Speed of Life

Gregg Chadwick new breeze, new hour 30" x 22" monotype 2004 two exhibitions open this friday with work by gregg chadwick ( i will be attending the opening in park city. hope to see you there): the julie nester gallery in park city, utah will have its grand opening on december 3rd, 2004 from 5-8pm. 1755 b bonanza drive, park city, utah for more info: 435 649-7855 julienester@comcast.net (see below) & the lisa coscino gallery oh so proudly presents the original works of more than 30 artists at the amazing price of $99.95. entitled: the $99.95 show. we know what you're thinking: are they mad? are they out of your artsy minds? no, sir. tis the season.yes, tis. tis, tis, tis. for further information, please contact lisa coscino at 831.646.1939.

periodically i will pick an exhibition or an opening to highlight. if you are in new york this thursday or will be traveling there shortly make sure that you visit the foley gallery , a new space with great potential. michael foley, who served as director of the yancey richardson gallery in new york and before that worked with catherine clark in san francisco, has opened his own gallery. michael's new gallery focuses on photography and works on paper.

the transparent life 30"x22" monotype 2004 Moment Clear moments are so short. There is much more darkness. More ocean than terra firma. More shadow than form. -Adam Zagajewski

i've been reading the poetry of adam zagajewski derek walcott in the new republic : "these poems enter and possess you quietly. it is the quiet of a train halted on its lines. the engine throbs like a pulse, and there is always music in these verses, or the echo of music" zagajewski is a polish poet currently dividing his time between paris and houston where he teaches. there is much of czeslaw milosz here and joseph brodsky as well as the american, edward hirsch. but in the end adam zagajewski is his own poet. as i prepare for a new group of paintings i find a world of inspiration in these poems. zagajewski leads us into the shadows but he is not afraid to show us the light.

(Peace) 320˚ NW From where the red-winged blackbirds sing on the cattails of the Schel-Cheb marsh and the blue camas flowers bloom planted by Gale Cool in a prairie genesis the smooth shore of Kitsap’s village the Suquamish called “Bringing-it-home” opens out to the waves of Rich Passage, and beyond Rainier rises sixty miles away, its great gray ridges sharp, its massive glaciers white. At home in this sunlight the strong irony strikes Don Mowatt: on the phone from Pleasant Beach talking to a survivor in Bosnia, knowing he is to go, the call’s been made. Peace spreads by being left behind. - poem by kent chadwick

Kent Chadwick's poem "(Peace) 320˚ NW" is the first in a series of responses to my question, "How do you paint, write, sing peace?" Kent Chadwick is a Seattle based poet. His work is rich in language and moment. "(Peace) 320˚ NW" is from a new, ongoing series of poems modeled on the Japanese ukiyo-e artists Hokusai and Hiroshige's views of Mount Fuji. Mount Rainer is the touchstone in this series. Each poem contains a fleeting view of Rainier that acts as a silent witness to the life unveiling below. I urge you to read the lengthy and important series of comments found below the intial post. Thank you for your thoughts and I encourage you to think seriously about this question. I welcome your responses. Feel free to e-mail images, poems, stories and links to your songs my way.

  Gregg Chadwick Either/Or 36"x29" oil on linen 2004 Private Collection, San Francisco I find I need to look deeply into this painting to provide an antidote to the images flooding my way as I walk down the avenue. rack after newsrack, each with a front page heralding destruction. Years ago I was in Perth, Australia reading an art review concerning an exhibition about peace. Most of the images in in the show were anti-war but few if any were really about the idea of peace. The title of the review was "how do you paint peace". I have been trying to do that ever since. I think this painting is close. I ask you: how would you paint peace? How would you create the idea of peace in your music? In your writing? In your life? Please send thoughts. ideas and images my way- greggchadwick@icloud.com I will post your dreams...

steven, if my ten year old son did not cringe at the expression "shut-up" i might have titled my response to your national review piece "shut-up and write" or possibly "shut-up and look." but since my son skips into the room often to see what i'm up to i thought i would instead "use my words" and then after a "time out" send you my thoughts and the image of a current painting that deals with the situation in iraq. ok i'm ready now... and i have put my color wheels and brushes away. my father was an officer in the marine corps and he served in korea and vietnam. i respect his service and i thank him for the sacrifices that he and his buddies made so that i can disagree with him. that is the nature of america. at our best we are a gargantuan mix of cultures, creeds and credos. at our worst we are a gargantuan beast that without a system of checks and balances could easily slide into fascism. now we get to the part about art...

this morning's harbor , originally uploaded by greggchadwick . the julie nester gallery in park city, utah will have its grand opening on december 3rd, 2004 from 5-8pm. 1755 b bonanza drive, park city, utah for more info: 435 649-7855 julienester@comcast.net i am honored to have a group of paintings and works on paper in the inaugural exhibition. my work will include "une passante" and a series of new monotypes. monotypes are prints made by painting on metal and then transferring the painting to paper by pressure. only one initial print can be run through the press and then a follow-up ghost print. the ghosts are evocative, open ended and encourage further work. "this morning's harbor" is a good example of this process.the resulting work maintains a bit of the ghost and is quite effective in conveying my artistic thoughts. these new monotypes seem to me like small dreams.

"New York has finally become Paris -- a bountiful place to visit to see what great art used to be. The stunning new MoMA is its magnificent shrine." - Christopher Knight, Los Angeles Times i currently paint in los angeles, have a grad degree from nyu and consider paris as a constant muse. los angeles is a great city with a richly nuanced cultural climate- such a great mix of traditions. but, especially now, we need new york and paris. the score keeping that christopher knight tacks on to the end of his article on the new moma is embarassing. with jet blue's $99 fares does anyone in l.a. really define themselves as "not" being from new york anymore? l.a is a great city in which to create new work. but without new york we are cut off from incredibly important artistic and social dialogues. great art is not driven by fads or civic boosterism. instead great art is created within an environment that treasures a dialogue between past and present, east and west,...

jt kirkland is running an evocative site at thinking about art. he graciously allowed me to participate in an ongoing project in which artists are asked to write a short essay in response to one word- my response is on the word     responsibility

City of Desires , originally uploaded by greggchadwick . listening to pearl jam resound in a san francisco cafe. a warm fall dusk here - it somehow brings to mind the tropics. thought i would post a painting based on a time in rio. something about the brazilian air and the rich way music flows around the landscape made it into this work. love the way that brazilians realize that they are americans. not as citizens of a country but instead as part of two joined continents - the americas. sometimes, as in this painting and dream of dawn below, i find characters creating themselves in my work. i want to discover more about them as they appear. the story will continue...

黎明夢想(a dream of dawn) 80"x76" oil on linen 2004 i have been reading classical chinese poetry in translation while working on this new painting. a mix of remembered moments, music and poetry often fuels my work. Misted the flowers weep as light dies Moon of white silk sleeplessly cries. Stilled - Phoenix wings. Touched - Mandarin strings. This song tells secrets that no one knows To far Yenjan on Spring breeze it goes. To you it wafts Through the night skies. Sidelong - Eyes. How White tears fill now! Heart's pain? Come see - In this mirror with me. -Li Po

been in the studio all day- feels good to work large and get the whole body into it the light that fills this space in the late afternoon is hypnotic, almost like being under a rainbow thinking about diebenkorn since i'm painting off ocean park he started his ocean park series in 1967 during the viet nam war monet painted waterlilies during ww1 color has never felt more necessary as the world grows darker maybe something there... -gregg

Excerpts from letters to his parents from Pfc. Moisés A. Langhorst of the Marines. Private Langhorst, 19, of Moose Lake, Minn., was killed in Al Anbar Province on April 6 by small-arms fire. March 13 As far as my psychological health, we look out for each other pretty well on that. ... I've been praying a lot and I hope you're praying for the Dirty 3rd Platoon, because there is no doubt that we are in the Valley of the Shadow of Death. March 15 After standing in the guard tower for seven-and-a-half hours this morning, we went on our first platoon-size patrol from about 1200 to 1700. It was exhausting, but it went very well. I had to carry the patrol pack with emergency chow, a poncho and night vision goggles. That's what really wore me out. We toured the mosques and visited the troublesome abandoned train station. The people were friendly, and flocks of children followed us everywhere. When I called you asked me if Iraq is what I expected, and it really is. It looks just li...

i grabbed this moment of a monk taking a break for contemplation last year and found the image while researching new ideas. it seemed so emblematic of the practice of artistic creation that i wanted to dwell on it a bit. a group of tibetan monks were in the process of creating a sand mandala when one got up and carefully moved over to a group of devotional paintings lining the gallery walls. he stood still and seemed to gather the moment and the image in. i carried these thoughts over as i started a new painting last night. i worked late till the streets were empty and the traffic on the airport runways outside had died down and i painted till the image began to seem real and present. then remembering the monk i put my tools down, stopped and listened as the new work began to breathe.

-rotc training before deployment, spring 04: photo by gregg chadwick as the battle rages again in fallujah it prompts us to look at the faces of the combatants and to understand the humanity that is lost on all sides. the acting prime minister of iraq, allawi, has dubbed this new action al-fajr : arabic for the dawn. it is time for all artists, photographers and writers to fight the censorship of the current administration and show the true faces of this dark dawn.

"In this day and age of selling out to the Bushes and being corporate and acting like the industrial, plastic American lifestyle is the greatest thing that ever hit the planet... a movie like I ♥ Huckabees —a 60’s movie, whether it’s Asian, Zen, Tibetan Buddhist, Hindu ... reinforces some sort of hope for life and human integrity." - Columbia Religion Chair Robert Thurman in an interview with the New York Observer,Oct. 4, 2004 In David O Russell's new film I ♥ Huckabees, Albert Markovski (Jason Schwartzman) hires two existential detectives Bernard and Vivian (Dustin Hoffman and Lily Tomlin) to help discover the significance of three chance meetings with an autograph hunting Sudanese refugee (Ger Duany). Dustin Hoffman's character is loosely based on the director's friend and mentor Robert Thurman who is best known as a colleague of the Dalai Lama and the father of Uma Thurman. Robert Thurman is currently the chair of the religion department at Columbia Univers...

Arlington 48” x 36” oil on linen 2004 From the funeral of Chanawongse Kemaphoom 22, of Waterford, Connecticut. Killed in action during operations on the outskirts of An Nasiriyah on March 23, 2003. Chanawongse was assigned to 2nd Assault Amphibian Battalion, 2nd Marine Division, Camp Lejeune, North Carolina.

"America, the first real democracy in history, was a product of Enlightenment values - critical intelligence, tolerance, respect for evidence, a regard for the secular sciences. Though the founders differed on many things, they shared these values of what was then modernity. They addressed "a candid world," as they wrote in the Declaration of Independence, out of "a decent respect for the opinions of mankind." Respect for evidence seems not to pertain any more, because a poll taken just before the elections showed that 75 percent of Mr. Bush's supporters believe Iraq either worked closely with Al Qaeda or was directly involved in the attacks of 9/11.  The secular states of modern Europe do not understand the fundamentalism of the American electorate. It is not what they had experienced from this country in the past. In fact, we now resemble those nations less than we do our putative enemies."  -Garry Wills, adjunct professor of history at Northw...

"i think the truth is, that nobody, inside or outside, can accurately portray a country. We can only paint what we see….this land of plenty is a vacuum inside, a land of drought and poverty: mental, spiritual, social, political poverty.” -wim wenders on america

as i'm sure you would agree - never before have we been more aware that every single vote counts. Godspeed as you vote on Tuesday, November 2nd "I don't think it has made America safer . . . How many of our best young people are going to die? Sitting on the sidelines would be a betrayal of the ideas I'd written about for a long time....There is a long tradition of the artist being involved in the life of the nation. For me, it goes back to Woody Guthrie, James Brown, Curtis Mayfield and Bob Dylan . . . The artist is there to open up discourse, to get people thinking about American identity: Who are we? What do we fight for? What do we stand for? I view these things as a fundamental part of [the artist's] job." -Bruce Springsteen

vermeer in bosnia Originally uploaded by gregg chadwick . while at the metropolitan museum in new york recently i sought out the vermeers and found myself viewing them through the scrim of lawrence weschler's recent collection of essays, "vermeer in bosnia." i hope all of us can take some time before tuesday's election to stop and find stillness and clarity. as weschler so aptly recounts, vermeer had to invent the still and timeless world in his paintings. the europe that vermeer spent his youth in was as scarred as bosnia during the balkan wars or as iraq is today. keeping this in mind we must create our own stillpoint from which to approach the speed of contemporary existence. i suggest a quiet visit and a moment of humility before a timeless work of art. vermeer creates that space for me. take care - gregg

freedom of expression slide and video presentation as part of their 30th anniversary celebration on october 30,california lawyers for the arts presents a curated digital slide and video presentation of visual art addressing the concept of freedom of expression. this includes the broadest possible range of viewpoints on the topic. the slide presentation will be shown during the creative freedom party reception at the cowell theater, fort mason, san francisco 6:30-9pm arlington as well as a few other pieces of mine will be included. the paintings should spark some dialogue.

photo by kenro izu Kenro Izu's pallidium prints are taken with a massive camera that seems to wrestle the sacred onto film. a selection of Kenro's work and his gargantuan camera were recently on view at the Rubin Museum in New York. In an interview conducted on July 31, 2001, with Peabody Essex Museum director of photographic services, Marc Teatum, Kenro Izu described his artistic process," I try to use my basic instincts, like an animal sensing danger. I want to be as pure, as empty as possible and just try to document the spirituality of the place. If I can’t, then I don’t want to make another picture postcard that someone else has already taken under perfect conditions." Kenro Izu is actively creating important contemporary sacred art that defies boundaries and borders. His image (seen above) of a Buddha in a tree at Wat Mahathat in Ayutthaya, Thailand is both mysterious and inviting. There is a profound silence in this image and an uncanny presence of breath.

holland cotter in his october 20th piece in the new york times on the rubin museum makes a good point when he calls tibetan art an art of fusion," we're learning how [cultures] intersect, interact, serendipitously echo one another." it is this intersection, interaction and echoing that fuels much of my work and the work of writers, musicians, painters, photographers and sculptors who are interested in inclusion rather than exclusion.

the brand new rubin museum of art in manhattan is a glorious addition to the museums of new york. set in chelsea - the museum provides a needed place of beauty and contemplation. described as the first museum in the world dedicated solely to the art of the himalayas- the rubin museum fills a gap in our understanding of the art and faith of this region.

MSue in Bar Harbor  Spent a wonderful birthday in Bar Harbor, Maine with MS wandering the windy coast and town with numerous sightings of John Malkovich who is currently filming a new bio of the Viennese artist Gustav Klimt.

Opening at Santa Monica Art Studios, Santa Monica Airport - photo by Cassiel Chadwick , originally uploaded by greggchadwick .

Opening at Santa Monica Art Studios, Santa Monica Airport- photo by Gerardo Horischnik , originally uploaded by greggchadwick . thank you to all who braved the huge crowd at saturday's grand opening. i was touched by the enthusiasm for and interest in my work. if you have questions about a particular painting or monotype please e-mail me or leave a comment on this entry. if you would like to view the work again in a calmer fashion please stop by on thursday, october 14th. i will be in the studio from 12pm to 6pm and of course the los angeles art fair will be opening that evening across the street in the barker hangar. if those times do not work please feel free to set up an appointment . i hope you had a chance to view the other artist's work at the santa monica art studios facility. i just call it the hangar. it really brings back my childhood to paint with the roar of jet engines reverberating from the nearby runway. that roar sounds like possibility to me- as artis...

i drive from santa monica to san francisco and back almost weekly. don't know how i would do it without michael mcdermott growling and whispering in my ear. his music is pure passion and the lyrics are the poetry of life's small battles. a rich chord of spirituality runs throughout michael's music. this is neither irony nor dogma but instead the understanding of faith and its importance in modern life. you can sense michael mcdermott's appreciation for joseph campbell in these songs. and in those spare piano graced moments i can almost hear raymond carver. this is music for the soul. give it a listen- take care gregg

une passante ( for czeslaw milosz) , originally uploaded by greggchadwick . every artwork has its audience - sometimes large and sometimes singular. small paintings such as "une passante" seem to be noticed first by other artists or those with a heightened awareness of the world. i recently sent the following description of "une passante" off to an early discoverer of the work- czeslaw milosz' poetry has been a deep inspiration for me. his ability to search for meaning or metaphysics even after the horrors in Poland during the 20th century has always been a source of strength for me artistically and spiritually. when i found out about his recent death i wanted to paint an image pulled from life like a sort of painted poem- a moment that if one is not truly aware will go unseen title: une passante (in french a female passerby) this poem by milosz feels to me like the painting: AN HONEST DESCRIPTION OF MYSELF WITH A GLASS OF WHISKEY AT AN AIRPORT, LET ...

Studio View Of Fire Sermon , originally uploaded by greggchadwick . Hope all of you in los angeles come down to my studio this weekend for the grand opening: When: 6-9 pm on saturday, october 9th and 2-5 pm on sunday, october 10th Where: studio #15 @ the hangar studios santa monica airport 3026 airport avenue, santa monica, ca 90405 View some of the work at: https://www.greggchadwick.com/Gregg_Chadwick/Paintings__2000-2010.html Hope to see you there make sure you come up and say "hi" take care- Gregg