dream. Inspired by the Buddhist practices of people across the globe, I have created images referencing Thailand, Cambodia, Vietnam, Singapore, Malaysia, Indonesia, Korea, Japan, Burma, The United States, India and China. These artworks seem to depict a world in which humanity struggles not just to survive, but to live. My paintings bring out questions.  What does it mean to honor the space between seeing and being? What is the place of beauty in the modern world? Where is the space for contemplation in contemporary life?

In reference to my paintings of monks inspired by Eastern Philosophy, the art writer Peter Clothier has said:

“They exist in an aura of light rather than on some earthly plane. They move through space like transient beings, absorbed in their own silent, meditative isolation. In this way, they seem to project some of the real values of their Buddhist faith: the inevitable passage of time that is at the root of so much human suffering, the illusory quality of what we take to be the real world and, most importantly, the promise of an escape from suffering into enlightenment.”

- Gregg Chadwick, May 2012

Tuesday, May 15, 2012

Seeing Deeply With Art Writer Peter Clothier at Gregg Chadwick's Studio on Thursday, May 24, 2012



Dear Friends,

I am honored to invite you to register for the next One Hour/One Painting Art Meditation Session which will be led by the distinguished art writer Peter Clothier at 6:30pm on May 24th, 2012 in my studio at the Santa Monica Airport. 

Peter has recently hosted One Hour/ One Painting sessions at the Diebenkorn: The Ocean Park Series exhibit at the Orange County Museum of Art and at the LA Louver Gallery. When describing Peter Clothier's sessions, I am often asked what to expect. In short, Peter will guide a small group of people through an exercise in 'concentrated looking' over the course of one hour's time. He will do this by taking us, as individuals in a group, on a visual and contemplative tour of my large, six by eight foot, painting A Balance of Shadows. We will experience color, shape, space and image in a concentrated yet calm and meditative manner using our eyes and minds. 

I see this as an 'exercise in learning how to see' or 'how to see more deeply' rather than an exercise in the making of an art piece. To clarify, we will not be making a painting of our own during this session

While I will be at the session, I am not leading this event. It is being organized and led by Peter; there is a $25 charge per person payable to Peter Clothier by check or credit card at the event but please reserve a space with Emily  (emilypersist86@gmail.com). I am honored that Peter has chosen to hold his event in my studio (but I do not receive any of the fees.)

 Please see the flier below for further details on the piece we will be viewing, location, time, and how to register.  If you have any questions feel free to contact me via email or my cell 
415 533 1165, Peter's assistant Emily at emilypersist86@gmail.com, or Peter Clothier at peterclothier@mac.com

This session will be discreetly videotaped for possible inclusion on the website of the Buddhist Journal, Tricycle. More on Tricycle at: http://www.tricycle.com/

I hope to see you at my studio on May 24, 2012.

Gregg



Peter Clothier's Bio:

Peter Clothier has a long and distinguished career as an an internationally-known art writer, novelist and poet. Peter avoids the jargon that obscures much current writing about art by using readily understood language that illuminates rather than obfuscates. Clothier seeks to achieve a harmony of mind, heart, and body in his work, and looks for this quality in the artists he writes about. His work has appeared in the Los Angeles Times, Artscene, ARTNewand other publications. Peter writes a daily weblog,The Buddha Diaries, and is a contributing blogger to The Huffington Post. He also hosts a monthly podcast entitled "The Art of Outrage," on ArtScene Visual Radio."
Peter Clothier's latest books are 
Persist and Mind Work.


Monday, January 30, 2012

Peter Clothier's Inspiring New Book: Mind Work

by Gregg Chadwick






Peter Clothier's Mind Work explores the history and spiritual dimensions of his inspiring life. Clothier is known for insightful writing on the arts and artists which adds luminosity to the events depicted in Mind Work. The volume delves deeply into a life well lived and inspires us to consider our own lives in a spirit of humility and acceptance. 

The book is  structured into a series of essays that reflect an admiration for Montaigne's writings. In this spirit, each chapter of Mind Work dwells upon a singular idea and illuminates this idea with episodes drawn from Clothier's experiences. 

Mind Work deftly weaves Peter's family history into essays rich with metaphysical questioning. Looming behind much of Clothier's life is the recurring struggle to both live up to his father's dreams for him and to overcome them. In one pivotal chapter, Clothier and his wife Ellie encounter, for the first time, Michelangelo's sculpture of Moses in the Church of St. Peter in Chains in Rome. Clues to Peter's past, present and future are found in that moment. As I read that passage, I pictured all the Peter Clothiers depicted in the book - from the just named infant, to the wounded boy, to the young man on the train to Spain, to the adolescent bloodied in a German car crash, to the young father unsure of life and family, to the art writer, to the academic, to the inspirational man that Peter is today. 

The Buddhist practice of meditation plays a vital role in Peter's life. Discussions of Buddhism provide an interconnecting thread throughout Mind Work. In essence, life for Peter can be seen as a series of actions and then the result of these actions. Peter's mantra, "This is not me. This is not mine. This is not who I am.", guides us through Mind Work and reminds us of the inspired discipline found in his spiritual struggles and triumphs. 

Peter Clothier's Mind Work  honestly grapples with one man's life and expands the viewpoint to help us consider the human condition. The writing in Mind Work  is cinematic and brings us face to face with the rich life and the fertile mind of Peter Clothier. 

Highly recommended.





Peter Clothier Reads by Torchlight at the Standard Hotel, Hollywood
photo by Gregg Chadwick



More at:
Parami Press: Mind Work by Peter Clothier
Peter Clothier's Always Engaging Blog: The Buddha Diaries

Thursday, June 10, 2010

BuddhaFest "Om" Flashmob in a Washington DC Bookstore

"June 09, 2010 — What if we could make a difference by doing something simple? A bunch of us walked into a bookstore in downtown Washington, DC, sat down and started chanting OM. Here's what happened."



BuddhaFest "Om" Flashmob in a Washington DC Bookstore
Produced by Cory Wilson

DC's First Buddhist Film Festival runs from June 17th until June 20th.

SCHEDULE
All events at the Katzen Arts Center at American University unless otherwise noted on the schedule. A few events will be held across the street at the Kay Spiritual Life Center.

Location

4400 Massachusetts Ave, Washington, DC, 20016

THURSDAY - JUNE 17

6:30 PM | Opening Reception: Featuring contemporary Asian refreshments from Mie N Yu of Georgetown and an opening ceremony led by Tibetan Drupon Tinley Ningpo.

8:00 PM | Opening Film: Cherry Blossoms

FRIDAY - JUNE 18

4:30 PM | FREE SCREENING: Fire Under the Snow

7:00 PM | Program: Tara Brach and Lama Surya Das

Living Buddha - Awakening in Today's World. Lama Surya Das and Tara Brach share teachings and practices that invite the unfolding of our deepest human potential for love, understanding and freedom.

9:00 PM | Screening: Dhamma Brothers

SATURDAY - JUNE 19

10:00 AM | Meditation and Teaching: Lama Surya Das

11:30 AM | Lunch (on own)

1:00 PM | Soto Zen Priest Ryumon H.G. Baldoquin, Sensei leads a meditation and talk as an introduction to the 2 pm film.

Talk: Can We Hear the Birds Sing? An Intimate Look at Differences within U.S. Buddhism.

2:00 PM | World Premiere Screening: Colors of Compassion: The Teachings of Thich Nhat Hanh

3:00 PM | Q&A with Eloise DeLeon, the filmmaker. Ryumon H.G. Baldoquin, Sensei will then lead a discussion about the film and the issues raised in it.

4:30 PM | Screening: Tulku

6:30 PM | Screening: Burma VJ, 2010 Academy Award Nominee for Best Documentary

7:00 PM | Screening: Blessings (at the Kay Spiritual Life Center)

9:00 PM | Screening: Meditate and Destroy

9:00 PM | Screening: The Buddha (at the Kay Spiritual Life Center)

SUNDAY - JUNE 20

10:00 AM | Meditation and Teaching: Lama Tsony

11:30 AM | Picnic for Peace
Take part in a meditation on peace and enjoy a meal with others who share the same vision. A vegetarian meal plus a bottle of water will be available for $7. You may also bring your own lunch.

1:00 PM | Screening: Peace is Every Step

2:00 PM | Discussion: Peace In, Peace Out

Hugh Byrne, co-founder of the Washington Buddhist Peace Fellowship, leads a panel discussion on the film and on engaged Buddhism. Panelists include Bill Aiken, associate national director of Soka Gakkai International - USA Buddhist Association, and peace activist Colman McCarthy, founder of the Center for Teaching Peace.

A commitment to the Buddhist principles of compassion, peace and equanimity poses the challenge of embodying those qualities at work, school, in family life, and through social action. Join us for a group discussion on engaged Buddhism, on how peace on the inside can lead to peace on the outside, and how meditation in action can change the world.

3:00 PM | FREE Workshop: Want to Be a Peacemaker? Start at Home

Everyone has grand theories about solving conflicts across the ocean, but it's across the living room where it gets tricky - or wild. Colman McCarthy leads this one-hour workshop on the basic steps of nonviolent conflict resolution.

3:30 PM | Double-Feature Screening: Compassion in Exile

4:30 PM | And: Dreaming Lhasa

5:30 - 7:00 PM | Tibetan Dinner: Enjoy delicious homemade Tibetan food for dinner while supporting our local Tibetan community. No ticket required. You may purchase food a la carte.

7:00 PM | Closing Program: Sharon Salzberg
A leading American teacher and author concludes the festival with a meditation and talk. Special musical guest Ben Beirs. The evening will conclude with a closing ceremony of chants and prayers led by Tibetan Drupon Tinley Ningpo.


Shumisen
Gregg Chadwick
Shumisen
Posted in solidarity with BuddhaFest

Details at:
BuddhaFest

Presented by Eric Forbis & Gabriel Riera
Made possible by a team of volunteers
Sponsored by the Kay Spiritual Life Center at American University
And the Insight Meditation Community of Washington
With appreciation to the International Buddhist Film Festival



Thanks to Gabriel for the info!

Wednesday, March 24, 2010

Peter Clothier @ Artillery Magazine Art Series at the Standard Hotel


Peter Clothier Reads at the Standard by Paige Wery's Torchlight (March 23, 2010)

Artillery Magazine hosted an intimate event with art writer Peter Clothier last night at the Standard Hotel in Hollywood.
Peter began the evening by reading a bit from his new book Persist and then in an honest vulnerability spoke of his personal and artistic challenges to a supportive audience. Peter encouraged the group to face the inhibiting lies that keep us from reaching our full potential in art and life. Peter explained that his personal lie began at his birth when he was delivered with an umbilical cord wrapped around his neck. A skilled, quick thinking nurse cut the cord but Peter spent much of his life held back by the illusion that "I shouldn't be here. I shouldn't be alive." Peter Clothier has left that illusion behind. In Persist and on his continuing book tour, Peter provides vital clues and encouragement learned through meditation and community to his readers.

Congrats to Peter Clothier and to Artillery Magazine publisher Paige Wery for an important event.
Read Peter's thoughts on the evening on his blog :The Buddha Diaries

Artillery Magazine's next event at the Standard - this time at the Downtown Standard will be held on Sunday, April 11, 2010:
ROUND TWO * ART DEBATES
(arguing the issues that really matter)
2-6 P.M.
Debate Starts at 3P.M. sharp
THE STANDARD, DOWNTOWN- LA ART SERIES

LOWBROW & HIGHBROW: ROBERT WILLIAMS VS. EZRHA JEAN BLACK
PORNOGRAPHY IN ART: ZAK SMITH VS. BETTY ANN BROWN
ECONOMY & CREATIVITY: ROBERT BERMAN VS. SHANA NYS DAMBROT PROJECT DEITCH: MAT GLEASON VS. MARGARET LAZZARI

THE STANDARD
550 South Flower Street
$15 Valet Parking /Self Park Lots Nearby

artillerymag
standardhotels

Monday, March 22, 2010

Peter Clothier Reads from Persist on Tuesday March 23, 2010 at 7 pm at The Standard, Hollywood

A Reading by Peter Clothier
Date/Time: Tuesday March 23 at 7 pm
Location: The Standard, Hollywood
Please join Peter Clothier from 7 to 10 PM in the Cactus Lounge for this public event
Hosted Wine bar for the first hour


Artillery Magazine presents a special book reading and signing of
Persist: In Praise of the Creative Spirit in a World Gone Mad with Commerce, by writer Peter Clothier.

Peter Clothier's Persist: In Praise of the Creative Spirit in a World Gone Mad with Commerce arrives at the perfect time. As the art world tries to reinvent itself in the current economic malaise, Clothier's book inspires us to see the soul and spirit inherent in the creative process. Money may not be the root of all evil but it is the root of a lot of bad art. Peter Clothier challenges artists, writers, actors and filmmakers to value artistic process as a goal in itself rather than a path to wealth and power. Most of all, Clothier urges us to keep on creating - to never give up. The world would be a lesser place without the arts. A beautiful, inspiring book. Highly recommended.

Peter Clothier is a long time student of the dharma and a meditation practitioner. In this context he examines the qualities of compassion, perseverance and discernment on the artist's predicament in a world that judges success in terms of celebrity and material reward. Peter describes his new book:
"The title, together with the subtitle, pretty much says it all. This latest book is a collection of essays, written over the past thirty years, addressing in a variety of ways the predicament of the artist in a cultural climate in which celebrity and established commerical track record too often count for more than talent and quality of work. Yet artists of all kinds still have to "do it"- if only because that's who they are. The book describes strategies I myself have found to be indispensible in learning to "persist" beyond the all too familiar obstacles: practice, the exercise of mental and logistical discipline, and building community."
Peter Clothier has a long and distinguished career as an an internationally-known art writer, novelist and poet. Peter avoids the jargon that obscures much current writing about art by using readily understood language that illuminates rather than obfuscates. Clothier seeks to achieve a harmony of mind, heart, and body in his work, and looks for this quality in the artists he writes about. His work has appeared in the Los Angeles Times, Artscene, ARTNews and other publications. Peter writes a daily weblog,The Buddha Diaries, and is a contributing blogger to The Huffington Post. He also hosts a monthly podcast entitled "The Art of Outrage," on ArtScene Visual Radio."
Peter Clothier's latest book is
Persist.



Available from the publisher at: Peter Clothier's Persist from Parami Press And from Amazon: Peter Clothier's Persist Peter Clothier's blog The Buddha Diaries is continually informative and entertaining.




8300 Sunset Boulevard
Hollywood California 90069
Phone: (323) 650-9090

For inquiries and questions email : hollywood@standardhotel.com



&

Thursday, March 18, 2010

Peter Clothier's Review: "Monks"

Peter Clothier's new review of my work captures the soul and spirit of my art.



"There is an other-worldly quality to Gregg Chadwick's paintings, a sense of liberation from the bonds of gravity that define our physical existence. They celebrate the dedication of the monks they portray and convey some of the quiet joy that freedom from earthly needs invests in them. And yet, too, there is an elegiac tone, a kind of nostalgia for a manifestation of the purely spiritual that most of us can never hope to attain. The paintings are truly captivating in that they invite us irresistibly into their spaces and hold the attention there in their swirl of light and color, suggesting inexhaustible depths of experience for the eye to explore."
-Peter Clothier


Please read the full review here on Peter's site:
Monks by Peter Clothier

Peter Clothier has a long and distinguished career as an art writer, novelist and poet. His work has appeared in the Los Angeles Times, Artscene, ARTNews and other publications. Peter writes a daily weblog, The Buddha Diaries, and is a contributing blogger to The Huffington Post. He also hosts a monthly podcast entitled "The Art of Outrage," on ArtScene Visual Radio.

Peter Clothier's latest book is Persist.

Tuesday, February 23, 2010

The Soul of Art: Peter Clothier's "Persist"



Peter Clothier's Persist: In Praise of the Creative Spirit in a World Gone Mad with Commerce arrives at the perfect time. As the art world tries to reinvent itself in the current economic malaise, Clothier's book inspires us to see the soul and spirit inherent in the creative process. Money may not be the root of all evil but it is the root of a lot of bad art. Peter Clothier challenges artists, writers, actors and filmmakers to value artistic process as a goal in itself rather than a path to wealth and power. Most of all, Clothier urges us to keep on creating - to never give up. The world would be a lesser place without the arts. A beautiful, inspiring book. Highly recommended.

Available from the publisher at:
Peter Clothier's Persist from Parami Press
And from Amazon:
Peter Clothier's Persist

Peter Clothier's blog The Buddha Diaries is continually informative and entertaining.

Peter Clothier has a series of upcoming events in Los Angeles. See below: