Speed of Life

Krazy Kat caught in an alley  By Kent Chadwick                         ________                         ________                         ___   ___             Krazy Kat Caught in an alley                         caterwauling             night in Garwood                         New Jersey      ...

Paul Georges The Studio 120”x79 1/2” oil on canvas 1965 The Whitney Museum Collection, New York Courtesy Paul Georges Estate Michael Stein's new novel "The Rape of the Muse" ponders the worth of art and the place of beauty in our contemporary society. Stein's re-imagining of painter Paul Georges' trial for libel in 1980 updates the events to the 21st century and fleshes out the characters with a post September 11th ennui. When Georges' trial took place in 1980, the Neo-Expressionist boom in art was just beginning. Emotional, brightly colored paintings using the figure as a theme filled galleries in New York and Europe. In that time Paul Georges’ artwork was included in exhibitions at the Whitney Museum in New York, the Rose Art Museum at Brandeis, and the Pennsylvania Academy of Fine Arts. But still, Georges was an outsider looking in on an art world that often considered narrative painting to be atavistic at best - reactionary at worst. Paul Georges ...

Gregg Chadwick Theater of Memory 48"x48" oil on canvas 2011 Theater of Memory New Paintings by Gregg Chadwick Curated by Melissa Pickford Monterey Peninsula College Art Gallery Opening on October 4, 2011 Runs until November 4, 2011 One could say we all create paintings as we distill meaning from the rush of life. Experiences, moments, thoughts, actions, memories, and dreams mix together and overlap in our minds and hearts bringing patterns and understanding in our everyday life. My paintings in the exhibit, Theater of Memory at the Monterey Peninsula College Art Gallery, echo this cognitive-emotional process. My artworks evolve through a series of painting sessions in which colors and images overlap, merge, and flow. At times, my paintings begin close to home with remembered dreams of family members. In the title painting, Theater of Memory , my much loved late nephew Luke Chadwick appeared unbidden, but at the perfect moment. His faint smile recalled a day ...

TO: Sunday Show Producers FR: David Axelrod, Senior Strategist Public polling released this week makes clear that Americans strongly agree with the President’s plan to create jobs and provide economic security for the middle class and believe that leaders in both parties should move quickly to pass the American Jobs Act. Members of the media have focused on the President’s approval ratings as if they existed in a black box. Following the intransigence of the Republicans during the debt debate, the approval rating of the GOP brand dropped to a historic low. The approval rating of Congress dropped to a near historic low. Americans are still dealing with the impact of the financial crisis and recession and the long-term economic trends that have seen wages stagnate for many, and that is manifested in their anger towards Washington. There’s no doubt that Americans are calling on leaders in Washington to take immediate action to address their economic challenges -- exactly what the ...

James Turrell at Kayne Griffin Corcoran In 1966, James Turrell began experimenting with light at Santa Monica's Mendota Hotel, which he used as his visual laboratory. Turrell covered the windows, leaving slits that allowed prescribed amounts of light from the street outside to shine through the openings. After these experiments Turrell expanded his work, using halogen projectors to beam light across darkened rooms. From a distance the projected shapes appeared solid, but as viewers moved closer the numinous forms vanished revealing nothing more than light cast against flat walls. Two of these Cross-­‐Corner Projections, Carn White (1967) and Phantom Blue (1968), will be included in James Turrell: Present Tense. which opens tomorrow - Thursday, September 15, 2011 at the Kayne Griffin Corcoran Gallery in Santa Monica. James Turrell: Present Tense is part of Pacific Standard Time , which documents the Los Angeles art scene from 1945-1980. Pacific Standard Time is an unprecede...

Ed Ruscha Standard Station, Amarillo, Texas 64.5" x 121.75" oil on canvas 1963 Hood Museum of Art, Dartmouth College, Hanover, New Hampshire © Ed Ruscha Opening this month in Southern California are a series of art exhibitions, Pacific Standard Time , documenting the Los Angeles art scene from 1945-1980. Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California. Initiated through grants from the Getty Foundation, Pacific Standard Time will take place for six months until April 2011. In a Teaser for Pacific Standard Time , Anthony Kiedis from the Red Hot Chili Peppers Takes Artist Ed Ruscha for a Ride The Getty Museum's comphrehensive exhibit of the period, Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970 , opens on October 1, 2011. More at: Crosscurrents in L.A. Painting and Sculpture, 1950-1970

Peter Gabriel and Youssou N'Dour Perform Gabriel's Song Biko at Friends United Against Malaria - Genève, Switzerland on 08/10/2005. Today, September 12, 2011, on the anniversary of Steve Biko's death at the hands of the South African security police, I reflect on the impact Mr. Biko had on South Africa and the world. I stand with Artists for a New South Africa and proclaim, "Biko lives on!" On September 12,1977 Steve Biko died in in police custody in South Africa. The leader of the black consciousness movement in South Africa, Steve Biko, was 30 years old. Mr Biko had been in custody since August 18, 1977. He was the 20th person to die in custody during an 18 month stretch in 1976-1977. Steve Biko left a wife and two children. Steve Biko's Biography Steve Biko was born in South Africa in 1946. He became active in the anti-apartheid movement in 1960s when he was studying medicine at the University of Natal. Steve Biko organized the South Africa...

Gregg Chadwick Engine Company 48"x36" oil on canvas 2011 In Memory September 11, 2001 - September 11, 2011 Paul Simon performs 'The Sounds of Silence' at Ground Zero for the 9/11 Anniversary

Gregg Chadwick Beauty and Sadness ( 美しさと哀しみと) Often cocooned in our metal boxes as we speed through our days, modern life can seem barren and uncreative. How do we find joy in our lives? Where is that creative spark found? Join Gregg Chadwick and Phil Cousineau as we explore the nature of beauty in our art and being. Coming up at Esalen during the weekend of September 30 through October 2nd 2011, we will venture into the realms of artistic creation and personal discovery with exercises in visual art and discussions around the mythic importance of beauty. I hope you can join us at Esalen as we use the arts to get back to life. For info and reservations: Who Stole the Arms of the Venus de Milo? The Myth of Beauty from Aphrodite to Ansel Adams Feel free to email me directly with questions or ideas at speedoflife@mac.com .

Symphonie des Lichts (Symphony of Light) photo by Gregg Chadwick Seeing Through the Eyes of the Mona Lisa ARENA 1 Gallery Curated by Yossi Govrin & Krista Augius Exhibition: Sept. 10 – Oct. 1, 2011 Opening Reception with Baroque Music: Sept. 10, 6-9 p.m. The camera is ubiquitous in contemporary life. Nearly everyone is a photographer, most often recording the personal and mundane but occasionally capturing news-breaking images of world historical importance. With digital cameras, we have become instant gratification consumers of our own portraits. What are we looking at, and what are we seeing? Photographers include Sabine Pearlman, Gregg Chadwick, Doni Silver Simons, Kathy Peck Leeds, Yossi Govrin, David Leeds, Krista Augius, & more... Saturday, Sept 10 6-9pm Exhibition: Sept 10 - Oct 1, 2011 3026 Airport Ave,Santa Monica,CA90405 More info at: 310/397-7456

The American Jobs Act President Obama's Speech on Jobs September 8, 2011 Full Text Mr. Speaker, Mr. Vice President, Members of Congress, and fellow Americans: Tonight we meet at an urgent time for our country. We continue to face an economic crisis that has left millions of our neighbors jobless, and a political crisis that has made things worse. This past week, reporters have been asking “What will this speech mean for the President? What will it mean for Congress? How will it affect their polls, and the next election?” But the millions of Americans who are watching right now: they don’t care about politics. They have real life concerns. Many have spent months looking for work. Others are doing their best just to scrape by – giving up nights out with the family to save on gas or make the mortgage; postponing retirement to send a kid to college. These men and women grew up with faith in an America where hard work and responsibility paid off. They believed in a country ...

Video for Ry Cooder's powerful new song No Banker Left Behind

Gregg Chadwick Stilled Life (Akihabara) 30"x22" monotype on paper 2011 TOWN OF CATS (Excerpt from 1Q84) by Haruki Murakami At Koenji Station, Tengo boarded the Chuo Line inbound rapid-service train. The car was empty. He had nothing planned that day. Wherever he went and whatever he did (or didn’t do) was entirely up to him. It was ten o’clock on a windless summer morning, and the sun was beating down. The train passed Shinjuku, Yotsuya, Ochanomizu, and arrived at Tokyo Central Station, the end of the line. Everyone got off, and Tengo followed suit. Then he sat on a bench and gave some thought to where he should go. “I can go anywhere I decide to,” he told himself. “It looks as if it’s going to be a hot day. I could go to the seashore.” He raised his head and studied the platform guide... Continue reading in The New Yorker at: Excerpt from Haruki Murakami's Upcoming Novel 1Q84 Above: The Cover for Haruki Murakami's New Novel 1Q84: 1. Jacket 2. Binding...

by Gregg Chadwick In his first work of fiction,  The Wandering Falcon , Jamil Ahmad depicts a world caught between timeless paths of migration and geo-political modernity. Ahmad knits together a series of short stories that cover the life arc of one young man, Tor Baz - the wandering falcon of the title, as he journeys from infancy to manhood. Inspired by his time as a civil service worker in the tribal areas of Pakistan, Ahmad writes of a world governed by clan and custom. During his time as a powerful emissary of the Pakistani government under the tribal region's frontier governing system, Jamil Ahmad simultaneously served as politician, police chief, judge, jury and executioner. Bits of this personal history are woven within the stories, including hints of Jamil's wife's German heritage. Environmentalist and activist Helga Ahmad was instrumental in encouraging her husband Jamil to move from  halting first attempts at poetry to richly crafted stories of people, p...

Gregg Chadwick The Diasporist (Portrait of RB Kitaj) 30"x22" monotype on paper 2011 The work of RB Kitaj continues to inspire and humble me in my artistic quest. His fervent questioning in print and paint acts as a beacon. He is greatly missed. R. B. Kitaj (1932-2007) talks about the profound influence of Cézanne on his work. The architect MJ Long on her friendship with RB Kitaj. More at: The Paris Review on RB Kitaj

by Gregg Chadwick Utagawa Hiroshige (Ando) Sudden Shower Over Shin-Ohashi Bridge and Atake (Ohashi Atake no Yudachi) (#58 from One Hundred Famous Views of Edo) Sheet: 14 3/16" x 9 1/8" woodblock print 9th month of 1857 Brooklyn Museum Photo Courtesy The Brooklyn Museum Japanese fiction is a great love of mine. My taste ranges widely from the postmodern antics of Murakami, to the quiet intellectualism of Endo, to the luminous spaces of Kawabata, and to the pent up rage of Mishima. In a culture which traditionally values quietly getting along even when catastrophe strikes, fiction allows a space for readers to wail with those who hurt and lash out at those who would oppress. Japanese novels of mystery and horror provide such a space to ponder the darker recesses of humanity. Mystery writer Keigo Higashino, originally from Osaka and now resident in Tokyo, is currently one of the best selling authors in Japan. Reading "The Devotion of Suspect X" provides un...

Take a video tour through Gilbert 'Magu' Lujan's Hollywood and Vine Metro station. I am heartened to see the appreciation that Magu is receiving after his death. It seems that Los Angeles does remember its own. More at: Appreciation: Gilbert 'Magu' Lujan's Hollywood and Vine Metro station

Gregg Chadwick Chicanismo (for Gilbert "Magu" Lujan) 22"x30" monotype on paper 2011 With great sadness, the city of Los Angeles mourns the passing of the trail breaking artist Gilbert "Magu" Lujan. Please read Peter Clothier's heartfelt words on the Huffington Post: Followers of the contemporary art scene -- and indeed Chicano art enthusiasts everywhere -- will want to hear of this opportunity to come to the support of one of its most important pioneers and practitioners. Gilbert "Magu" Lujan is currently in a life-and-death battle with cancer, and is caught up in the pernicious web of our national health care nightmare. Friends and family are staging a series of fund-raising events in August to help with medical costs and the preservation of Magu's legacy. Please continue at Gilbert "Magu" Lujan: A Benefit

Gregg Chadwick Brecht's Song 30"x22" monotype on paper 2011 In memory of Amy Winehouse.

Amy Winehouse Back to Black BBC One Sessions Singer Amy Winehouse died today in London at 27. Her struggles with addiction were well documented. But against all odds her voice broke through the pain and called to us to live our lives with soul. She will be greatly missed. Photo Getty Images

Norman Rockwell The Problem We All Live With 36” x 58” oil on canvas 1963 Collection The Norman Rockwell Museum (Currently on loan to the White House through October 2011) Civil Rights icon Ruby Bridges visited the White House on July 15, 2011 to view Norman Rockwell's 1963 painting, The Problem We All Live With , which depicts Ruby as a young girl on her way to first grade after the school board mandated the desegregation of two New Orleans schools in 1960. Six year old Ruby Bridges was escorted by Federal Marshals to New Orleans' William Frantz Public School as its first African American student, ushering in the integration of the local public school system. President Barack Obama, Ruby Bridges, and representatives of the Norman Rockwell Museum view Rockwell’s "The Problem We All Live With,” hanging in a West Wing hallway near the Oval Office, July 15, 2011. (Official White House Photo by Pete Souza) Norman Rockwell's The Problem We All Live With will...

A nice video from Winona State University documenting my large, commissioned painting from 1999 - Cartographer's Dream.

Gregg Chadwick Calvino's Elephant 30"x40" oil on linen 2011 "In fact, the elephant recognizes the language of his homeland, obeys orders, remembers what he learns, knows the passion of love and the ambition of glory, practices virtues “rare even among men,” such as probity, prudence and equity, and has a religious veneration for the sun, the moon, and the stars." - From Man, the sky and the elephant pp. 315-330 of The Uses of Literature by Italo Calvino, Harcourt, Brace Jovanovich, New York, 1986. Pliny the Elder identified the elephant as the animal spiritually “closest to man.” The phrase “Maximum est elephas proximumque humanis sensibus” opens Pliny’s Historia Naturalis , Book VIII. In turn this inspired the brilliant Italian writer, Italo Calvino, in his introductory essay to Pliny’s Historia Naturalis . And I am again reading WS Merwin's recent book of poems - The Shadow of Sirius - and thinking deeply about the mystery of our place in the ...

Gregg Chadwick Setsuko's Room 30"x40" oil on canvas 2011

Jasper Johns Flag 42 1/4" x 60 5/8" Encaustic, oil, and collage on fabric mounted on plywood 1954-55 (dated on reverse 1954) Gift of Philip Johnson in honor of Alfred H. Barr, Jr. Museum of Modern Art, New York © 2011 Jasper Johns / Licensed by VAGA, New York, NY "In its stilled lucidity lurk half-readable stories: the small-fry stuff of yesterday's papers, or important events? Do they add up to some secret meaning? There is the sense of many lives, many narratives hidden beneath the common identity of Americans. This painting, this artwork, is like a great American novel. It captures in its monumental ghostly depths the intricate truths every simple facade conceals. Who are Americans? What are they like? The truth lies deeper than the stars and stripes." - Jonathan Jones (The Guardian) More at: The truth beneath Jasper Johns' stars and stripes

Gregg Chadwick Rauch Licht (Smoke Light) 30"x22" monotype on paper 2011