It’s raining this New Year’s Eve in Santa Monica. I’m listening to a recording of a 10,000-member choir in Japan singing “Ode to Joy” in Beethoven’s Ninth Symphony. Enthusiasm for Beethoven is particularly strong in Japan. Every year in December, singers gather in a concert hall in Osaka to sing the final chorus from Beethoven's Ninth.
Again, my thoughts trace a circuit from this moment back to an earlier New Year in Japan as 1989 rolled into 1990. I was in Tokyo following the spirit and artworks of Ando Hiroshige. That winter in Japan, I clutched a large volume by Henry D. Smith II and Amy G. Poster on Hiroshige’s One Hundred Famous Views of Edo and trekked on rail, foot and car across the historic core of what was Edo era Tokyo. Sponsored by the Nippon Seiyu-Kai's 30th Anniversary Award, I endeavored to create a series of new paintings inspired by Hiroshige’s woodcuts. Time, place, memory, mystery and lore all mixed in my artworks.
Today @nortonsimon posted a photo of one of the most mysterious images from Hiroshige's One Hundred Famous Views of Edo. Alison Baldassano from the Brooklyn Museum wrote about this artwork, "People aren’t the only beings who gather together for special celebrations on the night before a new year dawns. In this woodblock print by Hiroshige, foxes come together on New Year’s Eve to receive directions for the upcoming year and emit ghostly flames, the size of which helps predict the next year’s crop…. And, as the foxes could say in the morning, 明けましておめでとうございます (akemashite omedetou gozaimasu) or #HappyNewYear!"
#art #NewYear #NYC #japan
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