Studio notes from the contemporary painter Gregg Chadwick
The Trans-Atlantic Slave Trade: Crash Course Black American History #1
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Important Historical Work from Clint Smith:
Today we're learning about the Trans-Atlantic slave trade, which brought millions of captive Africans to the Americas between the 16th and 19th centuries, with the largest number of people trafficked between 1700 and 1808. We'll look at the ships and crews that brought enslaved people across the ocean via what was known as the Middle Passage and explore the horrific conditions that these captives endured.
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Frida Kahlo Viva la Vida 59 x 50.7 cm. oil on masonite 1954 Frida Kahlo Museum, Mexico City, Mexico. Coldplay's lead singer, Chris Martin, was inspired by the life and art of the Mexican painter, Frida Kahlo, while recording Coldplay's latest album: Viva la Vida . Martin was struck by the appeal to life gouged into the watermelon in the foreground of Frida's Viva la Vida which he viewed on a visit to the Frida Kahlo Museum in Mexico City, Both Frida Kahlo and her husband Diego Rivera were involved in revolutionary politics in the Americas. Both artists felt it was their responsibility to point out and help change the injustices in society. But the band has used another painter's work to stand in for their inspiration. Eugène Delacroix's Liberty Leading the People graces the cover of Coldplay's new album. Though, the painting has been tagged by Frida, Chris, Banksy or perhaps Ricky Martin in white paint with the phrase "Long Live Life!" The undamage...
Update; January 26, 2010 The statue is of Tawaret the goddess of protection during pregnancy and childbirth. Temple of Haroeris and Sobek, Kom Ombo , copyright by Gary Jones . The Egyptian god Sobek seems to be the inspiration for the giant statue on LOST. I was leaning towards Anubis but the crocodilian snout gives it away. (Anubis was probably a bit too close to Stargate anyway.) Gary Jones' masterful photo of the Temple of Haroeris and Sobek in Egypt shows Sobek in detail. The light in Jones' photo is stunning - mysterious and beckoning. Caroline Seawright writes of Sobek: "Having the form of a crocodile, the Egyptians believed that he also had the nature of a crocodile. He could be the strong, powerful symbol of the pharaoh, showing the ruler's might. He could use this force to protect the justified dead in their after life, and be the protector and rescuer of the other gods... yet he could also use that power to savage his enemies and the sinful decease...
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