Friday, March 03, 2006
WWI In Film and Paint
On December 24th, 1914 the entrenched forces arrayed against each other near Ypres put down their arms on Christmas Eve. With an exchange of songs and camaraderie, French, German, and Scottish soldiers searched for a way to overcome - for one brief night - the conflict that raged between them.
As morning dawned the physical and cultural No Man's Land that divided them reappeared ...
The Academy Award nominated film Joyeux Noel, which opens today in New York and Los Angeles, explores these events and the human cost of war. The film is up for Best Foreign Language Film at Sunday's Oscars.
Oscar Page on Joyeux Noel
Joyeux Noel Trailer
During World War I, many artists painted significant works:
"Un Village en Ruines Près du Ham"
63 x 85 cm oil on canvas 1917
Musée d'Histoire Contemporaine, Paris
Pierre Bonnard (1867-1947) was in a group of painters assigned in 1916 to go and paint the war. All that remains from his attempt to visually describe the conflict is a single unfinished painting of troops and charred ruins. In the distance, a Red Cross van portends future casualities. The painting is only roughed out- yet this incomplete, almost haphazard state poignantly renders a moment when the tools of art seem to be rendered mute by violence .
"Gassed and Wounded"
71.1 x 91.4 cm. oil on canvas 1918
Imperial War Museum, London
Das Leichenschauhaus (The Morgue)
25.7 x 35.7 cm. drypoint 1915
For a few months during WWI, Beckmann served as a nurse. In September 1914, he confided to his wife: "The doctors showed me the most horrific wounds with incredible kindness and skill. Everywhere, despite the open windows and the brightly lit room, there was an acrid stench of rotting flesh. I held out for about an hour and a half and then I had to get out into the fields."
More Images at:
Art of the First World War