Monday, April 20, 2015

Love Songs to the City

by Gregg Chadwick


Turn the nightly news on today, or scan the latest headlines on your iPhone, and it would seem that the world grows uglier each day. Eleven years ago, I wrote about my search for images of peace. I hearken back to those thoughts prompted by a memory of a time in Perth, Australia reading an art review concerning an exhibition about non-violence. The title of the review was "How do you paint peace?" Prompted by these ongoing concerns, I have been creating a new series of paintings using ideas of New Urbanism - Los Angeles in particular with peace as a subtext. What the amazing writer, actor, and teacher Claudette Sutherland, in my studio yesterday evening, called "Love Songs to the City." 



Gregg Chadwick
Third L.A. (for Christopher Hawthorne)
30"x24" oil on linen 2015


Three books published in the last few years should be on every peacemaker's bookshelf: Steven Pinker's The Better Angels of Our Nature, Michael Shermer's The Moral Arc, and the Dalai Lama's Beyond Religion: Ethics for a Whole World. These three volumes begin with the premise that global violence on an historical timeline is not getting worse and that humanity is generally good. 



Gregg Chadwick
Thursday's Child
8"x6" oil on panel 2015


 Pinker's book successfully argues that the past was a much more brutal time. “The decline of violence may be the most significant and least appreciated development in the history of our species,” Pinker writes. As Elizabeth Kolbert notes in The New Yorker,"Another key development in Pinker’s narrative is the rise of cities, which in turn demanded stricter codes of conduct." This thought in Pinker's work connects to my painterly exploration of our new era in Los Angeles.  As the architecture writer for the Los Angeles Times explains - there have been three distinct iterations of modern L.A.:


"The First Los Angeles, stretching roughly from the city’s first population boom in the 1880s through 1940, a city growing at an exponential pace built a major transit network and innovative civic architecture.
In the Second Los Angeles, covering the period from 1940 to the turn of the millennium, we pursued a hugely ambitious experiment in building suburbia –- a privatized, car-dominated landscape –- at a metropolitan scale.
Now we are on the cusp of a new era. In a series of six public events, some on the Occidental College campus and others elsewhere, the Third Los Angeles Project will explore and explain this new city. "



 Shermer argues that because of the Enlightenment, thinkers consciously applied the methods of science to morally solve social struggles and that again, on an historical timeline, humanity is in the most moral period in history. 



The Dalai Lama makes it clear in Beyond Religion: Ethics for a Whole World that an individual does not have to be religious to be ethical. Love and compassion are necessities for living. Compassion expresses deep sensitivity to the sufferings of others and a fierce drive to help alleviate those sufferings. Compassion is also the realization that we - human beings, animals, and the earth itself - are all interconnected.




Again I ask you: 
How would you paint peace? 
How would you create the idea of peace in your music? In your writing? In your life?

Saturday, April 18, 2015

Einstein's Taxidermy: Julia Elliott's "The New and Improved Romie Futch"

by Gregg Chadwick

Julia Elliott's new novel, The New and Improved Romie Futch, takes us on a Southern adventure that seems inspired by the absurdly picaresque world of John Kennedy Toole's A Confederacy of Dunces, the cyber/ historic cosmography of David Mitchell's Cloud Atlas, the dangerous science of Mary Shelley's Frankenstein, the obsessive hunt of Herman Melville's Moby Dick, and the eerily foreboding scape of Don De Lillo's White Noise, blended with the environmental warning of Rachel Carson's Silent Spring, all played to a soundtrack by the pioneering electronica musician Delia Derbyshire. 




Romie Futch lives in an alternative yet still contemporary South Carolina, where hipsters seem to have swarmed South from Brooklyn and East from Portland to mingle and clash with characters that still haven't moved far from their High School glory days. Romie Futch is one of these down at the heels locals.  Romie's ex-wife haunts his dreams and waking memories while creditors are poised to seize his house. Romie has become an expert at avoiding his less than booming taxidermy business with a daily regimen of internet distractions and it must be 5 o'clock somewhere beverage choices. Challenged in pecuniary matters, Romie decides to answer an ad searching for well paid research subjects for the mysterious Center for Cybernetic Neuroscience in Atlanta, Georgia. 


Elliott's novel shifts locales here in a Tardis like fashion as Romie finds himself in an eerie world of lab coats and human experiments. Memories, always untrustworthy, erupt at inopportune times as Romie and  his fellow test subjects gather nightly at dinner to spar with their new neuroscience-enhanced cognitive abilities and burgeoning artistic powers. The neurally enhanced taxidermist, vows to return to his hometown and finally pursue his long dormant dream of becoming an artist. Life and the lingering effects of the neural experiments on him and his fellow guinea pigs intervene as well as the shadowy form of a seemingly mythical thousand-pound feral hog that has been terrorizing Romie's home county. 

Julia Elliott's language is rich and well played - at times darkly humorous, but also poignantly life affirming. Elliott's story is deftly crafted like Delia Derbyshire's haunting theme song for Doctor Who, originally composed by Ron Grainer, but transformed by Derbyshire into a futuristic swirl of spliced snippets of sound. Julia Elliott's The New and Improved Romie Futch is a literary swirl of Southern Gothic and dystopian Science Fiction that helps us laugh at our own foibles even as we try to create a better future. Highly recommended.




Julia Elliott’s The New and Improved Romie Futch goes on sale on October 19, 2015.
Her fiction has appeared in Tin House, the Georgia ReviewConjunctionsFencePuerto del SolMississippi ReviewBest American Fantasy, and other publications. She has won a Pushcart Prize and a Rona Jaffe Writer’s Award. Her short story collection, The Wilds, was published by Tin House Books in 2014, and she is currently working on a novel about Hamadryas baboons, a species that she has studied as an amateur primatologist. She teaches English and women’s and gender studies at the University of South Carolina in Columbia, where she lives with her daughter and husband. She and her spouse, John Dennis, are founding members of Grey Egg, an experimental music collective.

Sunday, April 12, 2015

Fragonard's Transformation of "Young Girl Reading"

And now for the big reveal . . . introducing Fragonard’s “Portrait of a Woman with a Book” (simulation)! Our researchers were able to establish that “Portrait of a Woman with a Book” existed as a “complete” painting for at least six months before it was changed into “Young Girl Reading.” The composition once showed a woman with her head turned outwards, looking at the spectator. She wore a large feathered headdress dotted with colored beads, a thinner neck ruffle than in the subsequent painting, and she was illuminated by a frontal light source. An amorphous folding shape in the background behind her was suggested to be a curtain on the basis of precedents in 17th- and 18th-century French portraiture. Read the full story of how we came to this discovery: http://www.nga.gov/content/ngaweb/press/2015/fragonard.html This simulation, generated by cross-referencing various imaging techniques, was created by Gallery staffers Becca Goodman and Denis Doorly. Stay tuned as our three detectives Yuriko, John, and Michael continue their research on the series. Look for an upcoming talk at the Gallery in June! #ArtAtoZ #GirlReading
A photo posted by National Gallery of Art (@ngadc) on

Saturday, April 11, 2015

Slow Art Day - April 11, 2015

by Gregg Chadwick
















Today is Slow Art Day at galleries and museums across the globe. The idea behind Slow Art Day is simple. In our hurried lives, we rarely take time to look deeply at anything - whether it is our lover's eyes, our child's smile, or the new leaves on the tree outside our window. Slow Art Day helps us stop and look. The technique is quite easy, but can lead to deep insight. 

First, visit one of the galleries or museums listed on the Slow Art Day site. (Deep appreciation to the Slow Art Day site for the comprehensive guide.) Second, while at the art venue, look at five works deeply and slowly.  Third, after viewing the work meet up with other participants and the volunteer host for a bite to eat and a time to discuss what you saw and how it made you feel.

Most of all - breathe and enjoy!


The 2010 ARTNews article, Slow Down You Look Too Fast, provides a nice overview of Slow Art Day. And noted art writer Peter Clothier has been leading participants in his Slow Looking (One Hour/One Painting) events for over fifteen years. Peter held one of these events in my studio a few years ago. I highly recommend attending one of Peter's Slow Looking events. As I write this (10 am Saturday, April 11, 2015) Peter is holding a Slow Looking session at the Craig Krull Gallery in Santa Monica with the richly evocative paintings by Astrid Preston.
Peter Clothier Leading A Slow Looking Session With the Work of Gregg Chadwick
photo by Joanne Warfield

Video Demonstration

Made along with the participants at Gregg Chadwicks studio in Santa Monica, this video was filmed live by David Lowther.  It provides a full length example of my One Hour/One Painting sessions and demonstrates the techniques involved in this guided meditation and contemplation.


Friday, April 10, 2015

President Obama Heroically Supports a Ban on Conversion Therapy for LGBTQ Youth (New Video)

by Gregg Chadwick




photo by White House photographer Pete Souza of President Obama and rainbow 
April 9, 2015 in Jamaica

Today the White House released an historic video on its YouTube channel calling for a ban on conversion therapy for LGBTQ individuals. I am heartened by this important development that follows up on President Barack Obama's support for a ban on all forms of so-called "conversion" therapy for minors, also known as "reparative" or "ex-gay" therapy. These efforts by the White House to lovingly support LGBTQ folks are game changing. The White House provides a clear statement of intent on their video page:


"The overwhelming scientific evidence demonstrates that conversion therapy, especially when it is practiced on young people, is neither medically nor ethically appropriate and can cause substantial harm.

As part of our dedication to protecting America’s youth, the Obama administration supports efforts to ban the use of conversion therapy for minors."



The White House announcement was in response to a popular petition calling for the federal government to enact Leelah's Law, which would ban sexual orientation and gender identity change efforts nationally. Leelah's Law is named for Leelah Alcorn, a transgender teen who took her own life after being subjected to misguided attempts to get her to perform as a cisgendered male by her family and church.


President Barack Obama and his administration have moved America towards a positive, inclusive future. I cannot recall any other administration that has supported LGBTQ citizens so profoundly.


Thanks you President Obama.


Please watch this beautiful and inspiring message of love, support and hope.










photo by White House photographer Pete Souza of President Obama and rainbow 
April 9, 2015 in Jamaica